Production plan
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This document contains a production schedule listing various locations, personnel, props, costumes, and equipment for a film shoot on multiple dates in March. Locations included a house, bungalow, abandoned warehouse, park, street, fields, and forest. Personnel included Jennifer McNamara, Nicole Westwood, Emma Nolan, Louis Ayres, and Natasha Fowler playing different characters. Props included things like a knife, rope, duct tape, muslin cloth, fake gun, and mobile phones. Costumes included casual clothing as well as specific items like a grey jumper, black skinny jeans, and a boilersuit. Equipment for each location included cameras, tripods, and iPhones.
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Production plan
This document contains a production schedule listing various locations, personnel, costumes, and equipment for filming scenes on October 13th. Locations included Mollie's house, Holly's house, an abandoned warehouse, a park, and a house. Characters included Mollie, Holly, Olivia, Frank, Charlotte, Kelly, and Emma Nolan. Equipment for filming at each location consisted of cameras, tripods, and props appropriate for the scene like casual clothing, boilersuits, ropes, duct tape, phones, knives, and a fake gun.
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The document is a screenplay describing scenes where the main character Julian constructs a bomb and leaves suitcases containing bombs in various public locations around London, including near the London Eye, on a bridge, and in a train station. In the final scene, Julian calls the police from a remote location and threatens that 3 bombs have been planted and will detonate within 20 minutes unless he speaks to someone in authority, after which he destroys his phone.
My morning
Oliver wakes up at 6:40 am and after getting ready, his sister drives him to the train station. On the train, Oliver talks with friends about Lucy watching a cat program the previous night. They arrive in Cambridge at 8:25 am. Oliver then goes to Sainsbury's with James and Harlie to buy food and drinks, while listening to music on their walk to college. At 9:00 am, Oliver and James sit in Nick's classroom to hear what he has to say before starting their day.
BPSA 19 November 16 Call Sheet
This call sheet provides details for a photo shoot taking place on November 19, 2016 at 4th Floor, Colechurch House, 1 London Bridge Walk, London, SE1 2SX. The photographers listed are Diana Thompson and Fred Onadeko. Public transport information and directions from London Bridge Station to the location are provided. A list of makeup artists attending is included, along with a note about items models should bring such as tights, heels, and shapewear.
Organization of Props And Costumes
The document discusses planning and conducting a photo shoot with rapper Alvin Drew at his home and in his car to portray his wealth, style, and success in the music industry. Props like sunglasses, jewelry, and an expensive car were used to convey meanings and match Alvin's image. Locations included a back alley, street, and car park near Alvin's home in Birmingham. Permissions, equipment, and safety issues were addressed to prepare for the shoot.
Planning feedback
The document discusses feedback received on a film planning and pitch. Feedback on the plot identified that it was interesting but could use more specific character and task details. Suggestions were also made to include more gore, violence, and handheld camerawork. Based on this feedback, the planner will add more character and task details to the script. Feedback on the pitch confirmed that the target audience of 16-30 year olds would relate to the use of technology and teenage characters. Blumhouse was deemed a suitable production company. The pitch feedback validated that the film plans aligned with the audience's interests.
Production Conventions
The document discusses conventions in horror film production. It identifies conventional plotlines, settings, and characters for a horror trailer. Common plotlines featured in horror include kidnapping/hostage situations and possession. Settings like abandoned warehouses, houses, forests are routinely seen. Character types like demons, ghosts, and groups of friends are also conventional. Maintaining some conventions while also challenging others could make for an intriguing horror trailer.
Possible Fonts
The document contains 7 links to various font websites. The links reference different font names and styles, including "KIDNAPPED", "FACE YOUR FEARS", "GOT HEROIN", "BROKEN 15", "2PEAS GIFT", "HELIOSPHAN", and "FANZINE". The document provides a brief list of font links without any other context or explanation.
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Production plan
This document contains a production schedule listing various locations, personnel, costumes, and equipment for filming scenes on October 13th. Locations included Mollie's house, Holly's house, an abandoned warehouse, a park, and a house. Characters included Mollie, Holly, Olivia, Frank, Charlotte, Kelly, and Emma Nolan. Equipment for filming at each location consisted of cameras, tripods, and props appropriate for the scene like casual clothing, boilersuits, ropes, duct tape, phones, knives, and a fake gun.
Opening Sequence Final Destination
The document is a screenplay describing scenes where the main character Julian constructs a bomb and leaves suitcases containing bombs in various public locations around London, including near the London Eye, on a bridge, and in a train station. In the final scene, Julian calls the police from a remote location and threatens that 3 bombs have been planted and will detonate within 20 minutes unless he speaks to someone in authority, after which he destroys his phone.
My morning
Oliver wakes up at 6:40 am and after getting ready, his sister drives him to the train station. On the train, Oliver talks with friends about Lucy watching a cat program the previous night. They arrive in Cambridge at 8:25 am. Oliver then goes to Sainsbury's with James and Harlie to buy food and drinks, while listening to music on their walk to college. At 9:00 am, Oliver and James sit in Nick's classroom to hear what he has to say before starting their day.
BPSA 19 November 16 Call Sheet
This call sheet provides details for a photo shoot taking place on November 19, 2016 at 4th Floor, Colechurch House, 1 London Bridge Walk, London, SE1 2SX. The photographers listed are Diana Thompson and Fred Onadeko. Public transport information and directions from London Bridge Station to the location are provided. A list of makeup artists attending is included, along with a note about items models should bring such as tights, heels, and shapewear.
Organization of Props And Costumes
The document discusses planning and conducting a photo shoot with rapper Alvin Drew at his home and in his car to portray his wealth, style, and success in the music industry. Props like sunglasses, jewelry, and an expensive car were used to convey meanings and match Alvin's image. Locations included a back alley, street, and car park near Alvin's home in Birmingham. Permissions, equipment, and safety issues were addressed to prepare for the shoot.
Planning feedback
The document discusses feedback received on a film planning and pitch. Feedback on the plot identified that it was interesting but could use more specific character and task details. Suggestions were also made to include more gore, violence, and handheld camerawork. Based on this feedback, the planner will add more character and task details to the script. Feedback on the pitch confirmed that the target audience of 16-30 year olds would relate to the use of technology and teenage characters. Blumhouse was deemed a suitable production company. The pitch feedback validated that the film plans aligned with the audience's interests.
Production Conventions
The document discusses conventions in horror film production. It identifies conventional plotlines, settings, and characters for a horror trailer. Common plotlines featured in horror include kidnapping/hostage situations and possession. Settings like abandoned warehouses, houses, forests are routinely seen. Character types like demons, ghosts, and groups of friends are also conventional. Maintaining some conventions while also challenging others could make for an intriguing horror trailer.
Possible Fonts
The document contains 7 links to various font websites. The links reference different font names and styles, including "KIDNAPPED", "FACE YOUR FEARS", "GOT HEROIN", "BROKEN 15", "2PEAS GIFT", "HELIOSPHAN", and "FANZINE". The document provides a brief list of font links without any other context or explanation.
Ancillary analysis 3 & 4
This document analyzes the typography, images, color, layout, and conventions used on the magazine cover of American Horror Story. It finds that the sans serif font, modern color scheme, and focus on the TV show title signal its appeal to younger audiences. The image of two actresses holding a severed head intrigues viewers about the show's horror elements. The layout effectively places key elements along the route of the eye for maximum visibility. Overall, the cover follows genre conventions to attract audiences interested in horror.
Carrie
The document discusses marketing strategies used for the film Carrie (2013). It notes that:
1) The film poster uses the same font, colors, and tagline as the trailer to clearly connect the two and allow viewers to easily recognize the film.
2) Consistency across marketing materials like the trailer and poster helps viewers recognize and remember the film.
3) The film's marketing prominently features the main character Carrie with blood on her face to create a striking image that connects the trailer to the posters and sticks in viewers' minds.
Pitch feedback
This document contains feedback from multiple people on a horror film pitch. The feedback provides positive responses about using horror conventions like gore, violence, warehouses, and teenage characters which would appeal to target audiences. It also agrees that Blumhouse would be a suitable production company given their experience with similar successful horror films. Finally, the feedback suggests the film could be successful if it effectively uses conventions and appeals to its target teenage audience as outlined in the pitch.
Shot list
1. The document provides a shot list for a film called "Kidnapped" that follows the kidnapping of Holly. It describes 104 shots ranging from establishing shots of Holly's house to shots inside an abandoned warehouse where Holly is being held captive.
2. The shots show Holly being kidnapped from her home and taken to the warehouse. Her friends receive threatening texts and photos from the kidnapper demanding sacrifices.
3. Mollie receives a clue about Holly's location and goes searching the "Screaming Woods" with Kelly. They eventually find the abandoned warehouse where a masked kidnapper is seen holding Holly captive.
Risk assessment
The document lists various filming locations and potential risks associated with each one. It provides recommendations for overcoming or preventing each risk. For the house on Mallard Way, the risks are tripping over equipment and loose wires/cables. The recommendations are to make sure equipment is safe when not filming and to make people aware of loose wires. For the bungalow on Cavalry Drive, the risk is the rope burning wrists. The recommendation is to keep the rope loose and easy to untie. For the house on Russell Avenue, the risk is the knife accidentally falling or cutting someone. The recommendations are to hold the knife over a surface and use a blunt knife.
Hush trailer analysis
This document analyzes the conventions used in a thriller movie trailer through examining its individual shots and editing. It summarizes that the trailer begins with long takes to slowly build tension through establishing shots and close-ups establishing characters' emotions. It then cuts more rapidly to show action sequences through match cuts. Common thriller techniques like ominous music, silence, and diegetic sounds are used. Iconic props like masks and weapons are employed to identify the antagonist and set up conflict. The trailer concludes by displaying the film title, as is standard for the genre.
Conventions of horror (genre research)
The document discusses conventions of the thriller genre. It notes that thrillers aim to raise the heartbeat of audiences and keep them on edge through suspense. Violence is often used to decide confrontations between protagonists and antagonists. Common conventions include the use of weapons as props, settings that juxtapose normalcy with danger, and contrasts between scared protagonists and soulless antagonists. Editing techniques like fast pacing and disorienting camera angles are employed to create an uncomfortable atmosphere.
Carrie
The document discusses how the film poster for Carrie uses consistent elements from the film trailer to effectively promote recognition and association. It uses the same quote, font, and color scheme of black, red, and white to clearly link the poster to the trailer. Additionally, the poster and trailer both feature the iconic image of Carrie with blood running down her face to further cement her visage as the defining image that audiences associate with the film. These repetitive visual connections across marketing materials ensure the audience remembers and is drawn to the film.
Ancillary analysis 3 & 4
This document analyzes the design elements of two magazine covers. It discusses how the typography, images, colors, and layouts are used on the covers to appeal to target audiences and convey key information about the TV show and film being featured. Sans serif fonts, mid-longshot images of actresses, and colors like red, white, and black are used on the first cover to signal its modern, horror-themed content. A close-up image of a masked figure dominates the second cover, using iconic horror elements like blood red to hint at the film's violent nature. Both covers employ conventional horror magazine design conventions to clearly communicate their stories' genres.
Carrie
The film poster for Carrie uses identical font, colors, imagery and phrases from the movie trailer to clearly connect the two and allow viewers to easily recognize the film even without the title. Specifically, the poster depicts Carrie with blood on her face, as in the trailer, uses the same red, black and white color scheme and serif font as the trailer, and includes the phrase "you will know her name" to directly link it to the trailer's message.
Question 1
The document discusses the conventions used in the design of a mock rock music magazine cover and contents. It summarizes how elements like the masthead, cover lines, images, layout, typography, and language employ conventions of existing rock magazines like Kerrang and NME while also breaking some conventions. For example, the placement and styling of the masthead, use of sans-serif fonts, rule of thirds layout, and informal language are all conventional, though some images introduce unconventional backgrounds and the banner includes a cover line rather than artist names. Overall, the magazine draws from real conventions but also challenges some expectations.
Double page spread drafts
The document discusses double page spreads and moving a subtitle further left on the page to fill empty space and make the page look less empty and more visually interesting.
Contents page feedback
The document provides feedback on a contents page for a rock/indie magazine. The feedback indicates that the fonts, colors, layout, language, and images used on the contents page are conventional and suitable for the genre. Minor suggestions are made to darken the text of subheadings and remove a shaped background from the page number. Overall, the feedback informs the creator that no major changes need to be made to the contents page as the design elements receive positive reviews and achieve the goal of looking like a professional magazine.
Contents page drafts
The document discusses feedback received on draft contents pages for a magazine. Suggestions included adding a masthead to the contents page, removing the border around the page number, and discarding the page-page format. Based on these suggestions, the cover was improved by including the magazine name in a banner, removing the background from the page number to look more professional, and removing the page-page format to make the columns look more ordered.
Front cover drafts
The document describes revisions made to a magazine cover design based on feedback. The main image was replaced with a less pixelated photo of a different person. Additional changes included cropping the new image, changing the masthead color to white for better contrast, replacing the pull quote with a smaller white version, and adding common magazine design elements like "EXCLUSIVE!" banners and more band names. The goal of the revisions was to make the cover look more professional, suit the genre better, and improve readability.
Front cover audience feedback
The document contains audience feedback on a magazine front cover. Respondents generally liked the cover's design, layout, colors, images, and use of different fonts. Some suggested improving the main image by changing it or making it less pixelated. The informal language was seen as appealing to the target audience and fitting for a rock magazine genre.
Font and name research
The author conducted polls to choose a name and font style for their new rock/indie music magazine. Readers preferred the name "Chords" and were split between the fonts "Listen" and "Live". To satisfy both groups, the author selected a similar font. The final magazine masthead uses the name "Chords" in a font that combines elements of "Listen" and "Live".
Photography plan
The document outlines photography plans for a magazine including settings, props, costumes, shot types, and composition. Settings include concrete steps, a smashed window, and abandoned warehouses. Props include guitars, metal pipes, and amplifiers. Costumes for female artists include black skinny jeans, dark tops, dresses with ripped tights, and boots. Shot types will include wide shots to fit bands and long shots to show outfits, with some low angle shots. Composition details positioning of subjects. Specific photography plans are outlined for the front cover, contents page, and double page spread.
Photography plan
The document outlines photography plans for a magazine cover and double-page spread featuring a female duet. It discusses using concrete steps with one artist higher than the other for the cover shot, and a smashed window for the double-page spread. Other artists will be photographed in abandoned warehouses and destroyed rooms. Guitars, metal pipes, and amps will be used as props. The duet will wear dark colors like black skinny jeans, jumpers, or dresses with ripped tights and boots. Shot types will include wide shots to fit both artists and long shots to show outfits, with low angles used to make the duet look powerful. Compositions are described for the stair and wide shots.
Production ideas
This document contains a mood board of production ideas for a rock/indie magazine, including potential clothing, props, image shots, settings, and color schemes that could be used on the cover featuring artists like You Me at Six, The Arctic Monkeys, and My Chemical Romance. It also lists potential names for the magazine.
Representation analysis
The image portrays Gerard Way as twisted and strange through his smirking expression and hand gestures like guns, suggesting he likes violence. His blue leather jacket and fingerless gloves add to his mysterious and aggressive representation. The colors black, red, and yellow used also represent him as aggressive and dangerous.
The images of the two other artists reaching out and with a hidden face represent them as scary and frightening.
Tyson Ritter of All-American Rejects is represented as childish and playful through his boldly colored unusual clothing and immature posture compared to the other band members.
This other artist is represented as angry, important, and strong through his facial expression, pointing hand gesture, and
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Ancillary analysis 3 & 4
This document analyzes the typography, images, color, layout, and conventions used on the magazine cover of American Horror Story. It finds that the sans serif font, modern color scheme, and focus on the TV show title signal its appeal to younger audiences. The image of two actresses holding a severed head intrigues viewers about the show's horror elements. The layout effectively places key elements along the route of the eye for maximum visibility. Overall, the cover follows genre conventions to attract audiences interested in horror.
Carrie
The document discusses marketing strategies used for the film Carrie (2013). It notes that:
1) The film poster uses the same font, colors, and tagline as the trailer to clearly connect the two and allow viewers to easily recognize the film.
2) Consistency across marketing materials like the trailer and poster helps viewers recognize and remember the film.
3) The film's marketing prominently features the main character Carrie with blood on her face to create a striking image that connects the trailer to the posters and sticks in viewers' minds.
Pitch feedback
This document contains feedback from multiple people on a horror film pitch. The feedback provides positive responses about using horror conventions like gore, violence, warehouses, and teenage characters which would appeal to target audiences. It also agrees that Blumhouse would be a suitable production company given their experience with similar successful horror films. Finally, the feedback suggests the film could be successful if it effectively uses conventions and appeals to its target teenage audience as outlined in the pitch.
Shot list
1. The document provides a shot list for a film called "Kidnapped" that follows the kidnapping of Holly. It describes 104 shots ranging from establishing shots of Holly's house to shots inside an abandoned warehouse where Holly is being held captive.
2. The shots show Holly being kidnapped from her home and taken to the warehouse. Her friends receive threatening texts and photos from the kidnapper demanding sacrifices.
3. Mollie receives a clue about Holly's location and goes searching the "Screaming Woods" with Kelly. They eventually find the abandoned warehouse where a masked kidnapper is seen holding Holly captive.
Risk assessment
The document lists various filming locations and potential risks associated with each one. It provides recommendations for overcoming or preventing each risk. For the house on Mallard Way, the risks are tripping over equipment and loose wires/cables. The recommendations are to make sure equipment is safe when not filming and to make people aware of loose wires. For the bungalow on Cavalry Drive, the risk is the rope burning wrists. The recommendation is to keep the rope loose and easy to untie. For the house on Russell Avenue, the risk is the knife accidentally falling or cutting someone. The recommendations are to hold the knife over a surface and use a blunt knife.
Hush trailer analysis
This document analyzes the conventions used in a thriller movie trailer through examining its individual shots and editing. It summarizes that the trailer begins with long takes to slowly build tension through establishing shots and close-ups establishing characters' emotions. It then cuts more rapidly to show action sequences through match cuts. Common thriller techniques like ominous music, silence, and diegetic sounds are used. Iconic props like masks and weapons are employed to identify the antagonist and set up conflict. The trailer concludes by displaying the film title, as is standard for the genre.
Conventions of horror (genre research)
The document discusses conventions of the thriller genre. It notes that thrillers aim to raise the heartbeat of audiences and keep them on edge through suspense. Violence is often used to decide confrontations between protagonists and antagonists. Common conventions include the use of weapons as props, settings that juxtapose normalcy with danger, and contrasts between scared protagonists and soulless antagonists. Editing techniques like fast pacing and disorienting camera angles are employed to create an uncomfortable atmosphere.
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Carrie
The document discusses how the film poster for Carrie uses consistent elements from the film trailer to effectively promote recognition and association. It uses the same quote, font, and color scheme of black, red, and white to clearly link the poster to the trailer. Additionally, the poster and trailer both feature the iconic image of Carrie with blood running down her face to further cement her visage as the defining image that audiences associate with the film. These repetitive visual connections across marketing materials ensure the audience remembers and is drawn to the film.
Ancillary analysis 3 & 4
This document analyzes the design elements of two magazine covers. It discusses how the typography, images, colors, and layouts are used on the covers to appeal to target audiences and convey key information about the TV show and film being featured. Sans serif fonts, mid-longshot images of actresses, and colors like red, white, and black are used on the first cover to signal its modern, horror-themed content. A close-up image of a masked figure dominates the second cover, using iconic horror elements like blood red to hint at the film's violent nature. Both covers employ conventional horror magazine design conventions to clearly communicate their stories' genres.
Carrie
The film poster for Carrie uses identical font, colors, imagery and phrases from the movie trailer to clearly connect the two and allow viewers to easily recognize the film even without the title. Specifically, the poster depicts Carrie with blood on her face, as in the trailer, uses the same red, black and white color scheme and serif font as the trailer, and includes the phrase "you will know her name" to directly link it to the trailer's message.
Question 1
The document discusses the conventions used in the design of a mock rock music magazine cover and contents. It summarizes how elements like the masthead, cover lines, images, layout, typography, and language employ conventions of existing rock magazines like Kerrang and NME while also breaking some conventions. For example, the placement and styling of the masthead, use of sans-serif fonts, rule of thirds layout, and informal language are all conventional, though some images introduce unconventional backgrounds and the banner includes a cover line rather than artist names. Overall, the magazine draws from real conventions but also challenges some expectations.
Double page spread drafts
The document discusses double page spreads and moving a subtitle further left on the page to fill empty space and make the page look less empty and more visually interesting.
Contents page feedback
The document provides feedback on a contents page for a rock/indie magazine. The feedback indicates that the fonts, colors, layout, language, and images used on the contents page are conventional and suitable for the genre. Minor suggestions are made to darken the text of subheadings and remove a shaped background from the page number. Overall, the feedback informs the creator that no major changes need to be made to the contents page as the design elements receive positive reviews and achieve the goal of looking like a professional magazine.
Contents page drafts
The document discusses feedback received on draft contents pages for a magazine. Suggestions included adding a masthead to the contents page, removing the border around the page number, and discarding the page-page format. Based on these suggestions, the cover was improved by including the magazine name in a banner, removing the background from the page number to look more professional, and removing the page-page format to make the columns look more ordered.
Front cover drafts
The document describes revisions made to a magazine cover design based on feedback. The main image was replaced with a less pixelated photo of a different person. Additional changes included cropping the new image, changing the masthead color to white for better contrast, replacing the pull quote with a smaller white version, and adding common magazine design elements like "EXCLUSIVE!" banners and more band names. The goal of the revisions was to make the cover look more professional, suit the genre better, and improve readability.
Front cover audience feedback
The document contains audience feedback on a magazine front cover. Respondents generally liked the cover's design, layout, colors, images, and use of different fonts. Some suggested improving the main image by changing it or making it less pixelated. The informal language was seen as appealing to the target audience and fitting for a rock magazine genre.
Font and name research
The author conducted polls to choose a name and font style for their new rock/indie music magazine. Readers preferred the name "Chords" and were split between the fonts "Listen" and "Live". To satisfy both groups, the author selected a similar font. The final magazine masthead uses the name "Chords" in a font that combines elements of "Listen" and "Live".
Photography plan
The document outlines photography plans for a magazine including settings, props, costumes, shot types, and composition. Settings include concrete steps, a smashed window, and abandoned warehouses. Props include guitars, metal pipes, and amplifiers. Costumes for female artists include black skinny jeans, dark tops, dresses with ripped tights, and boots. Shot types will include wide shots to fit bands and long shots to show outfits, with some low angle shots. Composition details positioning of subjects. Specific photography plans are outlined for the front cover, contents page, and double page spread.
Photography plan
The document outlines photography plans for a magazine cover and double-page spread featuring a female duet. It discusses using concrete steps with one artist higher than the other for the cover shot, and a smashed window for the double-page spread. Other artists will be photographed in abandoned warehouses and destroyed rooms. Guitars, metal pipes, and amps will be used as props. The duet will wear dark colors like black skinny jeans, jumpers, or dresses with ripped tights and boots. Shot types will include wide shots to fit both artists and long shots to show outfits, with low angles used to make the duet look powerful. Compositions are described for the stair and wide shots.
Production ideas
This document contains a mood board of production ideas for a rock/indie magazine, including potential clothing, props, image shots, settings, and color schemes that could be used on the cover featuring artists like You Me at Six, The Arctic Monkeys, and My Chemical Romance. It also lists potential names for the magazine.
Representation analysis
The image portrays Gerard Way as twisted and strange through his smirking expression and hand gestures like guns, suggesting he likes violence. His blue leather jacket and fingerless gloves add to his mysterious and aggressive representation. The colors black, red, and yellow used also represent him as aggressive and dangerous.
The images of the two other artists reaching out and with a hidden face represent them as scary and frightening.
Tyson Ritter of All-American Rejects is represented as childish and playful through his boldly colored unusual clothing and immature posture compared to the other band members.
This other artist is represented as angry, important, and strong through his facial expression, pointing hand gesture, and
Homework 2
Bauer Media publishes Kerrang magazine along with Q and Mojo magazines that target a similar audience of 15-24 year olds. While Q and Mojo have mainly male readers, Kerrang has approximately equal numbers of male and female readers. Bauer Media is interested in all the music magazines they produce, including Kerrang, Q, and Mojo as they aim to reach similar niche audiences. The readership of these magazines ranges from 210,000 to 339,000.
Focus group interview summary
Karen and Gina were interviewed about their preferences for rock/indie magazine covers. Both expected darker colors like black, red, white and grey. Karen liked the cover colors but Gina thought they were too bright. They both approved of the band name Green Day in green. They expected sans serif fonts and liked the modern fonts used. They prefer close-up band photos and group shots. Their favorite content includes interviews, tour dates, posters and funny stories. They approved of this cover for fitting the genre and advertising free items but would make the colors darker and use the left side more. They would pick it up due to the artists featured and interesting appearance.
Focus group interview
The focus group interview document asks participants questions about their preferences and expectations for rock and indie magazine covers, including the typical colors, fonts, images, and content they like to see, their opinions on the colors and fonts used on a specific magazine cover, whether they would pick up that magazine based on its cover, and how the cover could be improved.
Focus group interview
This focus group interview document contains 10 questions about design elements and content preferences for rock and indie music magazines, including questions about expected and preferred colors, fonts, images, and content on magazine covers and inside pages, as well as opinions on a specific magazine cover design and whether it fits the rock genre convention. The questions aim to understand reader preferences to help evaluate and potentially improve the design and content of a rock/indie magazine.
Homework 2
Bauer Media publishes Kerrang magazine along with Q and Mojo magazines, which all target a similar audience of 15-24 year olds interested in music. While Q and Mojo have mainly male readers, Kerrang has approximately equal numbers of male and female readers. Bauer Media also owns radio stations Kiss FM and Magic Radio targeted at young audiences, and publishes various other niche interest magazines for men and niche audiences similar to Kerrang's readership.
Summary of research
The document summarizes the author's research into the conventions of music magazine layouts, genres, modes of address, and technical elements. Some key conventions identified include mastheads appearing at the top in a large font, cover stories and images centered below, and barcodes in the bottom corners. Colors like red, black and white and fonts like sans serif are commonly used for rock magazines. Layouts aim to guide the reader's eye along typical routes. Images and styles are chosen to suit the magazine's intended tone and audience.
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一模一样【微信：A575476】【布拉德福德大学毕业证（bradford毕业证）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
IT Career Hacks Navigate the Tech Jungle with a Roadmap
Feeling overwhelmed by IT options? This presentation unlocks your personalized roadmap! Learn key skills, explore career paths & build your IT dream job strategy. Visit now & navigate the tech world with confidence! Visit https://www.basecamp.com.sg for more details.
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Aims to equip people who aspire to become leaders with good qualities,and with Christian values and morals as per Biblical teachings.The you who aspire to be leaders should first read and understand what the ambassador module for leadership says about leadership and marry that to what the bible says.Christians sh
官方认证美国旧金山州立大学毕业证学位证书案例原版一模一样
原版一模一样【微信：741003700 】【美国旧金山州立大学毕业证学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
在线制作加拿大萨省大学毕业证文凭证书实拍图原版一模一样
原版一模一样【微信：741003700 】【加拿大萨省大学毕业证文凭证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Learnings from Successful Jobs Searchers
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
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