Baroque and rococo
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Baroque architecture emerged in Italy in the late 16th century and spread across Europe and Latin America by the 17th century. It was initially used by the Catholic Church to assert dominance over Protestantism but later demonstrated absolute royal power through grand palaces. Two influential Baroque architects were Bernini and Borromini. Examples of outstanding Baroque architecture include churches like San Carlo alle Quattro Fontane in Rome and secular buildings like the Palace of Versailles. Rococo style originated in 18th century Paris as a lighter, more elegant and ornate alternative to Louis XIV's grand Baroque style at Versailles, using flowing, naturalistic designs. Walls, ceilings and moldings in the Rococo style were decorated with intricate curves and counter
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Comparative Analysis of Baroque and Rococco Architecture
Both Baroque and Rococo styles used dynamic, undulating forms and complex geometry in their designs. However, Baroque architecture from the 17th century tended to be grander in scale with darker colors, aiming to impress viewers through awe-inspiring designs. Rococo from the 18th century favored lighter, more informal styles seen in secular buildings, using pale pastel colors and asymmetric, playful ornamentation. While both employed frescoes and stucco work, Rococo had a lighter, more graceful aesthetic compared to Baroque's theatrical grandeur.
Architecture
This document discusses Rococo and Neoclassical architecture. Rococo style from 1715-1789 was defined by intricate exterior and interior designs featuring ornate plasterwork of flowers, cherubs and other delicate motifs. Neoclassical style from 1750-1850 rejected Rococo's ornamentation in favor of clean symmetrical shapes and the prominent use of columns, inspired by classical Greek and Roman designs. Examples of each style's architecture can still be seen today, such as the U.S. Capitol building representing Neoclassical.
Characteristics of baroque architecture
Baroque architecture originated in 17th century Italy and France as a style that glorified absolute rulers through elaborate, decorative designs featuring twisted columns, curves, ornate details, and optical illusions. It spread across Europe and was characterized by features like domes, abundant windows, and ceiling frescoes that created a sense of movement. Significant examples include St. Peter's Basilica in Rome, the Chateau de Versailles in France, and Jesuit churches in Hungary built to showcase this ornate architectural style.
BAROQUE And ROCOCO
This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
Baroque Style and Architecture
St. Paul's Cathedral in London, designed by Christopher Wren in the Baroque style, took 36 years to build from 1675 to 1711. Its famous dome, which dominated London's skyline for 300 years, stands 365 feet high and frames the spires of Wren's surrounding churches. The cathedral has a nave 121 feet wide and spans 518 feet in length, with its two towers each rising 221 feet high.
Introduction to Baroque and Rococo Architecture
The document provides an overview of Baroque and Rococo architecture and interior design. It discusses key characteristics of Baroque art such as dynamism, strong curves, and complexity. It describes how Baroque emerged in Italy and was later led by France, transitioning into the Rococo style characterized by gentler dynamism. Specific architectural elements of Baroque buildings are outlined, and prominent Baroque architects like Borromini and Bernini are discussed. Examples of Baroque architecture are given, including churches and palaces. Finally, the document briefly introduces the Rococo style and provides examples like Versailles.
Baroque architecture \
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It featured dramatic curved shapes, asymmetry, frescoes, and illusory effects to create emotion and drama. Two main centers were the powerful monarchy of France, which favored order and rationality, and the papal authority in Rome. In Italy, architects like Bernini, Borromini, and Maderno created grand structures fusing architecture, painting and sculpture. The Rococo style featured luxurious interiors with asymmetry, exotic influences, and elaborate decorative stucco work and furnishings.
Baroque architecture
The presentation provides an overview of Baroque architecture between 1600-1750 AD. Some key characteristics of Baroque style include dramatic, contrasting lights and darks, complex shapes, and decorative details. Baroque architecture spread across Europe, taking on local styles in countries like Italy, Spain, the Netherlands, France, and England. Some famous examples of Baroque buildings mentioned are St. Peter's Square at the Vatican, Les Invalides in Paris, the Palace of Versailles, and St. Paul's Cathedral in London.
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Comparative Analysis of Baroque and Rococco Architecture
Both Baroque and Rococo styles used dynamic, undulating forms and complex geometry in their designs. However, Baroque architecture from the 17th century tended to be grander in scale with darker colors, aiming to impress viewers through awe-inspiring designs. Rococo from the 18th century favored lighter, more informal styles seen in secular buildings, using pale pastel colors and asymmetric, playful ornamentation. While both employed frescoes and stucco work, Rococo had a lighter, more graceful aesthetic compared to Baroque's theatrical grandeur.
Architecture
This document discusses Rococo and Neoclassical architecture. Rococo style from 1715-1789 was defined by intricate exterior and interior designs featuring ornate plasterwork of flowers, cherubs and other delicate motifs. Neoclassical style from 1750-1850 rejected Rococo's ornamentation in favor of clean symmetrical shapes and the prominent use of columns, inspired by classical Greek and Roman designs. Examples of each style's architecture can still be seen today, such as the U.S. Capitol building representing Neoclassical.
Characteristics of baroque architecture
Baroque architecture originated in 17th century Italy and France as a style that glorified absolute rulers through elaborate, decorative designs featuring twisted columns, curves, ornate details, and optical illusions. It spread across Europe and was characterized by features like domes, abundant windows, and ceiling frescoes that created a sense of movement. Significant examples include St. Peter's Basilica in Rome, the Chateau de Versailles in France, and Jesuit churches in Hungary built to showcase this ornate architectural style.
BAROQUE And ROCOCO
This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
Baroque Style and Architecture
St. Paul's Cathedral in London, designed by Christopher Wren in the Baroque style, took 36 years to build from 1675 to 1711. Its famous dome, which dominated London's skyline for 300 years, stands 365 feet high and frames the spires of Wren's surrounding churches. The cathedral has a nave 121 feet wide and spans 518 feet in length, with its two towers each rising 221 feet high.
Introduction to Baroque and Rococo Architecture
The document provides an overview of Baroque and Rococo architecture and interior design. It discusses key characteristics of Baroque art such as dynamism, strong curves, and complexity. It describes how Baroque emerged in Italy and was later led by France, transitioning into the Rococo style characterized by gentler dynamism. Specific architectural elements of Baroque buildings are outlined, and prominent Baroque architects like Borromini and Bernini are discussed. Examples of Baroque architecture are given, including churches and palaces. Finally, the document briefly introduces the Rococo style and provides examples like Versailles.
Baroque architecture \
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It featured dramatic curved shapes, asymmetry, frescoes, and illusory effects to create emotion and drama. Two main centers were the powerful monarchy of France, which favored order and rationality, and the papal authority in Rome. In Italy, architects like Bernini, Borromini, and Maderno created grand structures fusing architecture, painting and sculpture. The Rococo style featured luxurious interiors with asymmetry, exotic influences, and elaborate decorative stucco work and furnishings.
Baroque architecture
The presentation provides an overview of Baroque architecture between 1600-1750 AD. Some key characteristics of Baroque style include dramatic, contrasting lights and darks, complex shapes, and decorative details. Baroque architecture spread across Europe, taking on local styles in countries like Italy, Spain, the Netherlands, France, and England. Some famous examples of Baroque buildings mentioned are St. Peter's Square at the Vatican, Les Invalides in Paris, the Palace of Versailles, and St. Paul's Cathedral in London.
History LECTURE 3 Baroque architecture
Baroque architecture developed from the late 16th to 18th centuries across Europe and America. It was characterized by dramatic lighting, large frescoes, illusory effects, and flowing, curved shapes incorporated landscaping. In Italy, architects like Bernini, Borromini, and Longhena designed structures fusing architecture, painting and sculpture that became models. French Baroque under Louis XIV emphasized order and rationality in projects like the Louvre and Versailles. The Rococo style featured ornate interiors and furnishings later in the 18th century.
Baroque architecture
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
Baroque and rococo architecture
Baroque architecture began in the early 1600s in Rome and was characterized by exaggerated motion, dramatic effects, and lavish decoration. It was promoted by the Catholic Church to distinguish itself from the Protestant Reformation. Common features included spiral columns, domes, rounded arches, and painted ceilings with real gold. Rococo architecture emerged in the 18th century and featured more elaborate curved forms, asymmetry, light colors, and ornate decorations inspired by shells and plants. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg, as well as the Wieskirche in Bavaria. Both Baroque and Rococo represented a shift away from classical architecture towards a more expressionistic style.
Baroque and Rococo Era
Baroque architecture began in the early 1600s in Rome and spread across Europe, characterized by dramatic shapes and motifs. Key features included spiral columns, domes, rounded arches, and painted ceilings with gold. The style was popular for churches and palaces and encouraged by the Catholic Church. Rococo architecture emerged later as a more ornate style using elaborate curves, shells, leaves, and asymmetry with light colors. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg as well as the Wieskirche in Bavaria. Both styles marked a shift from classical to more expressive designs.
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The document provides information about the Baroque architectural style. It originated in Italy in the early 17th century and spread across Europe. Baroque architecture is characterized by dramatic intensity, exploration of light and shadow, and elaborate ornamentation. Prominent Baroque architects included Gian Lorenzo Bernini, Francesco Borromini, and Pietro da Cortona. Two examples of Baroque churches designed by Borromini are discussed in detail: San Carlo alle Quattro Fontane in Rome, known for its complex overlapping geometric forms, and Sant'Ivo alla Sapienza, also in Rome, with its distinctive spiral-shaped dome.
HISTORY: Baroque and Rococo
The document provides an overview of Baroque and Rococo architecture and art in Europe between the 17th and 18th centuries. It discusses the spread of European colonization and the wealth this brought monarchies. The Protestant Reformation led Catholic churches to use elaborate ceremonies and art to attract followers. The Baroque and Rococo styles featured complex geometric forms, use of light and shadow, and ornate decor. Examples are given of churches, palaces and other buildings built in these styles in Italy, Austria, Germany and France by architects like Bernini, Borromini, Neumann and Mansart.
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The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
XVIII century culture
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The document provides an overview of the Baroque period in art and architecture from approximately 1600 to 1750. It was characterized by dramatic, elaborate decoration and highly emotional religious art and architecture. Key figures who defined the Baroque style included Bernini in Rome with works like the Baldachin at St. Peter's. The Rococo style developed later as a more ornate offshoot of Baroque that emphasized asymmetry, curves and lightness. Examples of Rococo architecture include palaces in France, Germany, Russia and elsewhere across Europe.
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Baroque Architecture
The building style of the Baroque era, begun in late 16th-century Italy, that took the Roman vocabulary of Renaissance architecture and used it in a new theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state.
It was characterized by new explorations of form, light and shadow, and dramatic intensity.
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Rococo
Rococo architecture emerged as a lighter, more graceful version of Baroque architecture in the 18th century. It combined delicate French rococo details like shell motifs with Italian Baroque elements. While Baroque architecture was found across Europe, the softer Rococo style was particularly prominent in Germany, Austria, Eastern Europe and Russia. Rococo buildings are characterized by pale colors, curving shapes, elaborate scrolls, intricate patterns and delicate shell and plant ornaments.
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Baroque architecture
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It reflected the scientific advances and religious/political conflicts of the time through dramatic use of light, illusionistic painting/sculpture, asymmetrical and curved designs. In Italy, architects like Bernini and Borromini created dramatic church designs fusing architecture, art and sculpture. French Baroque like Versailles was more ordered and classical, showing royal power. Rococo later emphasized ornate interiors and decoration.
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FCSarch 12 Baroque 3 (Rococo)
The document discusses Rococo art and architecture in Europe during the 18th century. It provides examples of Rococo basilicas built in Germany including Ottobeuren Basilica constructed between 1748-1754. It also features paintings from the period depicting pastoral scenes. Additionally, it examines the Palace of Versailles outside Paris including its elaborate interiors and gardens laid out by landscape architect Le Notre, establishing the influence of Versailles on royal and aristocratic estates across Europe.
Rococo
Rococo originated in the early 1700s in France as a lighter, more ornate style that evolved from Baroque. It emphasized beauty, nature, and curved, asymmetrical designs inspired by shells and rocks. Rococo flourished during the reign of Louis XV and is seen in paintings like Boucher's Odalisque Brune depicting an aristocratic woman and Watteau's Venetian Pleasure showing an operatic scene. Furniture, interiors, fashion, and jewelry featured elaborate floral motifs, pastel colors, asymmetry, and natural themes reflecting the style's emphasis on beauty, lightness, and nature.
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History LECTURE 3 Baroque architecture
Baroque architecture developed from the late 16th to 18th centuries across Europe and America. It was characterized by dramatic lighting, large frescoes, illusory effects, and flowing, curved shapes incorporated landscaping. In Italy, architects like Bernini, Borromini, and Longhena designed structures fusing architecture, painting and sculpture that became models. French Baroque under Louis XIV emphasized order and rationality in projects like the Louvre and Versailles. The Rococo style featured ornate interiors and furnishings later in the 18th century.
Baroque architecture
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
Baroque and rococo architecture
Baroque architecture began in the early 1600s in Rome and was characterized by exaggerated motion, dramatic effects, and lavish decoration. It was promoted by the Catholic Church to distinguish itself from the Protestant Reformation. Common features included spiral columns, domes, rounded arches, and painted ceilings with real gold. Rococo architecture emerged in the 18th century and featured more elaborate curved forms, asymmetry, light colors, and ornate decorations inspired by shells and plants. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg, as well as the Wieskirche in Bavaria. Both Baroque and Rococo represented a shift away from classical architecture towards a more expressionistic style.
Baroque and Rococo Era
Baroque architecture began in the early 1600s in Rome and spread across Europe, characterized by dramatic shapes and motifs. Key features included spiral columns, domes, rounded arches, and painted ceilings with gold. The style was popular for churches and palaces and encouraged by the Catholic Church. Rococo architecture emerged later as a more ornate style using elaborate curves, shells, leaves, and asymmetry with light colors. Examples include the Hermitage Winter Palace and Smolny Cathedral in St. Petersburg as well as the Wieskirche in Bavaria. Both styles marked a shift from classical to more expressive designs.
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The document provides information about the Baroque architectural style. It originated in Italy in the early 17th century and spread across Europe. Baroque architecture is characterized by dramatic intensity, exploration of light and shadow, and elaborate ornamentation. Prominent Baroque architects included Gian Lorenzo Bernini, Francesco Borromini, and Pietro da Cortona. Two examples of Baroque churches designed by Borromini are discussed in detail: San Carlo alle Quattro Fontane in Rome, known for its complex overlapping geometric forms, and Sant'Ivo alla Sapienza, also in Rome, with its distinctive spiral-shaped dome.
HISTORY: Baroque and Rococo
The document provides an overview of Baroque and Rococo architecture and art in Europe between the 17th and 18th centuries. It discusses the spread of European colonization and the wealth this brought monarchies. The Protestant Reformation led Catholic churches to use elaborate ceremonies and art to attract followers. The Baroque and Rococo styles featured complex geometric forms, use of light and shadow, and ornate decor. Examples are given of churches, palaces and other buildings built in these styles in Italy, Austria, Germany and France by architects like Bernini, Borromini, Neumann and Mansart.
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The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
XVIII century culture
Rococo and Neoclassicism were 18th century artistic movements. Rococo developed in 18th century France as a more playful alternative to the grandeur of Baroque, featuring ornate decor, pastel colors, and asymmetrical designs. It spread through Europe in painting, sculpture, and interior design. By the late 18th century, Rococo fell from favor and was replaced by Neoclassicism, which drew inspiration from classical antiquity and aligned with Enlightenment philosophy. Neoclassicism featured revival of Greco-Roman styles and themes of reason and order. Both artistic periods influenced architecture, visual arts, literature, and music during the 18th century.
Baroque & Rococo
The document provides an overview of the Baroque period in art and architecture from approximately 1600 to 1750. It was characterized by dramatic, elaborate decoration and highly emotional religious art and architecture. Key figures who defined the Baroque style included Bernini in Rome with works like the Baldachin at St. Peter's. The Rococo style developed later as a more ornate offshoot of Baroque that emphasized asymmetry, curves and lightness. Examples of Rococo architecture include palaces in France, Germany, Russia and elsewhere across Europe.
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The document contains multiple choice questions about Gothic and Romanesque architecture. Gandhiji was referring to the grandeur of Gothic cathedrals like Notre Dame Cathedral in Paris. Romanesque architecture developed in the 11th-12th centuries and was characterized by thick walls, round arches and heavy, solid appearances. It served as a stepping stone to Gothic architecture, which had innovations like pointed arches, ribbed vaults and flying buttresses that allowed for larger windows and a sense of verticality.
Baroque Architecture
The building style of the Baroque era, begun in late 16th-century Italy, that took the Roman vocabulary of Renaissance architecture and used it in a new theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state.
It was characterized by new explorations of form, light and shadow, and dramatic intensity.
Baroque architecture
Baroque Architecture : basic information
-Names of buildings that fall under Baroque Architecture
-Famous Architects
-Elements
-Analysis
Rococo
Rococo architecture emerged as a lighter, more graceful version of Baroque architecture in the 18th century. It combined delicate French rococo details like shell motifs with Italian Baroque elements. While Baroque architecture was found across Europe, the softer Rococo style was particularly prominent in Germany, Austria, Eastern Europe and Russia. Rococo buildings are characterized by pale colors, curving shapes, elaborate scrolls, intricate patterns and delicate shell and plant ornaments.
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FCSarch 12 Baroque 1
This document discusses two major baroque architectural works: St. Peter's Basilica in Rome and Karlskirche in Vienna. It provides details on the design and construction of St. Peter's dome by Michelangelo and Bernini's additions to the piazza and interior in the 17th century. It also describes Karlskirche in Vienna, completed in 1716, with details on its double dome design, interior decoration, and patronage by the Austrian emperor.
Baroque 2011
The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
Baroque architecture
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It reflected the scientific advances and religious/political conflicts of the time through dramatic use of light, illusionistic painting/sculpture, asymmetrical and curved designs. In Italy, architects like Bernini and Borromini created dramatic church designs fusing architecture, art and sculpture. French Baroque like Versailles was more ordered and classical, showing royal power. Rococo later emphasized ornate interiors and decoration.
Mannerism Architecture
The document provides information on various architectural styles from the Renaissance period in Italy, including Mannerism and examples of Mannerist architecture. It discusses Michelangelo's influence on the design of St. Peter's Basilica in Rome. It also provides details on Palladio's Villa Rotonda, including its symmetrical design centered around a circular hall with loggias on each side connecting to the landscape.
FCSarch 12 Baroque 3 (Rococo)
The document discusses Rococo art and architecture in Europe during the 18th century. It provides examples of Rococo basilicas built in Germany including Ottobeuren Basilica constructed between 1748-1754. It also features paintings from the period depicting pastoral scenes. Additionally, it examines the Palace of Versailles outside Paris including its elaborate interiors and gardens laid out by landscape architect Le Notre, establishing the influence of Versailles on royal and aristocratic estates across Europe.
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- The Hanging Gardens were built in Babylon, Iraq around 600 BC by King Nebuchadnezzar II to please his homesick wife from the green mountains. They consisted of terraced gardens resting on stone pillars with an intricate irrigation system to bring water to the top. While their exact location and size is uncertain, archaeological evidence confirms key features described in ancient accounts.
The Hanging Gardens of Babylon
The Hanging Gardens of Babylon were built in ancient Babylon (modern day Iraq) by King Nebuchadnezzar around 600 BC to please his homesick wife. The gardens were an artificial mountain constructed to give the impression of a green, leafy landscape rising up from the surrounding plains. While ancient historians referenced the gardens, their exact location and structure are uncertain as no definitive archaeological evidence of the gardens has been found.
Hanging Garden Of Babylon
The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World. They were built in Babylon (modern day Iraq) by King Nebuchadnezzar II around 600 BC to please his homesick wife, Queen Amyitis of Media. The gardens consisted of terraced gardens with trees and flowers rising up in tiers, supported by large stone vaults. They were around 400 feet long, 400 feet wide, and 80 feet high, making them a spectacular sight rising above the desert plains. However, their exact location and structure is still debated today.
Hanging Gardens of Babylon
The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World, built in the ancient city of Babylon in Iraq by King Nebuchadnezzar II between 605-562 BC. According to legend, he built them for his Persian wife who missed the green hills of her homeland. However, there is no definitive archaeological evidence that they existed in Babylon and some historians believe the accounts may have been romanticized descriptions of other gardens from the time period.
Rococoand Neoclassical Group
Rococo art emerged in the 18th century during the reign of Louis XIV in France and was characterized by ornate decoration, asymmetry, and an emphasis on pleasure. Neoclassical art arose later in the 18th century and was a rejection of Rococo's excesses in favor of restraint, symmetry, and references to ancient Greek and Roman styles. Rococo sculptures featured intricate detail and playful subjects while Neoclassical sculptures had refined poses and understated motifs inspired by antiquity.
Le - Corbusier and Louis I Kahn - history of architecture
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Introduction
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Sectors
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Roads
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Ancient Babylon
Ancient Babylonia was located between the Tigris and Euphrates Rivers in modern-day Iraq. The Babylonian Empire lasted from the 18th-17th centuries BC and was a powerful civilization for about 100 years under King Hammurabi's rule. Babylonia had many major cities with populations between 10,000-50,000 people. The Babylonians made important contributions to mathematics, astronomy, law, and architecture. They built ziggurats and temples to their polytheistic gods like Marduk, Ishtar, and Tiamat.
Baroque & Rococo architecture
Baroque and Rococo architecture originated in the late 16th century in Italy and spread across Europe. It was encouraged by the Catholic Church as a response to the Protestant Reformation. Key features included dramatic use of light and color, complex shapes, and blending of painting and architecture. Significant architects included Bernini, Borromini, and Maderno in Italy. Their works, such as St. Peter's Basilica and Sant'Andrea al Quirinale church, featured bold domes, colonnades, and elaborate ornamentation. Rococo architecture was a late Baroque style using more simplified forms and illusionistic painting. The lecture provided details on the origins and characteristics of Baroque and Rococo architecture.
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The document discusses the ancient Babylonian civilization and the city of Babylon. It describes how Babylon was the capital city located along the Euphrates River in Mesopotamia. Under King Hammurabi in the 18th century BC, Babylon became the dominant city-state in the region and established itself as a powerful empire. Key aspects of ancient Babylon discussed include the city walls, temples, ziggurats, and other impressive architectural feats such as the Hanging Gardens, built later under King Nebuchadnezzar II.
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The document provides information on Vedic, Buddhist, and Tibetan architectural styles. It discusses key elements of each style such as vastupurusha in Vedic architecture, stupas and viharas in Buddhist architecture, and the eight great stupas in Tibetan architecture. Pagodas are also summarized as evolving from stupas and varying in design across countries in Asia based on local architectural details. Specific historic structures exemplifying each style are highlighted such as the Great Sanchi Stupa and the Iron Pagoda of Kaifeng.
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1) The document provides background information on the Baroque style and its origins in 17th century Rome. It then discusses key characteristics of Baroque architecture, including its origins in the Catholic Counter-Reformation, use of dramatic lighting/ornamentation, and focus on inspiring emotion.
2) It summarizes details about Angkor Wat, a temple in Cambodia considered one of the greatest constructions of the Khmer Empire. The temple was built in the early 12th century AD under the patronage of King Suryavarman II as a dedication to the Hindu god Vishnu. Construction involved immense resources and labor.
3) The document discusses theories that Angkor Wat was intended both as a funerary temple for
Angkor has a baroque style too
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Baroque
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Baroque
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These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptx
Ivรกn Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
HYPERTENSION - SLIDE SHARE PRESENTATION.
IT WILL BE HELPFULL FOR THE NUSING STUDENTS
IT FOCUSED ON MEDICAL MANAGEMENT AND NURSING MANAGEMENT.
HIGHLIGHTS ON HEALTH EDUCATION.
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Baroque and rococo
- 1. BAROQUE AND ROCOCO Baroque architecture covered the period between the late 16th and mid-18th century. I t evolved out of Renaissance architecture in I taly. The architectural style which emerged in I taly soon spread to the rest of Europe and by the 17th century, Spanish Baroque style reached Latin America. Initially used to express the triumph of the Roman Catholic Church over Protestant Reformation, the architectural style later also came to be used as a visual demonstration of absolutist regime in the form of magnificent palaces. The two main architects of the Baroque era were Bernini and Borromini. There are 10 masterpieces of Baroque architecture, both religious and secular. Firstly San Carlo alle Quattro Fontane, Rome designed by one of the leading Baroque architects Francesco Borromini is one of the finest examples of Baroque architecture. Next is the St. Peter's Square, Vatican. I t is imposing colonnades with 140 statues of saints are the work of Gian Lorenzo Bernini. Following by Les Invalides in Paris, Palace of Versailles in Versailles, Karlskirche in Vienna, Schรถnbrunn Palace in Vienna, St Paul's Cathedral in London, Winter Palace in Saint Petersburg, Cathedral of Santiago de Compostela in Western Faรงade and Zacatecas Cathedral in Zacatecas. Moreover, in order to fulfill its propagandist role, Catholic-inspired Baroque art tended to be large-scale works of public art, such as monumental wall-paintings and huge frescoes for the ceilings and vaults of palaces and churches. Rococo style, style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century but was soon adopted throughout France and later in other countries, principally Germany and Austria. I t is characterized by lightness, elegance, and an exuberant use of curving, natural forms in ornamentation. At the outset the Rococo style represented a reaction against the ponderous design of Louis XIVโs Palace of Versailles and the official Baroque art of his reign. Several interior designers, painters, and engravers, among them Pierre Le Pautre, J.-A. Meissonier, Jean Berain, and Nicolas Pineau, developed a lighter and more intimate style of decoration for the new residences of nobles in Paris. In the Rococo style, walls, ceilings, and moldings were decorated with delicate interlacings of curves and countercurves based on the fundamental shapes of the โCโ and the โS,โ as w ell as w ith shell forms and other natural shapes.