.

1. Pre-Production
Andina Bispo

2. Pre-production Assessment

3. Locations
• This is where all our scenes will be filmed.
• Most of the scenes will be filmed inside, there will only be two shots recorded
outside at the front of the house.
• This is an easy place to film, and it is often available.

4. Locations
Distance Access Cost Weather
• For me, it is a 20
min walk.
• For Freya, this
doesn't apply as it
is her house.
• For Lilly it is a 21
min walk.
• For Finley it is a 30
min drive.
The distance is not a
problem for us,
except for Finley as it
is a long drive, so we
will plan a day he is
available.
This being a private
residence we need
permission from the
residents to film
there; as this is the
house of one of my
cast members, this
won't be a problem as
she gave us full
permission to film
there.
• Because this
house has a lot of
stairs, we have to
be extra careful
when carrying
equipment.
• It isn't going to
cost us anything to
film there as it was
offered to us for
free.
• We will buy
something to eat
in the day which
will cost us about
£7 each, in total
that will be £28.
• I need new
batteries for my
camera as mine is
old, that will cost
me £15. So in total
I will be spending
£22.
• I researched in
advance a day that
would be sunny so
the weather
wouldn’t be a
problem for us.
• As that day is
going to be warm,
I instructed
everybody to wear
light clothing and
bring water.
• I have to make
sure to keep all
the equipment out
of the sun, so it is
not damaged.

5. Equipment
• For my equipment, I won’t borrow
anything from college as I already have my
own equipment.
• For my camera I will be using a Nikon
Coolpix P500; this camera was released in
march 2011, with Zoom-Nikkor ED VR lens,
focal length of 4 – 144mm, software Nikon
ViewNX 2 CD-ROM, Tilting Hi-res LCD, 5-
way VR Image Stabilization, Dual EXPEED
C2 processors, full PASM, 19 Scene modes,
full 1080p HD movies, HS movies up to
120 fps, HDMI output, Easy Panorama
Scene mode, Advanced Night Landscape
mode, Night Portrait mode, Smile Timer,
Face Priority AF, Blink Warning, Red-eye
Fix, Skin Softening, Best Shot Selector.

6. Equipment
• For my microphone I’m going to use
a RODE iXY Stereo Microphone 24-
bit/96K; With record stereo audio at
24-bit, 96kHz, Matched pair of 1/2"
cardioid condenser capsules, Metal
casing for enhanced durability and
electromagnetic interference
immunity. Includes windshield, zip
case Software-switchable 72Hz high
pass filter for reduction of unwanted
low frequency noise. Polar Pattern
Cardioid (X/Y configuration), Max SPL
120dB, Sensitivity -42dB re 1V/pa
(8.52mV@94db) +-3dB @ 1khz,
Equivalent Noise 18.8 dB SPL, Signal
to noise ratio 75.1dB.

7. Equipment
• To help me with filming I will be using a simple
black tripod; It is a lightweight and adjustable
iPhone tripod made of aluminium alloy legs with
a lightweight tri-lock with quick-release flip-lock
allows easy adjust work height in 13 "to 42"
seconds and weight 0.8 pounds. Stability Design: -
360-degree rotating phone mount for portrait
(vertical) or landscape (horizontal) without
removing the phone from the tripod. 3-correct
way shooting angle is easy to fix. A tripod for the
camera equipped with a quick-release plate helps
you quickly set up the device with an
international standard 1/4 screw interface.
Compatibility and Convenience:- Phone mount
extend from 5cm-10cm, Most iOS/Android cell
phone holder models like iPhone 11/11 Pro/11
Pro Max/XS MAX/XS/XR/X/8/8 plus/7/6/6s/5/5s,
Note 10/10 Plus/S10/S10
Plus/S10E/Note9/S9/S8/S7 edge/S7/ S6 edge,
Digital cameras for Nikon, DSLR, also for GoPro
and other action camera.

8. Equipment
• For editing I will use a MacBook air 13 inch, mid
2012; Processor: 1.8GHz dual-core Intel Core i5
(Turbo Boost up to 2.8GHz) with 3MB shared L3
cache
• Graphics and Video Support: Intel HD Graphics
4000
• Dual display and video mirroring: Simultaneously
supports full native resolution on the built-in
display and up to 2560 by 1600 pixels on an
external display, both at millions of colours.
• Display: 13.3-inch (diagonal) high-resolution LED-
backlit glossy widescreen display with support for
millions of colours. Supported resolutions: 1440 x
900 (native), 1280 x 800, 1152 x 720, and 1024 x
640 at 16:10 ratio and 1024 x 768 and 800 x 600
at 4:3 ratio.
• Connections and Expansion: Two USB 3 ports (up
to 5 Gbps) - Thunderbolt port (up to 10 Gbps) -
MagSafe 2 power port - SD card slot.

9. Facilities
• I will be editing my video both a
home and in college; when in
college, I will use the college
computers and save everything on
my OneDrive, which I also have
access at home and so I can edit in
both places without having to
email me all the material every
time. Regarding to software, I plan
on using both Premiere Pro and
Photoshop; if needed, I will also
use an external editing app.

10. Personnel
Member Role Strengths Weaknesses Availability
Freya Dawson Actress • Always available
• Works well with
everyone
• Very good at
memorising
• Shy
• Not very good with
improvisation
Always
available
Lilly Ross Actress • Experience with
acting
• Very good at
improvising
• Good with
costumes
• Often busy
• Gets easily
distracted
Sometimes
available
Finley Andrews Assistant to
the director
• Knows a lot about
cameras
• Has great ideas
• Very good with
creative camera
angles
• Lives far away
• Gets easily
distracted
Often
available

11. Creative Planning

29. Shot
number/scene
number
Type of shot Scene description
1 Long shot View of the front of the main character’s house.
2 Medium close-up shot Main character waking up on their bed, not
remembering anything from the night before.
She then gets up and heads towards the
bathroom.
3 Medium shot She is in the bathroom, washes her hands and
then proceeds to message her friends, but no
one answers.
4 Long shot View of the front of the main character's house.
5 Medium shot She is in her room, sat on the bed, looking at her
phone. She tries to call her friends again, but no
one answers.
6 Long shot She notices something on the floor and picks it
up, there is a piece of clothing with blood on it.
7 Medium close-up shot She starts to panic, moves around the room
nervously, then she gets out of the bedroom and
heads towards the living room.
8 Medium shot She enters the living room and moves around,
looking and picking up objects trying to
remember. Then she notices a weird smell
coming from the basement and she leaves the
living room to go check.

30. Shot
number/scen
e number
Type of shot Scene description
9 Medium shot She enters the basement where she finds her
friends dead, friends are sat in chairs.
10 Medium shot She notices a camera in one of their hands, she
walks, picks it up and starts to watch the
footage.
11 Long shot Friends at a party, having fun, talking and
drinking.
12 Close-up shot She has the camera in her hands and looks
shocked/ disturbed.
13 POV shot Two friends having and argument while the
rest is watching, one of them has a camera.
14 POV shot She stabs her friend, the other characters look
terrified, the camera is filming everything.
15 POV shot She stabs her friends, and they drop dead on
the living room floor.
16 POV shot In the basement, three characters are sat down
while she walks on frame pulling the fourth
character by the leg and puts him in the chair.
17 Close-up shot Footage ends, view of the character's face, she
smiles.

31. Layout Plans - Poster
TITLE
• Props from the movie to give the audience clues.
• Blood stains on the victim and on the murder
weapon to comply with the audience's feedback.
• They are both going to be lying in bed. The killer is
going to be facing her victim and smiling; I did this
because I want to create a sense of toxic love, saying
that even though she killed her, she still loves her.
• The victim is going to be facing up and her body will
be carefully positioned in bed. Again, this is to say
the killer is taking care of her because she loves her.
• The title is going to be red to simulate blood and I'm
going to use a horror font, preferably one that looks
like the blood is oozing on the screen; I'm doing it
that way to reinforce the idea of murder and give it a
gory look.

32. Layout Plans - Film
• For the vintage camera footage, I am
going to use a phone to record POV
shots. The phone will be recording
horizontally to pretend it is the bunny
camera filming.
• Then I'm going to add a vintage filter to
the footage.
• It will be recorded in POV shot because I
want the audience to feel a proximity to
the characters as if the
characters themselves sent them the
videos.
• For that footage, I want to use a light effect at the beginning and make the filters
progressively darker as the story progresses, and I want to do that to link the story to
the audience, making them having a feeling that they can see the darkness in the
story.
• I also want to use the same strategy with the costumes, the killer will have light
coloured clothes in the beginning and darker at the end.

33. Layout Plans - Film
• For the rest of the film, I want to use a subtle
dark filter to highlight the worry and despair
of the character.
• Additionally, the dark filter will set the
mood for the scenes, which, alongside with a
horror soundtrack, will create an effective
tension build-up.
• My actress will be portrayed as worried and
clueless, and that is because I want the
audience to believe her for a brief period of
time.
• At this point, the character will be wearing dark clothing, as mentioned before, I
did this to give a hint of the guilt of the character.

34. Props/Costume/etc
Pink bunny camera: it adds
a childish look to the
character, while reinforcing
the innocent personality of
the victim.
When building the victim's profile, I wanted all the
elements to link together to create this sweet and
innocent person that the audience would feel bad
for when she's killed. Additionally, it makes the killer
look worse, crueler.
White is a well-known
symbol of innocence and
peace.

35. Props/Costume/etc
I used the wine bottle as the murder
weapon because it acted as a symbol
of betrayal. And this is because in the
beginning they were drinking wine and
the bottle represented the shared love
and trust between them; using that
same bottle to murder her moments
later represent the break of that love
and trust.
The killer will wear clothing in dark tones, I
did this because I wanted the outside to
reflect the inside of her mind. Black is a
really closed colour, in the dark you can hide
things that no one suspects it's there, exactly
like the real personality of the killer.

36. Sound Effects/Music
• For soundtrack I will be using a website that I've used a lot before, and
it has great things available there, it is called Chosic
(https://www.chosic.com/free-music/horror/).
• The sound effects and the music will be chosen to reflect the mood of
the scene.
• It is very important to choose the right one because audio is one of the
most important allies in horror, as combined with visuals, creates
a sense of unease that will help me effectively achieve the theme
horror.
• For example, on the scene the main character kills her girlfriend, I
could use a high sharp sound, this will create the illusion of pain, while
also acting as a cover, because in the filming there won't be a banging
sound, as the actors aren't going to hit each other for real.

37. Script
• The dialogue will be improvised when filming.
Scene 1
Two girls are having a date night, one of them is holding the camera and filming them.
They are watching a movie, laughing and having fun.
Cut to the main character, she is in bed, the alarm goes off, she wakes up and doesn't
remember anything, she gets her phone and gets out of the bed.
Then she leaves the bedroom and goes to the bathroom.
She turns on the lights, washes her hands and gets her phone. She calls her girlfriend,
but she doesn't pick up. She then leaves her girlfriend a voice message.
She returns to the bedroom, sits on the bed and looks at her phone. She calls her
girlfriend again. A phone starts ringing. She turns to the direction of the noise, and she
sees a yellow cardigan, she picks it up and her girlfriend's phone is under it. She starts
to remember some things from the previous nights. She gets up and leaves the
bedroom.

38. Script
• The dialogue will be improvised when filming.
Scene 2
She enters the living room, and starts looking around, lifting pillows and searching for
clues.
She stops and smells something weird in the air. She leaves the living room to
investigate the cause of the smell.
She goes down the stairs.
There is a corridor leading to a room with the door slightly opened where she sees a
foot. She walks down the corridor and opens the door to find her girlfriend's dead
body.
She notices a camera in her girlfriend's hands, she picks it up and turns it on. She finds
footage from the night before. She starts watching it.

39. Script
• The dialogue will be improvised when filming.
Scene 3
*THESE ARE THE SCENES FOR THE CAMERA FOOTAGE*
She and her girlfriend are having a date night, they are sat in a sofa watching a movie.
Main character is filming them while they are talking, laughing and having fun.
She gets up and heads towards the kitchen to get some wine for her girlfriend. She
enters the kitchen where there is a counter with different bottles of wine and a
phone. She picks up a wine bottle and sees a message on her girlfriend's phone, a
message from someone she doesn’t know.
She walks back to the living room, leaving the wine bottle in the kitchen and bringing
the phone. She starts questioning her girlfriend about it, but she says it is nothing.
They start arguing.
Her girlfriend starts to walk away, the main character grabs an empty wine bottle that
was sitting in the sofa and hits her girlfriend in the head, killing her.

40. Script
• The dialogue will be improvised when filming.
Scene 4
*THESE ARE THE SCENES FOR THE CAMERA FOOTAGE*
There is a body on the floor being dragged out of frame.
Cuts to the main character arranging her girlfriend's body on a chair in a room down
the stairs. After fixing her body on the chair, she leaves the camera in her girlfriend's
hands and closes the door, leaving it a little open.
*FOOTAGE ENDS*
There is a close up of the main character holding the camera. She slowly moves the
camera away from her face. She smiles.
THE END.

41. Organisational Planning

42. Production Group Info
Name Contact info Defined role
Freya Dawson freya-dawson@student.yorkcollege.ac.uk Actress - Filming
Lilly Ross lilly-ross@student.yorkcollege.ac.uk Actress - Filming
Finley
Andrews
finley-andrews@student.yorlcollege.ac.uk Assistant to the
director - Filming
*They will be helping me only with filming, the rest will
be done by me.*

43. Locations
55 Tedder Road, YO24 3JD
• The house will be available for us to film on the
01/05/2022.
• Finley and Freya will already be there because they
spent the night. Me and Lilly will get there at two
o'clock.
• They have the entire day free, so we can take as
long as we want, but we are aiming to finish at
four or five pm.
• We will have access to toilets and water in the
house, but we will buy some food when we finish
at the Co-op nearby.
• The Co-op is a 4 min walk from the house.
6 Beagle Ridge Dr, York YO24 3JQ

44. Locations
Filming equipment: Nikon Coolpix P500
Simple black tripod
MacBook Air 2012 for Shot List
and Storyboard checking

45. Locations
Possible issues Solutions
Street noise
If the street is too noisy, we'll make sure to
close all the windows and doors to bring
the noise to a minimum, if it's still possible
to hear it, I will apply a noise reduction
when editing.
Unexpected weather
If it doesn't interrupt our filming, we will
carry on but if it does, we can either wait a
bit for it to calm down or film another day.
Pigeon noise
As the ceiling has an opening, the pigeons
go in and make a lot of noise, if that
happens, we simply have to hit the ceiling
with a spoon, or a broomstick and they’ll fly
away.
Unexpected emergency
If someone has an unexpected emergency
and they are indispensable we will film
another day or, if possible, later in the same
day.

46. Schedule
Date Location Cast/Crew Activity Notes
01/05/2022 55 Tedder Road Freya Dawson
Lilly Ross
Finley Andrews
Filming We will meet in
the afternoon and
filming should
take three hours.
22/04/2022 54 Kingsway West Andina Bispo Experiments Try some things
for the film. Will
be one hour.
Class time York College Andina Bispo Editing Upload videos
and edit them.
One hour.
Class time York College Andina Bispo Editing Add filters to the
videos. One hour.
Class time York College Andina Bispo Editing Adding audio
effects and
transitions. Two
hours.
Class time York College Andina Bispo Photoshop Create the poster.
Two hours.

47. Clearance and Permissions LOCATION
Land Owner
I, the undersigned hereby grant permission to ANDINA BISPO DE SOUZA the right to enter and remain upon 55 TEDDER
ROAD (the Property), which shall include not only real property but any fixtures, equipment or other personal property
thereat or thereon, located at 55 TEDDER ROAD, with personnel and equipment (including without limitations, props,
temporary sets, lighting, camera and special effects equipment) for the purpose of photographing scenes and making
recordings of said Property in connection with the production of a digital media text on the following date(s):
01/05/2022 This permission includes the right to take motion pictures, videotapes, still photographs and/or sound recordings
on and of any and all portions of the Property and all names associated there with or which appear in, on or about the
Property. This permission also grants all rights of every nature whatsoever in and to all films and photographs taken and
recordings made hereunder, including without limitation of all copyrights therein and renewals and extensions thereof, and
the exclusive right to reproduce, exhibit, distribute, and otherwise exploit in perpetuity throughout the universe (in whole or
in part) such films, photographs and recordings in any and all media, whether now known or hereafter devised, including
without limitation in and in connection with the documentary video and the advertising and other exploitation thereof. I
certify that I have the full right and authority to enter into this agreement and grant the rights herein granted, and that the
consent or permission of no other person, firm, or entity is necessary in order to enable you to exercise or enjoy the rights
herein granted.
Andina Bispo de Souza Kate Dawson

48. Clearance and Permissions
ACTOR/MODEL
Land Owner
I, the undersigned hereby grant permission to ANDINA BISPO DE SOUZA the right to capture my images and likeness in the
production of a digital media text on the following date(s): 01/05/2022 This permission includes the right to take motion
pictures, videotapes, still photographs and/or sound recordings. This permission also grants all rights of every nature
whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all
copyrights therein and renewals and extensions thereof, and the exclusive right to reproduce, exhibit, distribute, and
otherwise exploit in perpetuity throughout the universe (in whole or in part) such films, photographs and recordings in any
and all media, whether now known or hereafter devised, including without limitation in and in connection with the
documentary video and the advertising and other exploitation thereof. I certify that I have the full right and authority to enter
into this agreement and grant the rights herein granted, and that the consent or permission of no other person, firm, or
entity is necessary in order to enable you to exercise or enjoy the rights herein granted.
Andina Bispo de Souza
Lilly Ross

49. Clearance and Permissions
ACTOR/MODEL
Land Owner
I, the undersigned hereby grant permission to ANDINA BISPO DE SOUZA the right to capture my images and likeness in the
production of a digital media text on the following date(s): 01/05/2022 This permission includes the right to take motion
pictures, videotapes, still photographs and/or sound recordings. This permission also grants all rights of every nature
whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all
copyrights therein and renewals and extensions thereof, and the exclusive right to reproduce, exhibit, distribute, and
otherwise exploit in perpetuity throughout the universe (in whole or in part) such films, photographs and recordings in any
and all media, whether now known or hereafter devised, including without limitation in and in connection with the
documentary video and the advertising and other exploitation thereof. I certify that I have the full right and authority to enter
into this agreement and grant the rights herein granted, and that the consent or permission of no other person, firm, or
entity is necessary in order to enable you to exercise or enjoy the rights herein granted.
Andina Bispo de Souza Freya Dawson

50. Health and Safety
Potential Issue How will the issue be avoided?
Tripping on equipment
I will put the equipment at a clear view and in
appropriate places, so no one falls if they are
trying to walk and the equipment is on the
floor/middle of the room.
Actors falling off the stairs when going down
Check the stairs to make sure there isn't any
objects blocking the way and giving the actress
proper footwear, so she doesn’t slip.
Cars
When filming outside, if possible, not film in
the middle of the street. If that is necessary,
one of us will be on the lookout for any cars
coming
Lifting heavy objects
The backup tripod we have is quite heavy, if we
need it, to avoid anyone hurting their back, we
will carry it between two people.
Wet floors
When filming in the bathroom, we must make
sure that there isn't any water on the floor, if
there is, dry appropriately.
Sharp objects
We won't use any sharp objects as props;
however, we'll film a scene in the kitchen and
so we must make sure there aren't any sharp
objects in the way.