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Determine whether or not the argument uses any deceptive
statistics. Give your opinion on whether or not the argument has
persuaded you. Explain why or why not.
The argument uses deceptive statistics. Argument has not
persuaded me. We can be thinking about Backfire Effect. While
shown with the logical as well as rational evidence disputing
the strongly held trusts, several people's natural tendency has
been holding on 11 tighter to such trusts apart from reassess its
position.
Determine the primary ways in which statistics or authority are
used in your current position in developing persuasive
arguments, and provide examples of such use.
Following are primary ways in which statistics or authorities are
used. Persuasive attempt has more probably been to be effective
while communicator i.e. person communicating message has
been:
Credible
Both generally along with for specific issue in hand. In another
terms, person/audience getting the communication should trust
us. Such trust may be based on qualifications of the
communicator along with on its last performance.
Example: Whereas our doctor describes us that no bones had
been broken along with for taking that easier for some days, we
trust that advice. Doctor has been qualified i.e. we have no
doubt along with however we in addition have come to believe
same advice in past. When 5th grade child provide us similar
message, we could possibly be unconvinced. However, doctor
has been the credible communicator for us along with hence we
have been persuaded.
Knowledgeable
On specific matter in hand, expertise makes single more
credible communicator however such expertise should be
perceived like specific to specific setting as well as specific
topic in consideration.
Example: Our doctor can be credible as well as persuasive while
this comes to our health care however not more credible in
comparison anybody else while this comes to choosing the
newer car. On the contrary, refrigerator repairman can be very
little aware of cars/medicine however while this comes to
diagnosing along with fixing our leaky refrigerator, which has
been his field of expertise. For refrigerators, he has been the
persuasive communicator.
American Literature Study Guide
Use this study guide to help you with terms and concepts related
to literature.
I. Point of View
II. Types of Essays
III. Critical Approaches for Studying Literature
IV. Literary Terms
V. Ten Steps of Poetry Analysis
I. Point of View – Point of view refers to how a story is told:
– the “I” voice; the narrator speaks
from his or her own point of
view.
– the “he” or “she” voice.
– third person narrator who
presents only the inner thoughts
of one or two characters.
ent narration – third person narrator who presents the
inner thoughts of ALL of
the characters, capable of describing events happening
simultaneously in different places.
– a narrator whose interpretation and
evaluation do not coincide with
the implicit beliefs and norms of the values held by the author
or reader.
– a narrator who is trustworthy, who offers
a mainly unbiased account
of the events.
II. Types of Essays
– an essay in which the writer ponders ideas
and offers reflections about
one or more topics. A reflective essay can have a personal tone.
– an essay in which a writer
discusses the similarities and
differences between two works.
alysis essay – an essay in which the writer offers an
interpretation of a work,
suggesting what possible meanings might be hidden or
embedded in the work.
III. Critical Approaches for Studying Literature
ader’s focus.
Below, you will see that
different approaches focus on different aspects of an author’s
work:
o Formalist approach – focus on the “formal” elements of a
work.
o Biographical approach – use elements from the writer’s life.
o Psychological approach – examine motivations and
unconscious material.
ut
being
consciously aware of his or her motivation.
may reveal
their “hidden” motivation.
reasons.
o Historical approach – examine the historical context to find
influences in an
author’s work.
o Feminist approach – consider issues related to women in a
work.
o Mythological approach – consider universal ideas and
concepts.
nd symbols
o Reader Response approach – consider the reader of a work.
due to
background and culture
different things
than another reader might notice
IV. Literary Terms
– a reference to another person, place, or event
stated or implied.
– the character or force that opposes the
protagonist; sometimes the antagonist
is a storm or a situation against which the protagonist is
fighting.
– a narrative involving conflict and usually designed
for presentation on a stage.
– a work most often written in prose in which a topic is
presented and discussed.
– a category used to describe literary works:
o Novel
o Short story
o Drama
o Essay
o Speech
o Poem
o Science Fiction
– the visual objects and scenes included in a work;
the use of language to
represent people and things descriptively. A work may have
dominant types of imagery:
o nature imagery
o weather imagery
o war imagery
o fishing imagery
o technological imagery
– a humorous or sarcastic use of language of a different
or opposite meaning; an
incongruity between what actually happens and what is expected
to happen, especially
when this disparity seems absurd or laughable.
– the term suggests writings that are of superior
quality which deal with
universal ideas.
– a figure of speech in which a word or phrase is
imaginatively applied to a
person, idea, or object:
o She’s a peach
o That car is a work horse
o My memory is foggy
– a work written to produce auditory pleasure using
sound and metrical or
patterned language.
onist – the main character in a work, though not always
the hero; the protagonist
may be good or evil, but the protagonist is always the main
character.
– the time, location, and social environment of a
literary work.
– a brief work of prose fiction that can be read in
one sitting.
– a figure of speech in which two things are compared
using “like” or “as”:
o My love is like a rose
o The child is as pretty as a picture
– An arrangement of lines grouped together in a poem
– the features of a work that pertains to a writer’s
choice of words.
– an idea that is central to the work.
– the mood or attitude of a work:
o Melancholy
o Lighthearted
o Serious
o Playful
o Dramatic
o Formal
o Angry
o Eerie
o Solemn
o Loving
V. Ten Steps of Poetry Analysis
Use this method as a way to approach most poems of short to
average length:
– Read the poem out loud.
o Reading the poem out loud will help you to “hear” the sound
devices the poet has
used, such as meter and rhyme
o Reading the poem out loud will help you to grasp what is
happening in the poem
– Use the dictionary.
o Look up unfamiliar words
o Look up familiar words to refresh your understanding of them
– Focus on the speaker of the poem.
o Who is the speaker?
o Is the speaker male or female?
speaker, and you
can assume that it is probably the same gender as the writer
o Look for clues about the speaker
– Focus on the audience.
o Does the speaker seem to be talking to a specific group of
people, such as
children?
o Are there any words that let you know who the audience might
be?
o Quite often, the audience is a general readership, but
sometimes a speaker is
talking to a friend, lover, parent, or child.
– Identify the tone, which will relate to moods or
feelings.
o Sad, melancholy, subdued
o Contemplative, thoughtful, peaceful
o Chaotic, bitter, angry
o Playful, lighthearted, joyful
– Identify the rhyme or lack of rhyme.
o Examine the end word in each line to see if there is a pattern
of sound
o Examine words in the middle of the lines to see if there are
internal rhymes
(rhymes that do not occur at the end of the line but somewhere
in the middle)
o Chart the rhyme scheme using alphabetical letters.
o For the last word of the first line, use the letter “a.”
o If the last word of the second line rhymes with the last word
of the first line, again
use the letter “a.”
o If the last word of the third line does not rhyme with the first
and second lines, use
the letter “b.”
o If the last word of the fourth line rhymes with either the first
line or the third line,
give it the same designation.
– Focus on the stanzas.
o Does the poem have stanzas or is it one long series of lines?
o How many lines are in each stanza?
o Do you see a turning point in a particular stanza?
o If there are no defined stanzas, is there a turning point
somewhere in the poem?
– Focus on the sounds.
o Harsh, tense sounds
o Soft, smooth sounds
o Long and short vowel sounds
o Alliteration (repetition of the first consonant)
o Do the sounds go along with the content of the poem?
e poem peaceful, using soft, smooth sounds? (l, m, n, r)
– Look for images and attempt to categorize them.
o Weather
o Seasonal
o Violent
o Technological
o Natural
– Focus on the subject of the poem.
o What is the poem about?
o Can you write out what you think the subject is in a single
sentence?
o Can you tell another person what the poem is about?
After going through this process with a poem, you will
understand it more clearly.
Ten Steps of Poetry Analysis
Use this method as a way to approach most poems of short to
average length:
– Read the poem out loud.
o Reading the poem out loud will help you to “hear” the sound
devices the poet has
used, such as meter and rhyme
o Reading the poem out loud will help you to grasp what is
happening in the poem
– Use the dictionary.
o Look up unfamiliar words
o Look up familiar words to refresh your understanding of them
– Focus on the speaker of the poem.
o Who is the speaker?
o Is the speaker male or female?
speaker, and you
can assume that it is probably the same gender as the writer
o Look for clues about the speaker
– Focus on the audience.
o Does the speaker seem to be talking to a specific group of
people, such as
children?
o Are there any words that let you know who the audience might
be?
o Quite often, the audience is a general readership, but
sometimes a speaker is
talking to a friend, lover, parent, or child.
– Identify the tone, which will relate to moods or
feelings.
o Sad, melancholy, subdued
o Contemplative, thoughtful, peaceful
o Chaotic, bitter, angry
o Playful, lighthearted, joyful
– Identify the rhyme or lack of rhyme.
o Examine the end word in each line to see if there is a pattern
of sound
o Examine words in the middle of the lines to see if there are
internal rhymes
(rhymes that do not occur at the end of the line but somewhere
in the middle)
o Chart the rhyme scheme using alphabetical letters.
o For the last word of the first line, use the letter “a.”
o If the last word of the second line rhymes with the last word
of the first line, again
use the letter “a.”
o If the last word of the third line does not rhyme with the first
and second lines, use
the letter “b.”
o If the last word of the fourth line rhymes with either the first
line or the third line,
give it the same designation.
oods fill up with snow
– Focus on the stanzas.
o Does the poem have stanzas or is it one long series of lines?
o How many lines are in each stanza?
o Do you see a turning point in a particular stanza?
o If there are no defined stanzas, is there a turning point
somewhere in the poem?
– Focus on the sounds.
o Harsh, tense sounds
o Soft, smooth sounds
o Long and short vowel sounds
o Alliteration (repetition of the first consonant)
o Do the sounds go along with the content of the poem?
– Look for images and attempt to categorize them.
o Weather
o Seasonal
o Violent
o Technological
o Natural
– Focus on the subject of the poem.
o What is the poem about?
o Can you write out what you think the subject is in a single
sentence?
o Can you tell another person what the poem is about?
After going through this process with a poem, you will
understand it more clearly.

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Determine whether or not the argument uses any deceptive statistic.docx

  • 1. Determine whether or not the argument uses any deceptive statistics. Give your opinion on whether or not the argument has persuaded you. Explain why or why not. The argument uses deceptive statistics. Argument has not persuaded me. We can be thinking about Backfire Effect. While shown with the logical as well as rational evidence disputing the strongly held trusts, several people's natural tendency has been holding on 11 tighter to such trusts apart from reassess its position. Determine the primary ways in which statistics or authority are used in your current position in developing persuasive arguments, and provide examples of such use. Following are primary ways in which statistics or authorities are used. Persuasive attempt has more probably been to be effective while communicator i.e. person communicating message has been: Credible Both generally along with for specific issue in hand. In another terms, person/audience getting the communication should trust us. Such trust may be based on qualifications of the communicator along with on its last performance. Example: Whereas our doctor describes us that no bones had been broken along with for taking that easier for some days, we trust that advice. Doctor has been qualified i.e. we have no doubt along with however we in addition have come to believe same advice in past. When 5th grade child provide us similar message, we could possibly be unconvinced. However, doctor has been the credible communicator for us along with hence we have been persuaded. Knowledgeable On specific matter in hand, expertise makes single more credible communicator however such expertise should be perceived like specific to specific setting as well as specific topic in consideration.
  • 2. Example: Our doctor can be credible as well as persuasive while this comes to our health care however not more credible in comparison anybody else while this comes to choosing the newer car. On the contrary, refrigerator repairman can be very little aware of cars/medicine however while this comes to diagnosing along with fixing our leaky refrigerator, which has been his field of expertise. For refrigerators, he has been the persuasive communicator. American Literature Study Guide Use this study guide to help you with terms and concepts related to literature. I. Point of View II. Types of Essays III. Critical Approaches for Studying Literature IV. Literary Terms V. Ten Steps of Poetry Analysis I. Point of View – Point of view refers to how a story is told: – the “I” voice; the narrator speaks from his or her own point of view. – the “he” or “she” voice. – third person narrator who
  • 3. presents only the inner thoughts of one or two characters. ent narration – third person narrator who presents the inner thoughts of ALL of the characters, capable of describing events happening simultaneously in different places. – a narrator whose interpretation and evaluation do not coincide with the implicit beliefs and norms of the values held by the author or reader. – a narrator who is trustworthy, who offers a mainly unbiased account of the events. II. Types of Essays – an essay in which the writer ponders ideas and offers reflections about one or more topics. A reflective essay can have a personal tone. – an essay in which a writer discusses the similarities and differences between two works. alysis essay – an essay in which the writer offers an interpretation of a work,
  • 4. suggesting what possible meanings might be hidden or embedded in the work. III. Critical Approaches for Studying Literature ader’s focus. Below, you will see that different approaches focus on different aspects of an author’s work: o Formalist approach – focus on the “formal” elements of a work. o Biographical approach – use elements from the writer’s life.
  • 5. o Psychological approach – examine motivations and unconscious material. ut being consciously aware of his or her motivation. may reveal their “hidden” motivation. reasons. o Historical approach – examine the historical context to find influences in an author’s work. o Feminist approach – consider issues related to women in a work.
  • 6. o Mythological approach – consider universal ideas and concepts. nd symbols o Reader Response approach – consider the reader of a work. due to background and culture different things than another reader might notice IV. Literary Terms – a reference to another person, place, or event stated or implied. – the character or force that opposes the protagonist; sometimes the antagonist is a storm or a situation against which the protagonist is
  • 7. fighting. – a narrative involving conflict and usually designed for presentation on a stage. – a work most often written in prose in which a topic is presented and discussed. – a category used to describe literary works: o Novel o Short story o Drama o Essay o Speech o Poem o Science Fiction – the visual objects and scenes included in a work; the use of language to represent people and things descriptively. A work may have dominant types of imagery: o nature imagery o weather imagery
  • 8. o war imagery o fishing imagery o technological imagery – a humorous or sarcastic use of language of a different or opposite meaning; an incongruity between what actually happens and what is expected to happen, especially when this disparity seems absurd or laughable. – the term suggests writings that are of superior quality which deal with universal ideas. – a figure of speech in which a word or phrase is imaginatively applied to a person, idea, or object: o She’s a peach o That car is a work horse o My memory is foggy – a work written to produce auditory pleasure using sound and metrical or patterned language. onist – the main character in a work, though not always
  • 9. the hero; the protagonist may be good or evil, but the protagonist is always the main character. – the time, location, and social environment of a literary work. – a brief work of prose fiction that can be read in one sitting. – a figure of speech in which two things are compared using “like” or “as”: o My love is like a rose o The child is as pretty as a picture – An arrangement of lines grouped together in a poem – the features of a work that pertains to a writer’s choice of words. – an idea that is central to the work. – the mood or attitude of a work: o Melancholy o Lighthearted o Serious o Playful
  • 10. o Dramatic o Formal o Angry o Eerie o Solemn o Loving V. Ten Steps of Poetry Analysis Use this method as a way to approach most poems of short to average length: – Read the poem out loud. o Reading the poem out loud will help you to “hear” the sound devices the poet has used, such as meter and rhyme o Reading the poem out loud will help you to grasp what is happening in the poem – Use the dictionary. o Look up unfamiliar words o Look up familiar words to refresh your understanding of them – Focus on the speaker of the poem.
  • 11. o Who is the speaker? o Is the speaker male or female? speaker, and you can assume that it is probably the same gender as the writer o Look for clues about the speaker – Focus on the audience. o Does the speaker seem to be talking to a specific group of people, such as children? o Are there any words that let you know who the audience might be? o Quite often, the audience is a general readership, but sometimes a speaker is talking to a friend, lover, parent, or child. – Identify the tone, which will relate to moods or feelings.
  • 12. o Sad, melancholy, subdued o Contemplative, thoughtful, peaceful o Chaotic, bitter, angry o Playful, lighthearted, joyful – Identify the rhyme or lack of rhyme. o Examine the end word in each line to see if there is a pattern of sound o Examine words in the middle of the lines to see if there are internal rhymes (rhymes that do not occur at the end of the line but somewhere in the middle) o Chart the rhyme scheme using alphabetical letters. o For the last word of the first line, use the letter “a.” o If the last word of the second line rhymes with the last word of the first line, again use the letter “a.” o If the last word of the third line does not rhyme with the first and second lines, use the letter “b.”
  • 13. o If the last word of the fourth line rhymes with either the first line or the third line, give it the same designation. – Focus on the stanzas. o Does the poem have stanzas or is it one long series of lines? o How many lines are in each stanza? o Do you see a turning point in a particular stanza? o If there are no defined stanzas, is there a turning point somewhere in the poem? – Focus on the sounds. o Harsh, tense sounds o Soft, smooth sounds o Long and short vowel sounds
  • 14. o Alliteration (repetition of the first consonant) o Do the sounds go along with the content of the poem? e poem peaceful, using soft, smooth sounds? (l, m, n, r) – Look for images and attempt to categorize them. o Weather o Seasonal o Violent o Technological o Natural – Focus on the subject of the poem. o What is the poem about? o Can you write out what you think the subject is in a single sentence? o Can you tell another person what the poem is about? After going through this process with a poem, you will understand it more clearly.
  • 15. Ten Steps of Poetry Analysis Use this method as a way to approach most poems of short to average length: – Read the poem out loud. o Reading the poem out loud will help you to “hear” the sound devices the poet has used, such as meter and rhyme o Reading the poem out loud will help you to grasp what is happening in the poem – Use the dictionary. o Look up unfamiliar words o Look up familiar words to refresh your understanding of them – Focus on the speaker of the poem. o Who is the speaker? o Is the speaker male or female? speaker, and you can assume that it is probably the same gender as the writer
  • 16. o Look for clues about the speaker – Focus on the audience. o Does the speaker seem to be talking to a specific group of people, such as children? o Are there any words that let you know who the audience might be? o Quite often, the audience is a general readership, but sometimes a speaker is talking to a friend, lover, parent, or child. – Identify the tone, which will relate to moods or feelings. o Sad, melancholy, subdued o Contemplative, thoughtful, peaceful o Chaotic, bitter, angry o Playful, lighthearted, joyful – Identify the rhyme or lack of rhyme.
  • 17. o Examine the end word in each line to see if there is a pattern of sound o Examine words in the middle of the lines to see if there are internal rhymes (rhymes that do not occur at the end of the line but somewhere in the middle) o Chart the rhyme scheme using alphabetical letters. o For the last word of the first line, use the letter “a.” o If the last word of the second line rhymes with the last word of the first line, again use the letter “a.” o If the last word of the third line does not rhyme with the first and second lines, use the letter “b.” o If the last word of the fourth line rhymes with either the first line or the third line, give it the same designation.
  • 18. oods fill up with snow – Focus on the stanzas. o Does the poem have stanzas or is it one long series of lines? o How many lines are in each stanza? o Do you see a turning point in a particular stanza? o If there are no defined stanzas, is there a turning point somewhere in the poem? – Focus on the sounds. o Harsh, tense sounds o Soft, smooth sounds o Long and short vowel sounds o Alliteration (repetition of the first consonant) o Do the sounds go along with the content of the poem?
  • 19. – Look for images and attempt to categorize them. o Weather o Seasonal o Violent o Technological o Natural – Focus on the subject of the poem. o What is the poem about? o Can you write out what you think the subject is in a single sentence? o Can you tell another person what the poem is about? After going through this process with a poem, you will understand it more clearly.