BAROQUE AND ROCOCO 
Baroque architecture covered the period between the late 16th and 
mid-18th century. I t evolved out of Renaissance architecture in I taly. The 
architectural style which emerged in I taly soon spread to the rest of 
Europe and by the 17th century, Spanish Baroque style reached Latin 
America. Initially used to express the triumph of the Roman Catholic 
Church over Protestant Reformation, the architectural style later also 
came to be used as a visual demonstration of absolutist regime in 
the form of magnificent palaces. The two main architects of the 
Baroque era were Bernini and Borromini. There are 10 masterpieces 
of Baroque architecture, both religious and secular. Firstly San Carlo 
alle Quattro Fontane, Rome designed by one of the leading 
Baroque architects Francesco Borromini is one of the finest examples of 
Baroque architecture. Next is the St. Peter's Square, Vatican. I t is 
imposing colonnades with 140 statues of saints are the work of Gian 
Lorenzo Bernini. Following by Les Invalides in Paris, Palace of Versailles 
in Versailles, Karlskirche in Vienna, Schönbrunn Palace in Vienna, St 
Paul's Cathedral in London, Winter Palace in Saint Petersburg, 
Cathedral of Santiago de Compostela in Western Façade and 
Zacatecas Cathedral in Zacatecas. Moreover, in order to fulfill its 
propagandist role, Catholic-inspired Baroque art tended to be 
large-scale works of public art, such as monumental wall-paintings 
and huge frescoes for the ceilings and vaults of palaces and churches. 
Rococo style, style in interior design, the decorative arts, painting, 
architecture, and sculpture that originated in Paris in the early 18th 
century but was soon adopted throughout France and later in 
other countries, principally Germany and Austria. I t is characterized 
by lightness, elegance, and an exuberant use of curving, natural 
forms in ornamentation. At the outset the Rococo style 
represented a reaction against the ponderous design of Louis XIV’s Palace 
of Versailles and the official Baroque art of his reign. Several interior 
designers, painters, and engravers, among them Pierre Le Pautre, J.-A. 
Meissonier, Jean Berain, and Nicolas Pineau, developed a lighter and more 
intimate style of decoration for the new residences of nobles in Paris. In the 
Rococo style, walls, ceilings, and moldings were decorated with delicate 
interlacings of curves and countercurves based on the fundamental shapes of 
the “C” and the “S,” as w ell as w ith shell forms and other natural shapes.

Baroque and rococo

  • 1.
    BAROQUE AND ROCOCO Baroque architecture covered the period between the late 16th and mid-18th century. I t evolved out of Renaissance architecture in I taly. The architectural style which emerged in I taly soon spread to the rest of Europe and by the 17th century, Spanish Baroque style reached Latin America. Initially used to express the triumph of the Roman Catholic Church over Protestant Reformation, the architectural style later also came to be used as a visual demonstration of absolutist regime in the form of magnificent palaces. The two main architects of the Baroque era were Bernini and Borromini. There are 10 masterpieces of Baroque architecture, both religious and secular. Firstly San Carlo alle Quattro Fontane, Rome designed by one of the leading Baroque architects Francesco Borromini is one of the finest examples of Baroque architecture. Next is the St. Peter's Square, Vatican. I t is imposing colonnades with 140 statues of saints are the work of Gian Lorenzo Bernini. Following by Les Invalides in Paris, Palace of Versailles in Versailles, Karlskirche in Vienna, Schönbrunn Palace in Vienna, St Paul's Cathedral in London, Winter Palace in Saint Petersburg, Cathedral of Santiago de Compostela in Western Façade and Zacatecas Cathedral in Zacatecas. Moreover, in order to fulfill its propagandist role, Catholic-inspired Baroque art tended to be large-scale works of public art, such as monumental wall-paintings and huge frescoes for the ceilings and vaults of palaces and churches. Rococo style, style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century but was soon adopted throughout France and later in other countries, principally Germany and Austria. I t is characterized by lightness, elegance, and an exuberant use of curving, natural forms in ornamentation. At the outset the Rococo style represented a reaction against the ponderous design of Louis XIV’s Palace of Versailles and the official Baroque art of his reign. Several interior designers, painters, and engravers, among them Pierre Le Pautre, J.-A. Meissonier, Jean Berain, and Nicolas Pineau, developed a lighter and more intimate style of decoration for the new residences of nobles in Paris. In the Rococo style, walls, ceilings, and moldings were decorated with delicate interlacings of curves and countercurves based on the fundamental shapes of the “C” and the “S,” as w ell as w ith shell forms and other natural shapes.