Space
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The document discusses different types of visual space in cinematography including: - Deep space, which gives the illusion of 3D through techniques like perspective and size differences. - Flat space, which emphasizes the 2D screen through frontal walls and actors on the same plane. - Limited space, which uses some depth cues like size change but no longitudinal planes. - Ambiguous space, where the spatial relationships are unclear due to limited lighting or other factors obscuring depth cues.
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A simple explication of the elements of art/design. The presentation is for Photography, Theater, Graphic design and any other art based media.
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This document defines and describes the elements of design including line, color, shape, space, texture, and value. It provides details on the characteristics and types of each element. For line, the characteristics include width, length, direction, focus, and feeling. The types of line include outlines, contour lines, gesture lines, sketch lines, calligraphic lines, and implied lines. For color, it describes color theory including primary, secondary, and complementary colors. It also defines color harmonies such as analogous, triadic, monochromatic, warm, and cool colors. The document provides examples of how to apply these elements in designing shapes and exploring positive and negative space through shading exercises.
Design Elements-Photo Design AI
This document discusses the key elements and principles of design in photography, including line, shape, space, color, texture, repetition/rhythm, motion, focal point, foreground/background, and balance. Line can be literal or abstract, shapes define areas and give directionality or focus. Negative space is unoccupied areas like sky. Color draws attention while lack of color highlights other elements. Texture conveys a feeling of reality. Repetition and rhythm guide the viewer's eye. Motion influences composition. The focal point is where the eye is drawn. Foreground is near and background farther. Balance can be symmetrical or asymmetrical.
Vocabulary of Interior Design
The document discusses key concepts in interior design including form, point, line, plane, volume, shape, scale, proportion, balance, rhythm and emphasis. It defines each concept and provides examples to illustrate how they are applied. The concepts are fundamental elements and principles that designers use to create visually appealing and functional interior spaces. Understanding these concepts is important for developing a sense of good design.
Line activity
This document discusses the visual elements of images, including points, lines, surfaces, and textures. It focuses on different types of lines such as straight, vertical, inclined, curved, radial, and broken lines. It describes the graphic qualities lines can provide like direction, spatial distribution, volume, depth, and structure. The objectives are to understand and use visual elements to create and express images, experimenting with lines and their expressive characteristics.
Line activity
This document discusses the visual elements of images, specifically lines. It defines different types of lines such as straight, vertical, inclined, curved, radial, and broken lines. It explains that straight lines suggest rigidity while curved lines produce movement. Radial lines suggest light and explosion. Broken lines transmit imbalance and lack of organization. The document also discusses graphic qualities of lines like direction, spatial distribution, volume, depth, and structure. Lines are said to organize space and separate planes. An activity is described to draw object contours and use line modulation to emphasize important features.
Elements of Art & Photography
The document discusses the key elements and principles of art that are important for creating effective photographs. It defines seven elements: line, shape, form, space, value, texture, and color. It then explains principles of design like emphasis, balance, contrast, movement, pattern/repetition, perspective, and unity that can be used to arrange the elements. Examples are provided to illustrate concepts like leading lines, positive vs negative space, repetition, and forced perspective. The document serves as a guide for photographers to understand the basic building blocks and compositional techniques used in visually compelling photographs.
Amy assignment 4
This document provides information on different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses various shot sizes like establishing shots, long shots, and close-ups. It also covers camera angles such as low, high, and canted shots. Common camera movements like pans, tilts, tracks, and zooms are explained. Finally, the document discusses compositional elements including balance, depth of field, symmetry, and the rule of thirds.
ChapterTwoElementsOfArt
The document discusses the elements and principles of art. It defines the six elements - color, line, shape, form, space, and texture. Color has three qualities: hue, intensity, and value. Line has characteristics like width, length, and direction. Shape is two-dimensional while form is three-dimensional. Space includes positive and negative space as well as linear and aerial perspective. Texture can be either physical or visual. The principles of art describe how artists use these elements, including balance, emphasis, harmony, and movement.
Articulation of form
it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
Camera Shots, Angles, Composition and
This document defines and describes different types of camera shots, angles, movements, and compositional techniques. It provides examples of establishing shots, close-ups, points of view, low and high angles, pans, zooms, and principles of balance, symmetry, and the rule of thirds. The document is intended as a reference for different cinematography techniques.
Camera
This document defines and describes different types of camera shots, angles, movements, and compositional techniques. It discusses shots like establishing shots, close-ups, and point of view shots. It also covers angles such as low angles and high angles. Camera movements like pans, tilts, tracks, zooms, and reverse zooms are outlined. Finally, compositional elements like balance, symmetry, the rule of thirds, and depth of field are defined.
Camera shots, angles, motion and composition
This document provides descriptions of various camera shots, angles, motions, and compositional techniques used in filmmaking. It defines shots like establishing, wide, long, close-up, and over the shoulder shots. It also explains camera angles like high, low, and canted angles. Common camera motions like tilt, pan, track, dolly, zoom, and reverse zoom are outlined. Principles of composition such as balance, symmetry, asymmetry, depth of field, and the rule of thirds are also summarized.
BASIC PHOTOGRAPHY (Student's Copy).pptx
This document provides an overview of basic photography concepts related to art, composition, and exposure. It discusses key elements like aperture, shutter speed, ISO, and how they control the amount of light exposure. Composition techniques are also covered, including shape, line, pattern, texture, depth, framing, and balancing elements. The goal is to teach photographers how to effectively capture images by controlling light and designing balanced, well-framed compositions that draw the eye to a clear subject or center of interest.
informative-sketch-rendering.pptx
Simplifying shapes involves generating shapes from basic blocks, including details to make drawings more vivid while providing guidelines to construct shapes for reader understanding. Shading uses different tone values like darker shadows on floors than walls with shading angled away from the light source. Explanatory drawings like exploded views reveal part relationships and instructional drawings analyze complexity in smaller designs to aid understanding.
2.4. space
The document discusses the concept of space and how depth is indicated in images. It defines space as the area between objects and discusses techniques like layout, resizing, overlap, contrast, sharpness, and texture that artists use to suggest depth and create a sense of space in two-dimensional images. These techniques are based on how human perception interprets size, placement, and detail to distinguish what is closer or farther away.
Sofa elementsof art
The document outlines the elements and principles of art, including the basic building blocks or elements of color, line, texture, shape, value, and space. It then describes the principles of art which are ways artists can use the elements, such as balance, emphasis, harmony, and movement. Specific techniques are explained for each element, like how color is created, the characteristics of different types of lines, and how artists manipulate value and create the illusion of texture and space through various artistic styles and techniques.
Media presentation camera
This document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid shot, close up, extreme close up, over the shoulder shot, and two shot. It also covers camera angles like low, high, and canted angles. Camera movements like pan, tilt, track, zoom, and reverse zoom are explained. Finally, it discusses compositional techniques such as balance, symmetry, asymmetry, rule of thirds, and depth of field effects like shallow and deep focus.
How to analyse a tv drama
This document provides guidance on how to analyze representations in a TV drama for an exam section. It explains that students will watch a 4-5 minute clip and analyze how it constructs representations of gender, age, ethnicity, sexuality, class, physical ability, and regional identity. Students should discuss camera shots, editing, sound, and mise-en-scène. It defines various camera shots and angles, editing techniques like shot/reverse shot and match cuts, different types of sound usage, and elements of mise-en-scène like production design, lighting, and costume. The document aims to equip students with the technical vocabulary and analytical framework for examining representations in television drama.
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Rule of Thirds
The rule of thirds divides an image into a 3x3 grid with two vertical and two horizontal lines. Placing subjects or points of interest along these lines or their intersections is more visually appealing than centering them. This grid helps photographers and filmmakers compose shots that draw the viewer's eye naturally to the intended areas.
Proxemics 2
Edward T. Hall proposed a theory of proxemics to analyze how physical distance between people affects their behavior. He identified four categories of distance: intimate distance (touching), personal distance (1.5-4 feet for friends), social distance (4-12 feet for acquaintances), and public distance (12+ feet for strangers). A film director can use shot size and camera placement to convey psychological attitudes about characters and situations based on the distances between them.
The Colour Palette of Film
The document discusses how color palettes are used in films to convey moods, themes, and separate storylines. It provides examples of how specific films used color:
1) The Hours used different color filters and hues to separate the time periods and characters, giving Virginia Woolf's scenes a sepia tone, Julianne Moore's a pastel yellow, and Meryl Streep's a cold blue.
2) Munich defined each location with a specific color to orient viewers, with Beirut in blue-green, Rome warmer, Paris less saturated, and New York grainy.
3) Traffic used a blue/orange complementary scheme, with Mexico in orange and Ohio in blue.
Digital Workflow
The document discusses digital film production workflows. It covers various roles in post-production like post-production supervisors, digital imaging technicians, and what color decision lists and lookup tables are used for in the digital intermediate and color grading process. It then provides examples of different camera workflows for ARRI ALEXA, RED ONE, Sony F3 and discusses how Technicolor CineStyle is used in DSLR workflows.
Digital File Formats
Digital images use color channels of red, green, and blue to represent colors, with each channel having a bit depth that determines the number of possible intensity values. Higher bit depths allow for more possible colors but increase file sizes. Common file formats include JPEG for photographs, and H.264, Apple ProRes, and Avid DNxHD for video, with each having different color subsampling and bit depths suited to different uses. Image resolution of 2K and 4K refers to the total pixel count, with a true 4K image having approximately 4,000 pixels across by 3,000 pixels down.
Digital Cameras
The document discusses different types of digital camera image sensors including CCD, CMOS, and full frame sensors. It explains key sensor specifications like resolution, pixel size, and crop factor which is the ratio of a sensor's diagonal size compared to a full frame 35mm sensor. A larger crop factor means a smaller sensor that crops the image circle of a lens, but can have advantages for lens sharpness by discarding lower quality edge areas.
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Space
- 1. Space Cinematography and Visual space
- 2. Up/Down Position • The vertical location of objects in the frame affects their apparent distance from the viewer. Objects higher in the frame appear farther away, and objects lower in the frame seem closer.
- 4. Contrast and Affinity • The greater the contrast in a visual component, the more the visual intensity or dynamic increases. The greater the affinity in a visual component, the more the visual intensity or dynamic decreases.
- 5. Simply stated • Contrast= Greater Visual Intensity • Affinity = Less Visual Intensity
- 7. Affinity of space • A surface division divides the frame in half and both halves are flat space. Although the frame is divided, both halves are spatially similar, creating an affinity of space. • Affinity of space represented in these two shots which are both flat.
- 8. Flat Space
- 10. Contrast of Space • The surface division separates the deep and flat halves of the picture.
- 11. Deep Space
- 12. Four Types of Space • Deep Space • Flat Space • Limited Space • Ambiguous Space
- 13. Flat Space
- 14. Flat Space • Flat space is not an illusion. Flat space emphasises the two-dimensional quality of the screen surface. • The walls are frontal, and there are no longitudinal planes or converging lines. Actors are staged on the same horizontal plane, they are the same size.
- 15. Deep Space
- 16. Deep Space • Deep space gives the illusion of a three dimensional picture on a two-dimensional screen surface. There are several longitudinal planes, one-point perspective, shape change, size difference, colour separation, tonal separation, up/down position.
- 17. Limited Space
- 18. Limited Space • Limited Space the depth cues in the shot include size change, up/down position and tonal separation. There are no longitudinal planes, only frontal surfaces.
- 19. Ambiguous Space
- 20. Ambiguous Space • The lights are off in the hall, some stray light illuminates the stairs, and the two actors are somewhere in the dark. The picture is ambiguous because it’s impossible to tell the actual size and spatial relationship in the shot.