Lighting plan
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The lighting plan for the movie involved shooting indoors after sunset using artificial lighting, with most scenes lit by golden lights to create shadows and high contrasts on actors' faces as suggested by the film title. During editing, footage was altered by adjusting contrast, brightness, and using filters to give it a more cinematic look.
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Lighting(add screen cap)
The music video was animated, so the creators had no control over traditional lighting but chose to set all scenes during the daytime to reflect the positive mood. While the female character was upset, the story was told from the happy male character's perspective as he tries to cheer her up. Some lighting effects were incorporated, including zooming into the sun for a scene transition and adding a lens flare, and using a lens flare in the last scene when the sun shines on a seed the male character planted.
Lighting(add screen cap)
The music video was animated so the creators had no control over traditional lighting but chose to set all scenes during the daytime to reflect the positive mood and themes from the male character's perspective of cheering up the upset female character, avoiding any nighttime or darkened shots. Some lighting effects were incorporated, including zooming into an extreme closeup of the sun with a lens flare to transition to a new scene and adding a lens flare in the last scene as the sun descends to shine on a seed, brightening the scene to make it seem like the sun is shining.
Analysing Previous Students Work
This document analyzes and summarizes the strengths and weaknesses of previous students' films. For the film "The Edge", strengths included establishing tension through juxtaposition in the opening scene, using camera positioning to show who was being chased, incorporating non-diegetic music that built tension and changed to suit scenes, and using long shots and dim lighting to create an atmosphere of tension. Weaknesses were that the dark lighting sometimes made it hard to see, acting was weak at times due to a lack of dialogue, and the title font was confusing. For the film "Angel Dust", the analysis did not provide any details about its strengths or weaknesses.
Music video treatment
The document provides inspiration for tone and lighting in video production. It suggests using exposure to achieve shots that look heavenly or celestial towards the end of a video. The document is brief, focusing on tone, lighting, and exposure techniques to end a video on an ethereal note.
Design - dreamy theme
This document describes the Dreamy Theme, which uses a soft background image and font to create a relaxing, soothing tone suitable for various moods and topics. The creator adjusted the brightness and contrast of a background image from morguefile, set the Constantia font, and added slides to achieve the dreamy effect. However, including pictures may block parts of the background image.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Construction of the product
Bruno and the filmmaker faced problems with audio quality due to limited computer processing power, which forced them to record in compressed formats. All sound effects also had to be added in post-production due to weather conditions during filming. To improve audio, they added effects like reverb to make dialogue more believable, but it still sounded amateurish. Going forward, they will improve by recording more audio on set rather than relying on post and doing more acoustic planning for locations.
The filmmaker used a shoulder rig for higher shots and a spider rig for lower angles to get stable shots. Color grading, masking, and compositing green screen footage were important editing techniques used to distinguish between heaven and reality scenes.
Recommended
Lighting(add screen cap)
The music video was animated, so the creators had no control over traditional lighting but chose to set all scenes during the daytime to reflect the positive mood. While the female character was upset, the story was told from the happy male character's perspective as he tries to cheer her up. Some lighting effects were incorporated, including zooming into the sun for a scene transition and adding a lens flare, and using a lens flare in the last scene when the sun shines on a seed the male character planted.
Lighting(add screen cap)
The music video was animated so the creators had no control over traditional lighting but chose to set all scenes during the daytime to reflect the positive mood and themes from the male character's perspective of cheering up the upset female character, avoiding any nighttime or darkened shots. Some lighting effects were incorporated, including zooming into an extreme closeup of the sun with a lens flare to transition to a new scene and adding a lens flare in the last scene as the sun descends to shine on a seed, brightening the scene to make it seem like the sun is shining.
Analysing Previous Students Work
This document analyzes and summarizes the strengths and weaknesses of previous students' films. For the film "The Edge", strengths included establishing tension through juxtaposition in the opening scene, using camera positioning to show who was being chased, incorporating non-diegetic music that built tension and changed to suit scenes, and using long shots and dim lighting to create an atmosphere of tension. Weaknesses were that the dark lighting sometimes made it hard to see, acting was weak at times due to a lack of dialogue, and the title font was confusing. For the film "Angel Dust", the analysis did not provide any details about its strengths or weaknesses.
Music video treatment
The document provides inspiration for tone and lighting in video production. It suggests using exposure to achieve shots that look heavenly or celestial towards the end of a video. The document is brief, focusing on tone, lighting, and exposure techniques to end a video on an ethereal note.
Design - dreamy theme
This document describes the Dreamy Theme, which uses a soft background image and font to create a relaxing, soothing tone suitable for various moods and topics. The creator adjusted the brightness and contrast of a background image from morguefile, set the Constantia font, and added slides to achieve the dreamy effect. However, including pictures may block parts of the background image.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Construction of the product
Bruno and the filmmaker faced problems with audio quality due to limited computer processing power, which forced them to record in compressed formats. All sound effects also had to be added in post-production due to weather conditions during filming. To improve audio, they added effects like reverb to make dialogue more believable, but it still sounded amateurish. Going forward, they will improve by recording more audio on set rather than relying on post and doing more acoustic planning for locations.
The filmmaker used a shoulder rig for higher shots and a spider rig for lower angles to get stable shots. Color grading, masking, and compositing green screen footage were important editing techniques used to distinguish between heaven and reality scenes.
Lighting plan
Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
Lighting plan
Low-key lighting is mainly used in horror films to create tension through dim, shadowy scenarios that reveal characters and surroundings in a mysterious, dark atmosphere. The document discusses how low-key lighting sets the tone and mood for danger by keeping backgrounds dark and dim. It also explains that the filmmaker used natural low-key lighting by blocking light on one side to create a feeling of fear and suspense as a witch haunts the main character, enhancing the tension and suspense throughout the film.
equipment used
The document discusses the production of a student film. It describes using a Zoom audio recorder to get clear voiceovers and emphasize sound effects. It discusses using different cameras - a Panasonic and JVC - and learning that they capture footage differently. It also covers editing the footage in Premiere Elements, including adding effects like speed ramps, and adjusting lighting with a fill light and reflector.
Colour grading
The document discusses using color grading in Adobe Premiere Pro CC 2017 to smooth inconsistent lighting between shots in a film. Color grading allows control over the temperature of a scene, giving it a warmer tone to reinforce the narrative of characters being stranded on a deserted island for the audience. Adjusting the color helped improve the professionalism of the shots and supported the story.
Lighting Research
High-key lighting was originally used for technical reasons in early film and television as it had less contrast, but is now used to convey an upbeat mood. Low-key lighting has a high contrast and uses more shadows to create tension and mystery. Ambient lighting refers to the natural or existing light in a scene before additional lighting is added.
Feed back sheet
The feedback sheet provides suggestions to improve the opening sequence of a thriller movie. It recommends adding tense sound effects to set the tone, smoothing out cuts between scenes to improve flow, and shortening scenes and the overall length to maintain viewer engagement. Minor adjustments to lighting and logos are also suggested to enhance clarity and professionalism.
Making the poster
The document provides instructions for making a poster that includes photos taken with two remote flashes. Low angle shots were taken from the camera placed on the floor to give texture to the grass and make the subject appear tall. Backlighting was used to create drama and hide the subject's identity. Camera settings including ISO, shutter speed, aperture, and flash settings are listed. Post-processing included editing in Photoshop to enhance colors, contrast and saturation before adding text with the logo and title.
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Lighting is important in film to set moods - bright colors suggest happiness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
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Question 6 (1)
This document discusses the technologies used to create a student film project. [1] It describes how a blog was used to display work, share video clips for analysis, discuss techniques, and plan shoots. [2] Issues with the blog included problems with the internet and disorganization if work was late. [3] Other technologies like Prezi, PowerPoint, Survey Monkey, YouTube, editing software, cameras, tripods, and lighting equipment were utilized at various stages of the filmmaking process.
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Thriller title sequences typically use dark, eerie lighting and imagery to set the ominous tone for the rest of the film. They represent the film's narrative through cryptic or unsettling visuals that hint at the story's themes without giving away plot details. Overall, thriller openings aim to build mystery and suspense right from the start through disturbing or unexplained visual elements.
Lighting plan
High key lighting aims to reduce lighting ratios and shadows for a more even, homogeneous light. It creates low contrast between brighter and darker areas. High key lighting was commonly used in classical Hollywood films and sitcoms due to its suitability for three-point lighting setups.
Low key lighting uses predominantly shadowy areas lit by a single key light and minimal fill. It heightens a sense of alienation in the viewer and is often used in film noir and horror genres. Romantic dramas conventionally use high key lighting for joyous scenes and low key lighting for sorrowful scenes to depict emotions. The director challenged these conventions by using high key lighting for crying scenes in the romantic drama "Melancholia".
Mice en scene in the descent
This document analyzes the mise-en-scene elements of a scene from the film The Descent. It discusses the cave and forest locations used, the sports gear and natural costumes and makeup of the characters, and props like pickaxes and bones. It also examines the dull and dark lighting that conveys isolation, and how the actors' real rock climbing and not seeing the crawler actors created realistic movement and reactions.
SOUND NOTES
Filmsound is carefully controlled and added in post-production to emphasize important sounds and maintain the correct atmosphere. Selective sounds are used to highlight key audio elements while ambient sounds create a sense of place. Sound can be diegetic, originating from within the film's world, or non-diegetic from outside the world, and it can be synchronous, asynchronous, or contrapuntal to images. Elements like voiceovers, theme music, musical score, and silence are also used to guide audiences and shape narratives.
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1) "Fruits" featured zooming footage of fruits that was rotoscoped, with an unintended but interesting melting effect occurring due to some fruits not being fully visible.
2) "Photo Booth" featured moving shoes, requiring two keyframes - one with feet flat and another tilting one foot up. Improving color contrast between legs would improve the rendering.
3) "Tapping Shoes" featured footage of a tapping foot that was smoothly animated, though a glitch caused two rotoscopes to form instead of one, which was easily fixed by separating the clips.
How has technology played a part in the
Technology played an important role in creating the trailer by enabling research on YouTube, high quality digital recording using a camera and tripod, editing footage and adding visual effects and text on a Mac using software like Final Cut Express and Photoshop, and including recorded sound effects by importing audio files into the trailer on Final Cut.
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The document discusses the use of high key and low key lighting in films. It explains that the filmmaker used high key lighting in the first scene of their final film to show that the agent was trapped in a deserted area with the sun as the light source. They then used low key lighting in the next two scenes - with a bulb and moonlight as the light source in one scene to show the character's worried mood, and dim lighting in another to create suspense. Low key lighting was also used in subsequent scenes to convey tension, a bad mood before a killing, and to sneak quietly at night during an action/thriller film. Street lights provided the low key light in the final scene discussed.
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Rahab's challenge action plan
My Arts Challenge is to improve my skills in film editing. I will take editing classes and workshops to learn software like Premier Pro and After Effects. I will gain experience by editing the film my production team creates.
I have attended introductory sessions on filmmaking roles and processes. I have established a production team and we are developing a film treatment. We have received guidance on scriptwriting, camerawork, lighting, sound, and editing.
My goal is to complete filming and produce a finished film edited with clear storytelling and atmosphere through techniques like color grading and effects. This will demonstrate my success in meeting my Arts Challenge of strengthening my editing abilities.
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Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
Lighting plan
Low-key lighting is mainly used in horror films to create tension through dim, shadowy scenarios that reveal characters and surroundings in a mysterious, dark atmosphere. The document discusses how low-key lighting sets the tone and mood for danger by keeping backgrounds dark and dim. It also explains that the filmmaker used natural low-key lighting by blocking light on one side to create a feeling of fear and suspense as a witch haunts the main character, enhancing the tension and suspense throughout the film.
equipment used
The document discusses the production of a student film. It describes using a Zoom audio recorder to get clear voiceovers and emphasize sound effects. It discusses using different cameras - a Panasonic and JVC - and learning that they capture footage differently. It also covers editing the footage in Premiere Elements, including adding effects like speed ramps, and adjusting lighting with a fill light and reflector.
Colour grading
The document discusses using color grading in Adobe Premiere Pro CC 2017 to smooth inconsistent lighting between shots in a film. Color grading allows control over the temperature of a scene, giving it a warmer tone to reinforce the narrative of characters being stranded on a deserted island for the audience. Adjusting the color helped improve the professionalism of the shots and supported the story.
Lighting Research
High-key lighting was originally used for technical reasons in early film and television as it had less contrast, but is now used to convey an upbeat mood. Low-key lighting has a high contrast and uses more shadows to create tension and mystery. Ambient lighting refers to the natural or existing light in a scene before additional lighting is added.
Feed back sheet
The feedback sheet provides suggestions to improve the opening sequence of a thriller movie. It recommends adding tense sound effects to set the tone, smoothing out cuts between scenes to improve flow, and shortening scenes and the overall length to maintain viewer engagement. Minor adjustments to lighting and logos are also suggested to enhance clarity and professionalism.
Making the poster
The document provides instructions for making a poster that includes photos taken with two remote flashes. Low angle shots were taken from the camera placed on the floor to give texture to the grass and make the subject appear tall. Backlighting was used to create drama and hide the subject's identity. Camera settings including ISO, shutter speed, aperture, and flash settings are listed. Post-processing included editing in Photoshop to enhance colors, contrast and saturation before adding text with the logo and title.
Light presentation
Lighting is important in film to set moods - bright colors suggest happiness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Q4
The document discusses software used to edit a short film project. It describes using Adobe After Effects to mask the main actor from the forest background and apply a Gaussian blur effect to the forest. It also discusses using the Magic Bullet Looks plugin to apply color corrections and give the film a more professional look by focusing on blues and adding realistic colors. Finally, it mentions recording various shots with a camera for the film project, such as running shots, transition shots between locations, and close-ups, to make the film more interesting while following mainstream conventions.
The Blair Witch Project: Textual Analysis
The document analyzes the opening credits sequence of the film The Blair Witch Project through various film techniques. It summarizes that the credits are written in a messy style on forest props to fit the found footage genre and convey isolation. Shaky camerawork and transitions help set an eerie tone, while lighting grows more ominous inside near the end. Audio of rapid heartbeat-like tempo adds to suspense throughout the credits.
Question 6 (1)
This document discusses the technologies used to create a student film project. [1] It describes how a blog was used to display work, share video clips for analysis, discuss techniques, and plan shoots. [2] Issues with the blog included problems with the internet and disorganization if work was late. [3] Other technologies like Prezi, PowerPoint, Survey Monkey, YouTube, editing software, cameras, tripods, and lighting equipment were utilized at various stages of the filmmaking process.
Thriller Genre opening scene conventions
Thriller title sequences typically use dark, eerie lighting and imagery to set the ominous tone for the rest of the film. They represent the film's narrative through cryptic or unsettling visuals that hint at the story's themes without giving away plot details. Overall, thriller openings aim to build mystery and suspense right from the start through disturbing or unexplained visual elements.
Lighting plan
High key lighting aims to reduce lighting ratios and shadows for a more even, homogeneous light. It creates low contrast between brighter and darker areas. High key lighting was commonly used in classical Hollywood films and sitcoms due to its suitability for three-point lighting setups.
Low key lighting uses predominantly shadowy areas lit by a single key light and minimal fill. It heightens a sense of alienation in the viewer and is often used in film noir and horror genres. Romantic dramas conventionally use high key lighting for joyous scenes and low key lighting for sorrowful scenes to depict emotions. The director challenged these conventions by using high key lighting for crying scenes in the romantic drama "Melancholia".
Mice en scene in the descent
This document analyzes the mise-en-scene elements of a scene from the film The Descent. It discusses the cave and forest locations used, the sports gear and natural costumes and makeup of the characters, and props like pickaxes and bones. It also examines the dull and dark lighting that conveys isolation, and how the actors' real rock climbing and not seeing the crawler actors created realistic movement and reactions.
SOUND NOTES
Filmsound is carefully controlled and added in post-production to emphasize important sounds and maintain the correct atmosphere. Selective sounds are used to highlight key audio elements while ambient sounds create a sense of place. Sound can be diegetic, originating from within the film's world, or non-diegetic from outside the world, and it can be synchronous, asynchronous, or contrapuntal to images. Elements like voiceovers, theme music, musical score, and silence are also used to guide audiences and shape narratives.
(12) evaluation video
This document provides summaries of three animation videos created by Erin Stephenson using rotoscoping software:
1) "Fruits" featured zooming footage of fruits that was rotoscoped, with an unintended but interesting melting effect occurring due to some fruits not being fully visible.
2) "Photo Booth" featured moving shoes, requiring two keyframes - one with feet flat and another tilting one foot up. Improving color contrast between legs would improve the rendering.
3) "Tapping Shoes" featured footage of a tapping foot that was smoothly animated, though a glitch caused two rotoscopes to form instead of one, which was easily fixed by separating the clips.
How has technology played a part in the
Technology played an important role in creating the trailer by enabling research on YouTube, high quality digital recording using a camera and tripod, editing footage and adding visual effects and text on a Mac using software like Final Cut Express and Photoshop, and including recorded sound effects by importing audio files into the trailer on Final Cut.
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Rahab's challenge action plan
My Arts Challenge is to improve my skills in film editing. I will take editing classes and workshops to learn software like Premier Pro and After Effects. I will gain experience by editing the film my production team creates.
I have attended introductory sessions on filmmaking roles and processes. I have established a production team and we are developing a film treatment. We have received guidance on scriptwriting, camerawork, lighting, sound, and editing.
My goal is to complete filming and produce a finished film edited with clear storytelling and atmosphere through techniques like color grading and effects. This will demonstrate my success in meeting my Arts Challenge of strengthening my editing abilities.
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The document describes a postcard ad created on Canva.com to promote a horror film called "Shadows" playing at a film festival. The postcard includes the film title, festival name, director, producers, venue, and date. Dark colors and images of children were used in the background to convey the horror genre and suggest the film involves something scary like a witch.
Character profiles
Alice is the 15-year old naive but smart older sister who consoles her younger sister Alex that they will escape from the place they are trapped. Alex is the younger sister who is the main target of the Witch and gets shaky when she appears, but is ultimately revealed to be brave. The Witch is the evil character who kidnapped the children to avenge her son's death and does not believe in forgiveness, only revenge.
Log sheet
The document describes 26 shots from a film scene involving two girls, Alex and Alice, dealing with a witch. The shots show the girls having a conversation in the evening, then Alex having a flashback to earlier events. Later shots show the witch entering and intimidating the girls, with Alice trying to help Alex. Eventually Alex wakes up, throws a candle at the witch, and the girls work together to escape by throwing a potion at the witch and running away.
Shot list
The document is a shot list for a film containing 36 shots. It describes the camera angles, movements, and key events or interactions between characters in each shot. Some of the main story points include Alice and Alex having a conversation, Alex having a flashback, the witch entering and scaring Alex, Alice stopping the witch and consoling Alex, Alex waking up and throwing a candle at the witch, Alex and Alice talking and getting a potion, the witch screaming when Alex throws the potion, and Alex and Alice escaping through the door.
Concept
Two kids, Alex and Alice, are kidnapped by a witch and trapped in an abandoned room. The witch kidnapped the kids to avenge the death of her son. After taking many risks, Alex and Alice find a way to escape from the witch and her abandoned room.
Film treatment a2
Two children, Alice and Alex, are trapped by an evil witch who wants revenge for something that happened in the past. Throughout the film, the children try various ways to escape but fail. In the climax, Alice notices that the witch is looking for something important. Alice and Alex decide to take that item, a potion, to destroy it. When the witch comes to stop them, Alex throws the bottle, killing the witch. This allows both children to finally escape.
Misen scene note
The setting is an abandoned warehouse far from people where the witch has trapped two kids so they cannot be found. The characters, Alex and Alice, are dressed casually in clothes that show they have been trapped for days, with Alex in a sweatshirt and jeans and Alice in a kurta and jeans, indicating they are middle class and young. Props including candles, lamps, cardboard, a treasure box, and jars were used to portray the abandoned area where the witch has kept the kids in low light conditions to match the dark fantasy genre.
Prop list
The prop list contains 4 items: candles, cardboards/waste, jars, and a jewellerybox. These items will likely be used as props or set pieces in a production. The short list gives a high-level overview of some basic props needed without extensive details.
Film referencing
The Woman in Black is a 2012 British supernatural horror film directed by James Watkins, based on the novel of the same name. Arthur Kipps visits Eel Marsh House and is distracted by strange noises and sees a spectral figure. He later witnesses the death of a young girl named Victoria. Though ruled a suicide, the locals blame Arthur for Victoria's death, believing he saw the mysterious "Woman in Black". The film uses unsettling music and low-key lighting to create tension and establish a dark, ominous atmosphere.
Hollywood research
Hollywood began in 1911 with the establishment of the first movie studio. By 1920, Hollywood was producing 80% of the world's movies, mostly silent black and white films starring early stars like Charlie Chaplin and Mary Pickford. Although the film industry now has a global reach, Hollywood remains the dominant force in film production and marketing. Major media conglomerates like Disney, Warner Bros., and Universal Pictures distribute Hollywood films worldwide. The highest grossing film of 2014, Jurassic World, was produced by Amblin Entertainment and Legendary Pictures and distributed by Universal Pictures.
Genre analysis
This document discusses different genres and subgenres of horror films. It begins by defining the horror genre as seeking to elicit negative emotions through primal fears inspired by authors like Poe, Stoker, and Shelley. Key elements include the macabre, supernatural, ghosts, monsters, and serial killers. Subgenres discussed include action horror, comedy horror, body horror, and psychological horror. Comedy-horror blends comedy with traditional horror themes. Teen-horror revolves around teenagers facing suspenseful situations. Monster films center on a struggle between humans and a created monster.
Director research
James Wan is an Australian film director known for directing horror films like Saw (2004) and creating Billy the Puppet. He directed The Conjuring (2013) and Insidious (2010) which were both successful horror films. The Conjuring focused on real-life paranormal investigators Ed and Lorraine Warren and their famous case involving a witch's curse on a Rhode Island family farm. Wan uses different camera shots like extreme long shots to set the scene, long shots to show important settings, and full shots to establish character relationships. He also uses fast-paced editing with quick cuts and handheld camerawork to build tension and suspense.
Institution research
Columbia Pictures is a major film studio owned by Sony Pictures Entertainment, which itself is owned by Sony Corporation. Originally founded in 1918, Columbia Pictures helped pioneer the modern Hollywood studio system and was one of the "Big Six" major studios in Hollywood's Golden Age. Today, Columbia Pictures and its parent and sister companies, including TriStar Pictures, produce a wide variety of films that have found significant box office success, such as the Spider-Man and Pink Panther franchises.
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