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Chapter Fourteen Ancient Mediterranean Worlds Major characteristics & Context: Egypt Greece Rome Vocabulary: Earliest art Ziggurat Kouros Sunken Relief Classical Hellenistic
How vs. Why Place and Time - CONTEXT
Why this art? ,[object Object],[object Object],[object Object],[object Object]
Functions of Art ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Origins of Art ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Introduction ,[object Object],[object Object],[object Object]
Thomas Cole's series "The Course of Empire" from 1834-36
The Savage State
Pastoral State
The Consummation of Empire
The Destruction of Empire
Desolation,  1836 Oil on canvas
The world's oldest example of abstract art, dating back more than 70,000 years, has been found in a cave in South Africa.
Aurochs, horses, and rhinoceroses, wall painting in Chauvet Cave, Vallon-Pont-d’Arc, Ardèche, France, ca. 30,000–28,000 or ca. 15,000–13,000 BCE. Approx. half life-size. ,[object Object],[object Object],[object Object]
Cave painting, Lascaux, France, c. 13,000 BCE
[object Object]
36,000 years old  - discovered in May 2009
Nude woman (Venus of Willendorf), from Willendorf, Austria, ca. 28,000–25,000 BCE. Limestone, approx. 4 1/4” high. Naturhistorisches Museum, Vienna.
Lucian Freud's 1995 painting Benefits Supervisor Sleeping
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 1-19   Aerial view of Stonehenge, Salisbury Plain,Wiltshire, England, ca. 2550–1600 BCE.  Circle is 97' in diameter; trilithons approx. 24' high.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
National Lampoon’s European Vacation Rock Garden, Fort Collins, Colorado
 
 
 
The Ancient Near East
[object Object],[object Object]
Mesopotamia ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
Sumerians ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Female head (Inanna?), from Uruk (modern Warka), Iraq, ca. 3200–3000   BCE. Marble, approx. 8” high. Iraq Museum, Baghdad.
Statuettes of two worshipers, from the Square Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, tallest figure approx. 2’ 6” high. Iraq Museum, Baghdad. Based on cones and cylinders rather than the grids/cubes in Egypt Acted as eternal worshippers
 
[object Object],[object Object],[object Object]
Ziggurat (northeastern facade with restored stairs), Ur (modern Tell Muqayyar), Iraq, ca. 2100 BCE.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
BILL AMUNDSON’s NEW BABEL 2009 Pencil on paper 50" by 40"
Ziggurat vs Pyramids ,[object Object],[object Object],[object Object]
Mayan Pyramid – ca. 1000 BCE
 
 
 
Akkadians ,[object Object],[object Object],[object Object]
Head of an Akkadian ruler, from Nineveh (modern Kuyunjik), Iraq, ca. 2250–2200 BCE. Copper, 1’ 2 3/8” high. Iraq Museum, Baghdad.
Babylonia ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Lamassu (winged, human-headed bull), from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 720–705 BCE. Limestone, approx. 13’ 10” high. Louvre, Paris.
[object Object],[object Object],[object Object],[object Object]
Processional frieze (detail) on the terrace of the royal audience hall (apadana), Persepolis, Iran, ca. 521–465 BCE.
Ishtar Gate (restored), Babylon, Iraq, ca. 575 BCE. Glazed brick. Staatliche Museen, Berlin.
 
 
 

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Week6 mediterranean greek_part1

Editor's Notes

  1. Students need to recognize the major characteristics of cultures, or particular time periods. An important factor in understanding and appreciating any work of art is some knowledge of its place in time: CONTEXT.