The document summarizes the design choices for recipe cards targeted at both adult and child audiences. For the adult cards, a simple layout with a 60:40 image to text ratio was used, similar to existing recipe cards. The child cards feature cartoon graphics inspired by the recipes' main vegetables to make them fun and child-friendly. Color schemes were based on the vegetables' natural hues to convey a sense of freshness. Both card designs aim to appeal to their intended audiences through visual elements while also maintaining consistency as part of a set.
The document summarizes the design choices made for a set of recipe cards targeting both adult and child audiences. For the adult cards, a simple layout with a 60:40 image to text ratio was used, similar to existing recipe cards from VegSoc. The child cards feature more images and graphics inspired by the recipes' main vegetables to make them fun and engaging for kids. Color schemes were based on the vegetables featured to seem natural. Stock images were used for consistency. The cards were designed to appeal to both parents and children to encourage cooking vegetables together.
The document provides details about the design and production process for a set of recipe cards aimed at children ages 4-13. The designer chose simple, colorful layouts with a balance of images and text to appeal to the target audience. Feedback from peers informed changes like adjusting fonts for readability. Overall the process involved extensive planning, research on the target demographic, and iterations based on feedback to create technically competent and creative final products that met the project brief.
The document summarizes the production process of creating recipe cards for vegetarians. It discusses how the initial plans for bright colors and stock images did not work cohesively as a set. The team then simplified the design with a white background and two consistent colors from the logo. Feedback noted the need for consistent layouts and font placement. While some stock images stood out, the overall set reflected the goal of appealing to a general audience with a basic design. The document evaluates skills learned around planning, photography, and using feedback to improve the final products.
- The document discusses the design process for a set of recipe cards aimed at a general vegetarian audience.
- Initial designs used brighter colors but didn't work cohesively, so the designs were simplified and a consistent color palette was adopted.
- Images were gathered from online stock photos when suitable photos couldn't be taken, but some stock images didn't match the style.
- Feedback was gathered and the designs were refined to have consistent layouts, fonts, and color schemes to create a cohesive set.
- The final cards follow a simple, easy to read design informed by existing vegetarian recipe cards to appeal to a broad audience.
The document proposes three different themes for recipe cards:
1. "Vegetarianism for Dummies" featuring simple recipes like pastas, pizzas, and casseroles appealing to new vegetarians aged 18-30. The cards will have a yellow and black color scheme in the style of "For Dummies" books.
2. Recipes aimed at children becoming vegetarian or whose parents are vegetarian, featuring foods like pizzas, muffins, and finger foods. The cards will use bright primary colors and feature child-friendly images and fonts.
3. An "Easter" themed set of cards shaped like eggs featuring recipes like curries and roasts. The cards will use past
This document discusses the production of recipe cards for a vegetarian audience. The author outlines their design process, including using consistent formatting, high quality images, and bright colors to represent the summer theme. Feedback was incorporated, such as adding more images to the front of cards for clarity. While the finished products matched the brief, the author reflects that the summer theme could have been more evident. Skills developed include managing timelines, suiting designs to audiences, and gaining experience working to a brief.
- The document is an evaluation of recipe cards created for a visual language project.
- The student chose to layout the recipe cards in a creative but formal way, adding curves to banners while keeping text flat and easy to read.
- Images were taken by the student for 3 cards but one used a stock image as the finished product did not look presentable.
- The target audience was children at parties to get parents to listen to what children want, using bright colors and stars.
- Design influences included looking at existing media products but not directly copying them. The finished products reflected the initial plans with some changes.
The layout of the recipe cards has been kept simple yet professional, featuring minimal information on the front such as the title, image, and logo. The back contains the full recipe and a small decorative image. Consistency is maintained across cards through similar layout, colors, fonts, and logo/image placement. Some areas could be improved, such as ensuring consistent image and font sizes. The images are a mix of original photos and stock images to balance quality with limited time and resources. Colors, themes, and images aim to appeal to the target audience of teenage girls by featuring heart shapes, the word "love", and the symbolism of Cupid.
The document summarizes the design choices made for a set of recipe cards targeting both adult and child audiences. For the adult cards, a simple layout with a 60:40 image to text ratio was used, similar to existing recipe cards from VegSoc. The child cards feature more images and graphics inspired by the recipes' main vegetables to make them fun and engaging for kids. Color schemes were based on the vegetables featured to seem natural. Stock images were used for consistency. The cards were designed to appeal to both parents and children to encourage cooking vegetables together.
The document provides details about the design and production process for a set of recipe cards aimed at children ages 4-13. The designer chose simple, colorful layouts with a balance of images and text to appeal to the target audience. Feedback from peers informed changes like adjusting fonts for readability. Overall the process involved extensive planning, research on the target demographic, and iterations based on feedback to create technically competent and creative final products that met the project brief.
The document summarizes the production process of creating recipe cards for vegetarians. It discusses how the initial plans for bright colors and stock images did not work cohesively as a set. The team then simplified the design with a white background and two consistent colors from the logo. Feedback noted the need for consistent layouts and font placement. While some stock images stood out, the overall set reflected the goal of appealing to a general audience with a basic design. The document evaluates skills learned around planning, photography, and using feedback to improve the final products.
- The document discusses the design process for a set of recipe cards aimed at a general vegetarian audience.
- Initial designs used brighter colors but didn't work cohesively, so the designs were simplified and a consistent color palette was adopted.
- Images were gathered from online stock photos when suitable photos couldn't be taken, but some stock images didn't match the style.
- Feedback was gathered and the designs were refined to have consistent layouts, fonts, and color schemes to create a cohesive set.
- The final cards follow a simple, easy to read design informed by existing vegetarian recipe cards to appeal to a broad audience.
The document proposes three different themes for recipe cards:
1. "Vegetarianism for Dummies" featuring simple recipes like pastas, pizzas, and casseroles appealing to new vegetarians aged 18-30. The cards will have a yellow and black color scheme in the style of "For Dummies" books.
2. Recipes aimed at children becoming vegetarian or whose parents are vegetarian, featuring foods like pizzas, muffins, and finger foods. The cards will use bright primary colors and feature child-friendly images and fonts.
3. An "Easter" themed set of cards shaped like eggs featuring recipes like curries and roasts. The cards will use past
This document discusses the production of recipe cards for a vegetarian audience. The author outlines their design process, including using consistent formatting, high quality images, and bright colors to represent the summer theme. Feedback was incorporated, such as adding more images to the front of cards for clarity. While the finished products matched the brief, the author reflects that the summer theme could have been more evident. Skills developed include managing timelines, suiting designs to audiences, and gaining experience working to a brief.
- The document is an evaluation of recipe cards created for a visual language project.
- The student chose to layout the recipe cards in a creative but formal way, adding curves to banners while keeping text flat and easy to read.
- Images were taken by the student for 3 cards but one used a stock image as the finished product did not look presentable.
- The target audience was children at parties to get parents to listen to what children want, using bright colors and stars.
- Design influences included looking at existing media products but not directly copying them. The finished products reflected the initial plans with some changes.
The layout of the recipe cards has been kept simple yet professional, featuring minimal information on the front such as the title, image, and logo. The back contains the full recipe and a small decorative image. Consistency is maintained across cards through similar layout, colors, fonts, and logo/image placement. Some areas could be improved, such as ensuring consistent image and font sizes. The images are a mix of original photos and stock images to balance quality with limited time and resources. Colors, themes, and images aim to appeal to the target audience of teenage girls by featuring heart shapes, the word "love", and the symbolism of Cupid.
Evaluation pro forma (with improvements) cloestead
The document provides an evaluation of recipe cards created by Chloe Stead for a creative media production course. The cards were designed to look like realistic school work, with busy details including images, text, ink splodges, and tape overlays. The text was formatted to fit on lined paper, with titles at the top and a branding strip at the bottom as is typical of school work. Feedback was incorporated throughout the design process to refine the theme and layout. The final products matched the brief of including branding, recipes, and nutritional information, though some recipes included imperial measurements instead of metric.
This document summarizes a student's recipe card project evaluation. The student chose a simple yet interesting layout for the cards to appeal to busy audiences. Images, fonts, and colors were selected to convey creativity and happiness. The target audiences of working parents and students are described, along with how the design appeals to them through simplicity, guidance, and visual appeal. Influences including existing recipe cards were analyzed. The finished cards reflect the initial theme of quick meals but layout changes were made for clarity. The project meets the criteria of being interesting, creative designs focused on easy vegetarian recipes.
The feedback provided suggestions to improve the ideas presented by making the layouts and designs more detailed. Specifically, it was suggested to include details on font placement, sizing, and which elements would use varnishing. Developing the ideas with more precise recipes and incorporating related products like snacks or drinks was also recommended. The feedback found the themes of afternoon tea, international cuisine, and quick family meals to be interesting concepts that could appeal to different target audiences.
This document discusses the production of recipe cards. It describes the design choices made, including using 4 images on each card to show ingredients and the finished product. Feedback was incorporated, such as adding more images to the front of cards. The finished products matched the brief of creating a unique, creative set of vegetarian recipe cards. Peer feedback helped improve the design by making text more readable. Strengths included a consistent theme and layout, while weaknesses were using similar colors and not clearly conveying the summer theme. Time management and following a schedule were important to complete the project on time.
The document discusses the design and layout of recipe cards. It describes setting up the cards with 4 images on the front showing ingredients and the finished product, with text on the back. It considers balancing images and text. Photos were chosen from Google and edited to be high quality, focused shots to clearly show ingredients and meals. Colors, circles, and borders were used consistently across the cards to represent the summer theme. Influences included existing recipe websites and cards, which informed the color scheme and addition of tips. The target audience was defined as vegetarians aged 15-40, and design elements aimed to make the cards look professional, fun, and appeal to both genders.
This document analyzes the layout, design, and target audiences of various recipe cards and books. It finds that most have a simple layout with the finished product photo on one page and the recipe on the facing page. Colors are usually muted earth tones and layouts are minimalistic. Target audiences can range from families to busy adults to those on a budget. Children's recipes use bolder colors, illustrations and simpler instructions. The document examines differences in recipes for specific audiences like holidays or vegetarians. Overall the analysis provides guidance on effective recipe design for different groups.
The document contains feedback from Catherine Giggal on 5 different ideas for recipe cards with themes. The ideas include: 1) recipes from different countries represented by stereotypical dishes, 2) popular dessert recipes with some vegan options, 3) Easter themed recipes featuring eggs and spring colors, 4) a space themed idea targeting young boys with dishes like rocket salad, and 5) traditional British dishes like sausage and mash made with meat substitutes. The feedback provides positive comments on the details and themes of each idea, with some suggestions to further develop color schemes or layouts. Catherine agrees with targeting audiences and simple ideas to appeal to many, and disagrees that color schemes were not fully developed in some cases.
This document analyzes the layout, design, and target audiences of various recipe cards and books. It finds that most have a consistent layout with the finished product photo on one side and the recipe on the other, along with minimalist design elements like a consistent color scheme. However, some cards designed for specific audiences or occasions diverge from this basic template by using more creative graphics, fonts, or colors. The document concludes that while keeping a simple, clear layout is best for recipe instructions, some customization may be needed to effectively target different age groups or seasonal themes.
The student created recipe cards for VegSoc that were designed to appeal to a target audience of middle-aged, middle-class people, mainly women. Key design elements included stock photographs of dishes, a repeated foliage graphic chosen for its connotations of nature and health, and a balanced use of color picked from the photographs. Feedback from peers helped improve elements like making the VegSoc logo more prominent. Overall, the technical quality of the final products is strong as they form a cohesive set while still allowing for individual color schemes on each card. The design reflects the brief's request for "interesting and creative designs" and matches the typical aesthetic of vegetarian products through its use of natural colors and nature imagery.
The document discusses two potential themes for vegetarian recipe cards:
1) Vegetarian main meals, targeting either children aged 3-13 with simple recipes and bright colors, or a more mature audience aged 16+ with complex recipes and sophisticated design.
2) A Christmas theme to give vegetarians more options for the holidays and make them feel included. The cards would feature traditional Christmas colors and imagery with recipes for substitutes to classics.
The production methods discussed include using images from libraries, Photoshop for design, and glossy finishes for the cards.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images for a neat yet imperfect "school book" feel. Images and text are in equal ratio. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for layout and information placement, but the design aims to have a nostalgic "school" theme with ripped edges, ink splotches and a lined paper background to seem less serious. The goal was a relaxed yet professional look to appeal to a middle-aged, family-oriented audience interested in healthy eating.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images to give a school-like feel. Images and text are in equal proportion. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for their simple structures but the designs aimed to have a nostalgic, homemade theme through additions like ink splotches. The goal was to appeal to a middle-aged, family-oriented audience interested in healthy eating through gender-neutral, easy-to-follow designs.
The document provides feedback on 5 initial ideas for vegetarian recipe cards, discussing what is liked and could be improved about each idea as well as what is found interesting. The feedback focuses on developing layouts, targeting specific demographics, and making the ideas more appealing to a wider audience. Overall, the feedback aims to strengthen the ideas and help determine the best concept to pursue.
The document provides an evaluation of Hannah Mizen's recipe card project. It discusses the visual design choices made, including the layout, image to text ratio, and simplistic style. The goal was to appeal to vegetarians by emulating a school notebook aesthetic with neat organization and imperfect elements like stains. Photos were taken consistently to tie the cards together as a set. Feedback is provided on how well the finished project reflected the initial plans and brief. Minor changes were made from early concepts, and the final product was found to meet the requirements outlined in the brief.
The document provides feedback on several ideas for a set of vegetarian recipe cards. The high-level ideas include recipe cards with a color scheme matching the featured foods, sets of cards for full meals including starters and mains, cards featuring recipes that substitute Quorn for meat, and cards showcasing recipes from different world cuisines. One respondent particularly liked the idea of pairing child and parent recipe cards for the same dish, noting it was unique and could lead to interesting design opportunities. Some areas for development included ensuring the ideas met the brief of producing eight cards and considering graphical elements related to the themes. The respondent agreed the Quorn idea could appeal to both vegetarians and meat-eaters but felt some design aspects were
Marie presented 5 ideas for recipe cards and received feedback on each from an unnamed reviewer. The ideas included winter warmers, family meals, afternoon tea, healthy eating, and food for sharing. The reviewer provided positive feedback on the details and themes of each idea. They also offered suggestions for improvement such as including step-by-step photos, a mascot, and considering the font size for elderly users. In her summary, Marie agreed with most of the feedback and found some suggestions intriguing to incorporate into her ideas. However, she disagreed that a large font would work due to space constraints. Marie's favorite ideas were family meals and food for sharing due to their range, while she favored Hannah's energy snacks idea presented by her team
The document contains 5 ideas for recipe cards along with feedback on each idea. The ideas include pizza for children, a healthy vegetarian kids meal, Christmas cakes for children, a vegetarian breakfast for adults, and cheesecake for adults. Feedback notes that the ideas could be improved by providing more details on the recipes and explaining design choices. The feedback also finds the Christmas cake idea most appealing as it is fun and for kids.
The document contains feedback from Charlotte Shaw on 5 initial recipe card ideas. The ideas focus on different target audiences including older generations, students, children, those looking to become vegetarian, and singles. The feedback provides suggestions on what is liked about each idea, areas for improvement, and what is found interesting. Charlotte agrees that font details and finishing techniques need more specifics. While mixed media on children's cards could be messy, laminating prevents this. Advertising may not require a strong focus but social media could work for students. Charlotte's favorite idea is recipe cards for children and parents to use as a learning tool. The favorite among the group's ideas is family meals incorporating tips for all ages.
This idea focuses on recipe cards for family meals that encourage families to cook together. Cooking together helps families bond and spend quality time, which is important as parents are often busy. The cards will include cartoon characters and speech bubbles to engage children and suggest ways they can help. They will also promote healthy eating and portion control. The cards will be laminated to increase durability for messy cooking sessions and allow for repeated use.
The document discusses direct and indirect speech. It provides examples of converting direct speech into indirect speech based on tense changes. Direct speech uses quotation marks while indirect speech does not. Pronouns and adverbs of time and place are changed in indirect speech according to rules. The document also provides a table outlining these rules for various tenses and examples to demonstrate the conversions between direct and indirect speech.
This document discusses menus, recipes, and recipe calculations. It begins by explaining that menus provide important information to wait staff and guests, while recipes give detailed instructions to kitchen staff. It then discusses the differences between menus and recipes, and outlines topics to be covered including menu forms and functions, building the menu, written recipes, measurements, and recipe calculations. Recipe calculations are explained in detail, including how to convert yields, calculate fresh yields and costs, and determine portion costs.
The document discusses the importance of standard recipes, specifications, yield analysis and costing for food and beverage operations to ensure consistency and quality. It outlines the need for standard ingredients, recipes, yields and costing to minimize waste and maximize customer satisfaction. Developing standard recipes involves standardizing existing recipes by recording ingredients, preparation instructions, portions and ensuring consistency through testing. Yield tests are conducted to determine standard yields for ingredients and calculate ordering quantities.
Evaluation pro forma (with improvements) cloestead
The document provides an evaluation of recipe cards created by Chloe Stead for a creative media production course. The cards were designed to look like realistic school work, with busy details including images, text, ink splodges, and tape overlays. The text was formatted to fit on lined paper, with titles at the top and a branding strip at the bottom as is typical of school work. Feedback was incorporated throughout the design process to refine the theme and layout. The final products matched the brief of including branding, recipes, and nutritional information, though some recipes included imperial measurements instead of metric.
This document summarizes a student's recipe card project evaluation. The student chose a simple yet interesting layout for the cards to appeal to busy audiences. Images, fonts, and colors were selected to convey creativity and happiness. The target audiences of working parents and students are described, along with how the design appeals to them through simplicity, guidance, and visual appeal. Influences including existing recipe cards were analyzed. The finished cards reflect the initial theme of quick meals but layout changes were made for clarity. The project meets the criteria of being interesting, creative designs focused on easy vegetarian recipes.
The feedback provided suggestions to improve the ideas presented by making the layouts and designs more detailed. Specifically, it was suggested to include details on font placement, sizing, and which elements would use varnishing. Developing the ideas with more precise recipes and incorporating related products like snacks or drinks was also recommended. The feedback found the themes of afternoon tea, international cuisine, and quick family meals to be interesting concepts that could appeal to different target audiences.
This document discusses the production of recipe cards. It describes the design choices made, including using 4 images on each card to show ingredients and the finished product. Feedback was incorporated, such as adding more images to the front of cards. The finished products matched the brief of creating a unique, creative set of vegetarian recipe cards. Peer feedback helped improve the design by making text more readable. Strengths included a consistent theme and layout, while weaknesses were using similar colors and not clearly conveying the summer theme. Time management and following a schedule were important to complete the project on time.
The document discusses the design and layout of recipe cards. It describes setting up the cards with 4 images on the front showing ingredients and the finished product, with text on the back. It considers balancing images and text. Photos were chosen from Google and edited to be high quality, focused shots to clearly show ingredients and meals. Colors, circles, and borders were used consistently across the cards to represent the summer theme. Influences included existing recipe websites and cards, which informed the color scheme and addition of tips. The target audience was defined as vegetarians aged 15-40, and design elements aimed to make the cards look professional, fun, and appeal to both genders.
This document analyzes the layout, design, and target audiences of various recipe cards and books. It finds that most have a simple layout with the finished product photo on one page and the recipe on the facing page. Colors are usually muted earth tones and layouts are minimalistic. Target audiences can range from families to busy adults to those on a budget. Children's recipes use bolder colors, illustrations and simpler instructions. The document examines differences in recipes for specific audiences like holidays or vegetarians. Overall the analysis provides guidance on effective recipe design for different groups.
The document contains feedback from Catherine Giggal on 5 different ideas for recipe cards with themes. The ideas include: 1) recipes from different countries represented by stereotypical dishes, 2) popular dessert recipes with some vegan options, 3) Easter themed recipes featuring eggs and spring colors, 4) a space themed idea targeting young boys with dishes like rocket salad, and 5) traditional British dishes like sausage and mash made with meat substitutes. The feedback provides positive comments on the details and themes of each idea, with some suggestions to further develop color schemes or layouts. Catherine agrees with targeting audiences and simple ideas to appeal to many, and disagrees that color schemes were not fully developed in some cases.
This document analyzes the layout, design, and target audiences of various recipe cards and books. It finds that most have a consistent layout with the finished product photo on one side and the recipe on the other, along with minimalist design elements like a consistent color scheme. However, some cards designed for specific audiences or occasions diverge from this basic template by using more creative graphics, fonts, or colors. The document concludes that while keeping a simple, clear layout is best for recipe instructions, some customization may be needed to effectively target different age groups or seasonal themes.
The student created recipe cards for VegSoc that were designed to appeal to a target audience of middle-aged, middle-class people, mainly women. Key design elements included stock photographs of dishes, a repeated foliage graphic chosen for its connotations of nature and health, and a balanced use of color picked from the photographs. Feedback from peers helped improve elements like making the VegSoc logo more prominent. Overall, the technical quality of the final products is strong as they form a cohesive set while still allowing for individual color schemes on each card. The design reflects the brief's request for "interesting and creative designs" and matches the typical aesthetic of vegetarian products through its use of natural colors and nature imagery.
The document discusses two potential themes for vegetarian recipe cards:
1) Vegetarian main meals, targeting either children aged 3-13 with simple recipes and bright colors, or a more mature audience aged 16+ with complex recipes and sophisticated design.
2) A Christmas theme to give vegetarians more options for the holidays and make them feel included. The cards would feature traditional Christmas colors and imagery with recipes for substitutes to classics.
The production methods discussed include using images from libraries, Photoshop for design, and glossy finishes for the cards.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images for a neat yet imperfect "school book" feel. Images and text are in equal ratio. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for layout and information placement, but the design aims to have a nostalgic "school" theme with ripped edges, ink splotches and a lined paper background to seem less serious. The goal was a relaxed yet professional look to appeal to a middle-aged, family-oriented audience interested in healthy eating.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images to give a school-like feel. Images and text are in equal proportion. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for their simple structures but the designs aimed to have a nostalgic, homemade theme through additions like ink splotches. The goal was to appeal to a middle-aged, family-oriented audience interested in healthy eating through gender-neutral, easy-to-follow designs.
The document provides feedback on 5 initial ideas for vegetarian recipe cards, discussing what is liked and could be improved about each idea as well as what is found interesting. The feedback focuses on developing layouts, targeting specific demographics, and making the ideas more appealing to a wider audience. Overall, the feedback aims to strengthen the ideas and help determine the best concept to pursue.
The document provides an evaluation of Hannah Mizen's recipe card project. It discusses the visual design choices made, including the layout, image to text ratio, and simplistic style. The goal was to appeal to vegetarians by emulating a school notebook aesthetic with neat organization and imperfect elements like stains. Photos were taken consistently to tie the cards together as a set. Feedback is provided on how well the finished project reflected the initial plans and brief. Minor changes were made from early concepts, and the final product was found to meet the requirements outlined in the brief.
The document provides feedback on several ideas for a set of vegetarian recipe cards. The high-level ideas include recipe cards with a color scheme matching the featured foods, sets of cards for full meals including starters and mains, cards featuring recipes that substitute Quorn for meat, and cards showcasing recipes from different world cuisines. One respondent particularly liked the idea of pairing child and parent recipe cards for the same dish, noting it was unique and could lead to interesting design opportunities. Some areas for development included ensuring the ideas met the brief of producing eight cards and considering graphical elements related to the themes. The respondent agreed the Quorn idea could appeal to both vegetarians and meat-eaters but felt some design aspects were
Marie presented 5 ideas for recipe cards and received feedback on each from an unnamed reviewer. The ideas included winter warmers, family meals, afternoon tea, healthy eating, and food for sharing. The reviewer provided positive feedback on the details and themes of each idea. They also offered suggestions for improvement such as including step-by-step photos, a mascot, and considering the font size for elderly users. In her summary, Marie agreed with most of the feedback and found some suggestions intriguing to incorporate into her ideas. However, she disagreed that a large font would work due to space constraints. Marie's favorite ideas were family meals and food for sharing due to their range, while she favored Hannah's energy snacks idea presented by her team
The document contains 5 ideas for recipe cards along with feedback on each idea. The ideas include pizza for children, a healthy vegetarian kids meal, Christmas cakes for children, a vegetarian breakfast for adults, and cheesecake for adults. Feedback notes that the ideas could be improved by providing more details on the recipes and explaining design choices. The feedback also finds the Christmas cake idea most appealing as it is fun and for kids.
The document contains feedback from Charlotte Shaw on 5 initial recipe card ideas. The ideas focus on different target audiences including older generations, students, children, those looking to become vegetarian, and singles. The feedback provides suggestions on what is liked about each idea, areas for improvement, and what is found interesting. Charlotte agrees that font details and finishing techniques need more specifics. While mixed media on children's cards could be messy, laminating prevents this. Advertising may not require a strong focus but social media could work for students. Charlotte's favorite idea is recipe cards for children and parents to use as a learning tool. The favorite among the group's ideas is family meals incorporating tips for all ages.
This idea focuses on recipe cards for family meals that encourage families to cook together. Cooking together helps families bond and spend quality time, which is important as parents are often busy. The cards will include cartoon characters and speech bubbles to engage children and suggest ways they can help. They will also promote healthy eating and portion control. The cards will be laminated to increase durability for messy cooking sessions and allow for repeated use.
The document discusses direct and indirect speech. It provides examples of converting direct speech into indirect speech based on tense changes. Direct speech uses quotation marks while indirect speech does not. Pronouns and adverbs of time and place are changed in indirect speech according to rules. The document also provides a table outlining these rules for various tenses and examples to demonstrate the conversions between direct and indirect speech.
This document discusses menus, recipes, and recipe calculations. It begins by explaining that menus provide important information to wait staff and guests, while recipes give detailed instructions to kitchen staff. It then discusses the differences between menus and recipes, and outlines topics to be covered including menu forms and functions, building the menu, written recipes, measurements, and recipe calculations. Recipe calculations are explained in detail, including how to convert yields, calculate fresh yields and costs, and determine portion costs.
The document discusses the importance of standard recipes, specifications, yield analysis and costing for food and beverage operations to ensure consistency and quality. It outlines the need for standard ingredients, recipes, yields and costing to minimize waste and maximize customer satisfaction. Developing standard recipes involves standardizing existing recipes by recording ingredients, preparation instructions, portions and ensuring consistency through testing. Yield tests are conducted to determine standard yields for ingredients and calculate ordering quantities.
This document contains the resume of K. Mohammed Rihan, a Quantity Surveyor from Doha, Qatar. It summarizes his educational qualifications including a BTech in Quantity Surveying from 2006-2009 and a Diploma in Civil Engineering from 2005-2007. It also outlines his relevant work experience over the past decade, including his current role as a Quantity Surveyor at Integrated Engineers & Contractors in Doha since 2012 and previous roles in Sri Lanka.
The document discusses implementing quality on Java projects. It provides five tips for ensuring quality: (1) maintaining API stability by avoiding deprecations and changes to public interfaces, (2) preventing "JAR hell" by avoiding duplicate dependencies and version conflicts, (3) enforcing high test coverage using tools like Jacoco, (4) improving stability of functional tests by filtering false positives in CI builds, and (5) dedicating time regularly for fixing bugs through a "Bug Fixing Day".
International Society of Hymenopterists secretary report from the buisness meeting held during the 7th International Congress of Hymenopterists in Kőszeg, Hungary, June 20-26, 2010.
This document discusses the impact of 3D printing on intellectual property. It begins by noting that 3D printing could significantly disrupt intellectual property as it allows for more democratized manufacturing and moves production away from centralized control. The document then examines how 3D printing changes design at both the micro and macro level, allowing for increased customization and new types of complex products. It suggests this could result in blurred industry lines, evolved business models, and IP becoming increasingly irrelevant as customization replaces it. The document considers possible futures where anyone can make anything independently and questions how intellectual property law and business might adapt.
Discover how emerging technology themes, enabled by the Internet of Things, are slowly transforming customer lives and allowing insurers to measure and control risks with the World Insurance Report 2016. Using data from over 15,000 customers worldwide, and over 180 executive interviews, the report also reveals that Gen Y customers, with their high digital expectations have held the overall customer experience down.
Project VES started crowdfunding campaign.
STEM stories from Hispanic of Venezuelan origin: Learn how the skilled immigration to and from Venezuela contributed to science and technology and became successful worldwide.
This document provides information and advice about staying healthy while studying abroad. It discusses getting international health insurance, dealing with jet lag, tips for maintaining good health like getting enough sleep and exercise, what to do if you get sick abroad like making a doctor's appointment or visiting a pharmacy, and staying nutritiously fed with foreign cuisine. The document also presents a scenario of becoming ill while abroad and recommends not waiting until it's severe to seek care, contacting on-site staff or your insurance for help, and prioritizing rest to recover quickly.
The document is a reflection on recipe cards created for VegSoc. It discusses the design choices made, including keeping the layout simple and minimalistic. Images were chosen to represent different vegetables in the recipes. Feedback was incorporated from VegSoc's existing cards. The final products included adult and children's cards. While collaboration worked well overall, in the future the student would be more assertive about including their own design ideas.
The document discusses the design and production process of recipe cards aimed at children ages 4-13. The author designed 5 different layouts and chose a simple design with a large image on the back and title, image, ingredients, and method on the front. Bright, bold colors were used to attract the target audience. Stock images were chosen to look professional. Feedback helped improve font readability and color contrast. The final cards met the brief and effectively targeted children through their visual design.
The document describes the process of designing recipe cards for children ages 4-13. It discusses designing 5 different layouts and choosing a simple design with the recipe image on the back and ingredients/method on the front. Bright, bold colors were used to attract children. Stock images were chosen to make the cards look professional. Feedback confirmed the enlarged back image was favored. Skills in Photoshop and group work were developed through managing time well and completing the project on schedule while meeting the brief.
The document summarizes the process of designing recipe cards for children ages 4-13. It discusses testing 5 different layouts and choosing one with a large image on the back and simple text on the front. Stock images were used to make the cards look professional. Bright, bold colors were chosen to attract children. Feedback confirmed the enlarged back image design was preferred. The finished cards met the brief and feedback helped improve readability. Skills in design, collaboration and planning were developed through the project.
The document discusses the design choices made for a set of vegetarian recipe cards. It describes opting for a clean, simple layout with balanced text and images. Research including surveys informed the card content, which includes methods, ingredients lists, and photos. Original photos were intended but stock images had to be used due to time constraints. Color was added minimally for visual interest. The intended audience is described as early twenties, middle-class individuals interested in healthy lifestyles and spending time with friends and family.
The document discusses the design process and outcomes of creating recipe cards. It describes:
- Choosing a design with a large picture and nutrient table on the back, with ingredients, instructions, and a smaller picture on the front based on audience feedback.
- Issues taking original photos led to using some stock images, though the overall design stayed consistent.
- The use of colors like green and bright hues to catch attention and match the vegetarian society branding.
- Skills gained include teamwork, planning alternatives, critical thinking, decision making, and cooperative working that could be applied to future projects.
The document summarizes the production process of creating a set of vegetarian recipe cards for a general audience. Key points:
- The initial designs used bright colors but did not work cohesively, so a simpler color scheme was adopted using greens.
- Images were taken but some were low quality, so stock images were also used. Not all images matched well.
- Feedback noted the cards did not work as a set due to varying colors, so a consistent design was applied.
- Planning and managing time well allowed feedback to be incorporated and the standard required to be met. Better planning of images is needed for future projects.
The document summarizes the design process and decisions made for creating recipe cards for a vegetarian client. Key details include:
- The designs are busy with small details to look realistic, using more text than images depending on the recipe.
- Photographs were taken by the designers and stock photos were used, with details like tape and shadows added in Photoshop.
- The green color and messy details are meant to evoke nostalgia for childhood and school. Recipes also reference traditional school meals.
- The target audience is middle-aged adults who would feel nostalgic about their school experiences, and the designs appeal to this group through theme and language used.
This document summarizes a student's recipe card project evaluation. The student discusses designing the recipe cards to look like realistic school work with busy details. Photos were taken by the student and stock images were used. Colors, fonts, and added details like ink splotches were meant to evoke the feeling of doing school work. The intended audience is middle-aged adults who would feel nostalgic looking at school-themed cards. Influences included actual school materials like blackboards. The theme appeals to the target demographic and influences included the client, the Vegetarian Society.
Our recipe card design is based on cities around the world. We chose to lay out our design to show the city straight away through a die cut skyline or landmark on the front and back. This makes our cards stand out from typical recipe cards.
The front of the card features a large image of the finished product in the middle with basic information below. Keeping the front simple helps indicate what the recipe includes clearly. The back includes the ingredients on top of the country's flag and the method below. We tried to keep the layout simple while appealing to our target audience of busy professionals.
Researching existing vegetarian products influenced our design choices. We incorporated consistent design elements like using the color green and bold fonts
The document provides an evaluation of recipe cards that were designed for a client. It discusses the process of designing the cards, including choosing designs, taking photos, and making final decisions. Feedback from testers is also summarized, noting that the font on the back could be improved and preparation/cooking times should be added. While the finished cards matched the client brief, the author notes they aren't very creative and more time would have allowed for better designs. Skills learned include teamwork, planning alternatives, critical thinking, decision making, and cooperative working.
The document discusses the design choices made for a set of recipe cards aimed at students. It describes laying out the designs with plenty of white space between elements for easy navigation. Images and text are separated using block shapes as banners. Imagery dominates over text to showcase the recipes visually. Pictures of students were included to relate to the target demographic. The final designs used sourced images for simplicity, though taking their own photos would have allowed more control. Colors were chosen to match the sourced images and appeal to students. Nutritional information and QR codes linking to video tutorials were included to further engage the audience.
Evaluation (print based media and working to brief)chamahan
This document summarizes a student's design project creating recipe cards for a vegetarian organization. The student discusses their design process, including initial plans, changes made based on feedback, and reflections on the final products. Key points include using a scrapbook theme to appeal to older audiences, choosing images and colors carefully, and structuring recipes consistently across cards. The student evaluates strengths like the cohesive scrapbook aesthetic and weaknesses such as inconsistent sizing of some elements. Lessons learned include planning templates more thoroughly and considering different target audiences.
The document discusses the design process for creating recipe cards. It describes choosing a layout with a large central picture and additional information like ingredients and instructions. User testing found people preferred more text over pictures. The final design balanced text and a large, clear picture to catch attention. Images included both original photos and stock images due to challenges capturing all photos. The design uses the green color and logo from the Vegetarian Society branding guidelines to appeal to their audience. Overall, the process helped create bright, easy to read cards but left a desire for more creative backgrounds and designs with more development time.
The document discusses the design process for creating recipe cards. It describes choosing a template with a large picture and smaller picture, with most of the information on the front for ease of reading. Testing found audiences preferred more instructions over pictures. Images were a mix of original photos and stock photos due to challenges capturing all photos. The final design featured bright colors and fonts to catch attention, with key information like ingredients and nutrition prominently displayed. Feedback helped add more color to engage passersby. The design reflected vegetarian branding with green and other colors from the Vegetarian Society logo.
The document discusses research conducted to design recipe cards for a target audience of students and vegetarians. A survey found that emphasizing healthy eating and including 5 servings of fruits and vegetables each day would appeal to vegetarians. The cards were designed to include easy to make recipes featuring finished food images to entice the audience. Fonts, color schemes, recipe selections, and additional features like QR codes were chosen to match the target demographics. Overall the design accomplished the goals but fonts could potentially be more appealing to students.
This document summarizes Henry Buckham's evaluation of recipe card designs he created for Creative Media Production 2013. The designs opted for a simple yet stylish layout featuring large front cover photos and indicators of skill level and difficulty. Feedback noted the initial back design was too simplistic, lacking aesthetics, so Henry evolved the design to include tilted photos and faded foliage decorations. The finished products reflect the brief's requirements and incorporate peer feedback to improve technical and aesthetic qualities through techniques like drop shadows, strokes and textures. Henry gained skills in design evolution and consistency that can apply to future projects.
The document discusses producing print-based media for an afternoon tea theme targeted towards elderly people. It describes choosing a layout with one main image and close-ups to show detail. Most images were photographed to give a homely feel. Recipes were tested with different backgrounds and shapes to make the text clear while avoiding busyness. Ingredients were made bold for ease of reading. Stickers and boxes were used to frame images and text. The finished products reflected initial plans through experimenting with fonts, colors, and imagery to appeal to elderly audiences.
Evaluation (print based media and working to brief)savannahryan11
The document discusses Ryan Goldsmith's evaluation of a set of recipe cards he produced for a project. It summarizes the design choices made for the cards, including placing the title, image, method, and ingredients in specific locations. It also discusses using primary colors and fonts to appeal to children. Peer feedback suggested changing the font to improve readability. The project matched the brief of creating recipe cards to promote vegetarian options for children and families. Working in a group required good communication and balancing workloads.
This document summarizes Shania Carter's evaluation of recipe cards she designed for a class project on producing print-based media. She chose designs that were aesthetically pleasing with a good picture to text ratio. Images were sourced from online and reflected the Chinese theme of the recipes. Colors like red and black were used to emphasize the Chinese cultural elements. Feedback is provided on how the finished products met the design brief and audience needs by featuring creative, interesting designs with abbreviated recipes targeted towards vegetarians.
This document provides details about four case studies of media campaigns and productions:
1) A worldwide breast cancer awareness poster campaign that used fruit to represent breasts in a humorous way to encourage women to check themselves for lumps and raise awareness of the issue.
2) An "Un-Fair" campaign poster that featured a white woman with writing on her face to challenge dominant representations of racism and draw attention to privileges of fair-skinned people.
3) A Labour Party campaign poster criticizing the Conservative government and George Osborne for policies that have negatively impacted average citizens.
4) Keo Films, a production company that creates documentaries focusing on underrepresented groups with the goals of changing attitudes,
This document contains a list of 4 items: Logo, Poster, Membership form, and Merch. It appears to be an inventory or catalog of branding, promotional, and membership materials for an organization. In a concise list, it outlines core assets and resources.
The document lists various final products including a logo, poster, and merchandise such as t-shirts that were likely created for an organization. It also includes multiple copies of a membership form, suggesting the organization was working to recruit new members and track existing members. The assortment of finalized materials indicates a marketing or promotional campaign was nearing completion.
The document lists various final products including a logo, poster, and merchandise such as t-shirts that were likely created for an organization. It also includes multiple copies of a membership form, suggesting the organization was working to recruit new members and track existing members. The assortment of finalized materials indicates the organization or group was preparing various assets and documents for upcoming use.
The document discusses plans for a membership form for an organization called Ideas. It will follow the design of existing forms and promotional materials to maintain a consistent style. Two separate forms will be created - one for new members and one for renewals. Most elements will be in black and white with blue accents to save on printing costs. The same fonts used previously will be used for coherence. Sketches of potential layouts are provided, showing elements like the logo, member information fields, and explanatory text.
The document describes a campaign poster created for a "Dirty Dozen" campaign. The poster will feature a collage of trash and litter found on beaches, depicting the items as coming from the viewer. This is intended to raise awareness of the trash left by companies on the dirty dozen list and encourage the public to properly dispose of waste. The poster aims to change perceptions of beaches as places for trash and motivate people to pick up after themselves.
Richard Burn proposes several ideas for merchandise to promote the Surfers Against Sewage (SAS) campaign. These include hats, phone cases, t-shirts, stickers, and other apparel. He notes the importance of linking the designs to the campaign's house style. The first products he will make are t-shirts in two logo styles and colors. Additional items will be a snapback hat, bandana, and phone cases featuring the blue rubbish background. A limited edition phone case series using recycled materials will also be produced.
The document discusses logo work by Richard Burn. Burn provides design services related to logos and branding. His portfolio includes logo designs created for a variety of companies across different industries.
This document provides moodboards and ideas for posters to raise awareness of marine litter. It discusses three potential poster ideas:
1. A collage of trash on a beach with the phrase "The beach is rubbish" to directly blame beachgoers for leaving trash. Images from the "dirty dozen" list would be included.
2. Inspired by mermaid tears campaigns, it could feature a mermaid cartoon surrounded by plastic balls that have been washing up on beaches.
3. General fonts were selected that would work for different text elements in any of the poster ideas. They are simple but professional fonts suited to convey information clearly.
The SAS uses strong branding including a distinctive logo featuring a wave shape to promote awareness of their campaign against sewage pollution. Their branding incorporates both positive imagery like whales and negative imagery like plastic bags posing as sharks to draw attention. They target their messaging toward surfers but also educate children through materials using cartoons and games. The purpose is to both raise awareness and generate support through various mediums like posters, merchandise, and school programs. Facts and dramatic copy are included to legitimize the issues addressed and engage audiences emotionally.
This document summarizes 6 case studies related to social action and community media projects:
1) A worldwide breast cancer awareness poster campaign that used fruit imagery to raise awareness and change attitudes in a lighthearted way. Evidence showed increased cancer diagnoses and improved survival rates over time.
2) An anti-racism campaign called "Un-Fair" that challenged dominant representations by featuring a white woman to spark discussion. Polls still show racism is perceived differently between races.
3) A Labour Party campaign poster criticizing the Conservatives for making people £1600 worse off. Recent polls now show the parties in a statistical tie.
4) The film company Keo Films produces documentaries on underrepresented groups to challenge
Hölzl is a four-piece indie rock/pop band promoting their second album. The objectives are to push them to the front of the indie scene and sell around 100,000 albums globally in the first week. The target audience is teenagers and young adults who like bands such as Haim and Chvrches. Social media will be heavily used to promote the new single and album, along with TV appearances, radio play, and a promotional tour. Merchandise will include an exclusive vinyl and fan-designed merchandise. The key messages are that the band has longevity and their music proves alternative music can be popular and catchy.
The document compares marketing materials from four different companies:
1. ScS focuses heavily on price in its advertisements, emphasizing deals and savings. It targets audiences looking to save money on furniture.
2. Nina Campbell emphasizes quality and image over price. It targets audiences wanting stylish, higher-end furniture.
3. Ikea offers a balance of quality products at affordable prices. It appeals to audiences wanting style on a budget.
4. Apple focuses on quality and innovation in its advertisements rather than price. It targets audiences willing to pay more for luxury brands and status.
Task four // mind map & moodboards reuploadRichardBurnn
This document discusses ideas for two different energy drink concepts - a high-end sports energy drink targeted towards males, and an organic energy drink targeted towards females.
For the high-end sports drink, the designer proposes a simple black and colored bottle design inspired by other premium brands. They also include ideas for the flavor and branding graphics.
For the organic female-targeted drink, they propose using pastel colors and including fruit graphics to represent the flavors. The packaging would have striped or dotted patterns to appeal to style-conscious young women. Initial can/bottle designs and flavor options are presented.
This document compares a normal edition to a limited edition. It suggests there are two types of editions - a normal edition and a limited edition. However, no other details are provided to explain the differences between these two editions.
The document discusses an article the author is writing for Cosmopolitan magazine about Grace Helbig. It notes that Cosmopolitan is a good fit as its audience and topics are similar to Grace. The author examines layouts of existing Cosmopolitan articles to inform the design of their Grace Helbig piece, such as using color coordination, natural photos, and colored boxes to separate information. The author plans to follow Cosmopolitan's house style of bold titles, black text, and a color scheme that complements the photo.
The document outlines the responsibilities and obligations of journalists as members of the National Union of Journalists (NUJ). It discusses the importance of representing people and groups accurately and without bias. It also covers issues like privacy, defamation, copyright, and the need for objective, truthful and balanced reporting. The NUJ provides guidelines and support to help journalists uphold high ethical standards in their work.
This document outlines the responsibilities and obligations of journalists according to the National Union of Journalists (NUJ). It discusses the importance of representing people and groups in a fair, unbiased, and truthful manner by using accurate facts rather than opinions. It also covers specific ethical issues journalists should consider, such as privacy, accuracy, defamation, copyright, and representing vulnerable groups like children appropriately. The overall message is that journalists have a duty to report news in a socially responsible way and follow codes of conduct to avoid harming individuals or groups.
The document contains evidence from an interview. While few details are provided about the interview itself, it seems to contain first-hand accounts or perspectives related to some topic or event. Overall, the document title "Interview evidence" suggests it contains information obtained through conducting an interview with someone.
The document discusses different experimental photography techniques including out of focus photography, movement photography using zooming and varied shutter speeds, reflections, and photomontages. For out of focus photos, the photographer used a manual focus to blur lights and other objects. For movement photos, they used zooming and shutter speeds between 2-20 seconds. Reflection photos used aperture priority to control depth of field and capture reflections. Photomontages were created by taking close-up photos and merging them in Photoshop using the Photomerge tool.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
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Slideshare: http://www.slideshare.net/PECBCERTIFICATION
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
3. Visual Language
How have you chosen to set out your designs and why? (Reference layout,
image/text ratio, busy/simplistic etc)
We decided to set out our designs based on our research of other
VegSoc recipe cards. We wanted our adult card to look similar to
the cards already available from VegSoc. The VegSoc cards have
a simple & clear layout & design. This would allow the consumer
to find information easier & made the recipe cards a lot more easy
on the eye as they were not busy. There are a lot graphics &
design aspects to our adult recipe cards, the average ratio for
image:text is 60:40. This is again similar to the VegSoc recipe
cards already made. With the child cards, we wanted them to use
the a vegetable used in the dish as design inspiration e.g. the
shape of a tomato is used on the tomato based recipe card. This
was then turned into a cartoon aspect. This cartoon aspect can
be found on a lot of products aimed specifically at children e.g.
the TV show SpongeBob SquarePants. We wanted the design of
the kids card to be fun & child-friendly, which we believe we
succeeded doing. The child card is also quite minimalist & simple
in design, similar to its parent card. It can also The ratio of
image:text is around 65:35, slightly more than the adult card, as
we wanted the design aspect to be a major feature that should
make the kids want to use it more.
4. Visual Language
Content we used on our recipe cards was based upon what vegetable was featured. For
example, if the main ingredient for the recipe was broccoli, the photograph of the food,
graphics of vegetable & colour scheme would be based around that one vegetable. This
is the same for the adult & child recipe card. All the images of food used on the recipe
cards are stock images. We decided to do this because we are not trained in food
photography, we are not professional chefs & we couldn’t find time in our schedule. We
found four images we think work really well with our colour schemes. We actually used
the main colour found in the image to use for the colour blocks & text. We found this
made the colours look more natural which worked well with our idea of using a dark grey
& off white colours instead of just black & white. This makes the recipe cards less harsh
on the eye. The natural theme of the colours works well because vegetables are also
natural. The use of the colours of the vegetables can also be found when looking at
existing products & when we asked people in our questionnaire, some people mentioned
colours of the vegetables (this helped us come up with our idea). The use of a vegetable
graphic on each recipe card allowed a constant graphic to be found on the kids & adult
recipe card. This strengthens the fact that they are part of a set. The text was a standard
recipe we found during our pre-production work. We found that the recipes on existing
VegSoc products were straight forward, so we wanted ours to be also. On the child recipe
card, we used less text, but we didn’t want to dumb what we were saying down (which we
found could sometimes be used with other products aimed at kids), we just made it as
straight forward as possible by only including tasks they will be able to do safely)
Discuss the contents of your final images and reflect upon decisions made.
(Content used- image/text/graphic, use of colour, original or stock images.
Compare to existing products.)
5. Visual Language
Discuss the semiotics and connotations created from the content
you have included. (What meaning or suggestions are created from the
images/colours/designs you have used? You could reference how they
were used in products you look at during the project.)
The colour green was used often in products we looked at before, which
were all targeted at a vegetarian audience. We concluded that the colour
green connoted meanings like natural & fresh, which is what the producers
of a lot of other recipe cards wanted. The connotations natural & fresh link
with every kind of vegetable, so we took this on board when creating our
content. It was one of the reasons why we used the colour of the vegetables
on each recipe card. Thinking about meaning, the images used of the food
were used to entice the consumer to use the recipe cards. This worked
particularly well with the adult recipe cards. With the child recipe card, we
wanted the layout & graphics to entice them into eating their vegetables.
Because we used a character type graphic for the child card, this connotes
that vegetables are fun & cool. This is further strengthened by the text ‘cool
kids eat veg’. We also found graphics were used on other children’s
products, including within the food industry. I believe they used there
character for the same reason as us.
6. Audiences
Create an audience profile of your chosen demographic
(Age, gender, psychographic, geodemographic, NRS Social Grade, hobbies,
sexuality [if appropriate] etc)
We have a main target audience of a parent & child. We would assume that the adult
would be the child's parent.
Age: For the adult, 25-35. The recipe cards have a modern look to them & we would
expect that the child would be old enough to help the parent when the adult is
between the ages stated above. For the child, 6-10. The cartoon aspect is
particularly targeted at this age of children. Although kids grow up fast & will be
different between the ages of 6-10, there are aspects like the cartoon that they would
still enjoy.
Gender: During our questionnaire, we found that slightly more women were
vegetarian. Although we found this out, we tried to make the design of the adult
cards to be as gender neutral as possible, so that we were not closing off a particular
gender. With the child card, there are again no strict gender specifics that we stuck
to. By doing this, we feel like we have broadened our audience of an already niche
audience, which is a positive.
Psychographic: looking at the main 7 categories of psychographics, I would say that
our audience fits in with the aspirer category because they are aspiring to make the
food. Following a recipe & wanting your child to be involved is something to aspire to.
The audience only loosely fits into that category though.
7. AS Media Studies 2009
7
Geodemographic: As VegSoc is a UK based society, you would assume that the
geodemographic of the recipe cards would be in the UK. You would find the recipe
cards nationwide, not favouring an urban or countryside setting.
NRS Social Grade: ABC1. We are aiming our product at a middle class audience.
We found that quite a few vegetarian products are targeted at middle class people,
so we wanted to stick with this because we felt that the recipe cards were already
had a different enough target audience (unlike anything we had seen before). Some
of the ingredients are slightly more expensive as they are high quality, which a C2DE
may struggle to find the money for.
Hobbies: The adult will be into cooking food from scratch and wanting to follow a
recipe. The child might want to help the adult out as children sometimes like to get
involved with cooking.
Other things you could say about the audience is that there are two of them & they
have to work well with one another.
Two adults could be working from the same recipe card together: it could be
something the whole family do together.
The adult may want the child to be vegetarian like themselves or are just trying a fun
way of trying to get the kids to eat their vegetables.
8. Audiences
How have you constructed your work to appeal to this audience?
Include an annotated copy of an example of your work to help illustrate
how you have done this.
The main appeal of our work was the adult & child concept that we had not
seen done before as one product. We had to construct both cards so that
they looked similar, but also had features that both target audiences would
enjoy. We also wanted the child cards to appeal to the adults because it
would be the adults finding & choosing which recipes they wanted their child
to use.
Adult: With the adult card, we constructed it in a way that would look similar
to other VegSoc recipe cards we looked at, but had a modern flair which
would be seen on both the child and adult card. You can see how we
constructed it on the next slide.
Child: With the child card, we constructed it to have features from the adult
card & also have some of its own features that clearly showed they were
made for a child. You can see hoe we constructed them on the next slide.
9. We wanted this card to have
a similar design to the
VegSoc recipe cards that
they already produce.
We used colour blocks to
separate information. This
can be found on most
products. This was also used
on the child card.
The font choice is very in style at
the moment. We used it so our
cards would look modern. We also
found the font worked well on the
child card as well.
The number 3
represents what
number it is in the
set.
Social media
links that we
would expect
our adult
target
audience to
have.
Facebook &
twitter not
included on
child recipe
card as they
should not at
their age have
Photograph of
food used twice
on adult recipe
card & very large
on the adult card.
The image should
entice the adult
into wanting the
food. Image more
important on adult
card compared to
child card.
A lot of
information
compared to
the child
recipe card.
All info
needed can be
found because
the adult is
the one
actually in
charge of the
food.
Vegetable graphic used to link it
back in with the child card. No
character found on this card,
because characters are typically
childish graphics/features.
10. Cartoon character face: appeals to
young audience. Used to make kids
like vegetables more. Cartoon face
not used on adult card.
Fun facts to
keep the kids
interested.
These are not
included on the
adult card.
Gives kid
opportunity to
tell the adult
the fact.
Strong & bright
colour scheme to
catch the eye of the
child.
Simple instructions for the kid(s)
to follow & are safe for them to
do. Simple tasks that the kid will
also understand to do.
‘Cool kids eat
veg’ – further
enforces the
point recipe
cards (trying to
make veg fun for
kids). Also blob
shape behind to
make it this part
of the recipe
card eye
catching.
Two separate fonts used to
create a clear & easy difference
for the child. One of the fonts is
also used on the adult card –
continuity.
Cool fact put inside of the small
peppers. This draws attention to them
& fills up the recipe card in a visual
way. Dark grey shadow background
again draws more attention. Also used
Smaller photo of food on
child recipe card, compared
to the adult one, because it
has less importance. The
child isn’t attracted to the
actual food.
Website link
included if
he/she wants to
go on it – parent
can help child to
do this. This is
also included on
the adult card,
but this gives
the kid the
chance to ask
for themselves.
The adult will
know from this
if their kid is
now interested
in vegetables.
The number 3
represents what
number it is in the
set.
11. Cultural context
What did you use as your design influences and why were they
chosen?
(What existing media products influenced the final look of your work?)
Like mentioned in earlier slides, our adult designs were
influenced by other VegSoc recipe cards. We did this
because we wanted our recipe cards to fit in with
there’s. We knew there cards looked professional so
we tried to use as many codes and conventions that
they used as possible. We did gain inspiration from a
font that has been used recently for new modern
products, which was not found on their recipe cards.
For the child card, we had our own ideas about what
we wanted the cards to look like. For the vegetable
character, we were inspired by The Muppets & there
cartoon kid-friendly faces. We could not find a set of
recipe cards that followed the same ideas that we had.
We looked at individual recipe cards for each audience
& then went from that.
12. Cultural context
Do vegetarian products have a specific design aesthetic and how
does your project reflect/contrast this? Why?
Like mentioned in earlier slides, we found a lot
of them had a green theme running through
out. On the broccoli recipe cards, we followed
this typical design aesthetic. The other recipe
cards, we did not follow this rule as we wanted
them all to have an individual colour.
Vegetarian products also usually include a
vegetable logo or graphic of a vegetable, so
we used a graphic of the main vegetable
included in the recipe. We used both of these
design aesthetics in our work because we
wanted to follow typical codes & conventions.
There is a clear reason why there are typical
codes & conventions to vegetarian products.
That reason is because these design
aesthetics work well together.
13. Finished products
Does your finished product reflect your initial plans? How? If there
are any differences, describe why changes were made.
(You can use visual examples of flat plans and finished products to
illustrate this
Our finished products look very similar to our initial plans. You can see from the
finished product that we followed what we set out to do very well. We initially started
working on top of the final design plan to create each recipe card. There were a few
changes through out the producing process that happened. Some of these include
the changing of the character face to a much more thought out & designed one. This
overall improved the quality of the child recipe card. Putting the serving number,
cooking + prep time into circles. This made the front look a lot more thought out &
designed, increasing the look & quality overall of the recipe card. A slight radial
gradient was put onto the child recipe cards, which added dimension to the back
and front. We also changed the logo to a higher quality VegSoc one. There were a
few additions to the children's recipe cards. These additions include a rectangle at
the bottom with the website details, a blob with features the words ‘cool kids eat
veg!’. The first addition was added to let the child know they can find out more about
vegetables (which is a positive thing). The second addition was added after we
decided that space needed to be filled. We came up with a few ideas including
putting the characters face there, but we concluded that we wanted to reinforce the
idea that vegetables are cool & fun.
15. Finished products
How did the use of peer feedback help you in your production?
(Reference specific examples and their final outcome in finished product)
Peer feedback allowed us to develop the designs further. This initially
happened during pre-production when we finalised & chose my idea. One
of our tutors said he had never seen someone do a product like this or
have an idea like this. Once we were creating the actual recipe cards, we
kept on asking each other if certain aspects of the design looked right or
not. An example of this is the characters face. My partner did not like the
face on the child’s recipe card, so I had to design a new one. This was
also recommended by one of my tutors. This actually increased the quality
of the recipe card & made it more appealing. You can see a before and
after picture on the right. Another example of this would be when we had
to choose the photograph. We used each other to find the best photograph
possible for both recipe cards. Another example of peer feedback was
during the final editing & refinement stage of the project. My partner & I
would discuss what needed to be changed or altered slightly just to make
the cards look better. An example of this was one I thought about
changing the bottom front of the adult card to the numbers being in circles.
I asked my partner is that was okay & she agreed that this was a good
idea. I changed it & we preferred the circles. Changes to text on the child
card were also done, as my partner recommended that we should
capitalize the beginning of the kids sentences so we don’t confuse their
literacy skills.
16. Finished product
Discuss the strengths and weaknesses of your final product
regarding its technical qualities.
Use box below for text or page space to include an annotated copy of your work to help illustrate how you have done this.
Reference what you like and dislike about the work with consistent reference to correct terminology of tools/effects used. Reference
existing products.
The use of rotoscoping can sometimes leave rough or
pointy edges on some graphics. I tried using the eraser tool
found on Photoshop, but this only helped slightly. I ended
up not liking & not happy with the quality of the vegetable
graphics, but I still had to use them in the work. Some of
them came out better than others, as you can see from the
comparison to the right.
I used a subtle radial gradient on the kids recipe cards to
add dimension. I believe using the gradient is a strength
when you think of technical skills. I like this about the work.
We used Photoshop to create the work, so we had industry
standard to work with. This would give us the tools to make
our work technical. Our work looked technical as everything
was in placed in the same area as the card before it. There
was no major creative changes between each adult card or
each child card.
17. Finished product
Discuss the strengths and weaknesses of your final product
regarding its aesthetical qualities.
Use box below for text or page space to include an annotated copy of your work to help illustrate how you have done this.
Reference what you like and dislike about the work with consistent reference to correct terminology. You can reference
existing products here and compare your work to them.
Aesthetically, I believe our product is very pleasing.
Our use of colour was is very pleasing to the eye, as
the colours work well together & none of them are very
harsh. We wanted the colours to be the same as the
main vegetable featured & I believe we did this. The
use of the same colours being used on the adult &
child card strengthen the overall house style we had.
One aesthetic weakness we did find on some of the
adult recipe cards is the white space under the
ingredients list. An example of this would be on the
pepper adult recipe card. There is nothing we could do
about this white space because it was not on every
adult recipe card, if we had added something that
wasn’t on the others they wouldn’t all look identical.
18. Finished products
What skills/knowledge have you gained/developed in this project?
How could these be applied in future practice?
At the beginning of this project, we were taught how to use Adobe InDesign
which will give me skills if I have to use it in the future. Tools on InDesign I
now know about include grids, which I will also be able to use now on
Photoshop. It is useful to know when you’re trying to make sure specific
parts of your work are lined up or are within certain lines. It also furthers my
knowledge of Adobe software overall. I have developed my skills in
Photoshop by using tools such as rotoscoping. Although I already knew how
to use this, using it again strengthens my knowledge and how well I use it. If
I was to get a job where I had to use Photoshop I could confidently say I can
use it. I’ve also developed my research skills & techniques. This will help
me in future projects. If I had to do a piece of work about vegetarians again I
now have knowledge on this subject. We also learnt at the very beginning of
this project, we learnt about visual hierarchy. We used this in our work & I
will be sure to use this in projects in the future e.g. a poster.
19. Production process
Do you believe your work is creative and technically competent?
Why?
(Reference specific examples (use images if this will help) of where you
believe your work is particularly visually or technically impressive.
Reference professionally product work and compare your products to
them)
I do believe that our work is creative and
technically competent for a number of reasons.
We could not find another recipe card product
that was targeted at both parents & their child,
which shows creativity when coming up with
ideas. We both used Photoshop to create the
recipe cards, which takes technical skill to use.
We both used it very well. The way we’ve been
able to create two recipe cards that are for two
different target audiences yet still look similar
and can tell they are part of a set is impressive
visually & technically as it takes a lot of time &
energy to do that. We compared our final adult
recipe cards with the recipe cards VegSoc &
found that they don’t only look professional like
there's, but we used more graphics & designs
compared to them.
20. Production process
How effectively did you manage your time?
(Could you have used time more wisely? Did a particular aspect of the
project take longer than expected? Did you complete everything on
schedule?)
We completed our recipe cards on time & to schedule. We used our
contingency time to make our products look even better than they already
did. Nothing went wrong as well, which gave us time to improve the quality.
If something had gone wrong though, we would have had to use the
contingency time to sort this out. We could have worked more efficiently if
we had focused on the recipe cards & if we didn’t have any distractions e.g.
YouTube, but overall I feel like that didn’t effect the quality of the recipe
cards overall. One part of the work that took longer than I thought it would
was producing the vegetable graphics. These took me a long time to create
(because I was rotoscoping them) & to make sure they were of a high
standard (each graphic was being used more than once & in varying sizes).
21. Production process
If you could repeat the process what would you do differently?
If we were to repeat the process again, I think I would have given my
partner some more control over the final designs & the final recipes cards,
as I felt I was coming up with the ideas & she was agreeing with them. I
would also have changed how well we worked together when we were
refining & improving the recipe cards. I felt I was doing all of this refinement
whilst my partner was just agreeing with what I wanted to change & not
actually helping. Although I understand I may have been slightly controlling
over this part of the work. Although I did come up with more than 1 idea, I
feel like I already knew which one I wanted to do. Because I knew this, I
didn’t look into the other ideas as in much detail as a possibly should have. I
am happy with the idea chosen, I feel like it was possible if I looked into
another it could have been an even better one.
23. Constraints
What constraints did you encounter and how did you
consider/avoid them?
Legal:
There are a few legal constraints that could be encountered. We had to gain
permission for the use of certain aspects of the recipe cards. We had to
have permission from the person who was selling the stock images to
actually use the images for commercial use. Otherwise we would be
breaking a copyright law, as they do own the image. We then had to pay
extra for the commercial use of the image. Another aspect was the use of
the recipes. We had to ask for the permission to use the recipe cards
commercially, otherwise we may have been breaking copyright again. We
asked & were granted with the use to use them.
There are two health & safety legislations we needed to follow during the
production of our recipe cards. The first being The Health and Safety at
Work etc. Act 1974. We work at computers to produce our work, so the
Health and Safety (display screen equipment) Regulations 1992 are the
most important piece of legal legislation. It tells us how long we should work
for, how far back & high our chairs are & when we should take a break –
employers have to legally follow this piece of legislation.
24. Regulatory:
The main regulatory body for our recipe cards is the ASA (Advertising
Standards Authority). As we are targeting a product at parents who have
children there are many different rules we need to follow. Although we tried
to follow their rules, there are a few that our products borderline don’t follow.
The first two are ‘5.2.1 children must not be made to feel inferior or
unpopular for not buying the advertised product’ & ‘5.2.2 children must not
be made to feel that they are lacking in courage, duty or loyalty if they do
not buy or do not encourage others to buy a product’. The first point being
that is says on the back of our cards ‘cool kids eat veg’, which conflicts with
what 5.2.1 states. We will not remove this from our recipe cards because 1).
The recipe cards are not only targeted at the child & 2). it is meant to
encourage kids & not to make them feel bad.
There are some other rules we have to follow like our photographs used
must depict what the food will actually look like & must include the same
ingredients, or this would be lying to the consumer.
25. Financial:
Financially our recipe cards are expensive to produce, compared other
much more simple recipe cards. We believe the price would be worth it
though, as VegSoc have never produced a product like this one before.
We worked out all the financial aspects before actually producing the recipe
cards. The total price to produce these recipe cards is £3349. We tried to
find the cheapest companies to produce these cards, but also had good
reviews so we knew we were getting the best of both worlds. We also noted
how much we wanted to be paid, but now looking at how much we wanted, I
feel like we should be paid more for what we did as we ended working more
hours than first stated.
26. Management
How did you work as part of a group?
(Did you lead the project? What parts of the project did you take charge
of? Did you enjoy working as part of a group? Why?)
I felt like I was the leader of the group. One of the reasons I felt like this was
because I was the one to come up with the overall idea of the project (the parent
and child recipe cards). Although I did ask my partner what she wanted to do e.g.
either the child or adult recipe card, I felt like I knew what I wanted the end
product to look like. During the end of the project (the last two days) I took
charge and completed the recipe cards to a high standard. I did enjoy working in a
group because during the actual production, we split the work 50/50. Another
reason I enjoyed working in a group was because there was always another
person to refer to when you weren't 100% sure about something. But with always
having to refer to another person, they could have a different idea to you entirely,
so you may not get your own way. This can be frustrating but it comes with
working with another person in a group.
27. Management
How important is communication when working in a group?
(Use specific examples from working in a group on this project)
Communication when working in a group is an essential. If you do not
communicate with the person you may end up on two different levels & be doing
something different entirely. Imagine if we hadn't correctly matched the colours
on both recipe cards, they would not look right and the set wouldn't look good
together. We had to ask each other what colours we wanted to use. Another
example of important communication in our group was the characters face on the
child recipe cards. My partner suggested that I made them look generally better &
friendly. So we tested out different features and found that if I hadn't changed
the face, the overall quality of the work would have been lower. Sometimes you
can't see the bad things in your own work so it's a positive to have a partner that
can point these things out to you.
28. Management
What have you learnt about working in a group and how will you
apply this to future practice?
I've learnt a lot about working in a group. Sometimes you have to make
compromises and you have to trust the other person/people in your group that
they know what they're doing. I feel like I was possibly too controlling, so in future
projects I believe it would be a good idea if I let the other person/people have
more of a say. Communication skills is another skill I believe this project has
allowed me to work on.