The document discusses the history and role of the director in theater. It traces the evolution of the director from the Greek didaskalos or teacher, to the modern director like George II, Duke of Saxe-Meiningen in the 19th century, who is credited as the first modern director for his use of long rehearsals, attention to detail, and advocacy for historical accuracy that influenced Stanislavsky. The document also outlines the various responsibilities of the director, such as script analysis, structural analysis, production concept, casting, blocking during rehearsals, and synthesizing the work of other artists into a unified theatrical production.
This quarter in Theatre 2, we start looking at the acting philosophy of Constantine Stanislavsky. You'll find some concepts similar and different that other philosophers studied this year.
A great overview of theatre styles citing origins, pictures, key characteristics and aims of style. Lot of work but worth it. Don't claim it as your own or you're dead meat!!
This quarter in Theatre 2, we start looking at the acting philosophy of Constantine Stanislavsky. You'll find some concepts similar and different that other philosophers studied this year.
A great overview of theatre styles citing origins, pictures, key characteristics and aims of style. Lot of work but worth it. Don't claim it as your own or you're dead meat!!
"Lights, Camera, Action...Let's Go To the Movies" Using Photo Story in writing.
Students bring their writing to life by using technology tools to create their own “TV show/movie”! Students learn to add special effects, soundtracks, and their own voice narration to their photo stories. Then, personalize them with titles and captions.
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Production ConceptA production concept” is a visual app.docxbriancrawford30935
Production Concept
A “production concept” is a visual approach that a director takes when he or she puts a play upon the stage.
Fortinbras by Lee Blessing
A production concept may tell the story of the play in a straightforward, realistic way. In such a case, the “elements of production – that is, the costumes, sets, lights, sound, makeup, props, and acting style – will resemble something that you would see in the natural world.
Topdog/Underdog by Suzan-Lori Parks
Or, a production concept may be highly symbolic or political in nature. In this instance, the lights and setting are non-realistic, but the costumes resemble the uniforms of Nazi Germany in the 1930s and 1940s.
Elements of production
costumes
sets
lights
sound
makeup
props
acting style
When theatre critics write essays, they draw conclusions about production concepts by describing the elements of production (costumes, sets, acting, etc.)
When you critique videos of performances and live performances in this class, you should do the same thing: talk about how the elements of performance reveal your understanding of the production concept.
The production concept is created by combining the elements of theatre.
The photos that follow are from Dr. Faustus: Occult Remix, Nagelberg Theatre, New York City, 2004. As you look at them, think about how the elements of production relate to the production concept. To be more specific, the production concept for this production had two goals:
To represent the black magic as “authentic” or “real.”
To suggest that Faustus never actually left his magical temple, but, rather, was deceived into thinking this by hordes of demons in disguise.
The directorial concept of Dr. Faustus was realized through:
Costume
Music
Make-up
Performance style
Masks
Lighting
Scene design rooted in actual magical practice and symbolism.
Performance analysis is done by answering the following questions about a theatrical production:
What was the production concept for this production?
How did the director use the elements of theatre (i.e. costume, make up, acting, sets, props, sound, lights, etc.) to realize the production concept on stage.
To what extent did the elements of performance reinforce the production concept on the stage?
To what extent did the elements of performance weaken the production concept?
Overall, was a clear directorial concept realized in this performance?
Why or why not?
If you gain a keen understanding of how the elements of theatre relate to the directorial concept, you will have no problem discussing and writing about the live theatrical productions that you see – even the most confusing and perplexing ones!
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2. The Birth of DirectorsThe Birth of Directors
The word director comes from the Greek
didaskalos, or teacher.
The playwright or lead actor as director.
The actor-manager of the 19th
century.
3. The Birth of DirectorsThe Birth of Directors
George II, the Duke of Saxe-Meiningen (1826-1914)George II, the Duke of Saxe-Meiningen (1826-1914)
• Credited as first modern director.Credited as first modern director.
• His wealth allowed him to construct his own theatreHis wealth allowed him to construct his own theatre
and organize a resident company of actors and artists.and organize a resident company of actors and artists.
• Long rehearsal periods and attention to detail in acting.Long rehearsal periods and attention to detail in acting.
• Advocated historical accuracy.Advocated historical accuracy.
• Stanislavsky was so impressed that he used many ofStanislavsky was so impressed that he used many of
the Duke’s techniques with the Moscow Art Theatre.the Duke’s techniques with the Moscow Art Theatre.
4. Before Rehearsals BeginBefore Rehearsals Begin
Script analysis
Works with the playwright (if available).Works with the playwright (if available).
Spends countless hours rereading the script.Spends countless hours rereading the script.
Combing newspaper archives, and researching theCombing newspaper archives, and researching the
history and criticism of the play.history and criticism of the play.
Might work with a Dramaturg, who assists the Director in
researching and thinking about the play, the playwright,
the audience, and questions of style.
5. Before Rehearsals BeginBefore Rehearsals Begin
Structural AnalysisStructural Analysis
ThemeTheme
CharactersCharacters
LanguageLanguage
PlotPlot
French scenes
Beats
Michael Brosilow/The Goodman Theatre
7. Casting the Right ActorsCasting the Right Actors
Casting
Cast to type
Cast against type
Gender-neutral
casting
Cross-gender
casting
Color-blind casting
JoanMarcus
8. The Director’s Role During RehearsalsThe Director’s Role During Rehearsals
Blocking
Shared focusShared focus
ProfileProfile
Stealing focusStealing focus
Stage areasStage areas
TriangulationTriangulation AP Photo/Jerome Delay
10. The Director’s Role During RehearsalsThe Director’s Role During Rehearsals
Notice how every seated actors’ focus isNotice how every seated actors’ focus is
on the actor standing. The director ison the actor standing. The director is
utilizing level, gaze and contrast to drawutilizing level, gaze and contrast to draw
the audience’s eye.the audience’s eye.
UniversityofWyomingArchives
11. The Director’s Role During RehearsalsThe Director’s Role During Rehearsals
Can you see how the director is usingCan you see how the director is using
triangulation with the blocking?triangulation with the blocking?
UniversityofWyomingArchives
12. Types of DirectorsTypes of Directors
Interpretive
directors attempt to
translate the play
from the page to
the stage as
accurately as
possible.
Michael Brasilow/The Goodman Theatre
13. Types of DirectorsTypes of Directors
Creative DirectorsCreative Directors
create “conceptcreate “concept
productions” basedproductions” based
on their unique ideason their unique ideas
or interpretations ofor interpretations of
a play script.a play script.
KrystaFicca/MickiPanttaja
14. Contemporary TrendsContemporary Trends
Directors, designers and actors work withDirectors, designers and actors work with
playwrights in the development of a play from itsplaywrights in the development of a play from its
very conception.very conception.
RichardFeldman
15. Curtain CallCurtain Call
The Director:
• Takes his/her artistic vision and turns the printed scriptTakes his/her artistic vision and turns the printed script
into a production.into a production.
• Coordinates dozens of theatre artists, technicians, andCoordinates dozens of theatre artists, technicians, and
other personnel to work toward that vision.other personnel to work toward that vision.
• Represents the audience by deciding exactly what theRepresents the audience by deciding exactly what the
audience will see.audience will see.
• Synthesizes the work of the playwright, the designers,Synthesizes the work of the playwright, the designers,
and the performers into a unique theatrical event.and the performers into a unique theatrical event.