The document outlines various camera shots and angles used in cinematography, explaining their effects on storytelling and audience perception. It includes descriptions of shots such as extreme long shots, medium close-ups, and overhead angles, along with their emotional and narrative implications. Additionally, it details practical activities for applying these concepts in photography, emphasizing the importance of camera techniques in film production.

11. • Define Technical Codes;
• Enumerate the different camera shots
and camera angles;
• Apply different camera shots and angles;
• Reflect on how important information
can be conveyed to create the desired
impression.

14. • A camera shot is how much space the
audience sees in a particular frame.
Cinematographers choose specific camera
shots to portray things about a character,
setting, or theme to the audience.
• to emphasize specific emotions, ideas and
movement for each scene.

16. • Extreme Long Shots
Also called extreme wide shots
such as large crowd scene or
view of scenery as far as the
horizon.

17. is the camera shot that emphasizes
the backdrop by making the subject
appear smaller.
Use a long camera shot when you
want the character to feel unfamiliar
or distant. An extreme wide shot is
also ideal when emphasizing the
location's isolation or devastation.

18. Long shots- a view of a situation or setting from a
distance.
The long or wide shot (WS) brings the subject
closer while still emphasizing the surroundings.
Each camera shot will have plenty of space above
and below, while still keeping the subject in view.
Wide shots let the audience experience the
character and the scenery making it ideal for big
cinematic moments.

19. Medium Long Shot- This knee level shot is
between full and wide shots. The subject is
shown from approximately the knees up.
Also known as a medium-wide shot, it
pulls attention away from the backdrop to
put more focus on the subject.
Since it is a wide shot, it's also ideal for
framing several characters in a single
scene.

20. Full shot- the character and scenery fill the camera
frame.
It can also be a tracking shot, meaning that the
camera moves and frames the subject.
It can begin as a wide shot, and as it tracks the
subject to a full shot, before ending in a cowboy
shot.
One example of when to use full shots in films is
when multiple characters need to be framed and
shot together.

21. A close-up shot shows audiences the
subject's emotions and their reactions to
events. The camera frame solely focuses on
the subject's face. Often the background
appears a little out of focus to ensure all
attention is on the subject. The best close-
ups reveal the smallest emotions while still
keeping the subject in sharp focus.

22. Medium-Close up Shot- while still
providing distance between the subject
and audience, MCU shots focus on the
chest and face.
Even though the subject's face is part of
the shot, it's not the primary focus. It still
gives the subject an air of mystery.
It can also provide an eerie feel to the
character's dialogue.

23. Extreme close up shot is effective for drama
and comedy. The subject is extremely close
and the focal point of the frame. Extreme
close-ups draw attention to smaller details
like the eyes, nose, or mouth. It can also
emphasize a change that is occurring to the
character. One example can be found in the
movie Black San when the title character
begins to grow feathers on her back.

25. • The camera angle marks the specific
location at which the movie camera or
video camera is placed to take a shot
• used to help enhance the narrative, the
theme, and the overall mood of the film.

27. Over The Shoulder Shot -It aligns with the
subject's shoulders, so the frame is filled
while also giving viewers the sense that it is
coming from a lower angle.
It allows the audience to be a part of an on-
screen conversation without feeling like the
subject is talking directly to them.

28. Knee Level Shot -When the camera angle is
low to the ground, it emphasizes the
subject and its importance in that scene.
Knee level shots help directors guide the
attention on a character's walk or even
when they are sneaking or creeping. This
camera angle can also be a dolly shot to
keep up with the subject's gait

29. Eye Level Shot -the director can place the audience
eye-level with the subject.
You can shoot an eye-level shot with a handheld
camera, during zoom shots, or in a close-up.Even
though this makes the subject more relatable to
audiences, directors don't use this angle isn't often
because they prefer to move the camera and shoot
scenes from their shoulders.

30. High Angle Shot-One of the most versatile camera
shots, a high angle can give audiences everything
from an impending sense of doom to creating a
sense of inferiority. Crane shots often give directors
and producers the high angle shot frames they
want. A drone shot can also accomplish it. Some
directors also use a dolly zoom when they want a
high angle shot to be closer in.

31. Ground Level Shot
The types of cameras used to matter in
ground-level shots. These level shots do
depend on the camera position and type.
Handheld and shoulder cameras work best
since they allow the director to get down on
the ground. The ground level shots often build
suspense since they only show the ground and
not the subject's face.

32. Aerial Shot- Aerial shots with the
helicopter and drone shots show how
expansive the scenery is. Drone shots are
more common these days than using
expensive helicopters.

33. Overhead Angle-An overhead shot gives
audiences a bird's eye view of the film scene.
Usually shot at a 90-degree angle, it provides
an unbiased perspective of the scene.
The overhead angle gives a scene a "divine
feel" as if someone is watching from above.
This type of camera shot usually appears at the
end of the film.

34. Wrapping up
Camera shots and angles are what makes a
film great, along with the actors and storyline.
However, without shots and angles, every film
will appear flat and uninspired. Depth of field
can give perspective, and a deep focus on a
character lets the audience know, without
dialogue, and guide their attention and focus.
In a sense, the camera tells the story as much
as the dialogue.

35. Theme: FRIENDS: My Best Shots

36. Activity:
Applying the different Camera shots
and angles take a photo outside or
inside the room.
Every group compost of seven
members, each member will take
one shot. You are given 5 minutes to
take the photo.

37. Activity:
Applying the different Camera shots
and angles take a photo outside or
inside the room.
Every group compost of seven
members, each member will take
one shot. You are given 5 minutes to
take the photo.

38. PHOTOGRAPHY CONTEST 1.0
Extreme close up shot
Eye Level shot
Over the shoulder shot
Ground Level Shot
Long Shot
Full Shot
Over the shoulder shot

44. Look and take photo the BEST
VIEW/WOW FACTOR within our
municipality.
Make any modification or
enhancement of the image
Print in A4 SIZE BOND PAPER in
LANDSCAPE orientation

45. a. Over the Shoulder shot
b. Extreme Long shot
c. Close up shot
d. Long shot

46. a. Over the Shoulder shot
b. Extreme Long shot
c. Close up shot
d. Long shot

47. a. Over the Shoulder shot
b. Extreme Long shot
c. Close up shot
d. Long shot

48. a. Over the Shoulder shot
b. Extreme Long shot
c. Close up shot
d. Long shot

49. It is a shot that brings the subject
closer while still emphasizing the
surroundings.
a. Over the Shoulder shot
b. Extreme Long shot
c. Close up shot
d. Long shot

50. It is a shot taken with the helicopter
and drone shots show how
expansive the scenery is
a. Drone shot
b. Extreme Long shot
c. Arial shot
d. Over Head shot

51. includes sounds,
camera angles, type of shots and
lighting as well as camera
techniques, framing, depth of the
field and exposure.

52. The camera angle marks the specific
at which the movie camera
or video camera is placed to take
a shot

53. A is how much space
the audience sees in a particular
frame. This is to emphasize specific
emotions, ideas and movement for
each scene.

54. Review/ Advance Reading:
1. What is point of view?
2. Different types of point of view?