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PLAY PRODUCTION

    Miguel Luis Narcida
   Ramon Kristoff Locsin
   Robert Martin Puerta
   Mark Isaiah Karl Ciocon
Theatre presupposes collaborative
modes of production and a collective
form of reception.
     The structure of dramatic texts is
directly influenced by this collaborative
production        and       collaborative
production.
Production involves
contributions FROM:
• Playwright
• Director
• Actors
• Production team
The technical aspects of
theatrical production are described
collectively as “STAGECRAFT”.
     Stagecraft is considered a
technical rather than an artistic
field. This distinguishes it from the
more recent, wilder discipline of
scenography.
Stagecraft may be implemented by
any number of workers. The modern
form of stagecraft is highly technical
and specialized.
    Regional theatres and larger
community theatres will generally have
a technical director and a complement
of designers.
STEPS TO TAKE IN
PLAY PRODUCTION
1. Find your play
a. Hire a script writer.
b. Write your own script.
c. Buy a script from a script selling facility.
2. Find a director
- You must find a director suitable for the

     play. Take note of their genre

     specialties.
3. Choose a cast
-   Actors and actresses may be
    chosen through
    readings/auditions.
Note: If there is music and/or dance
    involved, you will also need to
    selected a choreographer and a
    musical director.
4. Prepare the venue
-Before starting with the rehearsals, one

     must have already prepared the

     venue for these practices and the

     actual play.
La Scala de Milan; Milan, Italy




Tanghalang Aurelio Tolentino
5. Allow the cast to rehearse
- Give the actors and other artists their

     scripts/songs/dance sequences (Optional)

     and a chance to perform their roles before

     the actual play.
6. Create the set
- Find a set designer and stage manager to

     engage    the    people    involved    in

     creating the overall setting of the play.
7. Find a costumer
- A costumer should be assigned to make

     sure   that   everyone   is   dressed

     appropriately and that the costumes

     are designed according to the needs

     of the character.
8. Hire make-up and hair
          personnel
- These people are needed to create the

     “LOOK” which suits the need of each

     character.
9. Final rehearsal
- Keep watch on everything that goes on in

     the play. Make sure that the play

     captures the overall vision of the

     director.
10. Advertise
-   Try to find ways to spread news of

    your play.

-   Ex. TV, radio, and other types of

    media.
THE END!!! :DDDD



GOD BE THE GLORY!!!
      O:))))))

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Stagecraft

  • 1. PLAY PRODUCTION Miguel Luis Narcida Ramon Kristoff Locsin Robert Martin Puerta Mark Isaiah Karl Ciocon
  • 2. Theatre presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts is directly influenced by this collaborative production and collaborative production.
  • 3. Production involves contributions FROM: • Playwright • Director • Actors • Production team
  • 4. The technical aspects of theatrical production are described collectively as “STAGECRAFT”. Stagecraft is considered a technical rather than an artistic field. This distinguishes it from the more recent, wilder discipline of scenography.
  • 5. Stagecraft may be implemented by any number of workers. The modern form of stagecraft is highly technical and specialized. Regional theatres and larger community theatres will generally have a technical director and a complement of designers.
  • 6. STEPS TO TAKE IN PLAY PRODUCTION
  • 7. 1. Find your play a. Hire a script writer. b. Write your own script. c. Buy a script from a script selling facility.
  • 8. 2. Find a director - You must find a director suitable for the play. Take note of their genre specialties.
  • 9. 3. Choose a cast - Actors and actresses may be chosen through readings/auditions. Note: If there is music and/or dance involved, you will also need to selected a choreographer and a musical director.
  • 10. 4. Prepare the venue -Before starting with the rehearsals, one must have already prepared the venue for these practices and the actual play.
  • 11. La Scala de Milan; Milan, Italy Tanghalang Aurelio Tolentino
  • 12. 5. Allow the cast to rehearse - Give the actors and other artists their scripts/songs/dance sequences (Optional) and a chance to perform their roles before the actual play.
  • 13. 6. Create the set - Find a set designer and stage manager to engage the people involved in creating the overall setting of the play.
  • 14. 7. Find a costumer - A costumer should be assigned to make sure that everyone is dressed appropriately and that the costumes are designed according to the needs of the character.
  • 15. 8. Hire make-up and hair personnel - These people are needed to create the “LOOK” which suits the need of each character.
  • 16. 9. Final rehearsal - Keep watch on everything that goes on in the play. Make sure that the play captures the overall vision of the director.
  • 17. 10. Advertise - Try to find ways to spread news of your play. - Ex. TV, radio, and other types of media.
  • 18. THE END!!! :DDDD GOD BE THE GLORY!!! O:))))))