Effective Production Work
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Dale Richardson outlines qualities of effective and ineffective production work. Effective work shows careful consideration of technical elements like costume, camerawork and editing to tell a story with intrigue and tension. A variety of shots, locations, actors and original footage is used with well-designed printed materials. Students demonstrate individual contributions and appropriate use of software to create high quality products conforming to genre conventions. Ineffective work lacks these elements and shows little variety, originality or individual effort.
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This document provides guidance on key elements of film production including the director's vision, cinematography, acting, and planning. It discusses the cinematographer's role in working with the director to plan shots and lighting. Proper production planning is emphasized as critically important, involving scheduling locations, crews, equipment, and budgets. Continuity is also addressed as maintaining consistent details across shots during editing. Acting tips include reducing self-consciousness through rehearsal and improving line delivery and emotion.
4. pre production sf 2017 (1)
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Sarah Kelly has chosen to create a promotion package for a new horror film that includes a trailer along with either a film magazine cover or poster. She has created a jobs role chart and risk assessment for her project. The jobs role chart outlines tasks such as lighting, cinematography, dialogue, sound editing, effects, props, and location. Her risk assessment identifies potential risks such as tripping over camera wires, filming in puddles, low-key lighting, using equipment incorrectly, and fire. She plans to mitigate these risks by keeping her filming space tidy, avoiding puddles, checking for hazards before filming in the dark, learning how to use the equipment, and having easy access to an emergency exit.
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Questionnaire Results Summary
The document summarizes the results of a questionnaire about action film preferences. It found that the target audience is evenly split between male and female, ages 18-24. They enjoy fast pacing, explosions, car chases, and attractive people in action films. Respondents expect to see these elements, along with fast editing and build up, in appealing action film trailers. While no single storyline was preferred, the favorite action films cited were James Bond and Non Stop films, suggesting an espionage genre trailer may be most effective.
Audience Feedback
The document discusses obtaining audience feedback during the research, planning, and production stages of creating an action film trailer and ancillary products. Feedback was gathered through questionnaires and by showing similar professional works. This helped the document's author learn the audience's preferences, what they liked and disliked about the works-in-progress, and how to make the products more appealing by incorporating the feedback. The author was able to refine their works based on the feedback to better suit the target audience and genre.
Interview
The document is a transcript of an interview about action film trailers. The interviewee discusses their frequent watching of action films. When shown trailers for Guardians of the Galaxy and Furious 7, they found Furious 7 to be the most appealing as it conveyed the plot and themes through effects and title screens. They also found it to be the most conventional action trailer due to its cliches. The Guardians trailer was seen as weaker for being too long.
Interview
The document is a transcript of an interview about action film trailers. The interviewee discusses their frequent watching of action films. When shown trailers for Guardians of the Galaxy and Furious 7, they found Furious 7 to be the most appealing as it conveyed the plot and themes through effects and title screens. They also found it to be the most conventional action trailer due to its cliches. The Guardians trailer was seen as weaker for being too long.
Location Scouting
The document discusses location scouting for a film production. It identifies the Neale-Wade Academy classroom that will be rearranged as an office, Wimblingtion Road for driving scenes due to its quiet nature, a church area for dark and secluded scenes portraying illegal activities to avoid police intervention, and Robingoodfellows Lane for other illegal activity scenes due to its isolation.
Sound Effects
The document discusses sound effects for a spy film trailer. It describes using a tire squeal sound effect for a chase sequence to increase pace and intensity. It also mentions using a radio sound effect to show a change in emotion during an encounter between a spy and drug dealers. Finally, it discusses using a briefcase sound effect to represent a spy meeting with a commander to showcase a mission. The document seeks audience feedback on preferred versions of the different sound effect options.
Self Evaluation
The student analyzed drafts of their magazine cover, poster, and storyboard for a film trailer alongside professional examples. For the magazine cover and poster, the student felt their drafts had potential to be effective because they were very similar to the professional examples in terms of layout and positioning of elements. For the storyboard, the student felt it could be successful because it showed scenes out of order and had shorter scenes at the end to build intensity, matching conventions used in professional film trailers.
Test Shots
This document provides descriptions of test shots for scenes in a spy/action movie trailer. Shots of a police car at the end with sirens will show the spy capturing an arrested drug dealer. Shots of a car will show the spy escaping from drug dealers and intensify the trailer. Additional shots include the car tire pulling away at speed during a chase, the interior as the spy drives in fear during the chase, the spy's eyes in the mirror as he drives seriously to his next assignment, looking out the back of the spy's car during the chase, and the front of the car tracking it as the spy drives away.
Audience feedback
The document summarizes audience feedback on a script, storyboard, trailer, poster, and magazine cover created by the author. The audience felt the trailer was too linear and revealed too much of the story. They also said the storyboard lacked detail. The audience thought the basic layouts of the poster and magazine cover were conventional but suggested adding images to better evaluate them. Based on this feedback, the author will modify the trailer to jump between more scenes, add more details to the storyboard, and redraft the poster and magazine cover with example images.
Potential fonts
This document lists potential fonts for a project. It discusses font options to consider such as Times New Roman, Arial, Calibri, and Verdana. These fonts are commonly used and appropriate for both formal and informal documents.
Ancillary products draft poster
This document provides release date information for an image from a film including the film title, actors, distribution and production companies, and copyright details.
Ancillary products draft mag
This document appears to be the masthead and cover of a magazine or periodical. It contains the magazine's title at the top and cover lines describing or advertising the lead story. Metadata at the bottom includes the issue number, price and publication date.
Production Plan
This production plan lists locations, costumes, props, personnel, equipment, and dates needed for a film shoot. It also assesses risks such as potential car crashes while driving or filming chase scenes, injuring pedestrians while running in town, and breaking equipment like cameras. Locations include offices, schools, buildings, hotels, cars, and alleys. Costumes include shirts, ties, glasses, and hats. Props include briefcases, files, weapons, phones, and computers. The personnel and dates are also outlined.
Shot List
This document contains a shot list for a film. It describes 28 shots in detail, noting the shot type (wide, close, etc.), any camera movement, and brief notes on what is shown in each shot. The shots progress through a meeting between a spy and a drug dealer, showing their introduction and observing a drug deal from a distance. It culminates in the spy being chased through the streets as seen from inside a moving car.
Production planning script
The document outlines the production plan and sequence of shots for an action spy film. It describes various scenes involving a spy meeting with his commander, gaining the trust of a drug dealer by attending a meeting, observing a drug deal, getting noticed at the deal, running away while being chased, and escaping in his car while being pursued. It concludes with the commander naming the operation and transitioning to the film title and release date.
Homework 1 – conventions
The document discusses how the author is using conventions fitting for the action genre in their trailer. Specifically, it mentions using fast-paced editing and music, amplified sounds during action scenes, themes of espionage/spies, close-up and angled camerawork, characters like spies, and settings that show importance or danger. All of these techniques are commonly used in action films to create tension and engage audiences.
Pitch – warner bros
Warner Bros. was founded in 1923 and owns several subsidiary companies involved in film and television production. It has been involved in producing hugely successful franchises like Harry Potter, The Matrix, and Christopher Nolan's Batman trilogy. The pitch is for a trailer for an action film that would suit Warner Bros.' brand and audience. The pitch demonstrates research into conventions of the action genre in film trailers and provides two potential story ideas that could work well.
Pitch – warner bros
Warner Bros. was founded in 1923 and owns several subsidiary companies involved in film and television production. It has been involved in producing some of the most successful and iconic film franchises. The document proposes an action film trailer idea that would suit Warner Bros. by using genre conventions like fast pacing, chase scenes, and fights to attract audiences. Elements from popular spy and post-apocalyptic films are outlined as potential story ideas.
Production concepts A2
This document discusses concepts related to action films. It lists popular action film titles such as James Bond, Spiderman, and The Matrix that are categorized by genre as spy, superhero, or sci-fi films. It also notes common props like weapons and vehicles, as well as character types including secret agents, soldiers, and people with super powers. Finally, it provides two potential storylines about an undercover cop infiltrating a drug ring and friends traveling across a post-apocalyptic America.
Content analysis A2
The document describes 105 shots from a film, listing the shot number, type of shot, length of shot, scene number, and purpose or content of each shot. The shots include establishing shots, close-ups, mid shots, wide shots, overhead shots, and others. They show characters' facial expressions and emotions, settings, conversations, chase scenes, crashes, and other story elements across various scenes in the film.
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Effective Production Work
- 1. ProductionWorkQualities. Dale Richardson Effective Production Work Ineffective Production Work Qualitiesof A grade productionwork Thingsstudentsdo badly Careful thoughtinto the 4 technical elements No thoughtintothe costume, camerawork,editing etc. Good use of the 4 technical elements to make an effective trailer Unnecessaryediting techniques,poor thoughtintocostume. Pooruse of locations and lighting. Wide range of locationsandactors. Little difference in locationsandactors Usingdifferent locationsandactors to show differentscenes withinthe trailer Usingverylittle varietyinlocations. Shootingonly1 or 2 scenesandediting slightly. Balance between narrative intrigue and the sense of tension Making the trailerlook like ashort film or openingscene. Making sure the trailertellsastoryas well ascreatinga tense atmosphere. Making the trailer seemtobe an openingsequence or short film Range of shottypes, distances,angles. Repetitive use of the same shot types. Usinga range of differentshottypesto show your abilitywith the camera Usingthe same shot typesthroughoutthe trailer. Use a wide varietyof original footage with titlestosupportit Usingtitle screensin the trailerwithvery little originalfootage A wide varietyof original footage used withtitle screensto supportthe storyline Little use of original footage. Usinga conventional layoutforpostersand filmmagazine covers Notusinga layoutthat isconventional forthe formof the product. Good use of conventions,ensuring that the layoutis conventional tothe form. Notusingthe layout that isconventional for the formof the product. Range of fonts, font sizes,andcolouron the printedproducts. Verylittle varietyin fonts,fontsizesor colour. Usinga varietyof fonts,sizesand coloursto make differentpartsof the productstand out and suitthe conventions No varietyinfonts, usingbasicstyleson the cover or poster. No thoughtonwhat fontswouldbe effectiveand conventional. Appropriate images that conformto the conventionsof the genre andthe print products. Inappropriate images used,noeffectiveuse of camerawork, framing,composition, lightingetc. Good use of cameraworkto create an effectiveimage. Editingthe phototo make it conformto the conventionsof the genre. No thoughtintowhat image wouldbe effective,poorchoice of locationand/or cast. Pooruse of lighting. Good use of ICT, using programsthat suitthe formof the product, e.g.Photoshopfor image editing,iMovie for editingvideo. Usingprograms that aren’tuseful tothe task.Poor choice of program forediting e.g.paintfor photos. Use a varietyof ICT to create an effective product. Little use of ICT to create an effective product.
- 2. ProductionWorkQualities. Dale Richardson Showingcontribution to the product No contributionto the product. Showingwhateach memberof the group has done to contribute tothe group. Showingno contributiontothe group,usingthe same imagesthatthe group has used,noevidence of editing,filming contribution.