This document provides guidance for using riddle poems to teach poetic elements to students. It outlines the purpose of the lesson, which is to help students identify poetic elements in their reading and use them in their own writing. The document then discusses what a riddle poem is, provides steps for writing one including choosing a topic, brainstorming, and using poetic devices. It also offers suggestions for publishing and sharing the final poems.
The Language of Disney Songs: A Formalistic Analysis
Klein Mamayabay, LPT, MAED,
St. Mary's College of Tagum, Inc., Philippines
The Seventh International Conference on Languages, Linguistics, Translation and Literature
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Determine whether or not the argument uses any deceptive statistic.docxduketjoy27252
Determine whether or not the argument uses any deceptive statistics. Give your opinion on whether or not the argument has persuaded you. Explain why or why not.
The argument uses deceptive statistics. Argument has not persuaded me. We can be thinking about Backfire Effect. While shown with the logical as well as rational evidence disputing the strongly held trusts, several people's natural tendency has been holding on 11 tighter to such trusts apart from reassess its position.
Determine the primary ways in which statistics or authority are used in your current position in developing persuasive arguments, and provide examples of such use.
Following are primary ways in which statistics or authorities are used. Persuasive attempt has more probably been to be effective while communicator i.e. person communicating message has been:
Credible
Both generally along with for specific issue in hand. In another terms, person/audience getting the communication should trust us. Such trust may be based on qualifications of the communicator along with on its last performance.
Example: Whereas our doctor describes us that no bones had been broken along with for taking that easier for some days, we trust that advice. Doctor has been qualified i.e. we have no doubt along with however we in addition have come to believe same advice in past. When 5th grade child provide us similar message, we could possibly be unconvinced. However, doctor has been the credible communicator for us along with hence we have been persuaded.
Knowledgeable
On specific matter in hand, expertise makes single more credible communicator however such expertise should be perceived like specific to specific setting as well as specific topic in consideration.
Example: Our doctor can be credible as well as persuasive while this comes to our health care however not more credible in comparison anybody else while this comes to choosing the newer car. On the contrary, refrigerator repairman can be very little aware of cars/medicine however while this comes to diagnosing along with fixing our leaky refrigerator, which has been his field of expertise. For refrigerators, he has been the persuasive communicator.
American Literature Study Guide
Use this study guide to help you with terms and concepts related to literature.
I. Point of View
II. Types of Essays
III. Critical Approaches for Studying Literature
IV. Literary Terms
V. Ten Steps of Poetry Analysis
I. Point of View – Point of view refers to how a story is told:
First person narration – the “I” voice; the narrator speaks from his or her own point of
view.
Third person narration – the “he” or “she” voice.
Limited omniscient narration – third person narrator who presents only the inner thoughts
of one or two characters.
Omniscient narration – third person narrator who presents the inner thoughts of ALL of
the characters, capable of describing events happening simultaneously in different places.
Unreliab.
American Literature Study Guide Use this study guide to he.docxgalerussel59292
American Literature Study Guide
Use this study guide to help you with terms and concepts related to literature.
I. Point of View
II. Types of Essays
III. Critical Approaches for Studying Literature
IV. Literary Terms
V. Ten Steps of Poetry Analysis
I. Point of View – Point of view refers to how a story is told:
First person narration – the “I” voice; the narrator speaks from his or her own point of
view.
Third person narration – the “he” or “she” voice.
Limited omniscient narration – third person narrator who presents only the inner thoughts
of one or two characters.
Omniscient narration – third person narrator who presents the inner thoughts of ALL of
the characters, capable of describing events happening simultaneously in different places.
Unreliable narrator – a narrator whose interpretation and evaluation do not coincide with
the implicit beliefs and norms of the values held by the author or reader.
Reliable narrator – a narrator who is trustworthy, who offers a mainly unbiased account
of the events.
II. Types of Essays
Reflective essay – an essay in which the writer ponders ideas and offers reflections about
one or more topics. A reflective essay can have a personal tone.
Compare and Contrast essay – an essay in which a writer discusses the similarities and
differences between two works.
Analysis essay – an essay in which the writer offers an interpretation of a work,
suggesting what possible meanings might be hidden or embedded in the work.
III. Critical Approaches for Studying Literature
An approach to literature is defined by a reader’s focus. Below, you will see that
different approaches focus on different aspects of an author’s work:
o Formalist approach – focus on the “formal” elements of a work.
Structure
Tone
Plot
Character
Length
Style
o Biographical approach – use elements from the writer’s life.
Family background
Childhood experiences
Major events
o Psychological approach – examine motivations and unconscious material.
Of the author: the author may have written things without being
consciously aware of his or her motivation.
Of the characters: the characters’ actions and personalities may reveal
their “hidden” motivation.
Of the reader: readers may respond to a work for unconscious reasons.
o Historical approach – examine the historical context to find influences in an
author’s work.
Economic conditions
Cultural context
Major events, such as war
o Feminist approach – consider issues related to women in a work.
Language used to depict women
Women characters
Social conditions for women
Depictions of motherhood
Issues related to women writers
o Mythological approach – consider universal ideas and concepts.
Fear and death
Love and hope
Seasons and cycles
Quests and symbols
o Reader Response approach – consider the reader of a work.
.
Is poetry instruction still relevant in a time when we are preparing students for high-stakes testing in school while we read and write on cell phones, iPads, and laptops out of school? According to this study, the answer is, “Yes.” Digital poetry bridges new literacy skills with traditional poetry instruction in a collaborative environment. Any opportunities educators can build a bridge between out of school and in school literacies could increase student motivation and engagement to learn. I am confident that the affordances of digital poetry instruction can provide the collaborative digital environment students’ desire while meeting the academic demands of the CCSS.
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June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
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This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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Thesis Statement for students diagnonsed withADHD.ppt
Riwp
1. Using Riddle Poems
To Teach Poetic Elements
Hank Maine
RIWP Summer Institute
July 19, 2004
2. K W L
What do you Know about
poetry?
What would you like to
learn?
What did you Learn from
The lesson?
3. Why are we learning this?
The purpose of the lesson is
to teach poetic elements so
students can identify them
in their reading and utilize
them in their writing.
4. S tand ard s and G LE s
E 1c-s tudent reads NE G LE W1-s tudent applies
informational materials to unders tanding of the s truc tures
develop expertis e and of language in a particular genre
produc es written or oral of writing
work that reflec ts thes e NE G LE W2, W3-s tudent writes in
points . res pons e to literary or
informational text
E 3b-s tudent participates in
NE G LE W9-s tudent applies
group meetings conventions of a partic ular
E 3c-s tudent prepares and genre of writing
delivers an individual NE G LE R1-s tudent us es word
pres entation identific ation s kills and
E 5b-s tudent produces work s trategies
in at leas t one literary genre NE G LE R2, R3, R4, R7-s tudent
that follows the conventions applies voc abulary s trategies
of the genre and unders tanding of literary
and informational text
5. What is a Riddle Poem?
I like to feel it Firm and cool-
A nd Round beneath my feet
It’s one of hundreds s houldering
A long-enduring s treet.
I like to mus e who felt it firs t-
A nd why They trod, and when,
To fit in patterns -edge to edge-
The paths from Now to Then.
Ruth Tenzer Feldman
Cobblestone
7. Getting S tarted
Choose an answer
Brainstorm
Use a thesaurus
Think like the object
Use figurative language
8. S tep 1: B egin with your
ans wer or topic
Your topic can be
concrete like a desk, a
car, or even a person.
You can also choose
something abstract like
happiness or peace
9. S te p 2: Brains torm
C reate a lis t of words and ideas related to and
as s ociated with your topic.
Think with all your s ens es : where do you s ee,
hear, s mell, tas te and touch things related to your
topic?
Example: water
Clouds, wet, rain, liquid, fish, stream, river,
lake, pool, pond, swimming, ocean, ice,
glacier, steam, snow, boats, sailing
10. A ls o think of words or
ideas that are oppos ite
or oppos ed to your
topic
E xam p le : Water
E arth, fire, dry, air
11. Choose some words you
brainstormed and look up
their synonyms in a
thesaurus. Look up synonyms
for your topic too
Us e a rhyming dictionary to
look up words that rhyme with
the ones in your lis t
12. Think like the object: Try des c ribing the
world from the object’s point of view.
What do you s ee, hear, feel? What do
you do? What do you like?
What would a river think?
I run downhill
I make canyons
Fis h live in me
13. Try us ing figurative language:
Des cribe your topic us ing
figurative language to give clues
S imile: Pools that reflect like
mirrors
Metaphor: S treams are fis h
roads
Pers onification: The rain
played a s teady beat
15. Let’s s tart with the ideas of
water cutting canyons and
reflecting like a mirror
I am like a mirror when I’m
s till
I am s tronger than s tone
when I move
16. S ounds good but bland.
Try playing with the word
order
S till, I am like a m irror
Fas t, I’m s tronge r th an
s tone
17. Now us e your brains torm to
add different poetic elements
like pers onification, metaphors ,
and maybe even rhyme
Try different line and word
combinations . S ometimes even the
s lightes t change can make a big
difference. Read your poem aloud
and play with the words and order
until it makes s ens e and s ounds right.
18. Publis hing Your Final Draft
Publis h your poem in a c reative way
Us e form and s hape the poem like its
topic
Us e a creative background that
doubles as a clue
Draw a picture to go with your poem
Make an audio recording of your
poem
19. Have s tudents generate a rubric
for the as s ignment. Include an
explanation of the poetic
elements in their poems and
how they us ed them
Have a poetry reading and invite parents ,
adminis trators , other clas s es and outs ide gues ts .
Have the audience try to gues s the riddle.
Dis play the poems in your clas s room and s chool
building
20. Thoughts and Ques tions
S hould s tudents work independently or in
groups ?
What are s ome other follow-up activities ?
How s hould I differentiate the les s on for
s tudents at various levels ?
How can I integrate this les s on to other
s ubject areas ?
How can I introduce different types of poetry
into the les s on?
How can I us e this with different genres of
literature?
21. B ib lio g r a p h y
F e ld m a n , R u t h T e n z e r . “ G u e s s W h a t ”
C o b b l e s t o n e , M a r c h 19 9 5 , 2 4 - 2 5
C l a g g e t t , F r a n , L o u a n n R e i d a n d R u t h V i n z . Da y b o o k o f
c r it ic a l R e a d in g a n d W r it in g .
W ilm in g t o n , M a s s a c h u s e t t s : G r e a t S o u r c e E d u c a t io n
G r o u p , 19 9 9
W r it in g R id d l e P o e ms . N C T E /I R A , m a r c o p o l o . 2 0 0 3 ; c i t e d
J u ly , 2 0 0 4
h t t p : //w w w . r e a d w r t i e t h i n k . o r g
Z e m e l m a n , S t e v e n a n d H a r v e y D a n i e l s . A C o mmu n it y o f
W r it e r s .
P o r t s m o u t h , N H : H e i n e m a n n , 19 8 8
C a r a v i a , L o r i . R id d l e P o e m. U n i v e r s i t y o f I l l i n o i s , U r b a n a -
C h a m p a ig n , N o v e m b e r 6 ,
19 9 7 ; c i t e d J u l y , 2 0 0 4
h t t p : //w w w . e d . u i u c . e d u /Y L P /9 7 - 9 8 /9 7 - 9 8 _u n i t s /9 7 - 9 8 m i n i -
u n i t /L C a r a v i a