it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
it is about dimensional, subtractive, additive, centralised, radial, clustered, grid forms.
it is about the design procedure and how can we make an innovative design follow ing a few simple transformation steps.
barch_1st sem_anna univ. affl._msajaa_INTRODUCTION TO ARCHITECTURE_ELEMENTS OF ARCHITECTURE_ELEMENTS OF ARCHITECTURE – FORM_ELEMENTS OF ARCHITECTURE – SPACE_PRINCIPLES OF ARCHITECTURE
Transformations of Forms
Principle of Transformation is about applying changes in a unique
places of a design.
The Transformation of Forms are classified into 3 types
1. Dimensional Transformation
2. Subtractive Transformation
3. Additive Transformation(which is divided into 9 types
- Spatial Tension
- Edge To Edge
- Face To Face
- Interlocking
- Centralised
- Linear
- Radial
- Clustered
- Grid
DIMENSIONAL
TRANSFORMATION
:- This transformation occurs when
one or more of a structures dimensions
are transformed
In this Building, the Curve
of the Roof decreases
from the Centre of the hall
to the Entrance in one
shape divided into
many....
SUBTRACTIVE
TRANSFORMATION
:- This Transformation occurs when
a portion of it’s volume is
subtracted
In this Building, Negative
spaces are giving the Design
form of the Building a
Subtractive Transformation ...
ADDITIVE
TRANSFORMATION
:- This Transformation occurs when
elements are added into the design .
Spatial Tension
Transformation
This Additive Transformation is about
object combined while having space
between them...
In this Building, the floor to floor design
change and the gaps between are giving this
building a Spatial Tension between the
Floors....
Edge to Edge
Transformation
This Additive Transformation is where the
forms are sharing a common edge
In this Building, The floors that
are in contact combining and
connecting ....
Face to Face
Transformation
In this Additive Transformation, where the
forms have corresponding surfaces which are
parallel to one another...
In this Building, the roofs of the
rooms are in a similar shape
and order...
Interlocking
Transformation
In this Addition Transformation, where
the forms are inter connected to one
another...
In this Building, the floors of the
adjacent sides are showing
different space(negative &
positive) respectively...
Architectural Design Concepts Approaches - كونسيبت التصميم المعمارى و الفكرة ...Galala University
Architectural Design Concepts Approaches
Summary of several Architectural Design Concepts Approaches to help students generate design concepts.
كونسيبت التصميم المعمارى
الفكرة المعمارية
طرق مختلفة لمساعدة الطلبة للوصول الى كونسيبت او فكرة التصميم المعمارى
Design, a language in its own right gave voice to those who could not speak eloquently. It provided a medium that could paint a picture in a way that even best literary works could not do. But what is there that helped building up this language? What is the basic structure that created such a profound medium where anybody has a chance showcase his own stories? This presentation tries to breakdown that structure for people who care enough to learn about it. With this presentation, I try to lay down the two main aspects of design, i.e., “Elements and Principles” of design. These aspects are quite necessary in order to learn about how to visualise every single attribute of design. These aspects provide an insight into the working of a design. One might be into any kind of design language, but the basic structure remains the same. therefore, it becomes quite important to learn about this structure in the first place.
it is about dimensional, subtractive, additive, centralised, radial, clustered, grid forms.
it is about the design procedure and how can we make an innovative design follow ing a few simple transformation steps.
barch_1st sem_anna univ. affl._msajaa_INTRODUCTION TO ARCHITECTURE_ELEMENTS OF ARCHITECTURE_ELEMENTS OF ARCHITECTURE – FORM_ELEMENTS OF ARCHITECTURE – SPACE_PRINCIPLES OF ARCHITECTURE
Transformations of Forms
Principle of Transformation is about applying changes in a unique
places of a design.
The Transformation of Forms are classified into 3 types
1. Dimensional Transformation
2. Subtractive Transformation
3. Additive Transformation(which is divided into 9 types
- Spatial Tension
- Edge To Edge
- Face To Face
- Interlocking
- Centralised
- Linear
- Radial
- Clustered
- Grid
DIMENSIONAL
TRANSFORMATION
:- This transformation occurs when
one or more of a structures dimensions
are transformed
In this Building, the Curve
of the Roof decreases
from the Centre of the hall
to the Entrance in one
shape divided into
many....
SUBTRACTIVE
TRANSFORMATION
:- This Transformation occurs when
a portion of it’s volume is
subtracted
In this Building, Negative
spaces are giving the Design
form of the Building a
Subtractive Transformation ...
ADDITIVE
TRANSFORMATION
:- This Transformation occurs when
elements are added into the design .
Spatial Tension
Transformation
This Additive Transformation is about
object combined while having space
between them...
In this Building, the floor to floor design
change and the gaps between are giving this
building a Spatial Tension between the
Floors....
Edge to Edge
Transformation
This Additive Transformation is where the
forms are sharing a common edge
In this Building, The floors that
are in contact combining and
connecting ....
Face to Face
Transformation
In this Additive Transformation, where the
forms have corresponding surfaces which are
parallel to one another...
In this Building, the roofs of the
rooms are in a similar shape
and order...
Interlocking
Transformation
In this Addition Transformation, where
the forms are inter connected to one
another...
In this Building, the floors of the
adjacent sides are showing
different space(negative &
positive) respectively...
Architectural Design Concepts Approaches - كونسيبت التصميم المعمارى و الفكرة ...Galala University
Architectural Design Concepts Approaches
Summary of several Architectural Design Concepts Approaches to help students generate design concepts.
كونسيبت التصميم المعمارى
الفكرة المعمارية
طرق مختلفة لمساعدة الطلبة للوصول الى كونسيبت او فكرة التصميم المعمارى
Design, a language in its own right gave voice to those who could not speak eloquently. It provided a medium that could paint a picture in a way that even best literary works could not do. But what is there that helped building up this language? What is the basic structure that created such a profound medium where anybody has a chance showcase his own stories? This presentation tries to breakdown that structure for people who care enough to learn about it. With this presentation, I try to lay down the two main aspects of design, i.e., “Elements and Principles” of design. These aspects are quite necessary in order to learn about how to visualise every single attribute of design. These aspects provide an insight into the working of a design. One might be into any kind of design language, but the basic structure remains the same. therefore, it becomes quite important to learn about this structure in the first place.
Significance of Basic Design Elements in Spatial and Cultural Environment of ...ijtsrd
Built form in any Organization carries the essence of any design and doing nothing is also a form of design. Elements of Design needs to be carefully studied and applied to creation of any space. Design sometimes suffers from a dilemma about its identity. It is not solely either an art or a science but is a combination of both. Applied design is not like physics or biology or writing or painting, but it involves these areas and more. Design tends towards a generalized approach, collecting specifics from diverse areas as needed. Design is a combination of art, science, technology and intuition. Design does contain sound proven principals and criteria for judging its success. It is a combination of ideas, methods, deliverables, forms, functions and appearance. These criteria centre on the relationship between human needs and human environmental possible. The measure of the success of a particular applied design is how well it meets the needs of the people experiencing it. This paper discuss about the elements of design and the techniques used to incorporate them in ideal spatial creation. Balance and Positive combinations of form and functions Dr. Mukesh Kumar Lalji | Dr. Amogh Kumar Gupta | Dr. Sheetal Sharma "Significance of Basic Design Elements in Spatial and Cultural Environment of Built Forms" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-5 | Issue-4 , June 2021, URL: https://www.ijtsrd.compapers/ijtsrd42473.pdf Paper URL: https://www.ijtsrd.comengineering/architecture-and-planning/42473/significance-of-basic-design-elements-in-spatial-and-cultural-environment-of-built-forms/dr-mukesh-kumar-lalji
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
1. ARTICULATION
Of FORM
THEORY OF DESIGN
BAR-605
ASSIGNMENT- 1
SUBMITTED TO:
Ar. Mohili Jain
ASST. Professor
SUBMITTED BY:
Hemant Diyalani
B.ARCH, VI SEM, III YEAR
2. ARTICULATI
ON
Articulation, in art and architecture, is a method
of styling the joints in the formal elements of
architectural design. Through degrees of
articulation, each part is united with the whole
work by means of a joint.
In highly articulated works, each part is
defined precisely and stands out
clearly. The articulation of a building
reveals how the parts fit into the whole
by emphasizing each part separately.
3. ARTICULATION
OF FORM
1. Differentiating adjoining planes with a
change in material, colour, texture or
pattern.
2. Developing corners as distinct linear
elements independent of the abutting
planes.
3. Removing corners to physically separate
neighbouring planes.
4. Lighting the form to create sharp
contrasts in tonal value along edges and
corners.
4. CORNER
ARTICULATION
Since the articulation of a form depends to a great degree on how its
surfaces meet each other at corners, how these edge conditions are
resolved is critical to the definition and clarity of a form.
1.For a corner to be formally active,
there must be more than a slight
deviation in the angle between the
adjoining planes. Since we
constantly search for regularity and
continuity within our field of vision,
we tend to regularize or smooth
out slight irregularities in the forms
we see. For example, a wall plane
that is bent only slightly will appear
to be a single flat plane, perhaps
with a surface imperfection. A
corner would not be perceived.
5. 2.Corners define the meeting
of two planes. If the two
planes simply touch and the
corner remains unadorned,
the presence of the corner
will depend on the visual
treatment of the adjoining
surfaces. This corner
condition emphasizes the
volume of a form.
3. A corner condition can be
visually reinforced by
introducing a separate and
distinct element that is
independent of the surfaces
it joins. This element
articulates the corner as a
linear condition, defines the
edges of the adjoining planes,
and becomes a positive
feature of the form.
6. 4. While a corner can be
articulated by simply
contrasting the surface
qualities of the adjoining
planes, or obscured by
layering their joining with an
optical pattern, our perception
of its existence is also affected
by the laws of perspective and
the quality of light that
illuminates the form.
5. Rounding off the corner
emphasizes the continuity of the
bounding surfaces of a form, the
compactness of its volume and
softness of its contour. The scale
of the radius of curvature is
important. If too small, it
becomes visually insignificant; if
too large, it affects the
interior space it encloses and the
exterior form it describes.
7. 6. If neither plane is
extended to define the
corner, a volume of space is
created to replace the
corner. This corner condition
deteriorates the volume of
the form, allows the interior
space to leak outward and
clearly reveals the surfaces
as planes in space.
7. If an opening is introduced
to one side of the corner,
one of the planes will appear
to bypass the other. The
opening diminishes the
corner condition, weakens
the definition of the volume
within the form, and
emphasizes the planar
qualities of the neighbouring
surfaces.
8. SURFACE
ARTICULATION
Our perception of the shape, size scale, proportion and visual weight of a
plane is influenced by its surface properties as well as its visual context.
1. A distinct contrast between the
surface colour of a plane and
that of the surrounding field can
clarify its shape, while modifying
its tonal value can
either increase or decrease its
visual weight.
9. 2. A frontal view
reveals the true
shape of a plane.
Oblique views
distort it.
3. Elements of
known size
within the visual
context of a
plane can aid our
perception of its
size and scale.
10. 4. Texture and colour
together affect the
visual weight and
scale of a plane and
the degree to which it
absorbs or reflects
light and sound.
5. Directional or
oversized optical
patterns can distort
the shape or
exaggerate the
proportions of a plane.
11. Elements of form
defining spaceOverhead Plane
Wall Plane
Base Plane
Elevated Plane
Depressed Plane
Vertical Plane
L-Shaped Plane
Parallel Plane
U-Shaped Plane
Plane Closure
12. Horizontal Plane
Base Plane
• Seems to be figured out when there is
a perceptible change in colour,
texture.
• With edge definition.
• With surface articulation ex, lawn,
carpet, paving, etc.
Elevated Base Plane
• Elevating creates a specific domain.
• If surface characteristics continue up
across the elevated plane, then the
elevated one will appear part of
surrounding plane.
• If edge conditions are articulated by a
change in form, colour, texture, then
the field will become a distinct
plateau that is separated from
surroundings.
13. Depressed Base Plane
• Vertical surface of depression
establishes boundaries.
• It remains an integral part.
• The space is distinct.
• Used for separation.
Overhead Plane
• It is similar to the trees as
gives the sense of enclosure.
• Defines a filed space between
itself and ground plane.
• Edges define the boundary of
the field.
• Offers protection.
• Defines overall form.
14. Roof Plane
• Can be hidden from view by wall.
• Can be single or many.
• Can extend outwards as overhang.
• Can be elevated to allow breeze to
pass through.
Ceiling Plane
• Can reflect the form of structural
system.
• Can be detached from roof plane,
suspended, underside of an
overhead.
• Can be manipulated to define and
articulate spaces.
• Form can be manipulated to control
the quality of light or sound within a
space.
15. Vertical Plane
• It has frontal qualities.
• They can differ in form, colour or
texture to articulate different
spatial conditions.
• Provides little or no sense of
enclosure.
• It defines the edges of spatial
fields.
• Allows visual continuity.
• Separates one space from
another.
• The height of the vertical plane
relative to our body height and
eye level is the critical factor that
effects the ability of the plane to
visually describe spaces.
16. L-Shaped Plane
Generates a volume of space from
its centre outward as a diagonal.
Parallel Plane
Defines the volume of space in between that
is oriented axially towards open end.
U-Shaped Plane
Defines the volume that is primarily
oriented towards the open end.
Plane Enclosure
Vertical plane on all sides establish
boundaries of an introverted and
influence the field of space around
enclosure.