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Art(?) What are we appreciating?
Time to look ,[object Object],[object Object]
Art is made up of: ,[object Object],[object Object],[object Object]
Source: “Art or Bunk” by Ian Ground, 1989
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What distinguishes Art? without doubt everything is clear ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Is  every  object a work of art?
[object Object],[object Object]
Example: Choosing where to sit in the park typically involves some kind of aesthetic decision
[object Object]
Is this elephant making Art? Why or why not?
Denver Zoo – elephant painting
“From an anonymous and abstract place, tied to intellectual activity, the gallery becomes a concretely real space, open to stimulating all the senses. “ “emblem of rationality subduing nature” – the Enlightenment Jannis Kounellis - Untitled - 1969
[object Object],[object Object]
 
 
Cy Twombly  ,Untitled , 1970  Crayon and house paint on paper  27 3/4 x 39 3/8 in. (70.5 x 100 cm)
JEAN ARP, Collage Arranged According to the Laws of Chance, 1916–1917. Torn and pasted paper, 1’ 7 1/8” x 1’ 1 5/8”. Museum of Modern Art, New York
Nature vs. Art
Vik Muniz, “Pictures of Clouds”, 2001
‘Alba’ is a transgenic albino rabbit: She contains a jellyfish gene that makes her glow green when illuminated with the correct light.  “GFP Bunny” has raised many ethical questions and sparked an international controversy about whether Alba should be considered art at all….
 
Paul McCarthy's sculpture "Complex Shit" (2008)
Figure 22-23  MARCEL DUCHAMP, Fountain, (second version), 1950  (original version produced 1917).  Ready-made glazed sanitary china with black paint, 12” high. Philadelphia Museum of Art, Philadelphia
 
Carl Andre, “Equivalent VIII”, 1989 Fire bricks
Counterfeit ,[object Object],[object Object]
Jean Dubuffet “dhotel nuance d'abricot” Beauty?
Courbet,  Les Baigneuses , 1853
 
French performance artist Orlan, who has dedicated herself to embodying classic beauty as found in the works of Leonardo and Botticelli through multiple plastic surgeries Detail from  The Birth of Venus , by Sandro Botticelli, 1486
Barry McGee aka Twist Context
Barry McGee aka Twist Context
Context
Vs. Appearance vs. Intention
Waving vs. Drowning
Robert Rauschenberg ,  White Painting , 1951
“ I use the pollen or the beeswax, which I did not create. I participate in the most beautiful things in the world, which I could never create. I could never create this beauty of the pollen. So the tragedy for me would be if I tried to make a painting out of pollen.“ “ for me, the sky is much more important than trying to make a painting that is a symbol for the sky. “
 
Wolfgang Laib Milk stone 1980 marble and milk 2.6 (h) x 91.9 (w) x 74.2 (d) cm
Martin Creed, Work No. 850, 2008   Work No. 850  centers on a simple idea: that a person will run as fast as they can every thirty seconds through the gallery in the Tate Britain. Each run is followed by an equivalent pause, like a musical rest, during which the grand Neoclassical gallery is empty.
Felix Gonzales-Torres,untitled, 1991
Tom Friedman 1,000 Hours of Staring 1992-97 stare on paper 32 1/2 x 32 1/2 in.
John Baldessari, “I will not make any more boring Art”, 1971
 
 
 
Marina Abramović, The Artist Is Present, 2010
 
 
Possible  definitions of Art: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Chapter 2 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
(abbreviated) Fallacies about Contemporary Art  – L Magazine, May 13, 2009 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Week1 Art or Not

  • 1. Art(?) What are we appreciating?
  • 2.
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  • 4. Source: “Art or Bunk” by Ian Ground, 1989
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  • 7. Is every object a work of art?
  • 8.
  • 9. Example: Choosing where to sit in the park typically involves some kind of aesthetic decision
  • 10.
  • 11. Is this elephant making Art? Why or why not?
  • 12. Denver Zoo – elephant painting
  • 13. “From an anonymous and abstract place, tied to intellectual activity, the gallery becomes a concretely real space, open to stimulating all the senses. “ “emblem of rationality subduing nature” – the Enlightenment Jannis Kounellis - Untitled - 1969
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  • 15.  
  • 16.  
  • 17. Cy Twombly ,Untitled , 1970 Crayon and house paint on paper 27 3/4 x 39 3/8 in. (70.5 x 100 cm)
  • 18. JEAN ARP, Collage Arranged According to the Laws of Chance, 1916–1917. Torn and pasted paper, 1’ 7 1/8” x 1’ 1 5/8”. Museum of Modern Art, New York
  • 20. Vik Muniz, “Pictures of Clouds”, 2001
  • 21. ‘Alba’ is a transgenic albino rabbit: She contains a jellyfish gene that makes her glow green when illuminated with the correct light. “GFP Bunny” has raised many ethical questions and sparked an international controversy about whether Alba should be considered art at all….
  • 22.  
  • 23. Paul McCarthy's sculpture "Complex Shit" (2008)
  • 24. Figure 22-23 MARCEL DUCHAMP, Fountain, (second version), 1950 (original version produced 1917). Ready-made glazed sanitary china with black paint, 12” high. Philadelphia Museum of Art, Philadelphia
  • 25.  
  • 26. Carl Andre, “Equivalent VIII”, 1989 Fire bricks
  • 27.
  • 28. Jean Dubuffet “dhotel nuance d'abricot” Beauty?
  • 29. Courbet, Les Baigneuses , 1853
  • 30.  
  • 31. French performance artist Orlan, who has dedicated herself to embodying classic beauty as found in the works of Leonardo and Botticelli through multiple plastic surgeries Detail from The Birth of Venus , by Sandro Botticelli, 1486
  • 32. Barry McGee aka Twist Context
  • 33. Barry McGee aka Twist Context
  • 35. Vs. Appearance vs. Intention
  • 37. Robert Rauschenberg , White Painting , 1951
  • 38. “ I use the pollen or the beeswax, which I did not create. I participate in the most beautiful things in the world, which I could never create. I could never create this beauty of the pollen. So the tragedy for me would be if I tried to make a painting out of pollen.“ “ for me, the sky is much more important than trying to make a painting that is a symbol for the sky. “
  • 39.  
  • 40. Wolfgang Laib Milk stone 1980 marble and milk 2.6 (h) x 91.9 (w) x 74.2 (d) cm
  • 41. Martin Creed, Work No. 850, 2008 Work No. 850 centers on a simple idea: that a person will run as fast as they can every thirty seconds through the gallery in the Tate Britain. Each run is followed by an equivalent pause, like a musical rest, during which the grand Neoclassical gallery is empty.
  • 43. Tom Friedman 1,000 Hours of Staring 1992-97 stare on paper 32 1/2 x 32 1/2 in.
  • 44. John Baldessari, “I will not make any more boring Art”, 1971
  • 45.  
  • 46.  
  • 47.  
  • 48. Marina Abramović, The Artist Is Present, 2010
  • 49.  
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Editor's Notes

  1. Can a machine/program make art?
  2. Can a machine/robot make art? Is the drawing itself art?
  3. Very similar to the drawing made by machines – if it is similar aesthetically – does that make the robot drawing art?
  4. Intention/element of chance
  5. Natural cloud formations – art in themselves?
  6. “drawn” (flown) cloud formations – art?
  7. Contemporary art?
  8. Found art/ownership/creation
  9. What is the difference?
  10. Beauty?
  11. Barry McGee – tagging outside of a gallery environment
  12. Barry McGee – tagging outside of a gallery environment Barry McGee – tagging outside of a gallery environment Barry McGee tagging INSIDE a gallery context
  13. Barry McGee – tagging outside of a gallery environment Barry McGee – tagging outside of a gallery environment Barry McGee tagging INSIDE a gallery context Barry McGee – tagging outside of a gallery environment Barry McGee – tagging outside of a gallery environment Barry McGee tagging INSIDE a gallery context
  14. Context – inside/outside
  15. Painting on wall – art? Painting with a palette/canvas art? Why do we privilege certain mediums/methods?
  16. context
  17. No transformation of materials – honesty in work – just change in formal presentation and context
  18. Filled with milk daily
  19. Work that is not tangible
  20. Works with out a end – these papers can be taken by a viewer and will be replace endlessly by the gallery
  21. Content/concepts – playing on the stereotype of the thoughtful painter/artist
  22. Conceptual art
  23. Conceptual art – instructions by Sol Lewitt
  24. Conceptual art?