Erasmus+ Cliche Byzantine painting
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Erasmus+ Cliche Inventory for Byzantine painting
Byzantine painting, also known as iconography, is an ancient artistic tradition from Orthodox Christian countries. It uses symbolic imagery and strict compositional rules to depict religious figures and bridge the natural and spiritual worlds. Key characteristics include portraying saints without smiles or secular expressions on a golden background to represent the transcendental. The art is transmitted through church art schools and influences include ancient Greek, Eastern, Hellenistic, and Greco-Roman styles. While there are no current threats, influences from Western painting techniques could impact the tradition.
Erasmus+ Cliche Interview questions Byzantine_painting
The document summarizes an interview with a Byzantine art professor about the evolution and characteristics of Byzantine painting (iconography). It discusses four main stages of evolution: 1) Early Christian art until Emperor Justinian, 2) Justinian to the fall of Constantinople, 3) post-Byzantine until the 1821 revolution, and 4) from 1821 to today. It also describes how Byzantine painting was closely tied to the Orthodox Church for teaching religious concepts, commemorating historical events, and gaining political/financial support from aristocratic sponsors. Key differences from Western painting include Byzantine art being less naturalistic/anthropocentric and aiming to serve as a mediator between viewers and religious figures rather than simply being admired
Byzantine art
The document summarizes Byzantine art from the Byzantine Empire between the 4th and 15th centuries. Some key points:
- Byzantine art was influenced by both classical Roman art and Eastern influences, taking on a more abstract, symbolic style compared to classical naturalism.
- Major art forms included mosaics, like those in Hagia Sophia; illuminated manuscripts; and icons which were venerated religious images.
- Wealth was concentrated in the church and imperial court, who commissioned most large art works on religious and imperial themes.
- Smaller arts like ivory carving and enamel work were also important luxury goods exported throughout Europe and the Mediterranean.
Brocs kokey
Byzantine art developed in the Byzantine Empire centered in Constantinople from the 4th century AD until the fall of Constantinople in 1453. It was focused on creating religious icons and decorating churches. Stylistically, Byzantine art was less focused on naturalism and more interested in mystical spiritual themes depicted through flat, two-dimensional figures. The three periods of Byzantine art - Early, Middle, and Late - saw the development and spread of distinctive architectural and artistic styles through the Byzantine Empire and areas under its cultural influence like Kievan Rus and Russia.
Byzantine document
This document discusses the development of Byzantine art from its origins in Roman imperial art. It notes that Byzantine art was influenced by classical Greek and Roman styles but developed its own distinctive "abstract" or symbolic aesthetic over time. Scholars have debated the causes and nature of this shift from naturalism to a more conceptual approach. The document outlines the major periods and genres of Byzantine art, including the proliferation of religious icons and illuminated manuscripts, as well as debates around the use of images during the iconoclastic period.
GOTHIC ARC (BILINGUAL - 2º ESO)
Gothic style originated in France in the 12th century and spread across Europe. It gradually replaced Romanesque style over several years as Gothic cathedrals and buildings were constructed. Gothic architecture used pointed arches, ribbed vaulting, flying buttresses, and large windows to allow more light inside. Decorative elements like stained glass, sculptures, and gargoyles adorned the exteriors and interiors. Gothic art saw a shift to more realistic and expressive figures in sculptures and paintings.
Romanesque Art and Gothic Art
The document summarizes Romanesque art from 1000-1200 AD and provides context for its origins and decline after the fall of Rome. It describes typical Romanesque architectural structures like churches, castles, and monasteries. It then highlights some notable Romanesque artworks including sculptures from cathedrals and metalworks. Gothic art developed in France out of Romanesque art in the mid-12th century, spreading to other media. Key Gothic artworks included sculptures from Chartres Cathedral and frescoes by Simone Martini.
History of art
The document provides a brief history of art styles from ancient Egypt through Cubism. It notes key characteristics of each style such as Egyptian art featuring two-dimensional bodies with stylized proportions. Ancient Greek art emphasized weight shift and curved lines while Ancient Roman art promoted power and realistic depictions. Medieval art was influenced by Christianity and transitioned from two-dimensional to three-dimensional paintings. The Renaissance featured apostles depicted as real people and developed linear perspective. Baroque art emphasized light, shadow, and theatrical effects. Neoclassicism drew inspiration from ancient Greek and Roman styles. Romantic art aimed to evoke feelings through heightened drama. Impressionism used short, thick brushstrokes and emphasized natural light. Post-Impression
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Erasmus+ Cliche Inventory for Byzantine painting
Byzantine painting, also known as iconography, is an ancient artistic tradition from Orthodox Christian countries. It uses symbolic imagery and strict compositional rules to depict religious figures and bridge the natural and spiritual worlds. Key characteristics include portraying saints without smiles or secular expressions on a golden background to represent the transcendental. The art is transmitted through church art schools and influences include ancient Greek, Eastern, Hellenistic, and Greco-Roman styles. While there are no current threats, influences from Western painting techniques could impact the tradition.
Erasmus+ Cliche Interview questions Byzantine_painting
The document summarizes an interview with a Byzantine art professor about the evolution and characteristics of Byzantine painting (iconography). It discusses four main stages of evolution: 1) Early Christian art until Emperor Justinian, 2) Justinian to the fall of Constantinople, 3) post-Byzantine until the 1821 revolution, and 4) from 1821 to today. It also describes how Byzantine painting was closely tied to the Orthodox Church for teaching religious concepts, commemorating historical events, and gaining political/financial support from aristocratic sponsors. Key differences from Western painting include Byzantine art being less naturalistic/anthropocentric and aiming to serve as a mediator between viewers and religious figures rather than simply being admired
Byzantine art
The document summarizes Byzantine art from the Byzantine Empire between the 4th and 15th centuries. Some key points:
- Byzantine art was influenced by both classical Roman art and Eastern influences, taking on a more abstract, symbolic style compared to classical naturalism.
- Major art forms included mosaics, like those in Hagia Sophia; illuminated manuscripts; and icons which were venerated religious images.
- Wealth was concentrated in the church and imperial court, who commissioned most large art works on religious and imperial themes.
- Smaller arts like ivory carving and enamel work were also important luxury goods exported throughout Europe and the Mediterranean.
Brocs kokey
Byzantine art developed in the Byzantine Empire centered in Constantinople from the 4th century AD until the fall of Constantinople in 1453. It was focused on creating religious icons and decorating churches. Stylistically, Byzantine art was less focused on naturalism and more interested in mystical spiritual themes depicted through flat, two-dimensional figures. The three periods of Byzantine art - Early, Middle, and Late - saw the development and spread of distinctive architectural and artistic styles through the Byzantine Empire and areas under its cultural influence like Kievan Rus and Russia.
Byzantine document
This document discusses the development of Byzantine art from its origins in Roman imperial art. It notes that Byzantine art was influenced by classical Greek and Roman styles but developed its own distinctive "abstract" or symbolic aesthetic over time. Scholars have debated the causes and nature of this shift from naturalism to a more conceptual approach. The document outlines the major periods and genres of Byzantine art, including the proliferation of religious icons and illuminated manuscripts, as well as debates around the use of images during the iconoclastic period.
GOTHIC ARC (BILINGUAL - 2º ESO)
Gothic style originated in France in the 12th century and spread across Europe. It gradually replaced Romanesque style over several years as Gothic cathedrals and buildings were constructed. Gothic architecture used pointed arches, ribbed vaulting, flying buttresses, and large windows to allow more light inside. Decorative elements like stained glass, sculptures, and gargoyles adorned the exteriors and interiors. Gothic art saw a shift to more realistic and expressive figures in sculptures and paintings.
Romanesque Art and Gothic Art
The document summarizes Romanesque art from 1000-1200 AD and provides context for its origins and decline after the fall of Rome. It describes typical Romanesque architectural structures like churches, castles, and monasteries. It then highlights some notable Romanesque artworks including sculptures from cathedrals and metalworks. Gothic art developed in France out of Romanesque art in the mid-12th century, spreading to other media. Key Gothic artworks included sculptures from Chartres Cathedral and frescoes by Simone Martini.
History of art
The document provides a brief history of art styles from ancient Egypt through Cubism. It notes key characteristics of each style such as Egyptian art featuring two-dimensional bodies with stylized proportions. Ancient Greek art emphasized weight shift and curved lines while Ancient Roman art promoted power and realistic depictions. Medieval art was influenced by Christianity and transitioned from two-dimensional to three-dimensional paintings. The Renaissance featured apostles depicted as real people and developed linear perspective. Baroque art emphasized light, shadow, and theatrical effects. Neoclassicism drew inspiration from ancient Greek and Roman styles. Romantic art aimed to evoke feelings through heightened drama. Impressionism used short, thick brushstrokes and emphasized natural light. Post-Impression
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This document discusses the relationship between art and religion through history. It notes that art has often been used as a form of propaganda by religions to convey beliefs and stories. Nearly all early art had roots in religion, as religions like Christianity, Buddhism, and others used art forms like paintings, sculptures, and architecture to spread their messages. The document provides several examples of famous religious artworks and how they depict important religious figures or stories and were used to influence people's understanding of those religions.
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New ideas in Renaissance Art
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The document provides an overview of Romanesque art and architecture in western Europe between the 11th and 12th centuries. It discusses the emergence of Romanesque architecture, with its emphasis on sculptural walls and vaulted structures. Monasteries were important centers of art production and pilgrimage sites proliferated, fueling a building boom across the continent. The style is characterized by thick walls, small windows, barrel and groin vaults, and sculpture integrated into church portals. Regional variations emerged, with Italy retaining timber roofs and England and Normandy experimenting with ribbed vaults.
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Giotto is propably the first artist to have embraced the change which was needed in art. That's why he is considered to be a "father of Western pictorial art".
Medieval Era in the Arts
Christianity was the dominant influence on medieval art and architecture in Europe. Works of art depicted biblical scenes from the life of Christ as described in the New Testament. Church architecture evolved from Romanesque styles with rounded arches and few windows to Gothic styles with pointed arches, ribbed vaulting, flying buttresses, and large stained glass windows to let in more light. These cathedrals served as sites of pilgrimage and reflected the rise of Christianity in medieval Europe.
Art in the middle age
The document provides an overview of art in the Middle Ages, beginning with Late Antique art from the Roman era characterized by simple, streamlined designs that emphasized religious aspects over proportions and details. Byzantine art that followed was heavily influenced by Greek, Eastern, and Persian traditions and featured iconic representations of figures like the Virgin Mary. Architectural influences included domes, marble, and sculpted capitals. Romanesque art from 1000-1300 AD featured rounded arches, stone vaults, thick walls, and exterior relief sculptures in cathedrals and churches. Gothic art that followed was characterized mainly by architecture using mathematical harmony and light through pointed arches and stained glass in great cathedrals like Notre Dame of Paris and Reims Cathedral
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This document provides an overview of Renaissance and Mannerism painting. It discusses key characteristics like naturalism, rationalism, and idealization in Renaissance works. Major Renaissance artists like Masaccio, Botticelli, Leonardo da Vinci, Raphael, and Michelangelo are profiled. The document also describes techniques used during the Renaissance and Mannerism periods like fresco painting, oil painting, and the development of engraving. Key themes in works are also outlined like religious subjects and the growing importance of portraiture and landscape. Characteristics of Mannerism painting like surprising compositions and deformations are also summarized.
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The document summarizes key aspects of Renaissance art in Europe between the 14th and early 16th centuries. It describes the transition from medieval to Renaissance styles with a focus on naturalism and individual artists. Patronage became important. Techniques like sfumato and chiaroscuro were developed. Major subjects included narratives, portraits and landscapes. Artists like Giotto, Donatello, Masaccio, Raphael and Michelangelo advanced techniques of perspective, composition and realism while depicting religious and classical themes.
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During the Renaissance, sculpture evolved from imitating antiquity to prioritizing the discovery of the human body and nature. Sculptors sought to create idealized and naturalistic representations of the human form. Tomb sculpture became a major genre, often featuring the deceased in the center with saints or virtues on the sides. Portraiture developed to capture individual physiognomy. Male nudes were common, following Gothic tradition, while female nudes appeared more in bronze works. Mannerism saw exaggerated and sometimes bizarre forms as artists experimented with new styles and effects. Materials included bronze, marble, stucco, and sculptures were often polychrome or incorporated into fountains. Major sculptors included Ghiberti,
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Gothic Sculpture
Gothic sculpture moved away from the geometric shapes and lack of temporality of Romanesque sculpture towards a more naturalistic depiction of figures. Sculptures began to show realistic human emotion and physicality rather than idealization, with the Virgin and Christ depicted in human rather than symbolic ways. Gothic sculpture was found in locations like church façades, sepulchers, and other religious contexts, commonly depicting subjects from the lives of Christ and the Virgin as well as saints. Naturalism, emotion, and realistic volume were emphasized.
Medieval arts
The document provides an overview of medieval arts including Byzantine art, Romanesque art, and Gothic art from approximately the 4th century to the 15th century. Some key points:
- Byzantine art developed in Constantinople following the split of the Roman Empire, combining Greek, Roman, and early Christian influences. It featured mosaics, icons, and religious imagery that spread throughout the Byzantine Empire.
- Romanesque art spanned from around 1000AD to the rise of Gothic in the 13th century. It combined Roman architectural styles with influences from insular art and Byzantine painting. Common subjects were Christ in Majesty and scenes from the Bible.
- Gothic art originated in northern France in the
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Byzantine art and architecture achieved unprecedented levels in mosaic decoration by following an established hierarchy where the dome depicted Jesus as ruler of the universe and other figures occupied lower spaces based on importance. Icon painting usually used encaustic technique to preserve prototypes for religious images. Architecturally, Byzantine buildings were influenced by Roman achievements and included monumental structures like Hagia Sophia and the octagonal San Vitale church.
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Development of visual arts
hello guys.. if you know more from me just follow me on twitter jirn guzman or @AmMasterJirn.. and follow me on facebook.com/jhanrob19 .. thank you for viewing :))
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This document provides an overview of concepts that will be covered in a course about Baroque art and architecture from 1550-1700. It discusses debates around defining the Baroque period and questions how to understand art from a time with complex historical forces at play. Key concepts that will be examined include poesis (poetry/poetics), mimesis (copying nature), and the use of art history. Challenges raised include precisely defining these concepts for the 17th century and accounting for changing meanings over time and cultures. The course aims to consider both the art of the period and problems of writing art history.
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The document discusses the relationship between art and religion. It defines art as manifestations of human creativity that express aesthetic qualities and stimulate contemplation. Many cultures do not have a direct translation for "art." Art forms commonly associated with religion include music, dance, theater, visual arts, storytelling and literature. Rituals often incorporate special forms of creative expression. Throughout history, art has been created for both aesthetic and religious purposes across many societies and faiths.
New ideas in Renaissance Art
The document discusses new ideas in Renaissance art compared to Medieval art, including the use of perspective to depict distance and scale more realistically, creating more anatomically accurate and realistic depictions of people, incorporating nature and scenes of everyday life, and portraying religious topics in new ways without halos or unrealistic features. It provides examples like Leonardo da Vinci's anatomical studies, van Eyck's portraits, and Renaissance versions of religious works like The Last Supper that used realistic perspective and people without halos.
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The document summarizes Renaissance sculpture in 3 periods - Early Renaissance from 1400-1500 featuring artists like Ghiberti and Donatello who developed realism and classical styles. The High Renaissance from 1500-1525 saw Michelangelo's masterpieces like Pieta and David reach the peak of balance and restraint. The Late Renaissance from 1525-1600 introduced mannerism with elongated limbs and complex poses by Giambologna and a relaxing of classicism.
jkl
The document provides an overview of Romanesque art and architecture in western Europe between the 11th and 12th centuries. It discusses the emergence of Romanesque architecture, with its emphasis on sculptural walls and vaulted structures. Monasteries were important centers of art production and pilgrimage sites proliferated, fueling a building boom across the continent. The style is characterized by thick walls, small windows, barrel and groin vaults, and sculpture integrated into church portals. Regional variations emerged, with Italy retaining timber roofs and England and Normandy experimenting with ribbed vaults.
History of western art (Giotto, Masaccio)
Early Renaissance is the era which heralded the age of exploration. Digging into the Golden ages of Greek past civilization, this period added its own interpretation to art as well all other fields that went parallel to it. Early Renaissance provided the first steps towards the high mountain peak of the Renaissance period. Bridging the past values and rich culture of Greece to the neo classical period.
Giotto is propably the first artist to have embraced the change which was needed in art. That's why he is considered to be a "father of Western pictorial art".
Medieval Era in the Arts
Christianity was the dominant influence on medieval art and architecture in Europe. Works of art depicted biblical scenes from the life of Christ as described in the New Testament. Church architecture evolved from Romanesque styles with rounded arches and few windows to Gothic styles with pointed arches, ribbed vaulting, flying buttresses, and large stained glass windows to let in more light. These cathedrals served as sites of pilgrimage and reflected the rise of Christianity in medieval Europe.
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The document provides an overview of art in the Middle Ages, beginning with Late Antique art from the Roman era characterized by simple, streamlined designs that emphasized religious aspects over proportions and details. Byzantine art that followed was heavily influenced by Greek, Eastern, and Persian traditions and featured iconic representations of figures like the Virgin Mary. Architectural influences included domes, marble, and sculpted capitals. Romanesque art from 1000-1300 AD featured rounded arches, stone vaults, thick walls, and exterior relief sculptures in cathedrals and churches. Gothic art that followed was characterized mainly by architecture using mathematical harmony and light through pointed arches and stained glass in great cathedrals like Notre Dame of Paris and Reims Cathedral
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This document provides an overview of Renaissance and Mannerism painting. It discusses key characteristics like naturalism, rationalism, and idealization in Renaissance works. Major Renaissance artists like Masaccio, Botticelli, Leonardo da Vinci, Raphael, and Michelangelo are profiled. The document also describes techniques used during the Renaissance and Mannerism periods like fresco painting, oil painting, and the development of engraving. Key themes in works are also outlined like religious subjects and the growing importance of portraiture and landscape. Characteristics of Mannerism painting like surprising compositions and deformations are also summarized.
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The document summarizes key aspects of Renaissance art in Europe between the 14th and early 16th centuries. It describes the transition from medieval to Renaissance styles with a focus on naturalism and individual artists. Patronage became important. Techniques like sfumato and chiaroscuro were developed. Major subjects included narratives, portraits and landscapes. Artists like Giotto, Donatello, Masaccio, Raphael and Michelangelo advanced techniques of perspective, composition and realism while depicting religious and classical themes.
Renaissance sculpture
During the Renaissance, sculpture evolved from imitating antiquity to prioritizing the discovery of the human body and nature. Sculptors sought to create idealized and naturalistic representations of the human form. Tomb sculpture became a major genre, often featuring the deceased in the center with saints or virtues on the sides. Portraiture developed to capture individual physiognomy. Male nudes were common, following Gothic tradition, while female nudes appeared more in bronze works. Mannerism saw exaggerated and sometimes bizarre forms as artists experimented with new styles and effects. Materials included bronze, marble, stucco, and sculptures were often polychrome or incorporated into fountains. Major sculptors included Ghiberti,
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Art and Religion report
This document discusses the relationship between art and religion. It provides definitions of religion from Clifford Geertz and James Livingston, noting that religion establishes moods and motivations through conceptions of existence. Art is seen as a universal form of communication that is used within religion through paintings, architecture, and stained glass windows. Several examples of religious art are presented from different time periods and cultures, showing how art depicts religious figures, stories, and symbols. The document analyzes how art has served religion historically by aiding worship and instruction. It discusses variations in depictions of divinity across religions and eras. Overall, the summary shows how art and religion are closely linked through visual representations of religious concepts, narratives, and ideals.
Gothic Sculpture
Gothic sculpture moved away from the geometric shapes and lack of temporality of Romanesque sculpture towards a more naturalistic depiction of figures. Sculptures began to show realistic human emotion and physicality rather than idealization, with the Virgin and Christ depicted in human rather than symbolic ways. Gothic sculpture was found in locations like church façades, sepulchers, and other religious contexts, commonly depicting subjects from the lives of Christ and the Virgin as well as saints. Naturalism, emotion, and realistic volume were emphasized.
Medieval arts
The document provides an overview of medieval arts including Byzantine art, Romanesque art, and Gothic art from approximately the 4th century to the 15th century. Some key points:
- Byzantine art developed in Constantinople following the split of the Roman Empire, combining Greek, Roman, and early Christian influences. It featured mosaics, icons, and religious imagery that spread throughout the Byzantine Empire.
- Romanesque art spanned from around 1000AD to the rise of Gothic in the 13th century. It combined Roman architectural styles with influences from insular art and Byzantine painting. Common subjects were Christ in Majesty and scenes from the Bible.
- Gothic art originated in northern France in the
Roman&byzantine art and achitecture
Byzantine art and architecture achieved unprecedented levels in mosaic decoration by following an established hierarchy where the dome depicted Jesus as ruler of the universe and other figures occupied lower spaces based on importance. Icon painting usually used encaustic technique to preserve prototypes for religious images. Architecturally, Byzantine buildings were influenced by Roman achievements and included monumental structures like Hagia Sophia and the octagonal San Vitale church.
Classical, medieval, and renaissance art
The document describes 6 artworks and asks the reader to identify the historical period each is from. Artwork A, dated 1406 CE, depicts the Madonna and Child with angels and is identified as being from the Renaissance period due to its lifelike figures and use of perspective. Artwork B, dated 3rd century BCE, shows the nude Venus and represents classical style with its balanced poses and serenity. Artwork C from 1482 CE features Primavera and the coming of spring, also placing it in the Renaissance period. Artwork D from 1280 CE depicts the Madonna and Child on a throne but with flat, two-dimensional figures, identifying it as Medieval. Artworks E and F are
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2022
painting in architecture
Painting has taken many forms throughout history and across cultures. Some key points are that painting has been used for both spiritual motifs as well as more secular genres like portraits, landscapes, and still lifes. A variety of techniques have been used including fresco, tempera, oil painting, and others. Cave paintings dating back tens of thousands of years show some of the earliest examples of painting. The Renaissance saw developments in techniques like linear perspective and increased realism. Modernism in painting emerged in the late 19th century and emphasized new approaches that broke from traditions of realism.
Renaissance
Renaissance architecture and art flourished in 15th-17th century Europe as interest grew in ancient Greek and Roman achievements. This Renaissance began in Italian city-states like Florence and Venice, which became wealthy centers of trade. Artists celebrated the human individual rather than focusing solely on religion, as seen in Michelangelo's sculptures of David and Pietà and Leonardo da Vinci's realistic paintings including the Mona Lisa and The Last Supper.
KCC Art 211 Ch 16 Renaissance, Mannerism, Baroque
This document provides an overview of key figures and developments during the Italian Renaissance and Baroque periods in Europe. It summarizes the artistic innovations of early Renaissance artists like Giotto, Brunelleschi, Masaccio, Piero della Francesca, and Donatello. It also discusses the patronage of the Medici family in Florence and their support of artists including Michelangelo, da Vinci, and Raphael. Key points about da Vinci's paintings, drawings, and notebooks are summarized at the end.
High Renaissance
The document summarizes key aspects of art in the High Renaissance period of the 16th century in Europe. It discusses the mastery of techniques like perspective, accurate human anatomy, and use of light/shadow by Renaissance artists. It profiles influential artists like Leonardo da Vinci, Michelangelo, Raphael, and Titian and describes their major works, materials used, and how they embodied Renaissance ideals like humanism. Their works depicted religious subjects, classical mythology, and portraits in ways that advanced realism through composition and illusionistic techniques.
Renaissance Art
The Renaissance was a period of cultural rebirth in Europe between the 14th and 17th centuries. Renaissance art moved away from medieval traditions and was inspired by classical Greek and Roman art. Artists emphasized individualism, humanism, and realistic depictions of the human form and nature. Key figures like Leonardo da Vinci, Michelangelo, and Raphael were renowned painters and sculptors who helped establish principles of Renaissance art. Their works portrayed accurate human anatomy, perspective, and beauty found in nature.
Art movements
The document provides an overview of Renaissance art from the 14th to 17th centuries in Europe. It discusses key characteristics of Renaissance art including a focus on nature, humanism, and individualism. It outlines the major time periods of Renaissance art - Proto-Renaissance, Early Renaissance, High Renaissance, Late Renaissance/Mannerism. It provides examples of major works of painting, sculpture, and architecture from each period and artists like da Vinci, Michelangelo, Raphael, and Brunelleschi. Baroque art of the 17th century is then briefly defined as using complex forms, bold ornamentation, and conveying drama/movement. Influences and characteristics of Baroque art are also summarized.
Creative Industries 1: updated 6 renaissance 1- humanism or early renaissance
The document summarizes developments in art and architecture during the Early Renaissance period in Italy. It discusses how humanism fostered new interest in antiquity and individualism, leading to artistic innovations like Lorenzo Ghiberti winning a competition to design the "Gates of Paradise" doors and Filippo Brunelleschi's dome for Florence Cathedral. Key artists mentioned include Masaccio, who pioneered 3D realism and linear perspective, Donatello, and Fra Angelico. Architecture developed classical proportions and orders under Brunelleschi and Alberti.
Renaissance art
The document provides an overview of Renaissance art across Europe from the 14th to 16th centuries. It discusses the emergence of Renaissance styles in Italy with artists like Giotto and Pisano developing more naturalistic and lifelike figurative painting. It then covers the development of Early Netherlandish art and oil painting techniques. The text moves to discussing major Early Renaissance Italian artists like Brunelleschi, Masaccio, and Uccello, as well as Leonardo da Vinci and Michelangelo's contributions in the High Renaissance. Finally, it briefly touches on developments in Renaissance art in France, Northern Italy, and Germany.
Romanesque Paintings
Romanesque paintings are from medieval period, only depicting religious sentiments. Were enormous in size and covered entire church walls.
"To know more about it......watch this presentation."
Why Do We Study Art
We study art to understand creative human expression throughout history. Art provides insights into past cultures, including their gods, beliefs, and ways of life. It also reflects universal human themes that persist across different times and places. Art has value for its material, intrinsic artistic qualities, and ability to commemorate individuals and preserve cultural achievements. Societies often highly value the arts during periods seen as cultural heights.
Proto-Renaissance
The document discusses art before and during the Renaissance period. It notes that during the Middle Ages, the church was very powerful in Europe and art was abstract and served to communicate religious ideas to illiterate populations. It contrasts this with Renaissance art which embraced more naturalistic styles and individualism as humanist thought grew. The document uses Giotto as an example of an early Renaissance artist who moved away from medieval abstraction and began directly observing nature.
Art and craft
The history of art usually refers to the history of visual arts such as painting, sculpture, and architecture. It encompasses the theory of visual arts as well. The history of art attempts an objective survey of art throughout human history, classifying cultures and periods and noting their distinguishing features and influences. Some of the major periods and styles discussed in the document include prehistoric art, ancient Egyptian art, Byzantine art, Renaissance art, Baroque and Rococo art, as well as modern and realist art.
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Creative Industries 1: updated 6 renaissance 1- humanism or early renaissance
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Erasmus+ Cliche Byzantine painting
- 1. Erasmus + •Cliche • Capitalizing in local intangible • cultural heritage around Europe
- 2. Program: Erasmus+ CLICHE 2018 1st High School of Levadia Prefecture of Viotia, Greece
- 3. Cliche INTANGIBLE CULTURAL HERITAGE FOR GREECE Category: Handicrafts and Visual Arts that Demonstrate Traditional Craftsmanship Subject: Byzantine Painting (Iconography)
- 4. Τι είναι η «Βυζαντινή Ζωγραφική;» What is “Byzantine Painting? (Iconography)” Βυζαντινή ζωγραφική είναι η τέχνη της απεικόνισης αγίων και θρησκευτικών θεμάτων, με σκοπό να γεφυρώσει τον φυσικό με τον πνευματικό κόσμο. Byzantine painting (iconography) is the art of depicting holy and religious persons (Saints, Jesus, Holy Mother, Holy Spirit), in order to bridge the natural world with the spiritual world.
- 5. Byzantine iconography plays the role of bridge between man and God. Without the icons of Christ and the Saints it is impossible for the Christian to approach these faces.
- 6. Kinds of Byzantine painting (iconography): portable icon, mural, mosaic and miniature that adorns handwritten codes and books.
- 7. Brief History… Early Christian period (1rst phase) (from the resurrection of Christ until 325 p.c.) Symbols : the navy, the fish, the olive, the anchor, the vine, etc., decorated mosaics and frescoes (techniques)
- 8. Technique of "νωπογραφία" ( fresco )
- 9. Technique of “mosaic” ( Ioustinianos – Theodora)
- 10. Technique of “mosaic” (Saint Vitalios, Ravenna)
- 11. During the period of Iconoclasm (bet Iconoclasm (between 8th and 9th century) The condemnation of the icons and the anthropomorphic representations in general, cut off the course of Byzantine painting. At the Ecumenical Synod (843 p.c.) which took part in Constantinople at the time that emperor Theodora reigned, the restoration of the icons was restored.
- 12. 2nd stage: From Ioustinianos to fall of Kwnstantinoupolis
- 14. 3rd phase: After Byzantine until revolution of 1821
- 16. 4th phase: up to…day first portable icons
- 17. Portable Paintings Mother of God Antreas Rintzos
- 18. Portable Paintings Lord’s Supper Michael Damaskinos
- 19. Wall Painting
- 20. Cretan School, Emmanuel Tzanes, Saint Markos Kwnstantinos Manasis Wall Painting
- 21. Dome of the Metropolis of Nafplio/ Greece Piraeus, Greece Holy Trinity Church Painting inside Church
- 22. Characteristics of Byzantine Painting • Painters attribute faithfully the characteristics of the Saints delivered either from earlier written texts • Figures exude spirituality. The saints are portrayed as strict, never smiling, and never by secular expression. • Golden background used in the images creates the impression of a transcendental world.
- 23. Students: Vasiliki Papageorgiou Panagiota Plitsou Maria Sfountouri Loukas Spyropoulos Elina Tsolana Panagiotis Xanios Professors: Sofia Katopodi Argyro Charokopaki