Planning feedback
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The document discusses feedback received on a film planning and pitch. Feedback on the plot identified that it was interesting but could use more specific character and task details. Suggestions were also made to include more gore, violence, and handheld camerawork. Based on this feedback, the planner will add more character and task details to the script. Feedback on the pitch confirmed that the target audience of 16-30 year olds would relate to the use of technology and teenage characters. Blumhouse was deemed a suitable production company. The pitch feedback validated that the film plans aligned with the audience's interests.
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Main task brief
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- A red dress was chosen instead of a cape to modernize and make the character more relatable. The landscape and lighting will be used to further the mystery.
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Question 1
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Ancillary analysis 3 & 4
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Question 4+5
The document discusses the target audience and scenes used to attract the audience for a thriller film opening. The target audience is identified as ages 18-40 because of violent content like torture. To attract this audience, the opening was made slower-paced so viewers could follow the plot without revealing too much. A brief torture scene was also included toward the end to increase intrigue without fully explaining the story, motivating the audience to watch more. Addressing the audience, the opening challenges thriller stereotypes with a slower pace but includes the torture scene to prevent losing interest and keep the audience wondering what will happen next.
Poster mind map
Joe Dolan is generating ideas for an ancillary product poster for his media studies coursework. He considers themes of dark and gloomy, humor/funny, and romance. Image ideas include a love triangle, an isolated scared female, and a drug addict. Tagline ideas are "He's behind you...", "Me or her?", and "Where is she?". Other ideas include including contact information and links to social media. Joe plans to take professional photos, arrange the layout, and edit in Photoshop to complete the poster.
Poster mind map
Joe Dolan is generating ideas for an ancillary product poster. Some theme ideas include a dark, gloomy theme focusing on danger and uncertainty, a humorous theme to represent drama in a lighthearted way, and a romantic theme featuring a popular love triangle. Image ideas consist of a love triangle with two women vying for a man's attention, a scared isolated female, and a drug addict in danger. Tagline suggestions are "He's behind you...", "Me or Her?", and "Where is she?". Other ideas include including contact information and links to social media. Next steps are to take professional photos, arrange the layout, and edit the poster in Photoshop.
Poster mind map
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Edited photgraphy
This document discusses editing three photographs for potential use in marketing a horror film. For the first photo, the editor cropped and changed the temperature to give a cool, blue tone that conveys a sense of something being cold and heartless. For the second photo, the editor added soft focus and darkened the contrast and saturation to make the image appear dull and signify that the film is not associated with happiness or joy. Scratches were also overlaid to indicate the horror genre. The third photo was cropped and had highlights and shadows adjusted to focus on the victim's face which captures fear, drawing the reader in and making them interested in the film.
Evaluation Media Cw
Thrillers aim to create suspense and fear in audiences by putting characters in dangerous situations. This film project explores how to effectively communicate danger and manipulate audiences' perspectives through techniques like dark lighting, tense music, and unexpected camera angles. While thrillers appear simple, successful ones require realistic details and sustained tension. This opening scene introduces a character, Sadek, who exhibits concerning obsessive behavior, leaving audiences questioning his intentions and wanting to learn more.
editing influences
The document discusses how the filmmakers based their short film on the editing techniques and narrative style of the short film "love is all you need". Some of the specific influences and techniques they took from the film include using a low-angled close-up shot for the opening scene, fading between scenes, telling the story from the point of view of a teenage girl, using shots to portray the loneliness of the main character, and showing the complex relationship between the main character and her parents. The filmmakers aimed to use these techniques both similarly and with some differences in order to inspire but not directly copy the original film.
Question five
I addressed my target audience of female teenagers by making the main character a female teenager, differing from most apocalyptic films which feature a male lead. This was meant to broaden the audience to include more females. I also attracted my target audience by opening with a horror scene that utilized conventions of the genre, including quick cuts and low lighting to create mystery, an unpleasant atmosphere and emphasize the character's need to escape.
New presentation
Our title sequence for the kidnapping thriller aims to engage the audience by showing the severity of kidnapping and its effects on families through a news report style. It generates curiosity about Victoria's kidnapping and the identity of the man holding her. Slow-paced music and techniques like low key lighting build tension and mystery. Depicting Victoria's distraught family and friends searching for her helps the audience feel sympathetic and invested in the story.
Social media, storytelling & the innkeeper
Daniel Edward Craig has worked in hotels for 20 years, ranging from front desk agent to vice president. He now works as a hospitality consultant specializing in social media and reputation management. He discusses why storytelling is important for innkeepers, providing examples of small properties that effectively capture attention and set expectations through simple stories. Craig emphasizes using elements like setting, characters, theme, audience and plot to engage travelers through various social media platforms, while monitoring reviews to manage one's online reputation.
Poster Textual Analysis
The document analyzes several soap opera posters and identifies techniques they use to attract audiences. It discusses how the EastEnders poster uses dark colors and ambiguous language like "Change" and "Forever" to suggest impending doom. The Hollyoaks poster also uses threatening language around "change" to hype dramatic storylines fans enjoy. An analyzed wedding cake image for another soap conveys a sense of shock and betrayal through its composition. Social media integration, logos indicating where to watch, and moody visual filters are also highlighted as effective audience-building devices.
Chavez justin professional_presentationanalysis
1) The speaker discusses how they used to have severe anxiety about public speaking but have learned to enjoy being the center of attention by making the audience laugh.
2) The next document discusses a book called "The Magic of Not Giving a F***" which teaches how to spend time on what matters and not feel guilty saying no. The speaker found this moving as it helps with their own problem of saying no.
3) Another presentation is analyzed on why veterans miss war, with the speaker agreeing it is due to the strong brotherhood formed in combat.
Research and planning (week 2)
- The document discusses creative decisions made for a thriller trailer adapting a fairy tale. It was decided to hide the identity of the witch to add mystery and suspense. The genre was changed to thriller to heighten these elements.
- A red dress was chosen instead of a cape to modernize and make the character more relatable. The landscape and lighting will be used to further the mystery.
- A sinister fairytale soundtrack was selected to intrigue the target audience who enjoy thrill and excitement. Representations of women as weaker and unable to defend themselves were kept to challenge audience perspectives. An all-white cast was chosen to relate to common stereotypes.
Question 1
This document discusses how the media creator's poster, magazine, and trailer for a horror film called "Rosie Black" both use and challenge conventions of real media.
The poster challenges conventions by using an unconventional white background color and focusing on an important object rather than a character, while still including conventional elements like a tagline and logo.
The magazine cover is quite unconventional due to using a heavily edited and distorted image of the main character, though it keeps the convention of having the character look at the audience. It develops conventions like the "flash button" to look more suited to the horror genre.
The trailer is unconventional for only featuring the main character rather than all characters, but keeps
Evaluation question 2
The document discusses the importance of consistency between a filmmaker's main product (film trailer) and ancillary products (poster and magazine). It emphasizes creating a recognizable "house style" across all products to develop the audience's understanding of the narrative and establish a brand. While the magazine style may differ from real-world conventions, the poster, trailer, and characters are designed with a dark color scheme and mysterious elements to match the thriller genre and leave things open to the audience's imagination. Theories around how products are categorized and consumed support the idea that the filmmaker's package of main and ancillary products can work together entertainingly for audiences.
The possession poster analysis
The poster summarizes the key elements of the horror film "The Possession" in 3 sentences:
The tagline "darkness lives inside" hints that something bad happens to the young female protagonist depicted on the poster. The title implies that the main characters are battling a demon that takes over bodies. Most prominently, the poster depicts a frightened young girl with a dirty, gray hand emerging from her open mouth, suggesting something inhuman is inhabiting her.
Mini Evaluation (Web Banner)
The document provides a mini evaluation of a Garfield web banner advertisement for Irn Bru soft drink. It notes that manipulating the Garfield poster into a banner was easy since the storyboard could be cut in half, and the truncated comic strip still makes sense while taking a strange turn by showing Garfield holding an Irn Bru can. However, the layout could be improved by changing how elements are placed, making the Irn Bru can stand out more from the banner to better advertise the brand over Garfield.
Magazine Textual Analysis
The document analyzes the front cover of a soap opera magazine. It summarizes the use of design elements like colors, images, headlines and text to attract readers and sensationalize stories. Key techniques identified include the use of bright colors, outlines, exclamation points, puffs and secondary images to make elements bold and eye-catching. Captions and headlines use language and punctuation to dramatize events and intrigue readers. The cover aims to create an entertaining yet consistent brand and attract an audience interested in gossip and drama.
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Production plan
This document contains a production schedule listing various locations, personnel, props, costumes, and equipment for a film shoot on multiple dates in March. Locations included a house, bungalow, abandoned warehouse, park, street, fields, and forest. Personnel included Jennifer McNamara, Nicole Westwood, Emma Nolan, Louis Ayres, and Natasha Fowler playing different characters. Props included things like a knife, rope, duct tape, muslin cloth, fake gun, and mobile phones. Costumes included casual clothing as well as specific items like a grey jumper, black skinny jeans, and a boilersuit. Equipment for each location included cameras, tripods, and iPhones.
Production Conventions
The document discusses conventions in horror film production. It identifies conventional plotlines, settings, and characters for a horror trailer. Common plotlines featured in horror include kidnapping/hostage situations and possession. Settings like abandoned warehouses, houses, forests are routinely seen. Character types like demons, ghosts, and groups of friends are also conventional. Maintaining some conventions while also challenging others could make for an intriguing horror trailer.
Possible Fonts
The document contains 7 links to various font websites. The links reference different font names and styles, including "KIDNAPPED", "FACE YOUR FEARS", "GOT HEROIN", "BROKEN 15", "2PEAS GIFT", "HELIOSPHAN", and "FANZINE". The document provides a brief list of font links without any other context or explanation.
Ancillary analysis 3 & 4
This document analyzes the typography, images, color, layout, and conventions used on the magazine cover of American Horror Story. It finds that the sans serif font, modern color scheme, and focus on the TV show title signal its appeal to younger audiences. The image of two actresses holding a severed head intrigues viewers about the show's horror elements. The layout effectively places key elements along the route of the eye for maximum visibility. Overall, the cover follows genre conventions to attract audiences interested in horror.
Carrie
The document discusses marketing strategies used for the film Carrie (2013). It notes that:
1) The film poster uses the same font, colors, and tagline as the trailer to clearly connect the two and allow viewers to easily recognize the film.
2) Consistency across marketing materials like the trailer and poster helps viewers recognize and remember the film.
3) The film's marketing prominently features the main character Carrie with blood on her face to create a striking image that connects the trailer to the posters and sticks in viewers' minds.
Pitch feedback
This document contains feedback from multiple people on a horror film pitch. The feedback provides positive responses about using horror conventions like gore, violence, warehouses, and teenage characters which would appeal to target audiences. It also agrees that Blumhouse would be a suitable production company given their experience with similar successful horror films. Finally, the feedback suggests the film could be successful if it effectively uses conventions and appeals to its target teenage audience as outlined in the pitch.
Shot list
1. The document provides a shot list for a film called "Kidnapped" that follows the kidnapping of Holly. It describes 104 shots ranging from establishing shots of Holly's house to shots inside an abandoned warehouse where Holly is being held captive.
2. The shots show Holly being kidnapped from her home and taken to the warehouse. Her friends receive threatening texts and photos from the kidnapper demanding sacrifices.
3. Mollie receives a clue about Holly's location and goes searching the "Screaming Woods" with Kelly. They eventually find the abandoned warehouse where a masked kidnapper is seen holding Holly captive.
Risk assessment
The document lists various filming locations and potential risks associated with each one. It provides recommendations for overcoming or preventing each risk. For the house on Mallard Way, the risks are tripping over equipment and loose wires/cables. The recommendations are to make sure equipment is safe when not filming and to make people aware of loose wires. For the bungalow on Cavalry Drive, the risk is the rope burning wrists. The recommendation is to keep the rope loose and easy to untie. For the house on Russell Avenue, the risk is the knife accidentally falling or cutting someone. The recommendations are to hold the knife over a surface and use a blunt knife.
Hush trailer analysis
This document analyzes the conventions used in a thriller movie trailer through examining its individual shots and editing. It summarizes that the trailer begins with long takes to slowly build tension through establishing shots and close-ups establishing characters' emotions. It then cuts more rapidly to show action sequences through match cuts. Common thriller techniques like ominous music, silence, and diegetic sounds are used. Iconic props like masks and weapons are employed to identify the antagonist and set up conflict. The trailer concludes by displaying the film title, as is standard for the genre.
Conventions of horror (genre research)
The document discusses conventions of the thriller genre. It notes that thrillers aim to raise the heartbeat of audiences and keep them on edge through suspense. Violence is often used to decide confrontations between protagonists and antagonists. Common conventions include the use of weapons as props, settings that juxtapose normalcy with danger, and contrasts between scared protagonists and soulless antagonists. Editing techniques like fast pacing and disorienting camera angles are employed to create an uncomfortable atmosphere.
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The student evaluated their short comedy film. They received feedback that the audience found the film amusing and enjoyed it, indicating the comedy genre came through successfully. While some shots were handheld and shaky, the student demonstrated a variety of shot types like establishing shots, close-ups, and zoom shots. They also successfully implemented a shot-reverse shot. For future films, the student plans to use locations and costumes more reflective of the characters and genre, incorporate more sound effects, and take still shots with a tripod to avoid shakiness.
The Woman Trailer Grabs
The document analyzes and provides commentary on the trailer for the film "The Woman." It notes that the opening shot sets a dark and mysterious tone to represent the film's genre. Key characteristics and plot details are subtly revealed to give viewers a sense of what the story is about. The trailer aims to appeal to both horror fans and wider audiences through a mix of scary and comedic elements. It aims to spark curiosity and intrigue through an enigmatic twist and mixed reviews without revealing too much, leaving interpretation open for viewers. Contact information is provided at the end for further marketing and promotion.
Review tar
The document summarizes feedback from participants on a film review. Participants felt the review was too similar to the magazine it was meant for and could distinguish itself more. They also felt the review was too biased and not balanced enough. The images accompanying the review were effective at conveying the film's content and genre in an intriguing way without revealing too much. However, the review provided too many plot details, potentially spoiling the film for readers. Suggestions are made to address these issues in revising the review.
Techniques i like [autosaved]
Grace Crawford reflects on techniques she finds effective for horror genre trailers and films. She likes using color filters, low key lighting, focus pulls, extreme close-ups, contrasting high and low camera angles, zoom ins/outs, and 180-degree shots to build tension, suspense and engage audiences. While some techniques like the 180-degree shot may be difficult to implement within the time constraints of a teaser trailer, experimenting with these techniques could make her trailer appealing and prompt audiences to watch the full film.
Fmp Diary.docx
The document summarizes the research and pre-production process for a pixel art game trailer targeted at a younger audience. It discusses researching other games' target audiences, mechanics, and presentations. Backgrounds, characters, and animations were created in pixel art style. Challenges included creating varied yet similar assets and managing time. The trailer shows the main character landing on a planet and meeting another character to hint at the story while keeping it simple for its young target audience.
Evaluation of script
The writer evaluated their script writing process. They found it challenging at first but were able to produce a fully formatted, industry standard script using scripts they had analyzed, a script bible, and feedback from their client. Meetings with the client provided useful feedback that improved the script's formatting and portrayal of characters. The client was pleased with the script's twist and characterization. The writer ensured the script met the client's expectations and legal requirements. Overall, the writer is pleased with the script and learned how to professionally format and write a shooting script.
Media coursework evaluation A2
The document discusses how the media creator used conventions from real media products like teaser trailers and magazine covers to make their own media work more professional. They analyzed trailers like Valentine's Day to understand conventions like being snappy, not revealing too much of the plot, and keeping the audience interested. The creator challenged some conventions by giving the female character a higher status than typical. They used techniques like camera shots, music, and poster design elements to engage audiences in a way inspired by analyzing professional works.
Q1(b) narrative essay
1) The document discusses the narrative structure of a teaser trailer created for the thriller film "Depth".
2) A non-linear narrative approach was used, showing shots from different parts of the film out of chronological order to generate suspense and intrigue about what might happen to the characters.
3) Key elements like a girl being kidnapped were revealed through the montage of shots, enticing audiences to watch the full film to find out how she was kidnapped and rescued. The open-ended narrative leaves questions unanswered, further engaging audiences.
Audience feedback data
This document summarizes audience feedback from a questionnaire about a thriller film trailer. The feedback showed that most people liked the soundtrack, pace, and ending shot of the trailer. However, they disliked the lighting and felt it contradicted their liking of the soundtrack. Suggested changes included adding more dialogue, faster shots, a nighttime chase scene, and flashbacks. The majority felt the genre and narrative were clear but some found the main character's role unclear. Overall, the feedback indicates room for improvement but success in key areas like soundtrack and pace.
Production concepts summary
The document summarizes survey results from the filmmaker's target audience about two potential storylines for a horror film. For storyline one, which involved an old house setting and mixed-aged characters, the feedback was that it was conventional for the genre and appealing. Storyline two, about characters stranded in an isolated setting, was also found conventional, though not all survey respondents said they would want to watch it. Based on the feedback, the filmmaker determined that storyline one was more conventional and appealing than two, but ultimately neither was chosen for the final film.
Development pro forma(3)
Here is a draft script based on the story breakdown you provided:
It was the day of the big Intergalactic Race and all the farm animals were getting ready. Oinky the pig had won the last 9 trial races in a row and was feeling very confident. However, his best friend Baah the sheep was starting to get jealous of all the attention Oinky was getting.
As Oinky was preparing his rocket buggy for the big race, he discovered that one of his tires was flat. "Oh no!" cried Oinky, "how am I going to race without a spare tire?" He searched high and low around the barn but couldn't find the spare anywhere.
Worried that he wouldn't be able
Development pro forma(3)
The document provides details for a proposed children's book project, including an overview of the story, intended format, audience, and production methods. The story is about a character who has a flat tire before an intergalactic race and enlists help to find his spare tire, which his friend had hidden out of jealousy. Key strengths noted are the simple plot that teaches a lesson and use of rotoscoping for illustrations to match the simplicity. Areas for further work include increasing the book size for young readers and providing more details on how rotoscoping will be applied.
Development pro forma(3)
The proposal is for an 8-page children's storybook about an intergalactic race. The main character finds his spare tire is missing on race day. He enlists help to find it, discovering his jealous friend had hidden it. The friend admits it and returns the tire, allowing the character to compete. The proposal outlines rotoscoping production methods to appeal to young readers. Strengths include a simple lesson and engaging space theme. Areas for further work include expanding the page size for readability and providing more visual detail in the rotoscoping plans.
Development pro forma updated(3)
Here is a draft script based on the story breakdown you provided:
It was the day of the big Intergalactic Race and all the farm animals were getting ready. Oinky the pig had won the last 9 trial races in a row and was feeling very confident. However, his best friend Baah the sheep was starting to get jealous of all the attention Oinky was getting.
As Oinky was preparing his rocket buggy for the big race, he discovered that one of his tires was flat. "Oh no!" cried Oinky, "how am I going to race without a spare tire?" He searched high and low around the barn but couldn't find the spare anywhere.
Worried that he wouldn't be able
Evaluation Task: Question 3
1) Feedback from audiences on the initial short film pointed out a jump cut error and inclusion of a fake blood prop that were distracting.
2) Comments appreciated the tension created by a panning shot and effectiveness of the black-and-white flashback scene.
3) Suggestions were made to improve focus and steadiness of close-up shots, remove anachronistic messages, and adjust film poster and review details.
Evaluation Task 3
The document discusses the development of a house style across three promotional pieces for a horror film, including a poster, website, and teaser trailer. Key elements of the house style include the colors black, white, and red; low key lighting; and simple fonts to maintain professionalism. The psychological horror subgenre informed choices to exclude people or locations in promotional materials and focus on mystery. Interlinking the pieces would help promote the film. The website is assessed as the most successful at targeting the intended 15-24 year old audience due to its interactivity and accessibility online. Elements the creator was proud of included photo and video editing skills and pre-production planning. The poster is considered the strongest piece for generating intrigue through subtle hints
Film Evaluation
The student created three pieces of production work for a film evaluation: a synopsis, scripts, and 9 key frame images. They researched conventions for each piece to make them look realistic. The synopsis outlined the film's storyline to help plan the scripts. The scripts included proper formatting like slug lines and character names in caps. The key frame images were digitally enhanced using applications to match desired moods. Planning each piece helped the student visualize how everything would come together cohesively in their final 9 images. The production work demonstrated understanding of proper conventions for each format.
FMP #2 Proposal Ya Done Son!!
This document is a proposal for a video game final major project (FMP) titled "Infinite Annihilation X". The proposal provides details on the target audience, which is teenagers and young adults aged 15-26, mostly male. It discusses influences from previous projects and concepts for improving upon a previous video game project. The FMP will be an RPG video game created in Photoshop, featuring improved characters, environments, battles and music from the previous game. Progress will be evaluated through weekly blog posts and a final evaluation presentation.
FMP #2 Proposal Ya Done Son!!
This document is a proposal for a video game final major project (FMP) titled "Infinite Annihilation X". It outlines the target audience as being teenagers and young adults aged 15-26. The game aims to have RPG elements with a fantasy theme that appeals slightly more to male audiences. It proposes continuing the story and characters from a previous video game project, improving the visuals, gameplay, and story. Key aspects to develop include the overworld, battle sequences, character models, environment, and soundtrack. Progress will be evaluated through weekly blog posts and a final evaluation presentation.
Research
Jake Whattam-Smith intends to conduct research on thriller films to inform a film trailer project. The research will cover existing products, surveys, interviews, and color schemes. The research aims to develop ideas for narrative, features, sound, and audience expectations. As an example, Jake analyzes the trailer for the film "The Gift." Through shots, characters, color, and effects, the trailer effectively builds tension, mystery, and engages the audience in the thriller genre. The analysis provides ideas for Jake's own project to create an impactful trailer that meets audience desires.
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Carrie
The document discusses how the film poster for Carrie uses consistent elements from the film trailer to effectively promote recognition and association. It uses the same quote, font, and color scheme of black, red, and white to clearly link the poster to the trailer. Additionally, the poster and trailer both feature the iconic image of Carrie with blood running down her face to further cement her visage as the defining image that audiences associate with the film. These repetitive visual connections across marketing materials ensure the audience remembers and is drawn to the film.
Ancillary analysis 3 & 4
This document analyzes the design elements of two magazine covers. It discusses how the typography, images, colors, and layouts are used on the covers to appeal to target audiences and convey key information about the TV show and film being featured. Sans serif fonts, mid-longshot images of actresses, and colors like red, white, and black are used on the first cover to signal its modern, horror-themed content. A close-up image of a masked figure dominates the second cover, using iconic horror elements like blood red to hint at the film's violent nature. Both covers employ conventional horror magazine design conventions to clearly communicate their stories' genres.
Carrie
The film poster for Carrie uses identical font, colors, imagery and phrases from the movie trailer to clearly connect the two and allow viewers to easily recognize the film even without the title. Specifically, the poster depicts Carrie with blood on her face, as in the trailer, uses the same red, black and white color scheme and serif font as the trailer, and includes the phrase "you will know her name" to directly link it to the trailer's message.
Question 1
The document discusses the conventions used in the design of a mock rock music magazine cover and contents. It summarizes how elements like the masthead, cover lines, images, layout, typography, and language employ conventions of existing rock magazines like Kerrang and NME while also breaking some conventions. For example, the placement and styling of the masthead, use of sans-serif fonts, rule of thirds layout, and informal language are all conventional, though some images introduce unconventional backgrounds and the banner includes a cover line rather than artist names. Overall, the magazine draws from real conventions but also challenges some expectations.
Double page spread drafts
The document discusses double page spreads and moving a subtitle further left on the page to fill empty space and make the page look less empty and more visually interesting.
Contents page feedback
The document provides feedback on a contents page for a rock/indie magazine. The feedback indicates that the fonts, colors, layout, language, and images used on the contents page are conventional and suitable for the genre. Minor suggestions are made to darken the text of subheadings and remove a shaped background from the page number. Overall, the feedback informs the creator that no major changes need to be made to the contents page as the design elements receive positive reviews and achieve the goal of looking like a professional magazine.
Contents page drafts
The document discusses feedback received on draft contents pages for a magazine. Suggestions included adding a masthead to the contents page, removing the border around the page number, and discarding the page-page format. Based on these suggestions, the cover was improved by including the magazine name in a banner, removing the background from the page number to look more professional, and removing the page-page format to make the columns look more ordered.
Front cover drafts
The document describes revisions made to a magazine cover design based on feedback. The main image was replaced with a less pixelated photo of a different person. Additional changes included cropping the new image, changing the masthead color to white for better contrast, replacing the pull quote with a smaller white version, and adding common magazine design elements like "EXCLUSIVE!" banners and more band names. The goal of the revisions was to make the cover look more professional, suit the genre better, and improve readability.
Front cover audience feedback
The document contains audience feedback on a magazine front cover. Respondents generally liked the cover's design, layout, colors, images, and use of different fonts. Some suggested improving the main image by changing it or making it less pixelated. The informal language was seen as appealing to the target audience and fitting for a rock magazine genre.
Font and name research
The author conducted polls to choose a name and font style for their new rock/indie music magazine. Readers preferred the name "Chords" and were split between the fonts "Listen" and "Live". To satisfy both groups, the author selected a similar font. The final magazine masthead uses the name "Chords" in a font that combines elements of "Listen" and "Live".
Photography plan
The document outlines photography plans for a magazine including settings, props, costumes, shot types, and composition. Settings include concrete steps, a smashed window, and abandoned warehouses. Props include guitars, metal pipes, and amplifiers. Costumes for female artists include black skinny jeans, dark tops, dresses with ripped tights, and boots. Shot types will include wide shots to fit bands and long shots to show outfits, with some low angle shots. Composition details positioning of subjects. Specific photography plans are outlined for the front cover, contents page, and double page spread.
Photography plan
The document outlines photography plans for a magazine cover and double-page spread featuring a female duet. It discusses using concrete steps with one artist higher than the other for the cover shot, and a smashed window for the double-page spread. Other artists will be photographed in abandoned warehouses and destroyed rooms. Guitars, metal pipes, and amps will be used as props. The duet will wear dark colors like black skinny jeans, jumpers, or dresses with ripped tights and boots. Shot types will include wide shots to fit both artists and long shots to show outfits, with low angles used to make the duet look powerful. Compositions are described for the stair and wide shots.
Production ideas
This document contains a mood board of production ideas for a rock/indie magazine, including potential clothing, props, image shots, settings, and color schemes that could be used on the cover featuring artists like You Me at Six, The Arctic Monkeys, and My Chemical Romance. It also lists potential names for the magazine.
Representation analysis
The image portrays Gerard Way as twisted and strange through his smirking expression and hand gestures like guns, suggesting he likes violence. His blue leather jacket and fingerless gloves add to his mysterious and aggressive representation. The colors black, red, and yellow used also represent him as aggressive and dangerous.
The images of the two other artists reaching out and with a hidden face represent them as scary and frightening.
Tyson Ritter of All-American Rejects is represented as childish and playful through his boldly colored unusual clothing and immature posture compared to the other band members.
This other artist is represented as angry, important, and strong through his facial expression, pointing hand gesture, and
Homework 2
Bauer Media publishes Kerrang magazine along with Q and Mojo magazines that target a similar audience of 15-24 year olds. While Q and Mojo have mainly male readers, Kerrang has approximately equal numbers of male and female readers. Bauer Media is interested in all the music magazines they produce, including Kerrang, Q, and Mojo as they aim to reach similar niche audiences. The readership of these magazines ranges from 210,000 to 339,000.
Focus group interview summary
Karen and Gina were interviewed about their preferences for rock/indie magazine covers. Both expected darker colors like black, red, white and grey. Karen liked the cover colors but Gina thought they were too bright. They both approved of the band name Green Day in green. They expected sans serif fonts and liked the modern fonts used. They prefer close-up band photos and group shots. Their favorite content includes interviews, tour dates, posters and funny stories. They approved of this cover for fitting the genre and advertising free items but would make the colors darker and use the left side more. They would pick it up due to the artists featured and interesting appearance.
Focus group interview
The focus group interview document asks participants questions about their preferences and expectations for rock and indie magazine covers, including the typical colors, fonts, images, and content they like to see, their opinions on the colors and fonts used on a specific magazine cover, whether they would pick up that magazine based on its cover, and how the cover could be improved.
Focus group interview
This focus group interview document contains 10 questions about design elements and content preferences for rock and indie music magazines, including questions about expected and preferred colors, fonts, images, and content on magazine covers and inside pages, as well as opinions on a specific magazine cover design and whether it fits the rock genre convention. The questions aim to understand reader preferences to help evaluate and potentially improve the design and content of a rock/indie magazine.
Homework 2
Bauer Media publishes Kerrang magazine along with Q and Mojo magazines, which all target a similar audience of 15-24 year olds interested in music. While Q and Mojo have mainly male readers, Kerrang has approximately equal numbers of male and female readers. Bauer Media also owns radio stations Kiss FM and Magic Radio targeted at young audiences, and publishes various other niche interest magazines for men and niche audiences similar to Kerrang's readership.
Summary of research
The document summarizes the author's research into the conventions of music magazine layouts, genres, modes of address, and technical elements. Some key conventions identified include mastheads appearing at the top in a large font, cover stories and images centered below, and barcodes in the bottom corners. Colors like red, black and white and fonts like sans serif are commonly used for rock magazines. Layouts aim to guide the reader's eye along typical routes. Images and styles are chosen to suit the magazine's intended tone and audience.
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6:个人职称评审加20分
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选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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Planning feedback
- 1. PlanningFeedback Receivingfeedbackformyplanninghasbeenhighlyuseful asithashelpedme adaptmyplotto make it more precise andinterestingforthe audience. Whenmy audience gave myfeedbackonmyplot,theyidentifiedthat: The plot is interestingandmakesthemwantto see the film. There isa lotof detail inthe plotwhichmakesitmore intriguing. The plot needstobe more specificwhenitcomestothe tasksthe friendshave tocomplete. More detail on eachof the characters isneededinorderforthe audience tofeel a relationshipbetweenthem. The settingof an abandonedwarehouse islikedbyeveryone askedandwouldbe very conventional butalsointeresting. Theywant to see a lotof gore, violence,suspense andjumpscares. They want handheldcameras and facedpaced editinginthe trailerto keepitentertaining. For thisreason,I will addmore specificdetailsof the tasksthe friendshave tocomplete intothe scriptand add detailsoneachof the charactersto make themmore importantandso theyhave individualpersonalities.Iwill alsouse all theirsuggestionswhenitcomestousinga handheld camera byusingit more than I hadoriginallyplannedtoplease the audience. Whenmy targetaudience gave pitchfeedback,ittold me that: I will definitelybe able toappeal tothe target audience byusingmobilephonesand use of technologythattheycan relate toby usingona dailybasissuchas texting. The target audience will like seeingthe technical elementsinthe trailer thattheysuggestedI use. The audience likedthe use of teenagers as the maincharacters as itmakesthemrelatable to an audience of 16-30. Blumhouse isavery suitable productioncompany formy filmasthe audience know that theyproduce manyhorror filmsthathave beensuccessful atthe box office. The audience believethe filmis verylikelytobe successful. The pitch feedbackinformedme thatmyplansforthe filmandfilmtrailerare suitable plansthatsuit the aimssuch as the use of bloodto appeal tothe audience thatwishedforgore inthe trailer.The feedbackhasalsohelpedasitmeansI donot have to change anythinginmy pitchto appeal tothem more as it alreadydoes.