Testo sulla storia del Teatro e la particolarità del linguaggio drammaturgico, a cura di Maria Rosa Panté, docente presso Istituto Superiore d'Adda di Varallo, in www.campustralenuvole.altervista.org
Testo sulla storia del Teatro e la particolarità del linguaggio drammaturgico, a cura di Maria Rosa Panté, docente presso Istituto Superiore d'Adda di Varallo, in www.campustralenuvole.altervista.org
Lezione che affronta il tema della varietà nel teatro di Plauto, prendendo in esame due brani: uno tratto dall'Amphitruo e l'altro dal Miles Gloriosus. La lezione si chiude con un confronto tra Plauto e Pasolini, che tradusse in dialetto romanesco il Miles Gloriosus.
La lezione di Ionesco riletta da Valerio BinascoAgnese Cremaschi
Il Teatro Binario 7 presenta La Lezione di Ionesco, uno dei testi più significativi del Teatro dell’Assurdo, prodotto dalla Fondazione Luzzati – Teatro della Tosse, con la regia di Valerio Binasco.
A seguire, mercoledì 20 gennaio alle ore 20.30, la storica e critica d’arte Simona Bartolena terrà la seconda lezione – approfondimento ad ingresso libero, Il surrealismo sono io: Salvador Dalí e il suo tempo, inserita all’interno della nuova rassegna Teatro+Tempo Arte, che indagherà temi quali l’assurdo, il paradosso, il sogno, l’immaginazione e la visione.
Lezione che affronta il tema della varietà nel teatro di Plauto, prendendo in esame due brani: uno tratto dall'Amphitruo e l'altro dal Miles Gloriosus. La lezione si chiude con un confronto tra Plauto e Pasolini, che tradusse in dialetto romanesco il Miles Gloriosus.
La lezione di Ionesco riletta da Valerio BinascoAgnese Cremaschi
Il Teatro Binario 7 presenta La Lezione di Ionesco, uno dei testi più significativi del Teatro dell’Assurdo, prodotto dalla Fondazione Luzzati – Teatro della Tosse, con la regia di Valerio Binasco.
A seguire, mercoledì 20 gennaio alle ore 20.30, la storica e critica d’arte Simona Bartolena terrà la seconda lezione – approfondimento ad ingresso libero, Il surrealismo sono io: Salvador Dalí e il suo tempo, inserita all’interno della nuova rassegna Teatro+Tempo Arte, che indagherà temi quali l’assurdo, il paradosso, il sogno, l’immaginazione e la visione.
Il grottesco-dal-testo-alla-scena-ubu-re-di alfred-jarryFoglio di sala
Articolo tratto dalla tesi di laurea di Sara Trecate: "Il grottesco dal testo alla scena: 'Ubu re' di Alfred Jarry". Per contattare l'autrice: info @ fogliodisala.it
www.fogliodisala.it
CdL Scienze dello Spettacolo, Università degli studi di Milano
This document outlines the aims, work process, tasks, and expected results of a student project to develop understanding of European and extra-European countries. The main aims are to overcome geographical obstacles and enhance intercultural understanding through developing skills like European citizenship, knowledge of other cultures, communication in English, teamwork, and use of information technology. Students will introduce their own countries, research other European countries in groups, and share their findings in a public online space or publication. The end goal is to create educational materials to promote cultural learning.
Andromache is Hector's wife in Greek mythology who is a prominent figure representing the tragic fate of losing family. Throughout literature and art, Andromache is depicted as a passionate wife and mother who is desperate after Hector's death, becoming a symbol of the woman separated from her loved ones. She maintains her dignity and strength of character despite becoming a slave after Troy falls. Andromache represents an early step toward a more modern female figure as she is also involved in defending Troy rather than confined to domestic duties alone.
Ajax is a legendary Greek warrior and son of Telamon. He is described as the strongest and bravest of the Greek armies after Achilles. In the Iliad, Ajax engages in heroic battles against Hector. After Achilles' death, Ajax and Odysseus compete for Achilles' armor, but Odysseus is chosen, humiliating Ajax. In a fit of madness, Ajax plans to kill the Greek leaders but instead kills himself in shame. The story of Ajax represents the debate between strength and cunning as virtues of warriors, and his tragic fate symbolizes the end of the era of individual heroes in war.
Achilles was a demigod hero of Greek mythology and the central character of Homer's Iliad. He was the son of the mortal Peleus and the Nereid Thetis. Achilles was renowned for his strength, courage and fighting skills. He was trained from a young age by the centaur Chiron and fought for the Greeks in the Trojan War. Achilles refused to fight after being dishonored by Agamemnon, which nearly led to the Greeks' defeat until his friend Patroclus was killed, prompting Achilles to reenter the war and slay Hector in revenge. Achilles was ultimately killed by an arrow to his vulnerable heel, as foretold by prophecies.
Andromache was the wife of Hector and mother to Astyanax in Troy. According to legend, she was kidnapped and forced to marry Hector. She bore him a son, Astyanax, and loved Hector despite their forced marriage. Andromache had already suffered through the pain of war, with Achilles killing her father and brothers. When Troy fell, Andromache was enslaved by the king of Epirus and became his concubine, bearing him three children, though she never forgot her love for Hector.
The document summarizes the ancient Greek epic poem The Odyssey, which tells the story of Odysseus's long journey home after the Trojan War. It describes Odysseus as the main character of the poem and outlines the major stages of his journey, including being shipwrecked on the island of the cyclops Polyphemus, meeting the princess Nausicaa in the land of the Phaeacians, and finally returning home to Ithaca to defeat the suitors who had occupied his palace in his long absence.
1) Lucius Septimius Severus was a Roman emperor who rose to power with military support. He instituted major military and administrative reforms, increasing the size of the legions and favoring soldiers of provincial origin.
2) To fund his large military expenditures, he debased the currency by reducing the precious metal content of coins. This led to inflation.
3) He undertook two successful campaigns against the Parthian Empire, expanding Roman territories in the east. He left legions stationed near Rome for further defense.
Claudius was born with physical disabilities that caused him to be overlooked for public office until he became emperor. As emperor, he reorganized the administration, improved finances, and expanded the empire through military conquests. He established new provinces in Britain, Mauretania, Thrace, and Lycia. Claudius also improved infrastructure and accepted provincials into the Senate. However, his wife Messalina conspired against him and was killed. His new wife Agrippina then poisoned Claudius to make her son Nero the next emperor.
Lucius Septimius Bassianus, known as Caracalla, was Roman emperor from 211 to 217 AD. He was born in Gaul to Septimius Severus, who would later become emperor, and Julia Domna of Syrian origin. Caracalla had a younger brother, Geta, who he initially shared power with. However, in 211 AD Caracalla had Geta killed so he could rule alone. During his reign, Caracalla increased soldiers' pay and granted Roman citizenship to all free inhabitants of the empire through the Constitutio Antoniniana. However, he was widely disliked for his cruelty. In 217 AD, Caracalla was assassinated during a campaign against Parthia by
5. La tragedia La tragedia è una delle più antiche forme di teatro . E’ nata nell’antica grecia nel V secolo a.C. Euripide è il primo drammaturgo che segue consapevolmente un'estetica. Di proposito egli cerca ciò che è perfettamente comprensibile: i suoi eroi sono nei fatti quel che sono quando parlano. Essi si esprimono totalmente attraverso le parole, là dove invece i personaggi di Eschilo e di Sofocle sono assai più profondi e più pieni rispetto alle parole che dicono: propriamente essi balbettano su di sé.
6. La Commedia La commedia nasce dall’istinto all'imitazione e alla caricatura, dall’attitudine attiva soprattutto nel popolo meno erudito. Aristofane è il principale esponente della commedia matura, che come genere, era del tutto libera da restrizioni di spazio e di tempo: nella scena venivano rappresentati anche più luoghi alla volta ed era possibile fare “salti” veloci ad esempio, tra città e campagna, o cielo e inferi.
