The document discusses how color palettes are used in films to convey moods, themes, and separate storylines. It provides examples of how specific films used color:
1) The Hours used different color filters and hues to separate the time periods and characters, giving Virginia Woolf's scenes a sepia tone, Julianne Moore's a pastel yellow, and Meryl Streep's a cold blue.
2) Munich defined each location with a specific color to orient viewers, with Beirut in blue-green, Rome warmer, Paris less saturated, and New York grainy.
3) Traffic used a blue/orange complementary scheme, with Mexico in orange and Ohio in blue.
The presentation talks about the filmmaking movements in the history of world cinema. it highlights the french style of characterization which potrayals the psychological depth in the story progression
An introduction to mise en scene, cinematography, editing and sound
for teachers attending the summer 2009
Teacher's Institute at Jacob Burns Film
Center, Pleasantville, NY.
I used this powerpoint presentation for my filmmaking workshop at the University of Bahrain and Bahrain Polytechnic. The contents of this book are from Antonio Manriquez and Thomas McCluskey's "Video Production 101: Delivering the Message."
The presentation talks about the filmmaking movements in the history of world cinema. it highlights the french style of characterization which potrayals the psychological depth in the story progression
An introduction to mise en scene, cinematography, editing and sound
for teachers attending the summer 2009
Teacher's Institute at Jacob Burns Film
Center, Pleasantville, NY.
I used this powerpoint presentation for my filmmaking workshop at the University of Bahrain and Bahrain Polytechnic. The contents of this book are from Antonio Manriquez and Thomas McCluskey's "Video Production 101: Delivering the Message."
Film Language: Mise-En-Scene explanation and examples.Ian Moreno-Melgar
A long and detailed look at what mise-en-scene is and how it can be looked at in different aspects of film language. The presentation is split into the areas of Setting & Props; Costume, Hair and Make-up; Lighting and Colour; Positioning of Objects and People; Facial expression and Body
Language. Each section contains a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Film Language: Editing explanation examples and worksheets. Ian Moreno-Melgar
A long and detailed look at what editing is in Film and how it helps to not only present a story to the audience but how it functions on a technical level. The presentation is broadly split into two areas: Pace and Transitions. Each section contains a definition, a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Film Language: Mise-En-Scene explanation and examples.Ian Moreno-Melgar
A long and detailed look at what mise-en-scene is and how it can be looked at in different aspects of film language. The presentation is split into the areas of Setting & Props; Costume, Hair and Make-up; Lighting and Colour; Positioning of Objects and People; Facial expression and Body
Language. Each section contains a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Film Language: Editing explanation examples and worksheets. Ian Moreno-Melgar
A long and detailed look at what editing is in Film and how it helps to not only present a story to the audience but how it functions on a technical level. The presentation is broadly split into two areas: Pace and Transitions. Each section contains a definition, a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
1. The Colour Palette of Film
Practical uses of colour in film
( material extracted from Jacqueline B. Frosts’ book
Cinematography for Directors)
2. Colour Aesthetics
• Colour Aesthetics may be approached from
these three directions.
• Impression (visually)
• Expression (emotionally)
• Construction (Symbolically)
3. • The Colour Palette is a subtle way to visually
enhance the emotional aspect of a film and
guide the viewer to respond to it viscerally.
• Understanding the basic components of
colour and how the audience responds to
these colours is essential in communicating
with a specific palette.
4. • The colour palette is the actual visual
character of the film being created for the
screen.
• Some films are grainy, de-saturated, others are
slick, saturated palette, or monochromatic,
while others have a brown dusty palette.
5. • The cinematographer’s job is to interpret the
screenplay in a visual form and guide the
viewer’s emotions through colour, light,
composition and movement.
• It is important that both the director and
cinematographer understand the thematic
elements of the story and how to enhance it
through colour and light.
6. • The colour palette begins a direct visual
interpretation of the script that makes it a
reality on film, where it then takes on a subtle
character of its own.
• The colour palette can convey a mood or
feeling that stays with the viewer after the
film has ended.
7. Elements of the Colour Palette
• cinematography, which includes
• film stock, filters, gels, and lights that are
either tungsten or daylight balanced along
with mixing of colour temperature and
exposure to achieve a specific look.
8. • The production designer creates the
background and sets.
• The wardrobe person selects the costumes.
• The colours selected should have an aesthetic
or thematic basis that is underscoring the
mood or theme of the story or the emotional
state of a character.
9. Hours
• The film the Hours, by Stephen Daldry and
photographed by Seamus McGarvey BSC.
• Contains three separate color palettes used to
delineate the three main characters and their
separate story lines, which take place in
different time periods.
10. Hours
• Virgina Woolf played by Nicole Kidman set in
England between 1923 and 1941.
• “Tiffen Antique suede filter in combination with
classic soft, to effect the prewar setting. The Antique
suede has a very slight sepia quality. It tends to pull
back the colours and put a nicotine gauze over
everything.’
• Seamus McGarvey
12. Julianne Moore
• Julianne Moore’s character was given a more
yellow hue for her life that takes place in the
1950s in Los Angeles.
• “I wanted to give this section a pastel feel without
any strong black, almost as if it were hand-tinted or
aged.”
• Seamus McGarvey
14. Meryl Streep
• The present day story of Meryl Streep takes
place in New York city in the winter and has
been given the cold blue hue of winter as she
cares for her dying friend.
• “For me, this section of the film acts as an emotional
and visual hinge. Because it’s contemporary it
requires a sense of veracity.”
• Seamus McGarvey
16. Seamus McGarvey
• “The three colours intertwine perfectly to
separate the storyline while subtly providing
the emotional states of the characters’ lives
and their environments.”
• Seamus McGarvey, American Cinmatographer, January 2003,
27
17. Janusz Kaminski
• Shot Munich for Steven Spielberg, he defined
each location with a specific colour and
texture to help orient the viewer.
• Each city had a different colour.
• Beirut was blue-green,
• Rome was slightly warmer,
• Paris was less saturated, and
• New York was grainy.
20. Traffic – Steven Soderberg
(Using colour to represent different story lines in a film)
21. Traffic
• In Traffic Steven Soderberg uses a common
complementary colour scheme, blue/orange.
• Mexico is orange and Ohio is blue.
• Foregrounds are blue and backgrounds are
orange.
• Front light is blue and backlight is orange.