Duccio’S Maestà Essay

Duccio’s Maestà Essay
In the early Renaissance era Florence and Siena were rivals in many aspects. The Battle of
Montaperti was fought between the two in September of 1260. After their triumph over Florence,
Siena used the monetary winnings for the building of the Palazzo Pubblico to serve the city in
governmental, spiritual and social needs; it was comparable to the basilicas in ancient Rome in this
aspect. The Palazzo Pubblico (fig. 1) was also made to compete with Florence's already constructed
Palazzo della Signoria1 (fig. 2). The city also focused the new funds on the elaboration of the
cathedral interior (fig. 3). In 1308, Duccio di Buoninsegna was hired for this reason. Duccio
completed the requested polyptych, or multipaneled, altarpiece three years ... Show more content on
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The people saw a painting of Mary as a path of communication. The people of Siena, now visually
inspired to pray for the well–being and peace of the city, were ecstatic at the sight of the finished
altarpiece. The citizens of Siena were not alone in their high regards of St. Mary. Duccio includes
his signature of praise in the base of the Virgin's throne: "Holy Mother of God, be the cause of peace
to Siena, and of life to Duccio because he has painted you thus." Duccio used his talent as a type of
praise, painting as a form of worship. He hoped for the favor of his patron saint in return for the
labor expended in creation of the Maestà. Duccio's Maestà towered over six feet and consisted of
fifty–five framed panels painted with egg–based tempera. Madonna Enthroned, the largest section of
the entire structure, dominated the front plane of the altarpiece. The same side was comprised of
scenes of the life of Mary from Annunciation to her death (fig. 4). The reverse side compiled the life
of Christ into 42 separate panels from the Baptism of Christ to events occurring after Resurrection
(fig. 5). Many ages of art shine through Duccio's portraying of Mary in Madonna Enthroned (fig. 6).
Both being trained in the Greek manner, Duccio's version of Siena's patron saint is comparable to
Cimabue's Enthroned Madonna and Child with Angels and Prophets from the year 1280 2 (fig. 7).
Duccio, however, took a softer
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Renaissance Dbq Essay
The Renaissance changed everybody's entire point of view on the world in many different ways. All
of Europe was dominated by the Catholic Church from the fall of Rome to 1350. The Renaissance
began in about 1350. How did everybody's view of the world change during the Renaissance? The
Renaissance led to a more optimistic view of the world, people learned to value individuality,
rational thinking, and cherishing the life they have today. People during the Renaissance learned to
value individuality. According to Document A, medieval artists made paintings more focused on
religion before the Renaissance started. For example, Duccio Di Buoninsegna made a painting that
shows the Mother Mary on the throne while holding the baby Jesus in her arms.

Informative Speech On Michelangelo
I am typing this paper over Michelangelo, one of the most famous artist ever! He had one of the
greatest paintings called The Sixteen Chapels. I am going to tell you about the life he went through.
Michelangelo was born on March 6, 1475 in Caprease, Italy. His father is Leonardo Di Buonarrota
Simoni. He did not have a mother because she had passed of illness. His father enrolled him in a
grammar school with the famous Humanist teacher Frances–co da Urbino, but Michelangelo was
unimpressed with scholastic, and instead chose to spend his time among the great works of art and
architecture throughout Florence. Some of Michelangelo's most life changing experiences were, his
mother passing, Michelangelo leaves Ghirlandaio's workshop and starts to study sculpture in the
gardens of Lorenzo de Medici. He lives at the ducal palace for three years in the company of the
learned Humanists and sculpts his first works (marble reliefs): THE MADONNA OF THE STAIRS
and the BATTLE OF THE CENTAURS in 1498. Michelangelo is called to Rome to build a tomb for
Pope Julius II. Then he spends nine months in ... Show more content on Helpwriting.net ...
Michelangelo was less interested in school than watching the painters at nearby churches.
Michelangelo's dad found out that Michelangelo didn't have interests in the family financial
business. So he agreed to apprentice him at the age of 13, to the fashionable Florentine painter's
workshop. Michelangelo was there at the workshop for only a year when an extraordinary opened
up to him. At the recommendation of Ghirlandio, he moved into the palace of Flourintine ruler
Lorenzo the Magnificent, of the powerful Medici family, to study classical sculpture in the Medici
Gardens. He was there from 1489, to 1492. ring 1499 –1501, Michelangelo was asked to complete
an unfinished project that was started 40 years earlier by Agostino di Duccio. It was the "Statue of

The Great Thing About Art, By Giotto Di Bondone And Duccio...
The great thing about art, is that there are multiple portrayals of one idea but, the artist's own
personal style allows one to feel something that another may not. Early Renaissance painters, Giotto
di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene
known as, The Betrayal of Christ. Through a close analysis of each artist's representation of, The
Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene
through their attention to detail, character, and space throughout the painting. When examining these
two works, one will have a stronger emotional response towards Giotto's interpretation rather
Duccio's, due to his methods of handling organization, figures, and space. Within each artist's
painting, is a major scene within the Betrayal of Christ known as, The Pact of Judas. This biblical
story, is about one of Jesus's twelve disciples, Judas, who agrees to give up Jesus for thirty silver
coins. The chief priests, agree to pay Judas and decide that the night before his crucifixion Judas
would kiss Jesus so authorities could recognize him out of the large crowd (King James, Matthew:
26). Once Judas realized, that Jesus was sentenced to die due to his actions, he was remorseful and
tried to return the coins to the priests and eventually hung himself, due to his guilt (King James,
Matthew: 26). Giotto and Duccio each painted their own representations, of Judas receiving the
thirty

Marble Sculptures: Saint Dominic And Saint Francis
The arts during 1200's–1300's were highly influenced by many people, however two men made the
biggest influence out of everyone. Saint Dominic and Saint Francis made a huge impact in many
city's architecture, marble sculptures, and paintings. In the city, the Pisa baptistry is one that can be a
focal point when one wants to look at the architecture that made this time period a historical time.
From the buildings exteriors to the hallways of the interiors, they were designed to have features
from different aspects. Along with the baptistry, the pulpits that priest relayed their message from
had massive marble sculptures in front of them. The sculptures shown historical events like the birth
of Jesus. However, it is the close details that give it it's unique look. Likewise, many art paintings of
this time give insight of how Siant Dominic and Saint Francis. ... Show more content on
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The baptistry was a symbol of the church that everyone knew, however the building itself is what
gives it its unique characteristic. From the pillars to the arches the building is known for
contributing to its strong features. The sculptures that fill the baptistry are also known for its style
during this period. The Romantic features and the religious values that are in the sculpture are what
gives it the unique look of this time period. The paintings Rucellai Madonna by Duccio de
Buoninsegna is strong hold of this time. Its powerful features of the throne to the details of the
people in the painting is what we remember when we think of this influential time. The art of this
time was influenced by many different people and many features can be seen that resemble different
ethnical styles. However, Saint Dominic and Saint Francis were very influential during this time
period due to their places in the church. Religion was a strong hold within this time period and it can
be seen within all the

Comparing Renaissance Paintings: Simone Marini And...
Before the Renaissance, paintings from the classical time are about nothing but religion.
Expressionless faces of Jesus Christ, the Madonna and the saints made them inaccessible to people.
People's body and minds were both framed, and the existence of human being seemed to be
negligible and worthless compare to gods. "Man is only a reed, the weakest thing in nature", as
Blaise Pascal points out, but he continues with the most important phrase: "but he is a thinking
reed". Thinking gives human the ability to love, to argue, to explore and to learn. Renaissance is
much about the progress of restoring the glory of human himself. During this progress, we can
clearly observe that human was gradually playing more and more significant roles in the ... Show
more content on Helpwriting.net ...
From Dante writing a book that everyone can read to Giotto giving emotions to his paintings, from
Ghiberti and Brunelleschi competing for designing the door of the baptistery to Cosimo founding
the Neoplatonic Academy, Renaissance made great progress from 1300s to 1500s. In general,
Simone made his Annunciation in 1333, the early developing period of Renaissance; Leonardo's in
1472, during the climax of Renaissance. If the differences in genres made these two paintings
different in their techniques of expression, the different time periods they were created gave them
different

Influence Of Religion On Italy
Italy
Italy is an European country. Italian is its official language, and 93% of the population is native
Italian speakers. Its ethnic background includes small clusters of German–Italians, French–Italians,
Slovene–Italians, Albanian–Italians, and Greek–Italians. With various clusters of people come
various beliefs in religion. Religion has influenced the culture, artists, and national treasures of Italy
in various ways. Culture is one aspect of Italy that is highly influenced by religion. Religion was
part of the state constitution. The people of Italy are Roman Catholic, Protestant, Jewish, and
Muslim. The Muslim community is still continuing to grow. The Jews, Muslim, Orthodox, or
Eastern Rite Catholics make up about 2% of the ... Show more content on Helpwriting.net ...
March 19th is celebrated as the Feast of St. Joseph. It began in the Middle Ages when there was a
drought in Sicily. The desperate people living there asked Joseph for rain in exchange for a huge
meal in his honor. Of course, the rains came and the land was thriving again. In keeping their
promise, the people prepared an enormous feast, beginning the tradition of the St. Joseph's Table and
giving food to the less fortunate. Today, many churches and organizations still host St. Joseph's
Tables, in which parishioners or members prepare and donate large amounts of food, all meat–less
items. The Italians do believe in the supernatural. Many general supernatural beliefs of the Catholic
Church are intertwined with older beliefs. An example is Sicily, in which, Arabic and Greek
influences have blended with popular Spanish beliefs and been incorporated into Catholicism. They
have beliefs in the evil eye, charms, spells, messages through dreams, and various other types of
omens. They believed in witches with powers and anti–witches. Many of the beliefs have died out
with the knowledge of the modern age. The people of the capital of Italy, Rome, do not believe in
one single all–powerful god. Instead, they believe in many. To the Romans, religion was less a
spiritual experience than a contractual relationship between humanity and the forces controlling the
existence of people. Some Italians believe that after death good is

Late Medieval Italy ( 13th And 13th Centuries )
Late Medieval Italy (13th and 14th centuries) ( Syed Meesam Rasool) Chapter 14
We begin our narrative into the Late Medieval period. Europe was prospering with good crop
harvest, expanding population and a degree of economic stability in the Eurasian trade routes,
brought about by the Mongol rule in the east. Focus of this paper is mainly in Italy, at this time in
Italy, there were no centralized monarchy, and rather we have land primarily divided into city states
having their own ruling parties. The kingdom of Naples and Sicily in the south, the papacy ruling
the center of the peninsula and ... Show more content on Helpwriting.net ...
He wasn't the very first artist to come upon these ideals but he has given this mantle by Giorgio
Vasari in his book written in 1550 titled " The Lives of the artists". Vasari was contemporary to
many famous Renaissance artists that we know about including Michelangelo.
Giotto's Early work is seen in the freshness of the upper church of San Francisco in Assisi. It is
possible that he worked on the upper church with his teacher Cimabue. Giotto took the expertise of
his teacher and refined it into more naturalistic degree. This can be seen in Cimabue's Madonna
Enthroned with Angels and Prophets and Giotto's Madonna Enthroned. Giotto's version had figures
more rendered and there is a refining of the features, the drapery and the painting as a whole, you
can see the light source coming from the single direction and illuminating the figures on each side.
This helps create sense of space and believability. This same painting was also painted by another
artist in Siena named Duccio.
The more mature work of Giotto which made him the leader in the development of the western
paining is the fresno's in the Arena Chapple. These painting were executed as Fresco, a method
whereby moist plaster was applied only to an area of the painting that could be painted within that
same day. It is possible that Giotto could have employed members of his workshop to help paint the
less significant figures and details of the painting. This

Easter Story Vs Duccio
I will be comparing and contrasting the Easter Story by Giotto Di Bondone with Duccio di
Buoninsegna's Maesta. Easter Story is located in the Arena Scrovegni chapel in Padua, Italy. Maesta
is located in Museo dell 'Opera Metropolitana del Duomo, Siena, Italy.
There are many comparisons and contrasting aspects to both works made by these renowned artists.
Both art works tell the story of Jesus Christ. The narrative begins with Jesus's grandparents and ends
with the death and crucifixion of Jesus. Both depictions are unique to the artist however they tell the
same story.
Let's start looking closely at how it all started. The Arena Chapel is connected to a palace which was
owned to the Scrovegni family in c.1305. The Scrovegni family commissioned ... Show more
content on Helpwriting.net ...
After Giotto created The Easter Story, the people of Sienna wished to depict the narrative of Christ.
However it was done in a competitive way. Knowing this I find it interesting to see the differences
between the two. Looking to see if Duccio used any techniques or style like Giotto.
Giotto used the painting technique Fresco specifically buon fresco–true fresco. However this didn't
make sense for Duccio's work in the Cathedral of Siena because it was made out of alternating
blocks of black and white marble. It has a very decorative interior which wouldn't have worked with
Fresco. So therefore it made sense to do a panel painting for the altar piece. Both Giotto and Duccio
used the technique chiaroscuro. This was a technique to represent light shade and shadows in
painting. Giotto learned this technique from his teacher Cimabue. He learned to use this technique to
model volume and

Early Italian Renaissance Art: Florentine vs. Sienese Art
During the thirteenth and fourteenth centuries, a transformation occurred in Italy with respect to
society, economics, politics, and religion. One of the major factors that led to such a change was the
shift from a farming culture to a culture of industry dominated by merchants. This led to an urban
economy, the expansion of cities, and the alteration of government to accommodate the growing
population. In addition, Christian sects such as the Franciscans and the Dominicans began to form,
advocating new religious philosophies involving bringing faith to the masses. This combination of
reform in the economy and in organized religion brought about an increase in the production of art.
The creation of artworks became an esteemed industry, and ... Show more content on
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In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In
each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group
of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a
group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures
are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the
figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds.
The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The
skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several
other depictions of Christ's crucifixion.
Because Duccio's work is a triptych, beautifully articulated figures have been added to the wings of
the piece and above Christ himself. On the left wing, illustrated as a bishop, is Saint Nicholas, a
religious figure known for secret gift–giving and working miracles. On the right is Saint Gregory
(also Pope Gregory I), a monastic pope known as the "Doctor of the Church." Above the crucifixion
scene is a representation of the risen Christ, flanked by two angels. This could serve as a reminder
that eternal life exists after

The Most Famous Work Of Art
The 13th and 14th centuries in Italy are as known as the early Renaissance. Several artists remain
well recognized from this period in art history. Duccio di Buoninsegna was an Italian painter, active
in the city of Siena. His most famous work of art is the Maesta Altarpiece located in the Cathedral of
Siena. At that time, Siena was very competitive with Florence. The greatest Florentine painter was
Giotto di Bondone. He was a couple years younger than Duccio. Giotto's crowning achievement is a
series of fresco murals painted in the Arena Chapel. Duccio and Giotto were two astonishing artists.
Duccio's Maesta and Giotto's fresco painting in the Arena Chapel both tell us a narrative story of the
life of The Virgin Mary and Christ. Both ... Show more content on Helpwriting.net ...
His stillness is in contrast to the crowd, it allows scenes flow around him. Judas reaches and kisses
Christ from the left, there appear to be regret in Judas face. There is not apparent though his
aggressive posture. Christ's right hand is pointing forward. This may express Christ's future
forgiveness of Judas. Duccio's depiction leaves more space for imagination for the viewer. In
Giotto's painting, Christ is in profile. This allows for eye contact between Christ and Judas. Christ is
a little taller than Judas, and he gaze silently upon Judas's face. From the gaze of the Christ, we can
feel a sense of forgiveness and sorrow. Moreover, we can feel Juda feels sorry for what he has done.
Their expressions make the painting more emotional, they emphasize the nobility of the Christ and
let viewer have a better connection to this emotional content.
Both Duccio and Giotto captured the act of Saint Peter slicing an ear off of a roman solider. Duccio
is telling the story of the arrest of Christ though a passing of time. In Duccio's painting, we can
clearly see the anger on Peter's face, he is next to Judas on his left. The viewer will draw their
attention to Peter after viewing the moment of the kiss of Judas. Duccio made it a separate moment
from the main scene. In Giotto's painting, Peter is in the crowd he raises up his right arm, which is
holding a knife and reaches behind the

How Did The Renaissance Differ After Humanism
The Renaissance, a gorgeous, outstanding, time period of many greats, and brave noble men and
woman. Wouldn't you like to know more? The Renaissance had many artist like Leonardo da Vinci,
and many other great discoveries such as the human body. Humanism influenced many people in
different ways through literature, and astronomy. Literature topics were viewed differently after
humanism, because of the help through the printing press, making it more available to read
literature, and also through humanism which allowed many start to separate from the church and
relying on themselves. For example, before humanism many wrote about daily events and how great
the church and god were, but after humanism many started to write about how man was a

St. Martin Of Tours Dividing His Cloak Analysis
David Cox Form IV– Art History Father Gregory Schweers, O. Cist. 10/26/16 St. Martin of Tours
Dividing His Cloak with a Beggar Ambrogio Lorenzetti Middle ages and Early Renaissance St.
Martin of Tours Dividing His Cloak with a Beggar by Ambrogio Lorenzetti St. Martin of Tours
Dividing His Cloak with a Beggar is a painting that portraits the story of St. Martin, a wealthy
soldier, giving a part of his cloak to a cold beggar in the winter. A famous Italian painter, Ambrogio
Lorenzetti, painted this. This work of art was painted roughly in the year 1340. The painting is still
around today with almost no damage done to it. It is currently held in the Yale Art Gallery, along
with many other Italian paintings. This painting used to be a part of a triptych. This means that it
was a part of three paintings that were meant to be seen all at once. The triptych showed the Virgin
and Child, and The Charity of St. Nicholas of Bari. ... Show more content on Helpwriting.net ...
When I first saw this painting I noticed that St. Martin's armor stands out the most. I think that
Lorenzetti might have done this to show us how nice and elegant St. Martin is, compared to the
beggar, who is wearing almost nothing. His armor has many different shapes and textures on it
making it stand out more than anything else. Another reason why it stands out is because Lorenzetti
made the rest of the painting kind of dark. He might have done this to emphasize the weather
conditions, or he might have done it to emphasize the colors of St. Martin's

The Bridge Between The Middle Ages And The Renaissance Era...
History is a vast ocean of time and regions, yet some are seen as more influential than others.The
Renaissance can be described as an era in which science and culture mixed, therefore creating waves
of innovation that rippled throughout the entire planet. In the 14th century, Rome had long fallen,
and centuries of Christianity had taken Europe. Crusades were led across vast regions, as well
traders traveling to the east and discovering new goods to sell and trade.This began exploration into
other cultures, particularly past ideologies. Early Rome and ancient Greece were studied and the
studies of Pluto were rediscovered. This new interest was accelerated by The Great Papal Schism of
1378 in which three men decreed themselves the Pope at the same time. During this period of
religious uncertainty a movement of "Humanism" was rediscovered. People had the desire to study
forgotten texts, and learn the ideas of the past. The bridge between the Middle Ages and The
Renaissance era were beginning to be built. This time period of rediscovery is known as the "Proto–
Renaissance" and lasted between 1200–1400. Where it all began, the influence of humanism, and
the artists that attributed will be the subject of this essay. During the period of Proto–Renaissance
the entirety of Europe established different developments in each of it's regions, yet Florence and
Sienna experienced copious amounts of innovation. Artists and Scholars searched, studied and
emulated the teachings of the

Naturalism Is the Style of Art That Details Precision and...
March 08, 2012 Humanities 200 Essay Topic 1 Question #2 Naturalism is the style of art that details
precision and accuracy in displaying things as they are. Artists during would use naturalism by
taking realistic figures and depicting those figures in natural setting as realistically as possible. Prior
to the Renaissance, artists maintained their dependence upon the ancient tradition of icon painting,
mostly of the religious kind. Duccio di Buoninsega of Siena conveyed within his paintings early
features of naturalism, which would invoke an expressive and spiritual seriousness to the viewer of
these paintings. From his early work on out, Duccio displayed a progressive abandonment of the
early forms of art. Displaying the stiff head ... Show more content on Helpwriting.net ...
In Raphael's, Sistine Madonna, he was able to create a painting depicting a combination of material
and worldly elements within the heavenly, in a perceived dramatic interaction. The stage is seen as
the lid of Pope Julius II coffin, while the drawn apart curtains to display the divine action. Raphael
also includes two little angels whose expressions are seen as boredom and impatience placed in the
painting as for a little humor. But in comparison to the baby Christ, Raphael has baby Christ looking
to be caught in the moment, very aware of its significance in the future, and what Christ needs
accomplish in the present. Finally, for the Madonna, Raphael portrayed her differently than his usual
depictions. The Madonna appears to be looking down and directly towards the viewer, applying a
realistically emotion of self–conscious yet tragic and mystical but ecstatic imagery. Raphael
successfully is able underline all those qualities by surrounding her frame with a visual light. Giotto
is credited with first taking a painting and making it as a window into space. Though, it was not
until the development of perspective that a bigger movement was made of towards realism in the
arts. Throughout the Renaissance period, painters developed other techniques, by observing lights
and shadows, and even the human anatomy. Primarily, these changes reflected in the values of the
Renaissance within an artistic method, help motivate a rejuvenated desire to portray what was

Duccio di Buoninsegna's Madonna and Child
"The Met's very own Mona Lisa" (Tomkins 9). That is what Duccio di Buoninsegna's Madonna and
Child painting is known as today. "The Metropolitan Museum of Art bought the Madonna and Child
for forty–five to fifty million dollars" (Tomkins 1). However, the painting was not always in public
hands; in fact, the Met purchased the last known work of Duccio in private hands. Originally, the
painting was held in the private hands of Adolphe Stoclet and his wife. When the couple died, their
house and their collection went to their son, Jacques who held onto the painting, and passed it down
to his daughters who lent it to an exhibition in Siena of Duccio and his school. The painting was
eventually withdrawn from the exhibition and sold ... Show more content on Helpwriting.net ...
Also the crisp outlines of the jewel–colored shapes created by their clothing as well as the continuity
of folds and gestures, creates a rhythmic pattern crisscrossing the surface showing the element of
design (Stubblebine). The imagery in Madonna and Child is displayed in how the artist expresses
himself, and how the artwork communicates with the viewer. The artist expresses himself in that the
work is symbolic. It is symbolic in that it depicts the sacred realm and the account of Mary and the
Child it also emphasized the thirteenth century devotional practice on experiencing the sacred
figures as real (Stokstad 259). In addition, the work was created within a structured stylistic context
of devotional images and icons, and was not created as a personal expression. The Madonna and
Child painting communicates with the viewer, in that the sense of human interaction convinces the
viewer that the two figures exist in real space and time (Tomkins 3) and the intimate interaction
between the Child and the Madonna evokes a human response from the viewer. Duccio explored the
world of sentiment and empathetic emotional response with a lyricism and sensitivity to color. Some
examples of this is the tender gesture of the Child, the distant glaze of the Virgin, yet deeply moving
expression, the use of drapery folds to describe the forms of the

Comparing Late Medieval Crucifixion Versus Renaissance
Duccio di Buoninsegna and his workshop differ from Joos van Cleve in numerous ways. Both artists
were influenced by the different works of their time. For instance Duccio lived and worked during
the time between Late Medieval art and Pre–Renaissance, which emphasized a change from merely
concealing the figures to making them more realistic than previous works of art. Joos van Cleve
resided in the Renaissance period, which was later than Duccio by over two hundred years, where
the act of making figures more lifelike with an increased amount of depth had been perfected. These
differences and similarities can be most clearly seen with Duccio's Triptych: the Crucifixion; the
Redeemer with Angels; Saint Nicholas; Saint Gregory ... Show more content on Helpwriting.net ...
The subject focuses on Christ's crucifixion, but figures exist beyond Christ performing their daily
modern activities in a semi countryside landscape and urban setting. Mary and John both stand in
contrapposto, balancing the majority of their weight on one leg (Figure 6). At the foot of the cross,
bones lie to represent death (Figure 7). There is balance in the picture with each side reflecting each
other symmetrically in scale. For instance, the tree in the midground on the left side is the same
height as the outcropping of stone on the right side. Mary and John are also a larger scale than Christ
and the figures in the midground and background. This involves the use of linear perspective, where
objects farther away seem smaller to the eye. The outlines of the figures are less blunt and more
realistic in this painting. A viewer can see this in the form of the drapery, which shows the forms of
the figures with a slight illusion of motion from an unknown source of wind. Christ's loin cloth
seems to flutter in the wind from both sides. The tension in John's drapery emphasizes his agitation,
while the thick folds of Mary's drapery demonstrates her grief over the loss of her son (MFA Label).
This can be seen through John's eyes looking up toward the body of Christ on the cross, and Mary
looking down at the bones at the base of the cross, which represent death. Joos van Cleve
emphasized the use of colors in place of atmospheric perspective, which makes

Renaissance Research Paper
Renaissance means "revival or rebirth of culture awareness and learning that took place during the
fourteenth and fifteenth centuries particularly, Italy, but in Germany and other European countries"
(wiki 15) as well. A characterized period of renewed interest in ancient Rome and Greek art which
design and included an emphasis on human beings, their environment, science, and philosophy.
Humanism had their interest and assertion of importance of the person. The history originates to the
beginning of the great Western age of finding and exploration. When a desire came about to develop
and examine the every aspects of nature and the world. The thing that was different before the
Renaissance was the Middle Ages. According to the textbook, "the ... Show more content on
Helpwriting.net ...
Artists deliberated the influence of light outdoors and how the eye observes all the diverse elements
in nature. They established aerial perspective, meaning objects became increasingly less distinct and
not so sharp colored as they recede from the eye of the beholder. The Northern painters from
Flanders and the Netherlands in particular, were advanced just as the Italians in landscape painting.
They donated to the transformation of their southern contemporizes by presenting oil paint as a new

What would have happened if people in the middle ages never lived their present lives and we
stayed under religious rule? The Renaissance impacted people overtime and gave humanity a new
way of thinking, a new way of life. How did the Renaissance Change Man's View of the World?
From the fall of Rome (500 CE) to 1350, Europe was dominated by the Roman Catholic Church
(Background Essay). But over a course of 300 years, art and literature blossomed and scientific
advances were made which people called the Renaissance (or "rebirth"). The Renaissance spread
from Italy to western and northern Europe, like a sunrise making its way across the land
(Background Essay). The Renaissance led to more optimistic views, embracing individual value,
rational thinking, and people to "live in their present life." ... Show more content on Helpwriting.net
...
If someone was born as a peasant or another low–class, they didn't have to work their whole life on
a farm. People during and after the Renaissance could achieve their dreams and have freedom, even
if they were a low–class person. Before the Renaissance, Medieval artists like Duccio Di
Bouninsegna focused mainly on religion (Doc A). However, Renaissance artists like Leonardo da
Vinci focused on capturing reality (Doc A). With depth, three–dimensional figures, and even
emotion (Doc A). Take for example, Leonardo's worldly everyday themed Mona Lisa, which is of
Lisa Gherardini, the wife of a wealthy Florentine merchant (Doc A). Showing how people truly got
a new view of the world in human

Madonna And Child: Duccio Di Buoninsegna
The painting, Madonna and Child, is an artistic piece of work painted in the 12th century to be
precise between 1290 and 1300. The painter is identified as Duccio di Buoninsegna was an Italian,
Sienese, who was alive in the period between ca. 1278–d. 1318).
Formal analysis. Overall, the dimensions of this painting, with frame, 11 x 8 1/4 in. (27.9 x 21 cm);
painted surface 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm). This work is done with Tempera and gold on
wood, with original engaged frame. The damage caused at the bottom of the original frame is from
candles lit before the picture, which was used for private devotion. The painting has a powerful
presence despite its size. It captures the eye from a long way, and commands, from a closer view, ...
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But Duccio's picture also straddles the threshold between past and future, between antique
convention and a new realism: like a knot, its busy cluster of hands and feet formally breaks up the
delicate, abstracting S–curve made by the gold trim on the Virgin's gown as it crosses her chest and
dips into the fabric that drapes between the child's spread legs. At the same time, that knot expresses
motherly love. One of the Virgin's long thumbs provides ballast for Jesus' leg, while her other thumb
extends just far enough to meet the tip of his drooping garment, a tender and immediate gesture that
rings true. ' (2015, The New York Times > Arts > Art & Design > Art Review: Duccio Gem Perched
Between Artistic Eras) .It is important to realize that each and every aspect of this composition
represents a departure from pre–existing convention. With these not–so–evident changes, Duccio
consciously developed an image of extreme tenderness and at the same time expressed a sad sense
in humanity. It

How Did The Renaissance Differ From The Middle Ages
The middle Ages is the middle period of three traditional division of western history, it was time
period before the renaissance. It stretched from the fall from the Roman Empire around 500 CE to
about 1350. During the middle ages, the Roman Catholic Church and the pope were the primary
players in Europe. The renaissance was a period of big change in European history, it was a time of
intellectual excitement, art, literature and scientific advances. Over the course of the renaissance
about 300 years, the renaissances spread from its home in Italy to the western and northern Europe.
The purpose of this paper is to discuss the change of a man's view from the middle ages due to the
renaissance that they were big changed during this time. The Middle Ages was a period before the
renaissance. The last day of the renaissance Duccio Di Bouninsegna painting shows the mother
Mary on the throne with the baby Jesus on her lap and Leonardo da Vinci's Mona Lisa. So the
clearest evidence of the break with medieval culture come from the visual arts. The visual arts where
the essence of the renaissance. They viewed as the pictures describes a lot of things during the
renaissance describing the different people. The new artistic ... Show more content on
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Both strength, pleasure, and beauty will fade thee as flower in May ." meaning That nothing last
forever , whether we like it or not people things we might love the most don't last as long as we l
would like them too. William Shakespeare was the literature part of the renaissance what he wrote in
Doc. B was describing how me felt. What they did and how people of thought of the men when they
did it. Another quote describing the Renaissance period was "What a piece of work is a man! How
noble in reason." Basically saying that he is an important man with reason for what he did during
this big

Names In The Renaissance
The Renaissance, a time period painted over like a great canvas with the names of legendary artists.
People in the modern world know mostly the great names like Leonardo da Vinci, Michelangelo,
Donatello, Raphael, etc. These names have become ingrained in culture, so much so that the names
have taken on a new persona of four animated turtles. But like any time period these names barely
scratch the surface of a cornerstone in the history of art. Beginning in the 13th century, known as the
Early Renaissance, the focus of art started to shift from a heavenly perspective down to a more
human perspective. Sciences grew, knowledge of the human body expanded, and in turn this helped
shape artistic trends like they were clay on a potter's wheel. Great ... Show more content on
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Ideally, the determination to learn and study art would come at a young age, "Training usually began
at an early age. Some boys were placed with a master before they were ten years old [... ] most boys
were three or four years older than that when they began" (Italliano Resource). In comparison,
becoming an artist was almost like becoming a page for a knight. One must move out from the
home, live under an artist, and under the title of apprentice, must complete tasks such as "weeping,
running errands, preparing the wooden panels for painting, and grinding and mixing pigments"
(RenConnection) . If an apprentice was exceptional, the master would graduate the student and
would allow them to complete their own pieces of art. Depending on what type of master one
studied under, the art that an apprentice would learn varied from sculpturing marble, oil painting, or
sketching, to name a few. From instruction from the master, learning how to draw statuettes became
the natural progression of a student's journey. (Italliano Resource). This helped students to "foster
greater naturalism in Renaissance depictions of the human form" (Italliano Resource). The final step
in becoming a master was to learn the technique of painting and drawing, understanding the
techniques used such as fresco or oil painting. Should a student show enough skill to create
professional

Altarpiece Of St. Louis Of Toulouse And The Renaissance
While most Renaissance art is easily attributable to the artist that created it, an artist's work could
vary dramatically depending on the city and patron for which the piece was commissioned. The
fourteenth century Sienese artist Simone Martini was and example of these easily recognizable
artists. Martini was known for his Gothic style that was influenced by northern Europe, but within
two of his panel paintings, The Altarpiece of St. Louis of Toulouse and The Annunciation, he
exhibited different stylistic and compositional strategies. This variation in style was dependent upon
the social, political, and civic contexts of each city which shaped the imagery that appeared within
the works of art. This variation in Martini's work displayed the tremendous influence that the patron
could choose to take over the execution of a work of art during this particular period in history.
Martini's Altarpiece of St. Louis of Toulouse, completed in 1319, was commissioned by Robert the
Wise, the third king of Naples. Naples, throughout its modern history, has had a strong connection to
France due to its location, identity as a port city, and familial ties between the French monarchy and
its own. The city became part of the Sicilian Kingdom in 1264 when the grandfather of Robert the
Wise and brother of King Louise IX of France, Charles I, was declared the king of the two Sicilies
combining the Kingdom of Naples and the Kingdom of Sicily. This installation of a king sparked a
construction

A Summary Of Jesus And The Lamentation Of Christ
Today I will be comparing these two late Medieval Italian paintings which have a story that
arranged throughout the chapel, both paintings show Mary saying goodbye to her late son, Jesus.
Looking at the painting Lamentation of Christ (Duccio) you can notice that the background is a
golden tone with a mountain displayed in The Mourning of Christ (Giotto) you can notice the
background is a bright blue not a golden tone, you can notice a difference in the sky that makes you
wonder whether it was day or night. The most basic difference probably lies in the area ten angels
flying around in the sky in the Mourning of Christ (Giotto) painting which the Lamentation of Christ
(Duccio) painting fails to show any angels failing to give a fantasy theme to the painting. As you
glance at both the Mourning of Christ (Giotto) and the Lamentation of Christ (Duccio) painting you
can also notice that in the Mourning of Christ (Giotto) painting Jesus and his Seven disciples all
have halos around their head which is merely a round flat plated halo behind their heads. The focus
in the Lamentation of Christ (Duccio) are on both Jesus and his Disciples, those who are closest to
him while in the Giotto painting the focus is on the left side of the canvas and being focused on the
center of the canvas showing not only the disciples and the audience of Jesus's death. In the Giotto
painting they depict the importance of disciples and those closer Jesus with halos. In

Birth Of Venus By Botticelli And Child Enthroned With...
Artist in the prehistoric and medieval periods used art to illustrate ideas and concepts affecting their
prehistoric societies. Most of the artistic works of this time and their presentation had a cultural and
stylistic significance. The arts portrayed a particular ideas concepts and themes. An example of this
works includes, Birth of Venus by Botticelli and Child Enthroned with Saints by Duccio. The paper
seeks to compare and contrast these two works basing on the differences in artistic styles and
cultural contexts used.
Birth of Venus
Birth of Venus is one of the world most famous and appreciated works of art. It was painted by
Botticelli '. The picture hangs in the country villa of the Medici indicating that the work got
commissioned by Medici family. In this painting, Venus rises from the sea looking like a classical
statue and floats on a seashell .it gives one of the surest and most recognizable art images in the
history. On Venus right is Zephyrus, who is the god of winds and carries with him the gentle breeze
of Aura and together they blow the goddess of love ashore. Goddess of seasons, the Horae, waits to
receive Venus and spreads out a flower covered robe in readiness for the Love Goddess arrival.
Botticelli took some of the inspiration for a hymn by Homer, the classical poet. However, it was an
unusual subject for the time since "most Renaissance artists used themes from the teachings of the
Catholic church for their paintings" (Corsini, 6).
It was in the keeping

Antigone Vs Duccio
The most important difference between Maestà and Antigone is the message that each portrays to
society. Duccio di Buoninsegna's series of individualized paintings depicting the Virgin Mary
display her as a central figure that is respected and possibly worshiped by both men and women.
Sophocles' play on the other hand displays female oppression through his main character and the
lack of dedication to religion by men. I think this is an important difference because each work of art
exposes the beliefs that each artist conveys about their individualized society. Even though there are
many distinctions between Duccio's Maestà and Sophocles' Antigone, I believe that the most
important difference is the message that each ... Show more content on Helpwriting.net ...
For starters, Antigone was created in 441 BCE Athens, a city–state in Ancient Greece, where the
only thing more powerful than a man's pride in Athens political system was preserving their egos.
During this time, it was evident that the women were firmly wedged underneath the thumb of
Athenian men. The playwright's tragedy encompasses this several times through his characters. He
writes, "As far as she's concerned, we bear no guilt. But she's lost her place living here with us,"
(Sophocles Excerpt 4). In this quote Antigone's uncle, King Creon ostracizes his niece because she
disobeyed his demands when she performed a burial custom for her brother, Polyneices. This quote
assists in proving that one of the major messages of Sophocles' play is the domination of Athenian
men over women. During Sophocles life, Athenian females were not able to attend the plays, defend
themselves in court, choose who they would marry, or spend their money freely. This idea was
reinforced in his play by showing the harshness of Antigone's treatment by King Creon, exhibiting
that females were not equal and certainly did not have the same liberties as men did. The

How Did The Renaissance Change The World
The Renaissance was a time where literature and scientific discoveries changed the world's point
view. It all started in its home base Italy, and throughout the years it spread to Europe. Before the
time of the Renaissance was called The Middle Ages. In 1300s many things came to a change.
People became more self–supporting. Many had the justice they needed, be released from their
masters. Literacy spread as more people needed its education to keep on their work. Several, who
were educated, started asking questions to churches. A monument so–called Humanism praised the
human beauty and the intelligence people had. Soon in the mid–1400s, the Renaissance and
humanism grew stronger. In this way, people began to change their perspective of themselves.

Cave Paintings Such As Those At Lascaux And Altamira
What are common motifs found in cave paintings such as those at Lascaux and Altamira?
Summarize the current theories about their original meaning and purpose Cave paintings are seen
now in our society is a snapshot of just what they people during that time cherished when it comes
to prehistoric art. The Lascaux brought about many things and showed historians what the
appreciated most during that time. In this cave, there were many depicted cows, bulls, and dear
along the natural ledges of the rock, where the smooth white limestone of the ceiling and upper wall
meets a rougher surface below. All of this is a great example of what the humans during that time
saw and thought of importance, the many animals that they came across and what they looked like, I
think it paved the way for other people to see just how dangerous they can be large. The Altamira
was another example of many animists that the humans came across overall, the many details of the
animal 's legs and also a depiction of humans and their interactions with the animals. Now there are
many theories out there that go into detail about the originals, meaning, and purpose of these cave
paintings, I will now share a couple that I think is significant. The first one had to do with how the
cave paintings might be products, both of rites to strengthen clan bonds and ceremonies to enhance
the fertility if animals used for food. The second one is hoof prints, patterns of animal feces, and
hide colorings were recorded and

Study: Gothic Architecture and Following Stylistic Terms...
Mosaics were created by:
COLORED GLASS
Madonna refers to:
THE VIRGIN MARY
At one time Ravenna was an important outpost for the Byzantine Roman Empire:
TRUE
Pendentives are found around which of the following:
HAGIA SOPHIA
What did Paul the Silentiary say about Hagia's Sophia's dome?
IT LOOKED AS IF IT WERE SUSPENDED FROM HEAVEN
What does Hagia Sophia mean? HOLY WISDOM
Iconoclasm refers to which of the following? DESCTRUCTION OF IMAGES
Byzantine churches were mostly centrally planned TRUE
Which is an example of isocephally? JUSTIAN, BISHOP and ATTENDANTS
Byzantine art is considered to be very naturalistic. FALSE
Icons functioned as decorative objects in houses. FALSE
Byzantine is a term that refers to the ... Show more content on Helpwriting.net ...
ABBOT SUGER
Chartres Cathedral housed which relic? THE SACRED TUNIC OF THE VIRGIN MARY
Which element is characteristically Gothic? FLYING BUTTRESS
Gothic architecture is characterized by all except: DARK INTERIORS
Gothis is a word that comes from the reference to the Goths (Visigoth and Ostrigoths) who were
barbarian peoples settling in Europe around in the 4th century A.D. TRUE
Which exterior architectural element helped distribute the weight of the walls of Gothic churches?
FLYING BUTTRESS
Abbot Suger did NOT coin the term GOTHIC TRUE
Gothic was a term invented in the: RENAISSANCE
Abbot Suger was inspired by which of the following?
–––––––––––––––––––––––––––––––––––––––––––––––––
DIONYSIUS THE AREOPAGITE
Which artist was considered the truest imitator of nature? GIOTTO
Which of the following stylistic terms refers to the medium and process of applying a thin layer of
fresh plaster on an existing plaster surface and then immediately applying color pigments which,
upon drying, become a permanent part of the wall surface? FRESCO
Cimabue was Giotto's teacher. TRUE

Duccio was a celebrated Florentine painter. FALSE
Which of the following terms refers to the modeling of light and dark which begins to appear at the
beginning of the Trescento (1300s) with artists like Cimabue, Duccio and Giotto? CHIAROSCURO
Which images is an example of the maniera greca? ST.

Changes From The Middle Ages To The Renaissance
From the Middle Ages to The Renaissance, man's view on the world changed drastically. The way
we saw and interpreted everything from art to science was greatly influenced during these times.
The Renaissance opened a door to a more realistic way of thinking and seeing things. Without the
changes that took place in these times, the world wouldn't be where it was today. The word
Renaissance means "rebirth" or "revival". The purpose of this paper is to explain how the
Renaissance changed man's view of the world. In the Middle Ages, art was heavily influenced by
religion and religious figures. The works were also 2D or flat, minimally detailed, and lacked bright
colors. A perfect example of this was Madonna Enthroned Between Two Angles by Duccio

Summary Of Saints And Scenes From The Life Of The Virgin...
Mary Bourgeois
Prof Sharon Worley
Arts History 1303
05/15/17
Saints and Scenes from the Life of the Virgin While searching several amazing online museums I
had in mind locating something in relation to the Archangel Gabriel. I find biblical pieces to really
speak to me and I wanted to learn more about Gabriel. I originally found the Miniature Plaque:
Archangel Gabriel in soapstone but found it not so easy to find exact pictures or sufficient
information. Instead I found something even better with so much detail and unspoken holiness. The
Met has a piece known as "Saints and Scenes from the Life of the Virgin". It is a left panel/wing of a
portable triptych of which the center has yet to be located. I was in amazement with the left half as
... Show more content on Helpwriting.net ...
This was accomplished in a seamless manner as this piece looks so natural. Foreshortening was used
in most the panels especially the idle one where the Virgin is laying in an almost upright slumber.
She appears to have a very long torso and legs, while the Saints beneath her appear to be shorter in
height and those sitting even have shortened legs. The bottom piece as she is sitting in the highchair
holding baby Jesus she again appears to be exaggerated with a longer upper body. The proportion in
relation to the whole piece is true to size except showing the Virgin to be larger than life almost in a
sense. All the Saints appear to be the same size in scale whereas the Virgin is longer in the legs and
upper body.
The Master of Monte Oliveto dates back to ca. 1320. He worked on small pieces for personal
devotion. Many have written about this artist's style in several forms all agreeing his work was
exceptional. Leaving the eyes to gaze at his wonderful work and other artists to try to recreate his

Essay on Art11 Compare and Contrast Essy
Compare and Contrast Duccio, Madonna and Child – Gauguin, La Orana Maria Madonna and Child
is a panel painting by Italian medieval artist Duccio di Buoninsegna. Painted in tempera and gilded
on a wood panel in around the year 1300, the Madonna and Child is still in its original engaged
frame. The fact that it was in private hands and out of public circulation for years might be why the
painting is basically intact after 700 years. The craftsmanship and preservation are simply amazing.
The damaged lower edge of the frame is charred where devotional candles may have tipped over.
The Madonna and Child is presently part of a special exhibition "The Philippe de Montebello Years:
Curators Celebrate Three Decades of Acquisitions" in ... Show more content on Helpwriting.net ...
Soon after his death his work became more valuable. Gauguin paintings rarely go up for sale but
their price could go as high as $39 million. In The Orana Maria, Gauguin was depicting Tahitian life
and he used an intense tropical color palette of reds and purples. Duccio's Madonna and Child used
the Byzantine mosaic style color scheme of rich blue, red and gold backgrounds. The Duccio and
the Gauguin were both signed by the artist in the lower right hand corner of the painting. The title of
la Orana Maria is actually painted in the lower right hand corner of the painting in a bright orange
box. In the Orana Maria you can see the texture of the oil paint on the canvas from the brush that
was used. The Madonna with Child is a panel painting. "A carpenter would construct a solid wood
piece the size of the panel needed. It would be planed and sanded and if needed, joined with other
pieces to obtain the desired size and shape. The wood would be coated with a mixture of animal–
skin glues and resin and covered with linen (the mixture and linen combination was known as a
"size"); this might be done by a specialist, or in the artists' studio. Once the size had dried, layer
upon layer of gesso would be applied, each layer sanded down before the next applied, sometimes as
many as 15 layers, before a smooth hard surface emerged, not unlike ivory." However impeccably
preserved you can still see the cracks and aging of the paint used in

Essay about The Role of the Church in the Renaissance
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving
force behind every inspiration; without the Church, there would have been no art. The Church was
the only institution powerful enough to be able to support the commissions of all of the artwork, and
it was the only institution, in which people had enough faith and devotion to spend so much of their
time and money creating pieces that–although beautiful–were not necessities. The role of religion in
art actually began during the Byzantine era. During this time, all artwork was religious in nature,
and most of it was done in a consistently similar style so that figures from the Bible could be easily
recognized by everyone and so that people ... Show more content on Helpwriting.net ...
With so many diseases and such a high rate of death during the Renaissance, most people were
superstitious and feared the wrath of God. As such, they devoted much of their time and money to
Him, partly as honest methods of worship and partly as guarantees of salvation. Most large–scale
architecture and paintings were religious in nature. Three religious works of art of this time period
that best reflect the role of the Church are Giotto's Arena Chapel, Duccio's Maestà, and Masaccio's
Trinity. Giotto is considered the first artist to be fully immersed in the Renaissance, and the man
who truly brought the Renaissance to Florence. He learned from the skills and progress of the artists
before him and took their work one step further. By this time, artists were viewed as skilled workers
in society, whereas before they had been seen more as craftsmen. It was recognized that creative and
intellectual skill were needed to create art, and artists became more educated, prosperous, and
prominent in society, and this increased respect allowed the artists to develop their skills further and
take greater pride in their work. One of Giotto's most extensive projects was the Arena Chapel in
Padua, which was a series of frescoes lining the walls and ceiling of the chapel. He worked on this
for five years, from 1305 to 1310. Giotto was commissioned to paint this chapel by Scrovegni,

Mary In The Church Research Paper
Mary has the most important role in the Church as she is the carer and protector of Jesus. Catholics
are so devoted to Mary and we are able to see that she has an amazing bond with Jesus. Mary has
many names and honours that are linked with her name, such as: Mother of God, Mother of the
Church and Mother of the mystical body of Christ. Christians are seen as children of God and Mary
is the mother of all children.
Mary is one of the most influential and important characters in Christianity, therefore, may different
representations of her have been created. In many images of Mary in art she is seen carrying baby
Jesus which shows her love and devotion to him.
An artwork created in the 13th century called Madonna and Child is based on Mary

The Renaissance changed man's view of the world by art, scientific advancements, and the idea of
humanism. Document A shows how the Renaissance changed man's view because it shows how art
was very important. Document A shows a comparison between the Mona Lisa by Leonardo da Vinci
from the Renaissance, and The mother Mary by Duccio Di Buoninsegna from the Late Middle Ages.
The reason that art was crucial to the Renaissance is because from the text I noticed that it says "...
feels stronger emotions in the subjects... see well–defined landscapes,natural folds in drapery, and
three–dimensional figures." The reason this is so important is because before the Renaissance, the
Middle ages and Classical period artworks were flat, 2D, and had no emotion.

Compare And Contrast The Use Of Lines In The Works Of...
3–1: Compare and contrast the use of lines in the works of Vincent van Gogh and Sol LeWitt. Lines
can express many things. Like Vincent Van Gogh artwork lines can express emotion, and feelings of
the artist at that time. Vincent Van Gogh "The Starry Night" is example of that. He used loose and
free drawing lines. The lines looked as they were out of control and free. Vincent Van Gogh used
thick, bold strokes of the paint brushes to show a certain "body" of their own which is known as
impasto. It was consistent through he's artwork so it was like a signature he used. Since Van Gogh
was placed at a mental facility. He painted "The starry night". The swirls in the paint seem anger and
full of emotion properly from being placed in this place. ... Show more content on Helpwriting.net ...
3–2: Implied Line– a line where no continues mark connects one point to another, but where the
connections is nonetheless visually suggested. Lines that create a sense of movement and direction.
Line of Sight–one important kinds of implied line is a function of line of sigh, the direction the
figures in a given composition are looking. Titian artwork together the three separate horizontal area
of the piece; God the father above, the Virgin Mary in the middle and the Apostles below. The lines
that are create are simple, interlocking, symmetrical triangles. The lines are to serve to unify the
worlds of the divine and the mortal.
4–1: Why does Duccio 's painting "Annunciation of the Death of the Virgin" lack linear perspective?
The right side of the bench appears too placed awkwardly to the right and crawling up and into the
wall. The angel arm appear to be reaching though the wall. Duccio Maesta uses foreshortening in
the beams to give the depth in the artwork though. In one point linear perspective lines are drawn on
the picture plane in a way that parallel lines receding to a single point on the viewer's horizon which
are consider vanishing points. Two point linear perspective a more dynamic ccomposition. The two
point linear perspective is where two or more vanishing point are in the composition. So the biggest
difference is that two points have more than two vanishing points and creates a complex
composition.
An example of one point

Rise Of Humanity Dbq
Rise of Humanity The Renaissance was a period of discovery and somehow turned the world upside
down. The Middle Ages were dominated by the Roman Catholic Church with a focus on the sinful
man, few people owned land and most were illiterate. During the 1300's, education started to
increase because improvements in farm production increased product, this allowed serfs and lords to
move to towns. The invention of the printing press spread the Renaissance and humanist thinking
because books, bibles, and ect. were now available to common men. The Renaissance changed
man's view of the world in at least three ways: an emphasis on individualism, how one's life should
be lived and scientific discoveries. To begin with, the clearest reason of the break with the tedious
Medieval culture comes from the visual arts. To illustrate, images: Madonna Enthroned Between
Two Angels by Duccio di Buoninsegna, late 13th century, it shows Mother Mary on a throne with
the baby Jesus on her lap (Doc A). The Mother Mary and her child painting don't illustrate its
subjects in a very realistic way. The ... Show more content on Helpwriting.net ...
In this case, an English play called Everyman introduced, " 'For ye shall hear, how our Heaven–
King Calleth Everyman to a general reckoning:* Give audience, and hear what he doth say'"(Doc
B). This medieval play focused on death, sin and the final judgment when God decides whether a
person is going to heaven or hell. This reflects Middle Ages perception that living on earth is
meaningless; it's afterlife that really matters. Although, Hamlet by William Shakespeare stated, "
'What a piece of work is a man... in apprehension like god!' "(Doc B). The passage from Hamlet, by
contrast, shows a man as somebody magnificent, not somebody simply doing time on Earth until
they die. Whereas in Everyman, people wait gloomily for God's verdict on the Day of Reckoning, in
the Shakespeare passage, man's ability to understand is like

Theme Of A Mother In A Refugee Camp By Chinua Achebe
In the poem, 'A Mother in A Refugee Camp' Chinua Achebe conveys the close relationship between
a mother and a son. Achebe starts with the imagery of the famous painting of "Madonna and Child"
by Duccio di Buoninsegna. The painting symbolizes Madonna as Mary, who is seen as the mother of
Jesus here because in the bible her character is seen to be lovely and every parent–child relationship
is just like that of Mary and Jesus, tender and caring. This is emphasized in the second line of this
stanza, "Her tenderness for ... have to forget", the two contrasting words – "tenderness" showing
how she cares for her son; "forgets" hints the mother should come back to reality as her son is
eventually going to die. This is followed by ellipses to give ... Show more content on
Helpwriting.net ...
The poet talks about how "he taught me /that telling the truth/did not always mean a beating", this
may suggest that her father was a genuine man who tried to help her become the nice person he
wants her to be by teaching her the morals. The verb 'grieved' in this stanza could imply how she
had disappointed him by revealing "many of" her "truths". This sudden contrast in the same stanza
tells us how she remembers his teachings more when she thinks about all the mistakes she has done
throughout her life and how she might have hurt his feelings. It could also link to death and how she
feels more upset about not spending the most time with him, before her father passed away. The poet
also mentions the memories she had of him"dancing/in a yoga meditation..." informing the reader
how she genuinely misses her father's presence a lot through the use of simple language in the
stanza. The closeness between the poet and the father is constantly reminded by the past fun
memories the poet talks about and describes her father as a simple, good human who taught her to
always be generous : "happy to feed/whoever strays my way" just like

Mona Lisa Dbq
One way the Renaissance signaled the start of the the modern era is through Art. In the Renaissance
picture of Mona Lisa, it's focus is shifting away from religion (Document A). Before the
Renaissance, all of the pictures were based off the Catholic religion. In the Middle Ages it was a
religious picture presented, but when the Renaissance rolled around, it started to look more like a
modern day picture. The picture was a lady with a nature background. There was no religion in the
picture. The Mona Lisa contained more natural movements and interests than the painting by Duccio
di Buoninsegna. Another way the Renaissance signaled the start of the start of the modern era is
through Science. Copernicus created the universe as we know it today;

Duccio’S Maestà Essay

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Duccio’S Maestà Essay