This document discusses the various roles involved in stage productions. It identifies roles like the director, playwright, set designer, lighting designer, costume designer, sound designer, production manager, technical director, choreographer, and makeup designer. It provides descriptions of the responsibilities of some of these roles, like the lighting designer creating mood, the set designer building the set, and the costume designer deciding attire to express characters. It also asks readers to identify roles, choose a role to perform for a theme, and suggests searching for recognized theater groups.
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
A short ppt on the key elements of Brechtian theatre which I created for a Microteach. Let me know what you think. Feel free to use it but credit me! Thanks guys.
This quarter in Theatre 2, we start looking at the acting philosophy of Constantine Stanislavsky. You'll find some concepts similar and different that other philosophers studied this year.
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
A short ppt on the key elements of Brechtian theatre which I created for a Microteach. Let me know what you think. Feel free to use it but credit me! Thanks guys.
This quarter in Theatre 2, we start looking at the acting philosophy of Constantine Stanislavsky. You'll find some concepts similar and different that other philosophers studied this year.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
18. The producer is the person who takes
the play from a mere concept to an
actual finished presentation. The one
who chooses the members and
decide when and where the play will
be staged.
19.
20. He/She is the overall artistic
coordinator of the entire
production. He/She directs the
show, instruct and guide the
actors, as to the delivery of their
lines and dialogues.
24. The concept and creation of the
physical stage set up is the task
of the set designer. He/She
builds the set that will stimulate
the place that the characters are
supposed to live in.
25.
26. Lighting is critical in creating the mood of
each scene in the play, highlighting a
dramatic moment, signaling the entrance
of a character, and focusing attention on a
specific spot on stage, or even providing
the blanket of darkness for set and props
changes.
27.
28. The actors and actresses must look
believable in their roles and much of this
is owed to the costume designer.
He/She decides what attire will express
each character’s personality and distinct
qualities.
29.
30. The sound designer serves a vital role
in creating and enhancing the
atmosphere of the performance.
31.
32. Coordinating all the complex behind-
the-scene details of staging a play,
overseeing the crews for the sets and
props, sound and music, the lighting and
costumes are the roles of the
production manager.
33.
34. The technical director carefully notes
how each actor and every member
of the stage need to be coordinated
to bring the director’s vision to life.
35.
36. In cases where a play involves dance in
certain scenes a choreographer is included
in the production team. He/ She rehearses
the actors and actresses until they are able
to dance skillfully while remaining in
character on stage.
37.
38. The make-up designer is brought into plan
the hairstyles and makeup to complement
the costumes, making the actors and
actresses to look natural for their
respective roles.
39.
40. 1. Lighting Designer is responsible in
creating the mood of each scene in the
play, highlighting a dramatic moment,
signaling the entrance of a character,
focusing attention on a specific spot on
stage, or even providing the blanket of
darkness for set and props changes.
46. 4. Playwright is the writer of the
script intended for stage
performance.
47.
48. 5. Set designer is the person who
takes the play from a mere
concept to an actual finished
presentation.
49.
50.
51. Direction:
Read the description and identify
the role in a stage production.
Write only the letter of your
answer on a sheet of paper.
52. 1. An individual that shadows the
play’s director throughout the
entire production process.
53. 2. Serves a vital role in creating
and enhancing the atmosphere of
the performance.
54. 3. Responsible for the concept and
creation of the physical stage set
up.
55. 4. Manage to plan the hairstyles
and make up to complement the
costumes.
56. 5. The actors and actresses must
look believable in their roles and
deliberates on the character’s main
attire.
57. 1. E- technical director
2. D- sound designer
3. C- set designer
4. B- make up designer
5. A- costume designer
58. 1. Can you envision yourself
being involved in a stage
production?
2. Would you consider a
full-time or part –time
career in this field?
59. • What are the roles in a stage production?
•Out of the many roles in a stage
production, name three that are involved
with the physical setup and mood of
performance area.
•Name two other roles that are
responsible for the physical appearance of
the different characters on stage.
60.
61. Assume the role as a member
of a production team of a
musical play with the theme
“The Filipinos during the
Pandemic.” Your task is to
choose one role in a stage
production and perform it.
62. Draw/ Sketch a
costume on a short bond paper based from
your understanding of the given theme.
Write a one act play (one
page, one setting, 2 characters) about the
given theme. (The indigenous students may use their own dialect in
writing the script of the play)
Compose a song based from your
understanding of the given theme.
63. Create a one
minute interpretative dance based on
the emotions you internalize from the
given theme.
Based on the theme,
imagine a setting for the play and draw
the stage design on a short bond paper.
65. •Search for theater groups
which were given
recognition for their stage
plays.
Editor's Notes
Sino nga ba si Producer? Siya lang naman ang mastermind ng isang play production. Si Producer ang nagpopondo sa isang production. Ibig sabihin sa kanya nanggagaling ang budget para tumakbo ang isang production, dahil dito, kasama siya ni director sa casting na tinatawag o ang pagpili ng mga artista. Bakit? Para masigurado niya naman na kikita ang kanyang production
Ang kailangan ay mag usap sila director at playwright. Bakit? Para masigurado na kung ano man ang mensahe, characters na isinulat ni playwright ay iyon din ang maipapakita ni director.
So ibig sabihin nito, hindi tayo magkakaroon ng isang production kung wala tayong kwento o script. Ito ay nananggagaling sa isang playwright.
So siya ang may role para buhayin ang set o ang setting dun sa script.
So dito sa lights, nakabase ito sa emosyon na kailangang ipakita sa specific scene na ipapalabas.
Ung mga kontrabida minsan ang binibigay na costume sa kanila ay color black or red. Ung mga lively characters naman ay binibigyan ng light colors
Si sound naman ang bahala sa mga sound effects. Halimbawa, kailangan ng tunog ng baril, kailangan ng sound effects ng mga nagchichismisan sa kanto. So kailangan maiprovide ni sound designer un kung un ang hinihiling dun sa scene.
Siya ang sekretarya ni Producer.
Ensures that all the needed equipment are not only available but are in good working order and safely stores from one rehearsal to the next, up until the time of the performance.
In short, the technical director shadows the play’s director throughout the entire production process.
Ensures that every instruction is properly executed.
Siya ang incharge sa pagsabi kung kailan papasok ang sound, kailan magpapalit ang ilaw.
SI choreographer ang bahala dun sa emostions ng dancers habang nagsasayaw.
Interpretative dance.
Nagbabase tayo dito sa age and personality ng character.
According to the book "Theater, The Lively Art", "There are certain elements common to all theater. These elements are present whenever a theater event takes place; without them, an event ceases to be theater and becomes a different art form and different experience.” Like the elements of theatre which are very important in a stage production, the people behind the camera were also important, too.)
What are the roles in a stage production?
Out of the many roles in a stage production, name three that are involved with the physical setup and mood of performance area.
Name two other roles that are responsible for the physical appearance of the different characters on stage.
Based sa inyong activity, naappreciate niyo ba ang importance roles sa paggawa ng stage production?