FCSarch 12 Baroque 3 (Rococo)
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The document discusses Rococo art and architecture in Europe during the 18th century. It provides examples of Rococo basilicas built in Germany including Ottobeuren Basilica constructed between 1748-1754. It also features paintings from the period depicting pastoral scenes. Additionally, it examines the Palace of Versailles outside Paris including its elaborate interiors and gardens laid out by landscape architect Le Notre, establishing the influence of Versailles on royal and aristocratic estates across Europe.
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BAROQUE And ROCOCO
This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
Characteristics of baroque architecture
Baroque architecture originated in 17th century Italy and France as a style that glorified absolute rulers through elaborate, decorative designs featuring twisted columns, curves, ornate details, and optical illusions. It spread across Europe and was characterized by features like domes, abundant windows, and ceiling frescoes that created a sense of movement. Significant examples include St. Peter's Basilica in Rome, the Chateau de Versailles in France, and Jesuit churches in Hungary built to showcase this ornate architectural style.
Baroque and rococo
Baroque architecture emerged in Italy in the late 16th century and spread across Europe and Latin America by the 17th century. It was initially used by the Catholic Church to assert dominance over Protestantism but later demonstrated absolute royal power through grand palaces. Two influential Baroque architects were Bernini and Borromini. Examples of outstanding Baroque architecture include churches like San Carlo alle Quattro Fontane in Rome and secular buildings like the Palace of Versailles. Rococo style originated in 18th century Paris as a lighter, more elegant and ornate alternative to Louis XIV's grand Baroque style at Versailles, using flowing, naturalistic designs. Walls, ceilings and moldings in the Rococo style were decorated with intricate curves and counter
Introduction to Baroque and Rococo Architecture
The document provides an overview of Baroque and Rococo architecture and interior design. It discusses key characteristics of Baroque art such as dynamism, strong curves, and complexity. It describes how Baroque emerged in Italy and was later led by France, transitioning into the Rococo style characterized by gentler dynamism. Specific architectural elements of Baroque buildings are outlined, and prominent Baroque architects like Borromini and Bernini are discussed. Examples of Baroque architecture are given, including churches and palaces. Finally, the document briefly introduces the Rococo style and provides examples like Versailles.
Baroque Style and Architecture
St. Paul's Cathedral in London, designed by Christopher Wren in the Baroque style, took 36 years to build from 1675 to 1711. Its famous dome, which dominated London's skyline for 300 years, stands 365 feet high and frames the spires of Wren's surrounding churches. The cathedral has a nave 121 feet wide and spans 518 feet in length, with its two towers each rising 221 feet high.
Baroque and rococo architecture
Baroque architecture began in the early 1600s in Rome and was characterized by exaggerated motion, dramatic effects, and lavish decoration. It was promoted by the Catholic Church to distinguish itself from the Protestant Reformation. Common features included spiral columns, domes, rounded arches, and painted ceilings with real gold. Rococo architecture emerged in the 18th century and featured more elaborate curved forms, asymmetry, light colors, and ornate decorations inspired by shells and plants. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg, as well as the Wieskirche in Bavaria. Both Baroque and Rococo represented a shift away from classical architecture towards a more expressionistic style.
Comparative Analysis of Baroque and Rococco Architecture
Both Baroque and Rococo styles used dynamic, undulating forms and complex geometry in their designs. However, Baroque architecture from the 17th century tended to be grander in scale with darker colors, aiming to impress viewers through awe-inspiring designs. Rococo from the 18th century favored lighter, more informal styles seen in secular buildings, using pale pastel colors and asymmetric, playful ornamentation. While both employed frescoes and stucco work, Rococo had a lighter, more graceful aesthetic compared to Baroque's theatrical grandeur.
Baroque architecture
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
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This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
Characteristics of baroque architecture
Baroque architecture originated in 17th century Italy and France as a style that glorified absolute rulers through elaborate, decorative designs featuring twisted columns, curves, ornate details, and optical illusions. It spread across Europe and was characterized by features like domes, abundant windows, and ceiling frescoes that created a sense of movement. Significant examples include St. Peter's Basilica in Rome, the Chateau de Versailles in France, and Jesuit churches in Hungary built to showcase this ornate architectural style.
Baroque and rococo
Baroque architecture emerged in Italy in the late 16th century and spread across Europe and Latin America by the 17th century. It was initially used by the Catholic Church to assert dominance over Protestantism but later demonstrated absolute royal power through grand palaces. Two influential Baroque architects were Bernini and Borromini. Examples of outstanding Baroque architecture include churches like San Carlo alle Quattro Fontane in Rome and secular buildings like the Palace of Versailles. Rococo style originated in 18th century Paris as a lighter, more elegant and ornate alternative to Louis XIV's grand Baroque style at Versailles, using flowing, naturalistic designs. Walls, ceilings and moldings in the Rococo style were decorated with intricate curves and counter
Introduction to Baroque and Rococo Architecture
The document provides an overview of Baroque and Rococo architecture and interior design. It discusses key characteristics of Baroque art such as dynamism, strong curves, and complexity. It describes how Baroque emerged in Italy and was later led by France, transitioning into the Rococo style characterized by gentler dynamism. Specific architectural elements of Baroque buildings are outlined, and prominent Baroque architects like Borromini and Bernini are discussed. Examples of Baroque architecture are given, including churches and palaces. Finally, the document briefly introduces the Rococo style and provides examples like Versailles.
Baroque Style and Architecture
St. Paul's Cathedral in London, designed by Christopher Wren in the Baroque style, took 36 years to build from 1675 to 1711. Its famous dome, which dominated London's skyline for 300 years, stands 365 feet high and frames the spires of Wren's surrounding churches. The cathedral has a nave 121 feet wide and spans 518 feet in length, with its two towers each rising 221 feet high.
Baroque and rococo architecture
Baroque architecture began in the early 1600s in Rome and was characterized by exaggerated motion, dramatic effects, and lavish decoration. It was promoted by the Catholic Church to distinguish itself from the Protestant Reformation. Common features included spiral columns, domes, rounded arches, and painted ceilings with real gold. Rococo architecture emerged in the 18th century and featured more elaborate curved forms, asymmetry, light colors, and ornate decorations inspired by shells and plants. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg, as well as the Wieskirche in Bavaria. Both Baroque and Rococo represented a shift away from classical architecture towards a more expressionistic style.
Comparative Analysis of Baroque and Rococco Architecture
Both Baroque and Rococo styles used dynamic, undulating forms and complex geometry in their designs. However, Baroque architecture from the 17th century tended to be grander in scale with darker colors, aiming to impress viewers through awe-inspiring designs. Rococo from the 18th century favored lighter, more informal styles seen in secular buildings, using pale pastel colors and asymmetric, playful ornamentation. While both employed frescoes and stucco work, Rococo had a lighter, more graceful aesthetic compared to Baroque's theatrical grandeur.
Baroque architecture
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
Baroque architecture
The presentation provides an overview of Baroque architecture between 1600-1750 AD. Some key characteristics of Baroque style include dramatic, contrasting lights and darks, complex shapes, and decorative details. Baroque architecture spread across Europe, taking on local styles in countries like Italy, Spain, the Netherlands, France, and England. Some famous examples of Baroque buildings mentioned are St. Peter's Square at the Vatican, Les Invalides in Paris, the Palace of Versailles, and St. Paul's Cathedral in London.
Baroque 2011
The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
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The document provides an overview of the Baroque period in art and architecture from approximately 1600 to 1750. It was characterized by dramatic, elaborate decoration and highly emotional religious art and architecture. Key figures who defined the Baroque style included Bernini in Rome with works like the Baldachin at St. Peter's. The Rococo style developed later as a more ornate offshoot of Baroque that emphasized asymmetry, curves and lightness. Examples of Rococo architecture include palaces in France, Germany, Russia and elsewhere across Europe.
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This document discusses Rococo and Neoclassical architecture. Rococo style from 1715-1789 was defined by intricate exterior and interior designs featuring ornate plasterwork of flowers, cherubs and other delicate motifs. Neoclassical style from 1750-1850 rejected Rococo's ornamentation in favor of clean symmetrical shapes and the prominent use of columns, inspired by classical Greek and Roman designs. Examples of each style's architecture can still be seen today, such as the U.S. Capitol building representing Neoclassical.
Rococo art
Rococo art developed under King Louis XV of France in the first half of the 18th century and reflected the lifestyle of the aristocracy during a period of economic prosperity. While similar to Baroque art in some ways, Rococo art focused on intimacy, comfort and pleasure rather than displaying power. Rococo architecture featured ornate interiors with natural lighting and gardens, and paintings depicted mythological scenes and "fêtes galantes" showing aristocrats enjoying parties and social gatherings.
Baroque architecture \
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It featured dramatic curved shapes, asymmetry, frescoes, and illusory effects to create emotion and drama. Two main centers were the powerful monarchy of France, which favored order and rationality, and the papal authority in Rome. In Italy, architects like Bernini, Borromini, and Maderno created grand structures fusing architecture, painting and sculpture. The Rococo style featured luxurious interiors with asymmetry, exotic influences, and elaborate decorative stucco work and furnishings.
Rococo
Rococo architecture emerged as a lighter, more graceful version of Baroque architecture in the 18th century. It combined delicate French rococo details like shell motifs with Italian Baroque elements. While Baroque architecture was found across Europe, the softer Rococo style was particularly prominent in Germany, Austria, Eastern Europe and Russia. Rococo buildings are characterized by pale colors, curving shapes, elaborate scrolls, intricate patterns and delicate shell and plant ornaments.
FCSarch 12 Baroque 1
This document discusses two major baroque architectural works: St. Peter's Basilica in Rome and Karlskirche in Vienna. It provides details on the design and construction of St. Peter's dome by Michelangelo and Bernini's additions to the piazza and interior in the 17th century. It also describes Karlskirche in Vienna, completed in 1716, with details on its double dome design, interior decoration, and patronage by the Austrian emperor.
French renaissance
The French Renaissance began in the early 16th century as French armies brought Italian Renaissance art and styles back to France after wars in Italy. Three kings had the greatest influence on French Renaissance art: Francis I, Henry II, and Louis XIII. Francis I actively promoted the arts and invited Italian artists like da Vinci to France. Henry II's style marked the height of the French Renaissance with Italian classical influences. Louis XIII style saw Baroque influences and larger windows. Interior styles featured strapwork, scrolls, and mythological figures concentrated on floors, walls and ceilings. Furniture was carved with motifs and built solidly with Gothic structures and Italian ornamentation.
Baroque France and England,
Baroque art in France was characterized by opulent, large-scale works that served to display the power and authority of the king. The palace of Versailles became the epicenter of the royal court and arts. Nicolas Poussin headed the Academy in France and emphasized line, clear forms, and rational composition over color. In England, the Great Fire of London prompted rebuilding in the Baroque style, including Inigo Jones assimilating classical proportions and forms from Palladio and Christopher Wren drawing from Roman architecture with temple fronts and mathematical precision.
XVIII century culture
Rococo and Neoclassicism were 18th century artistic movements. Rococo developed in 18th century France as a more playful alternative to the grandeur of Baroque, featuring ornate decor, pastel colors, and asymmetrical designs. It spread through Europe in painting, sculpture, and interior design. By the late 18th century, Rococo fell from favor and was replaced by Neoclassicism, which drew inspiration from classical antiquity and aligned with Enlightenment philosophy. Neoclassicism featured revival of Greco-Roman styles and themes of reason and order. Both artistic periods influenced architecture, visual arts, literature, and music during the 18th century.
HISTORY: Baroque and Rococo
The document provides an overview of Baroque and Rococo architecture and art in Europe between the 17th and 18th centuries. It discusses the spread of European colonization and the wealth this brought monarchies. The Protestant Reformation led Catholic churches to use elaborate ceremonies and art to attract followers. The Baroque and Rococo styles featured complex geometric forms, use of light and shadow, and ornate decor. Examples are given of churches, palaces and other buildings built in these styles in Italy, Austria, Germany and France by architects like Bernini, Borromini, Neumann and Mansart.
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The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
Rococo brief
Rococo was an 18th century art style that originated in France as a successor to the Baroque period from 1715-1774. It rejected traditional heroic and mythological themes in favor of representing the carefree lifestyle of the aristocracy. Rococo art was characterized by elegance, gaiety, bright colors, and excessive ornamentation. In architecture, it featured ornate decorations like shells and swirls on facades. Furniture had cabriole legs and serpentine curves. Paintings depicted lighthearted courtship and mythological scenes with rich brushwork and sensuous colors.
Mannerism Architecture
The document provides information on various architectural styles from the Renaissance period in Italy, including Mannerism and examples of Mannerist architecture. It discusses Michelangelo's influence on the design of St. Peter's Basilica in Rome. It also provides details on Palladio's Villa Rotonda, including its symmetrical design centered around a circular hall with loggias on each side connecting to the landscape.
History LECTURE 3 Baroque architecture
Baroque architecture developed from the late 16th to 18th centuries across Europe and America. It was characterized by dramatic lighting, large frescoes, illusory effects, and flowing, curved shapes incorporated landscaping. In Italy, architects like Bernini, Borromini, and Longhena designed structures fusing architecture, painting and sculpture that became models. French Baroque under Louis XIV emphasized order and rationality in projects like the Louvre and Versailles. The Rococo style featured ornate interiors and furnishings later in the 18th century.
Renaissance architecture in france
The document provides an overview of French Renaissance architecture from the 15th to 18th centuries. It describes early transitional Gothic-Renaissance styles, the emergence of classical orders in the 16th century, and Rococo ornamentation in the 18th century. Key architectural works discussed include the Châteaux along the Loire River, demonstrating the evolution from fortified castles to country estates. The document also examines the transformation of the Louvre and construction of Versailles under Louis XIV, highlighting architects like Le Vau, Le Nôtre, and Gabriel and the palace's embodiment of absolute royal power.
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This document provides information on various Rococo style palaces, buildings, and artworks located across Europe, with mentions of Sans Souci Palace in Potsdam, St. Petersburg's St. Catherine's Palace and Hermitage Museum, and interiors from the Beloselsky-Belozersky Palace, Smolny Cathedral, St. Nicholas Cathedral, and Grand Peterhof Palace. Additionally, it lists Rococo style churches and buildings in Germany, Austria, Spain, and France, including examples from Ottobeuren, Rottenbuch, Marienmunster, the Archbishop Palace in Prague, the Cathedral of Cadiz, and the Petit Palais in Paris. It also provides brief information on the German architect Fran
Baroque and Rococo Era
Baroque architecture began in the early 1600s in Rome and spread across Europe, characterized by dramatic shapes and motifs. Key features included spiral columns, domes, rounded arches, and painted ceilings with gold. The style was popular for churches and palaces and encouraged by the Catholic Church. Rococo architecture emerged later as a more ornate style using elaborate curves, shells, leaves, and asymmetry with light colors. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg as well as the Wieskirche in Bavaria. Both styles marked a shift from classical to more expressive designs.
Mannerism
Mannerism was an artistic style that emerged in the 1520-1600 period in Italy as a reaction against the harmonious classicism of the High Renaissance. Key characteristics of Mannerism include elongated proportions, exaggerated poses, bright colors, and emphasis on tension, asymmetry, and artistic flair over balance and rational composition. Mannerist architecture featured elements like blind windows, colossal orders, and highly ornamental designs as seen in buildings like Palladio's Villa Rotonda and Villa Capra.
Rococo
Rococo originated in the early 1700s in France as a lighter, more ornate style that evolved from Baroque. It emphasized beauty, nature, and curved, asymmetrical designs inspired by shells and rocks. Rococo flourished during the reign of Louis XV and is seen in paintings like Boucher's Odalisque Brune depicting an aristocratic woman and Watteau's Venetian Pleasure showing an operatic scene. Furniture, interiors, fashion, and jewelry featured elaborate floral motifs, pastel colors, asymmetry, and natural themes reflecting the style's emphasis on beauty, lightness, and nature.
Rococo art and architecture
Rococo art originated in 18th century France and was derived from the French word "rocaille", meaning stone or rubble. It was characterized by asymmetrical designs with soft curves, light colors, and motifs of nature. Rococo art emphasized grace, wit, and playfulness over the grandeur of Baroque. It was expressed through sculpture, painting, furniture, fashion, and interior design featuring shells, scrolls, flowers and other natural forms. Rococo architecture was lightly decorated and asymmetrical.
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The presentation provides an overview of Baroque architecture between 1600-1750 AD. Some key characteristics of Baroque style include dramatic, contrasting lights and darks, complex shapes, and decorative details. Baroque architecture spread across Europe, taking on local styles in countries like Italy, Spain, the Netherlands, France, and England. Some famous examples of Baroque buildings mentioned are St. Peter's Square at the Vatican, Les Invalides in Paris, the Palace of Versailles, and St. Paul's Cathedral in London.
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The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
Baroque & Rococo
The document provides an overview of the Baroque period in art and architecture from approximately 1600 to 1750. It was characterized by dramatic, elaborate decoration and highly emotional religious art and architecture. Key figures who defined the Baroque style included Bernini in Rome with works like the Baldachin at St. Peter's. The Rococo style developed later as a more ornate offshoot of Baroque that emphasized asymmetry, curves and lightness. Examples of Rococo architecture include palaces in France, Germany, Russia and elsewhere across Europe.
Architecture
This document discusses Rococo and Neoclassical architecture. Rococo style from 1715-1789 was defined by intricate exterior and interior designs featuring ornate plasterwork of flowers, cherubs and other delicate motifs. Neoclassical style from 1750-1850 rejected Rococo's ornamentation in favor of clean symmetrical shapes and the prominent use of columns, inspired by classical Greek and Roman designs. Examples of each style's architecture can still be seen today, such as the U.S. Capitol building representing Neoclassical.
Rococo art
Rococo art developed under King Louis XV of France in the first half of the 18th century and reflected the lifestyle of the aristocracy during a period of economic prosperity. While similar to Baroque art in some ways, Rococo art focused on intimacy, comfort and pleasure rather than displaying power. Rococo architecture featured ornate interiors with natural lighting and gardens, and paintings depicted mythological scenes and "fêtes galantes" showing aristocrats enjoying parties and social gatherings.
Baroque architecture \
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It featured dramatic curved shapes, asymmetry, frescoes, and illusory effects to create emotion and drama. Two main centers were the powerful monarchy of France, which favored order and rationality, and the papal authority in Rome. In Italy, architects like Bernini, Borromini, and Maderno created grand structures fusing architecture, painting and sculpture. The Rococo style featured luxurious interiors with asymmetry, exotic influences, and elaborate decorative stucco work and furnishings.
Rococo
Rococo architecture emerged as a lighter, more graceful version of Baroque architecture in the 18th century. It combined delicate French rococo details like shell motifs with Italian Baroque elements. While Baroque architecture was found across Europe, the softer Rococo style was particularly prominent in Germany, Austria, Eastern Europe and Russia. Rococo buildings are characterized by pale colors, curving shapes, elaborate scrolls, intricate patterns and delicate shell and plant ornaments.
FCSarch 12 Baroque 1
This document discusses two major baroque architectural works: St. Peter's Basilica in Rome and Karlskirche in Vienna. It provides details on the design and construction of St. Peter's dome by Michelangelo and Bernini's additions to the piazza and interior in the 17th century. It also describes Karlskirche in Vienna, completed in 1716, with details on its double dome design, interior decoration, and patronage by the Austrian emperor.
French renaissance
The French Renaissance began in the early 16th century as French armies brought Italian Renaissance art and styles back to France after wars in Italy. Three kings had the greatest influence on French Renaissance art: Francis I, Henry II, and Louis XIII. Francis I actively promoted the arts and invited Italian artists like da Vinci to France. Henry II's style marked the height of the French Renaissance with Italian classical influences. Louis XIII style saw Baroque influences and larger windows. Interior styles featured strapwork, scrolls, and mythological figures concentrated on floors, walls and ceilings. Furniture was carved with motifs and built solidly with Gothic structures and Italian ornamentation.
Baroque France and England,
Baroque art in France was characterized by opulent, large-scale works that served to display the power and authority of the king. The palace of Versailles became the epicenter of the royal court and arts. Nicolas Poussin headed the Academy in France and emphasized line, clear forms, and rational composition over color. In England, the Great Fire of London prompted rebuilding in the Baroque style, including Inigo Jones assimilating classical proportions and forms from Palladio and Christopher Wren drawing from Roman architecture with temple fronts and mathematical precision.
XVIII century culture
Rococo and Neoclassicism were 18th century artistic movements. Rococo developed in 18th century France as a more playful alternative to the grandeur of Baroque, featuring ornate decor, pastel colors, and asymmetrical designs. It spread through Europe in painting, sculpture, and interior design. By the late 18th century, Rococo fell from favor and was replaced by Neoclassicism, which drew inspiration from classical antiquity and aligned with Enlightenment philosophy. Neoclassicism featured revival of Greco-Roman styles and themes of reason and order. Both artistic periods influenced architecture, visual arts, literature, and music during the 18th century.
HISTORY: Baroque and Rococo
The document provides an overview of Baroque and Rococo architecture and art in Europe between the 17th and 18th centuries. It discusses the spread of European colonization and the wealth this brought monarchies. The Protestant Reformation led Catholic churches to use elaborate ceremonies and art to attract followers. The Baroque and Rococo styles featured complex geometric forms, use of light and shadow, and ornate decor. Examples are given of churches, palaces and other buildings built in these styles in Italy, Austria, Germany and France by architects like Bernini, Borromini, Neumann and Mansart.
BAROQUE ARCHITECTURE
The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
Rococo brief
Rococo was an 18th century art style that originated in France as a successor to the Baroque period from 1715-1774. It rejected traditional heroic and mythological themes in favor of representing the carefree lifestyle of the aristocracy. Rococo art was characterized by elegance, gaiety, bright colors, and excessive ornamentation. In architecture, it featured ornate decorations like shells and swirls on facades. Furniture had cabriole legs and serpentine curves. Paintings depicted lighthearted courtship and mythological scenes with rich brushwork and sensuous colors.
Mannerism Architecture
The document provides information on various architectural styles from the Renaissance period in Italy, including Mannerism and examples of Mannerist architecture. It discusses Michelangelo's influence on the design of St. Peter's Basilica in Rome. It also provides details on Palladio's Villa Rotonda, including its symmetrical design centered around a circular hall with loggias on each side connecting to the landscape.
History LECTURE 3 Baroque architecture
Baroque architecture developed from the late 16th to 18th centuries across Europe and America. It was characterized by dramatic lighting, large frescoes, illusory effects, and flowing, curved shapes incorporated landscaping. In Italy, architects like Bernini, Borromini, and Longhena designed structures fusing architecture, painting and sculpture that became models. French Baroque under Louis XIV emphasized order and rationality in projects like the Louvre and Versailles. The Rococo style featured ornate interiors and furnishings later in the 18th century.
Renaissance architecture in france
The document provides an overview of French Renaissance architecture from the 15th to 18th centuries. It describes early transitional Gothic-Renaissance styles, the emergence of classical orders in the 16th century, and Rococo ornamentation in the 18th century. Key architectural works discussed include the Châteaux along the Loire River, demonstrating the evolution from fortified castles to country estates. The document also examines the transformation of the Louvre and construction of Versailles under Louis XIV, highlighting architects like Le Vau, Le Nôtre, and Gabriel and the palace's embodiment of absolute royal power.
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This document provides information on various Rococo style palaces, buildings, and artworks located across Europe, with mentions of Sans Souci Palace in Potsdam, St. Petersburg's St. Catherine's Palace and Hermitage Museum, and interiors from the Beloselsky-Belozersky Palace, Smolny Cathedral, St. Nicholas Cathedral, and Grand Peterhof Palace. Additionally, it lists Rococo style churches and buildings in Germany, Austria, Spain, and France, including examples from Ottobeuren, Rottenbuch, Marienmunster, the Archbishop Palace in Prague, the Cathedral of Cadiz, and the Petit Palais in Paris. It also provides brief information on the German architect Fran
Baroque and Rococo Era
Baroque architecture began in the early 1600s in Rome and spread across Europe, characterized by dramatic shapes and motifs. Key features included spiral columns, domes, rounded arches, and painted ceilings with gold. The style was popular for churches and palaces and encouraged by the Catholic Church. Rococo architecture emerged later as a more ornate style using elaborate curves, shells, leaves, and asymmetry with light colors. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg as well as the Wieskirche in Bavaria. Both styles marked a shift from classical to more expressive designs.
Mannerism
Mannerism was an artistic style that emerged in the 1520-1600 period in Italy as a reaction against the harmonious classicism of the High Renaissance. Key characteristics of Mannerism include elongated proportions, exaggerated poses, bright colors, and emphasis on tension, asymmetry, and artistic flair over balance and rational composition. Mannerist architecture featured elements like blind windows, colossal orders, and highly ornamental designs as seen in buildings like Palladio's Villa Rotonda and Villa Capra.
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Rococo originated in the early 1700s in France as a lighter, more ornate style that evolved from Baroque. It emphasized beauty, nature, and curved, asymmetrical designs inspired by shells and rocks. Rococo flourished during the reign of Louis XV and is seen in paintings like Boucher's Odalisque Brune depicting an aristocratic woman and Watteau's Venetian Pleasure showing an operatic scene. Furniture, interiors, fashion, and jewelry featured elaborate floral motifs, pastel colors, asymmetry, and natural themes reflecting the style's emphasis on beauty, lightness, and nature.
Rococo art and architecture
Rococo art originated in 18th century France and was derived from the French word "rocaille", meaning stone or rubble. It was characterized by asymmetrical designs with soft curves, light colors, and motifs of nature. Rococo art emphasized grace, wit, and playfulness over the grandeur of Baroque. It was expressed through sculpture, painting, furniture, fashion, and interior design featuring shells, scrolls, flowers and other natural forms. Rococo architecture was lightly decorated and asymmetrical.
Rococo art
The document provides information about Rococo art and its origins and development. It discusses Rococo in various art forms including interior design, furniture, painting, sculpture, music, and garden design. Specifically, it notes that Rococo originated in 18th century France as a more ornate and playful offshoot of Baroque style. It emphasizes asymmetry, curves, light colors, and nature/shell motifs. Key artists who helped develop the Rococo style included Watteau, Boucher, and Fragonard in painting as well as Lemoyne and Falconet in sculpture. In music, French composers like Rameau and Couperin contributed to the Rococo galant style. Famous Rococo gardens included Versailles,
Baroque n rococo
The document discusses the Rococo art style that flourished in France and Germany in the early 18th century. Rococo art focused on depicting the carefree lifestyle of the aristocracy rather than grand historical themes. It was characterized by free flowing movement, delicate colors, and playful use of line. Jean-Antoine Watteau and Jean Honoré Fragonard were two prominent Rococo artists known for their paintings of fêtes galantes and romantic scenes.
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ARCHITECTURE _HOA_QUSTION BANK_1ST SEM
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The Transitional Period in Architecture
The document discusses the Transitional Period in architecture, which occurred between premodern and modern styles. It provides examples of buildings from this period like Chiswick House in London, which had Palladian influences. Mereworth Castle in Kent was also Palladian-inspired. St. Pancras Church adopted Greek Revival elements. Westminster Palace was rebuilt in the Gothic Revival style after a fire. The Arc de Triomphe in Paris commemorated victories of the French Revolution and Napoleonic Wars. Overall, the Transitional Period saw a blending of premodern styles as architects experimented with new approaches before the emergence of Modernism.
Baroque, Rococo and New-Classicism in the 19th Century.
It's a powerpoint about three of the main artistic movements of the 19th century. Baroque,Rococo and New-Classicism.
It has many examples which are very famous but people don't know about their origins and what artistic style they belong to.
Quo Psb2009 20081223
This document discusses lessons that can be learned from Wikipedia for community annotation in translational biomedical informatics. Some key ideological lessons include the importance of community access, developing a consensual reality, and establishing an editorial outlook. Operational lessons involve ensuring scalability, maintaining high data quality, and addressing issues of ownership. The document concludes by suggesting the way forward is to apply these lessons to create viable technologies through four key stages.
Rococo Paintings
This document discusses several Rococo paintings and the artists that created them. It contrasts the styles of Rubenisme and Poussinisme, with Watteau embracing Rubenisme's emphasis on color and movement. Key paintings mentioned include Watteau's Return From Cythera, Boucher's Cupid a Captive which took after Watteau's style, and Fragonard's The Swing which depicted a sensual scene. Chardin's Grace at Table is also summarized as depicting ordinary scenes with simplicity and light/dark contrasts.
Early renaissance 3
The document discusses how victims of Tropical Storm Sendong in areas like Cagayan de Oro and Iligan City may face an outbreak of dengue fever in addition to leptospirosis in the coming weeks. Health officials expect rising dengue cases in evacuation centers around two weeks from now. It also prompts thinking about how people in medieval times may have interpreted such a catastrophe, likely associating it with divine punishment or plague.
Sayre2e ch21 integrated_lecture_pp_ts-150652
This powerpoint is housed on SlideShare. It supplements chapter 21, which is on this week's reading list.
Palladianism
Palladian architecture is a European style derived from the designs of Andrea Palladio, a 16th century Venetian architect. It is characterized by symmetrical designs with plain exteriors and richly decorated interiors. Key elements include pediments over doors and windows, symmetry, and motifs like scallop shells and masks inspired by classical architecture. Examples of Palladian architecture include Palladio's own Villa Barbaro and San Giorgio Maggiore in Venice as well as Thomas Jefferson's Monticello estate in Virginia.
Rococo in France
This presentation gives an overview of Rococo in France, including painting, interior design, and the decorative arts. Artists include Watteau, Boucher, and Fragonard.
Rococo
Rococo was an 18th century art style originating in France as a successor to the Baroque era during a period of optimism in the Age of Enlightenment. It emphasized light, ornate, and irregular decorative designs especially used for interior painting, architecture, and sculpture. Associated with King Louis XV's reign, prominent Rococo artists included Jean-Honoré Fragonard, Jean-Antoine Watteau, and François Boucher, known for works like The Swing, La Surprise, and The Birth of Venus.
Baroque Painting Spain
This document discusses the Baroque painting schools in Spain during the Hispanic Monarchy, focusing on prominent Valencian artists like José de Ribera and Francisco Ribalta as well as the Andalusian school featuring artists including Zurbarán, Murillo, and Alonso Cano. It provides titles and dates for some of their notable religious works depicting saints and biblical scenes.
Baroque painting
Baroque painting is characterized by complicated compositions with different centers of attention, dynamic and complicated lines often using diagonals, and rich colors designed to create dramatic effects. Major Baroque painters include Caravaggio who used strong contrasts of light, Carracci who combined naturalism with idealization, Rubens who achieved balance between realism and idealism, Rembrandt with his mastery of light and shadow, and Velazquez who gave equal importance to subjects from royal portraits to everyday scenes. Rococo painting featured sensual beauty and depictions of high society, with Watteau, Fragonard, and Tiepolo portraying elegant figures in vibrant colors.
Baroque In France
This document lists important Baroque artists and architectural works in 17th century France, including painters Georges de La Tour, Nicolas Poussin, and Claude Lorrain, known for religious scenes. It also mentions the expansive Palace of Versailles designed by Louis Le Vau and Jules Hardouin-Mansart between 1669-1685, featuring the Hall of Mirrors and formal gardens, as well as Claude Perrault's east facade of the Louvre in Paris.
Treaty Of Versaiiles
The document is a revision quiz about key terms and restrictions from the Treaty of Versailles signed in 1919 after World War 1. It covers territorial changes and restrictions imposed on Germany, including military limitations such as banning conscription, limiting the size of armed forces, and prohibiting possession of weapons like tanks, heavy artillery, submarines, and an airforce. Germany was also held solely responsible for starting the war under the Treaty and required to pay extensive reparations to the Allied forces.
AH Ch 19
The Baroque style originated in Rome in the early 17th century and was influenced by religious conflicts, wars, and new scientific developments of the time. It is characterized by dramatic, energetic, and emotional expressions that create movement and contrast through techniques like chiaroscuro. Major artists of the period included Bernini, Caravaggio, Artemisia Gentileschi, Rubens, Rembrandt, and Vermeer. Their works exhibited new approaches to realism, light and shadow, and emotional depth. Baroque architecture featured grand scales, light-filled interiors, and ornate decoration. The style spread across Europe as Catholic countries asserted cultural dominance over Protestant regions.
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Baroque, Rococo and New-Classicism in the 19th Century.
Baroque, Rococo and New-Classicism in the 19th Century.
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renaissancearchitectureinfrance-150223084229-conversion-gate02.pptx
The document provides a history of architecture in France from the Renaissance period to the 18th century Rococo style. It describes key architectural developments, including the transition from Gothic to Renaissance features in the 16th century. Examples of chateaus, palaces, and churches from this period are highlighted, such as the Chateau de Blois and the Louvre. The document also provides an in-depth overview of the design and development of the Palace of Versailles under Louis XIV, including its architects, rooms, gardens, and influence on French absolutism.
france.pdf
The document provides an overview of French Renaissance architecture from the 15th to 18th centuries. It describes three periods: the early period from 1494-1589 which saw a transition from Gothic to Renaissance styles; the classical period from 1589-1715 notable for its sobriety and simplicity; and the late 18th century Rococo period characterized by lavish decoration. Examples of chateaus, churches, and palaces from each period are discussed, including Blois, Chambord, the Louvre, and Place des Vosges in Paris. The document also provides extensive details on the history and architecture of the Palace of Versailles under Louis XIV.
Architectural history
This painting by Claude Monet depicts a sunrise scene at the port of Le Havre, France. In the foreground are two small rowboats, with fishing boats and larger ships like clippers and steamships in the middle and background. Monet painted the scene to capture the contrast of traditional fishing alongside the modern industry symbolized by steamboats and cranes, representing France's regeneration after recent defeat in war. The painting helped give rise to the Impressionist movement with its focus on capturing fleeting light and atmospheric effects over meticulous detail.
Architectural History
This painting by Claude Monet depicts a sunrise scene at the port of Le Havre, France. In the foreground are two small rowboats, with fishing boats and larger ships like clippers and steamships in the middle and background. Monet painted the scene to capture the contrast of traditional fishing alongside the modern industry symbolized by steamboats and cranes, representing France's regeneration after its recent defeat in the Franco-Prussian war. The painting helped give rise to the Impressionist movement with its loose brushwork and focus on capturing fleeting light effects.
French architechure
The document provides an overview of different architectural styles used in French architecture. It discusses the Roman, Romanesque, Gothic, Beaux Arts, Rococo, Neoclassical, Baroque and Renaissance styles. For each style, it provides brief descriptions and examples of prominent buildings that exemplify that style, such as Notre Dame Cathedral for Gothic, the Palais Garnier for Beaux Arts, Vaux-le-Vicomte for Baroque, and the Château de Chenonceau for Renaissance. The document demonstrates how architectural styles in France have evolved over time, from Roman and Romanesque influences to the flowering of Gothic, Baroque and Renaissance styles between the medieval and modern eras.
Week14 120609105634-phpapp01
This document provides an overview of architectural history from Baroque to contemporary styles. It includes a timeline and examples of prominent architects and their works, such as Bernini, Borromini, Wright, and Hadid. The document examines how architecture expresses the prevailing spirit or "zeitgeist" of different eras. It analyzes styles including Baroque, Rococo, Gothic Revival, Art Nouveau, Bauhaus, Postmodernism, Deconstructivism, and more. The summary provides context on the lecture's focus on architectural chronology and styles through history.
frencharchitechure-130909140519-.pptx
The document provides an overview of various architectural styles that developed in France from Roman times to the Renaissance. It discusses key characteristics of Roman, Romanesque, Gothic, Baroque, Rococo, Neoclassical, and Renaissance architecture in France. Examples given include Notre Dame Cathedral (Gothic), Vaux-le-Vicomte palace (Baroque), and the Château de Chenonceau (Renaissance). The document traces the evolution of architectural styles in France over different historical periods.
0863117 Le Château De Versailles
Chronicles the Palace of Versaille's historical and cultural significance, as well as the historical events and figures that passed through its many doors.
French architechure
This document provides an overview of various architectural styles that developed in France from Roman times to the Renaissance period. It discusses key characteristics of Roman, Romanesque, Gothic, Baroque, Rococo, Neoclassical and Renaissance architecture in France. Examples given include Notre Dame Cathedral (Gothic), Château de Chenonceau (Renaissance), Vaux-le-Vicomte and Palace of Versailles (Baroque). The document also summarizes the origins and influences of each style on architectural design in France.
Famous Architectures in spain
Famous Spanish architectures include Sagrada Familia in Barcelona, an iconic church designed by Antoni Gaudi that remains unfinished, with 10 towers yet to be completed to realize his design. Plaza de Espana in Seville is a large semi-circular plaza built for the 1929 Ibero-American Exposition. Park Güell in Barcelona is a garden complex covering 17 hectares designed by Gaudi with fantastically shaped rooftops. In Tarragona, Roman ruins include a large circus and vaulted galleries, while Carthagena's well-preserved Roman theater could seat 6,000 people. Famous Spanish artists span several centuries like El Greco, Velazquez, Goya,
Chantilly Castle
The Château de Chantilly offers visitors many grand rooms to explore, including the parterre gardens designed by Le Nôtre in the late 17th century which provide stunning views. The library contains over 44,000 books and 1,500 manuscripts. Various rooms in the château showcase different eras through their furnishings, like the Monkey Room from 1737 and the Grand Cabinet Corner from 1720. Other notable rooms include the Picture Gallery, Rotonde, Great Stables built for the Prince of Condé in the 18th century, and the chapel housing the hearts of the Princes of Condé.
FCSarch 18 Iron in Europe
This document discusses several prominent 19th century buildings in Europe that made innovative use of iron and glass in their construction. It focuses on the Bibliotheque Sainte Genevieve in Paris, designed by Henri Labrouste in 1843, which featured an iron-framed interior reading room. The Crystal Palace, constructed in London for the 1851 Great Exhibition, was one of the earliest major buildings to use iron and glass in its structural system. Other structures highlighted include the Galleria Vittorio Emanuele II in Milan, St. Pancras Station in London, the Eiffel Tower in Paris, and the Natural History Museum in London.
Creative Industries 1: 9 neoclassic period updated
The document discusses Neoclassicism in art between 1780-1840. It was a style influenced by classical antiquity, reason, and order that coincided with the Enlightenment. Neoclassical paintings depicted Roman history accurately and Neoclassical sculptures mimicked Roman styles. In architecture, Neoclassicism took the form of temples, Palladian villas, and classical blocks that featured symmetry and detailed columns, pilasters, and pediments. Notable Neoclassical artists and architects mentioned include Jacques-Louis David, Antonio Canova, Robert Adam, and Henri Labrouste.
Gothic Art
The document provides an overview of Gothic art and architecture in Europe from the 12th-14th centuries. It examines the origins and spread of the Gothic style from France, exploring key cathedrals like Notre Dame and Chartres. It then discusses variations of Gothic architecture and sculpture in England, Germany, and Italy, analyzing features like rib vaulting, stained glass windows, and illuminated manuscripts. The document contains over 50 figures to illustrate different elements of Gothic art.
BARCELONA 38 GOTHIC QUARTER - 1 ROMAN AND JEWISH ENGLISH
The document describes the history of Roman and medieval architecture in Barcelona's Gothic Quarter. It details the construction of the Roman wall in the 3rd century AD and several buildings within the historic district. These include the remains of a Roman temple dedicated to Augustus, medieval structures like churches and the Episcopal Palace, and the Plaça del Rei square with its Gothic buildings. The text also mentions the oldest synagogue in Barcelona from the medieval Jewish quarter.
Presentazione Roma
Piazza Navona is a city square in Rome built on the site of the ancient Roman Stadium of Domitian. It features famous fountains and architectural works by Bernini and Borromini. The square has hosted events for centuries and remains a popular site for tourists and locals.
Les Invalides
Les Invalides in Paris was originally designed as a hospital for disabled veterans and completed in 1677. It was later expanded with the addition of the Dome des Invalides, a gold-domed building designed by J.H. Mansart in 1680 now used as a burial site for French war heroes. The complex consists of museums and monuments related to French military history and is notable for housing Napoleon's tomb.
Punto 1 mundo moderno barroco inglés
The document discusses changes to cities during the Baroque period from the 17th to 18th centuries. Political power began using urban architecture to assert dominance over spaces and create scenes that emphasized power. Architects adopted new perspectives and distributions of spaces that were more scenic but less human-scaled. Examples of cities with Baroque alterations included Madrid, Rome, Paris, Vienna, Mexico City, and Lima. The French Baroque was particularly court-focused, with artists working for kings to build elaborate palaces and gardens as symbols of royal authority, such as the massive Versailles Palace commissioned by Louis XIV.
Palace of versailles yeah
The Palace of Versailles was commissioned by King Louis XIV of France to serve as a symbol of his absolute power and control over the nobility. The chief architect, Louis Le Vau, designed the palace and gardens to depict the king's dominance through its lavish Baroque design elements including long, symmetrical perspectives and over 1,400 fountains. Key features like the Hall of Mirrors and elaborate gardens were meant to awe visitors and reinforce the message of the king's grandeur. The design principles established at Versailles went on to heavily influence garden and city planning around the world for centuries.
Palace of versailles
The Palace of Versailles was commissioned by King Louis XIV of France to symbolize his absolute power and control over the nobility. The chief architect, Louis Le Vau, designed the palace and gardens to depict the king's dominance through its lavish Baroque design elements including long, symmetrical perspectives and over 1,400 fountains. Key features like the Hall of Mirrors and elaborate gardens were meant to awe visitors and reinforce the magnificence of Louis XIV's reign. The design principles established at Versailles went on to hugely influence garden, palace and city planning across Europe and beyond.
Similar to FCSarch 12 Baroque 3 (Rococo) (20)
renaissancearchitectureinfrance-150223084229-conversion-gate02.pptx
renaissancearchitectureinfrance-150223084229-conversion-gate02.pptx
Creative Industries 1: 9 neoclassic period updated
Creative Industries 1: 9 neoclassic period updated
BARCELONA 38 GOTHIC QUARTER - 1 ROMAN AND JEWISH ENGLISH
BARCELONA 38 GOTHIC QUARTER - 1 ROMAN AND JEWISH ENGLISH
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World french revolution & metric system & napoleon & architecture
The document provides information about several topics related to French history from the late 18th century through the early 19th century, including:
1) Key locations in and around Versailles like the Hall of Mirrors and gardens;
2) Events of the French Revolution such as the storming of the Bastille and the execution of King Louis XVI;
3) Napoleon Bonaparte's crowning as Emperor in 1804 and the extent of French territory under his rule by 1810.
Wood building (part 2)
Mantel Fielding was an architect from 1865 to 1941 who worked on several estates and buildings in Scotland and England. Some of his notable works included the Wistar Morris Estate built from 1862-1893, the Wood Building constructed from 1893-1896, and renovations to the Pollock Estate in Edinburgh, known as St. Leonard Hall, where he added the Lion and Lion architectural feature. Current students refer to Room 25 in one of Fielding's buildings as the "gargoyle room" while older alumni call it the "chapel room".
Wood building (part 1)
The document discusses the history of the Friends' Central School (FCS) buildings in Philadelphia. It describes how FCS moved from its first building at 5th & Cherry to a second building at 15th and Race before announcing a new campus in 1925 in Overbrook, where the Thomas Wood Building, originally the Wistar Morris Estate designed by architect Mantel Fielding in 1893-96, would be transferred to FCS for $1.00.
Africa Images
Africa in the early 20th century was divided among European colonial powers. By 1914, only Ethiopia and Liberia remained independent of European control. Idi Amin later became the military dictator of Uganda from 1971 to 1979, a period known for human rights abuses and economic mismanagement.
Dharavi, mumbai
Dharavi is a densely populated slum in Mumbai, India that is home to over 14 million people and half the size of Center City. Families of up to 12 people live in extremely cramped quarters of just 90 square feet without proper sanitation infrastructure, though the slum also contains over 15,000 small factories that export goods worldwide.
India's Indepencence
The document summarizes key events in the history of India and Pakistan's independence from Britain, their relationship, and ongoing issues. It discusses the founding of the Indian National Congress, key independence leaders like Gandhi and Nehru, the partition and resulting border disputes, and challenges faced by later leaders like Indira Gandhi, Rajiv Gandhi, and Benazir Bhutto. It also outlines ongoing issues both countries continue to face like economic development, political instability, religious tensions, nuclear weapons, and the Kashmir dispute.
Berlin wall & hydrogen bomb
After World War 2, Germany was divided between the Western allies and the Soviet Union, marking the beginning of the Cold War in Europe. Over time tensions increased, culminating in the construction of the Berlin Wall in 1961 to prevent East Berliners from escaping to West Berlin. The Cold War continued for decades with an arms race and ideological battles, until the fall of the Berlin Wall in 1989 and the eventual dissolution of the Soviet Union, ending the Cold War.
Tiananmen square 1989
Maoism was the ruling ideology of China from 1949 to 1975 under Mao Zedong. A 1950 propaganda poster depicted a happy family enjoying life under Mao's image with the caption "Chairman Mao gives us happy lives." In 1989, students from the Central Academy of Fine Arts erected a statue called "The Goddess of Democracy" in Tiananmen Square during protests. Estimates of the deaths that resulted from the Chinese government's response to the protests range from hundreds to thousands.
US Prisons
The document discusses the history and development of the US prison industry from the 1820s to present day. It traces the origins of the modern prison system to the Eastern State Penitentiary in the 1820s, which introduced solitary confinement cells and influenced international prison design. Prisons then spread from the US to other countries over the next centuries, with reforms occurring internationally through the 20th century.
Ottoman Empire & Palestine maps
The document traces the rise and fall of the Ottoman Empire from 1350 to 1918 through maps and images. It shows the Empire's expansion over time, its alliance with the Central Powers in WWI, and the large territorial losses it suffered following WWI. Further images depict the establishment of modern Turkey under Ataturk's leadership after the fall of the Empire, as well as maps illustrating the division and ongoing conflict in the Middle East region throughout the 20th century.
WWII maps with animation
Hitler was named Time's Man of the Year in 1938 for his influence over Germany and threat to democratic nations in Europe. Most Germans enthusiastically supported Hitler at the time as he expanded German territory and power, posing the greatest threat to freedom that the world faced. This led to World War 2 in Europe and divisions in Germany and Eastern Europe that continued after the war during the Cold War era.
East Asia: China & Japanese Imperialism
In the late 1890s, several European powers including the UK, Germany, Russia, and France were dividing up China for their own colonial ambitions. Japan had a victory over China in 1894, establishing itself as an emerging power in East Asia. A 1933 British political cartoon depicted China as a doormat, reflecting its weakened international status at that time due to the colonial activities of other nations in the early 20th century.
Fascism & Cult of Personality
The document discusses symbols of power and authority in Italy, including the Fasces, which was adopted by Mussolini. It mentions Victor Emanuel II, the first king of a unified Italy, and a monument constructed in his honor in Rome between 1885-1925. The document also refers to Franco's tomb in Spain, which was constructed using 20,000 opposition prisoners through forced labor under the guise of allowing them to "redeem themselves" through work.
Fascism, Cult of Personality & Nazi Architecture
The document discusses several large architectural and monument projects in Italy and Germany between 1885-1937. It describes monuments built in Rome to Victor Emanuel II after Italian unification and Franco's tomb in Spain, which was constructed using forced labor of prisoners intended to "redeem themselves". It also shows unrealized plans for the massive Volkshalle in Germany as well as the Zeppelinfeld and Olympic Stadium built in Nuremberg and Berlin in the 1930s under Nazi rule, designed by Albert Speer.
World War I
Russian troops have amassed along the border of Ukraine in recent weeks, numbering over 100,000 according to some estimates. Western leaders have expressed concern this buildup could be preparation for a Russian invasion of Ukraine. There are fears Russia may be pursuing a further incursion and attempt to seize additional Ukrainian territory beyond the Donbas region and Crimea, which Russia annexed in 2014.
The Russian Revolutions
The document discusses Russia during different periods of history including under the Romanovs, in 1866, and in modern times. It provides maps and images from these eras with translations. Several images depict the hardships of World War I for Russian soldiers and civilians, including overcrowded field hospitals and refugees displaced from their homes. Additional images show propaganda posters with messages about choosing sides in the war and portraying Trotsky and the tsar in a positive light.
Depression & hyperinflation
The document discusses economic concepts like the Great Depression, GDP, unemployment, inflation, hyperinflation, and provides examples of countries that experienced hyperinflation in the 20th century. Hyperinflation occurs when prices rapidly increase as a currency loses value, such as in Germany in the 1920s and Zimbabwe in the 2000s. The document includes images related to the economic hardships of the Great Depression and hyperinflation.
Bauhaus
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
The Hope of Salvation - Jude 1:24-25 - Message
Jude gives us hope at the end of a dark letter. In a dark world like today, we need the light of Christ to shine brighter and brighter. Jude shows us where to fix our focus so we can be filled with God's goodness and glory. Join us to explore this incredible passage.
Vertical Church Kyiv Report 2022-2023: Church at war
Please, join us in praising God for His incredible blessings!
2. The Book of Psalms: Recognition of the kingship and sovereignty of God
2. The Book of Psalms: Recognition of the kingship and sovereignty of GodCOACH International Ministries
Recognition of the kingship and sovereignty of GodHow to Stop a Divorce and Save Your Marriage: Divorce Spells That Really Work...
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The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
My ritual will not only stop separation and divorce, but rebuild a strong bond between you and your partner that is based on truth, honesty, and unconditional love. For an even stronger effect, you may want to consider using the Eternal Love Bond spell to ensure your relationship and love will last through all tests of time. If you have not yet determined if your partner is considering separation or divorce, but are aware of rifts in the relationship, try the Love Spells to remove problems in a relationship or marriage. Keep in mind that all my love spells are 100% customized and that you'll only need 1 spell to address all problems/wishes.
Save your marriage from divorce & make your relationship stronger using anti divorce spells to make him or her fall back in love with you. End your marriage if you are no longer in love with your husband or wife. Permanently end your marriage using divorce spells that work fast. Protect your marriage from divorce using love spells to boost commitment, love & bind your hearts together for a stronger marriage that will last. Get your ex lover who has remarried using divorce spells to break up a couple & make your ex lost lover come back to you permanently.
Visit https://www.profbalaj.com/love-spells-loves-spells-that-work/
Call/WhatsApp +27836633417 for more info.Why is this So? ~ Do Seek to KNOW (English & Chinese).pptx
A PowerPoint Presentation based on the Dhamma teaching of Kamma-Vipaka (Intentional Actions-Ripening Effects).
A Presentation for developing morality, concentration and wisdom and to spur us to practice the Dhamma diligently.
The texts are in English and Chinese.
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FCSarch 12 Baroque 3 (Rococo)
- 1. Rococo
- 2. BASILICA AT OTTOBEUREN , 1748-54 Johann Michel Fischer
- 3. Basilica at Ottobeuren , plan
- 4. Basilica at Ottobeuren (Bavaria): the spaces flow together a nd swarm with life. gilded stucco and marbled surfaces.
- 6. Basilica at Ottobeuren, detail
- 7. Interior: Die Wies, Bavaria, Germany (1746-54), Dominicus Zimmerman
- 8. Staircase: Episcopal Palace, Wurzburg, Germany (1719-44), Balthasar Neumann
- 9. PAINTING The Swing
- 10. PAINTING Pilgrimage to Cythera 1721
- 12. Cathedral, Granada. unremarkable exterior
- 13. La Cartuja, Granada (Norwich, p.186).
- 15. Cathedral of Mexico in Mexico City
- 16. Cathedral, Mexico City. detail of Altar in the Chapel of the Kings
- 17. VERSAILLES Aerial view of the chateau from the park; note the "goose foot", or patte d'oie, arrangement of the three avenues which converge on the entrance front. Versailles 17 th and 18 th centuries Architect: Louis Le Vau Interiors: Charles Le Brun Landscape: Andr é Le N ô tre
- 18. Diagram showing the gradual development of the chateau throughout Louis XIV's reign
- 19. Painting depicting the hunting lodge built by Louis XIII, soon after his son had begun transforming its gardens and had added the two service wings in front.
- 20. Cour de Marbre, showing how Louis XIV preserved his father's hunting lodge encrusting it with sculpture, gilded metalwork and paving its courtyard with marble.
- 21. Salon de la guerre (Room of War); note the massive bas-relief of Louis XIV on horseback crushing his enemies who are shown in chains Salon de la guerre (Room of War); note the massive bas-relief of Louis XIV on horseback crushing his enemies who are shown in chains
- 22. Hall of Mirrors ( Galerie des Glaces ). The ceiling depicts events from the King's life rather than the customary scenes from Greek or Roman mythology.
- 23. Hall of Mirrors
- 24. Stables (1679-86) note the appropriate horseshoe-shaped layout.
- 25. Plan of the park and town, showing the axial relationships with the chateau
- 26. Versailles, Garden Plan by Andre Le Notre, 1660
- 27. The gardens, map
- 28. gardens
- 29. Sculpture of Apollo sculpture showing the sun god emerging from the water in his chariot at the beginning of the day. By Jean-Baptiste Tuby's
- 30. Marly, France modeled on Versailles, date?
- 31. Ben Franklin Parkway. Controlled landscape with fountains and a strong central axis terminating in a monumental building.