Interview
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The document is a transcript of an interview about action film trailers. The interviewee discusses their frequent watching of action films. When shown trailers for Guardians of the Galaxy and Furious 7, they found Furious 7 to be the most appealing as it conveyed the plot and themes through effects and title screens. They also found it to be the most conventional action trailer due to its cliches. The Guardians trailer was seen as weaker for being too long.
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The document asks the reader questions about their film genre preferences, the time period they would set an action/thriller film, how they prefer films to start, whether main characters should be introduced at the beginning, and whether unexpected parts enhance a film's quality. The reader is prompted to choose one or more answers for each question posed about their viewing preferences and opinions on effective film elements.
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The document outlines a shooting schedule for a film involving a dead girl. It includes 4 days of filming with scenes taking place in a drama studio and hallway. The first day involves static shots of the dead girl walking down the hallway and entering the drama studio. The second day includes establishing shots of the drama studio from different angles, with the dead girl and a tied up victim inside. Dialogue and reactions will be filmed, with the victim struggling. Props include a teddy bear, table, chairs, rope and gag.
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This document provides information about famous people from movies. It includes vocabulary words related to fame, a short video, questions about the video, and an activity where students discuss famous actors and have to identify them from pictures. The document covers famous actors from the Twilight and Harry Potter film franchises like Taylor Lautner, Robert Pattinson, Kristen Stewart, Ashley Greene, Daniel Radcliffe, Emma Watson, and Rupert Grint. It provides exercises for students to demonstrate their understanding of these famous people.
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Institution that would make my film
Universal Studios would be a good choice to produce the film because they have produced several similar fast-paced thriller films like The Fast and the Furious franchise, Jaws, Gladiator, and the Bourne films. These films share similar elements with the film's opening sequence like tempo shifts between calm and action scenes and the use of snipers. Lionsgate Studios would also be a good option as they produced the thriller Sicario which had a female lead in a dominant role, similar to the target audience of the film. Vertigo Films could work for a lower budget since they have produced other political thrillers but Lionsgate is assessed as the overall best choice.
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This document discusses key elements of a film poster including a blood-like face, films it is linked to, characters, and quotes about the film. It also mentions a face-resembling weapon, slogans, and release dates. Finally, it lists actors, scenery, titles, atmosphere, filming crews, and main characters as elements to analyze in the poster.
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The document discusses 5 types of film openings: 1) Action hero, which introduces the protagonist in an action scene; 2) Outside action, which shows an action scene without the hero; 3) Prologue, which shows an event before the main story; 4) Flashback, which shows something that happened prior to the main plot; and 5) Everyday hero introduction, which commonly introduces the main character in their normal life before the action begins. Examples are provided for some of the types.
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Question 5
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This theme song from the anime Attack on Titan builds tension through different instrumental sections that make the listener more anxious about what will happen next, complementing thrillers. It also uses Japanese language to set the setting of the anime in Japan.
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Phrasal film
This document provides definitions for 7 phrasal verbs related to films and cinema:
1. If a film "comes out" it is released and available to see in cinemas.
2. If scenes are "cut out" of a film, those scenes are deleted or removed.
3. If you "sleep through" a film, you sleep while the film is showing.
4. If you "drop off" while watching a film, you fall asleep.
5. If an actor "speaks in" a particular accent, they perform using that accent.
6. If you ask what someone "makes of" something, you are asking their opinion of it.
7.
Evaluation Part 1
The document discusses how the author's film opening used and challenged conventions of real action film products. The author stuck to conventions like using fast-paced, intense action music. They included a chase scene, as is common in action films. However, the author challenged conventions by having a female main character rather than a male one, and by setting the film in a forest rather than an urban setting. The author aimed to both follow and push boundaries of typical action film conventions.
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This document analyzes the film trailers for Lucy, Blow, and Pirates of the Caribbean: Curse of the Black Pearl. For Lucy, the trailer uses synth music and fast pacing to highlight the sci-fi and thriller genres. It focuses on the main character Lucy, played by Scarlett Johansen, without revealing too much of the plot. For Blow, the trailer emphasizes the biography, crime, and drama genres through voiceover and explicit scenes. It introduces the main characters without titles at first. For Pirates of the Caribbean, the trailer starts in sepia to suggest flashbacks and builds musical tension. It waits to introduce the main character Johnny Depp until 40 seconds in to heighten his importance.
300 Trailer Analysis
The trailer for 300 does not reveal the name of the film until the end to build suspense and curiosity. It does not identify the starring actors. It shows a lot of bloody and brutal action scenes. The music indicates it is an action film. There is no voiceover. The editing is faster paced than a film clip to engage viewers' interest. The speed remains consistent. The last frame reveals the release date. The trailer is more effective at generating interest than the poster because it provides more information and context in a visually engaging way. The trailer would be shown before other action films for ages 15+ and on TV late at night.
300 Trailer Analysis
The trailer for 300 does not reveal the name of the film until the end to build suspense and curiosity. It does not identify the starring actors. It shows a lot of bloody and brutal action scenes. The music conveys that it is an action film. There is no voiceover narration. The editing is faster paced than a film clip to engage viewers' interest. The last frame provides the release date. Overall, the trailer is more effective at generating interest in the film than just a poster because it provides more information and context in an attention-grabbing visual format.
Question 1 media evaluation
The document discusses conventions used in movie trailers, posters, and magazines. For trailers, it notes they use quick clips and sneak peaks to entice audiences while avoiding long dialog scenes. Trailers also aim to set an ominous tone through lighting, music, and exaggerated violence. Text is used to provide context and color correction makes shots appear scarier. Fades are used to transition clips and create suspense. For posters, the conventions are including the main characters' names and avoiding plot details. Movie magazine covers typically feature the title of their main feature story and a close-up photo of the leading actor to draw viewers in.
Ironman Trailer Analysis
The trailer for Ironman aims to build suspense by not revealing the name of the film until the end. It shows action scenes to advertise it as an action film, while also including lighter moments. The fast-paced editing at the start creates tension before slowing down at the end to provide more information and pique interest. There is no voiceover. The trailer is more effective than a poster at generating interest in the film by providing moving images and additional context to arouse curiosity.
3) fmp research
The document analyzes several movie trailers and identifies common features. It finds that movie trailers often include a catchy song to get stuck in viewers' heads and associate with the film. Trailers also commonly show scenes of characters alongside the actors' names. Additionally, many trailers have a narration or monologue explaining the plot over footage to display the story to viewers. Finally, trailers tend to end on a cliffhanger to make audiences want to see how the story concludes.
In class analysis of teaser trailers
The document analyzes and compares several movie teaser trailers:
1. Inception's teaser is fast-paced and shows only a few action clips without dialogue to tease the plot and set the tone through music.
2. Cemetery Junction's teaser uses only dialogue from the director comedians to signal the comedy genre in an original risky way.
3. Eternal Sunshine's teaser reveals more of the plot than usual for an independent film, using music and celebrity names to attract audiences.
4. Paranormal Activity's teaser mixes film clips with audience reactions to clearly signal the horror genre.
5. Die Hard 4.0's teaser establishes the
Ellens Real media-research
The document analyzes several movie trailers and identifies conventions used within each trailer. For the Carrie trailer, conventions discussed include using written words for narration, disturbing music to set tone, introducing the supernatural storyline midway through, including religious elements, and using sound bridges. For The Wolf of Wall Street, conventions examined are using music to set a fast-paced tone, introducing the biographical element and main character early, highlighting the famous lead actor, employing fast editing, and mentioning actor awards. For Safe Haven, conventions analyzed are showing the protagonist in danger, using seagull sounds to represent tranquility, including a title describing the genre, and introducing the love interest. For Into the Storm, conventions identified are using
Evaluation
The document discusses how the media product, a trailer for a horror/thriller film, uses and develops conventions from other real trailers while also challenging some conventions. Specifically, it took elements like building tension through music and editing from horror trailers but developed them further. It also challenged conventions by presenting the narrative from the killer's point of view rather than revealing the villain, and by giving the character no memory, similar to Memento, to avoid revealing too many plot details. The goal was to create intrigue and suspense for the audience.
Question 1 evaluation
The document discusses conventions in thriller films and how the media product challenged and used conventions:
1. Typical thriller conventions include a subtle start that builds tension, a plot twist, dark mise-en-scene, and fast-paced editing during tense scenes.
2. The media product challenged conventions through atypical music, lighter costumes, and not showing the murder.
3. It used conventions like unexpected plot twists, close-ups describing feelings, and implying a death without showing it. However, it challenged conventions more than using them.
Looking at Trailers
The document analyzes trailers for the films Oblivion, Iron Man 3, and After Earth. It finds that the trailers showcase action adventure genres featuring male heroes inferior to villains and female love interests. Special effects are prominently featured throughout to emphasize the films' productions values, while soundtracks build dramatic tension. The trailers appear aimed at older teenagers and young adults interested in violent action films following typical hero-villain roles and climactic fight scenes.
Audience Analysis
This document contains a series of questions about horror film preferences, including questions about horror movie genres, settings, the role of music and ratings, and effective elements of horror movie trailers such as inclusion of dialogue, key moments, and pace. Respondents are asked to provide yes or no answers to questions about whether trailers should include certain elements or not.
1) In what ways did you use, develop or challenge forms and conventions of re...
The document discusses how a group's media product, a teaser trailer for a psychological thriller film, both uses conventions of real trailers and challenges some conventions. The group researched thriller codes and conventions to inform their trailer. Their early drafts were too vague, but after feedback they added elements like a cliffhanger ending and quick cuts to build tension. They challenged conventions by having a female protagonist rather than male and not including intensely thrilling scenes. Locations and props provided clues without revealing the full plot.
Q 1 part 1
The document discusses the forms and conventions of movie trailers, specifically teaser trailers. It provides details on the typical components of teaser trailers such as using short film clips, title slides with information on actors, scary music for horror trailers. It then discusses how the author's trailer for a stalker film followed some conventions like timing but also challenged conventions by not including background music and using fewer title slides than typical.
08. cw evaluation speed dating
The document summarizes feedback from 13 people who evaluated the opening of a film. They generally liked the voice over, editing, music and humor. Suggestions for improvement included speeding up some clips, fixing shaky camerawork, and balancing sound effects versus voices. Most said they would watch the rest of the film and thought it was aimed at teenagers.
Film trailer conventions[1]
The document discusses conventions that are typically seen in film trailers of different genres, including horror, romance, action, and sci-fi. For horror trailers, it notes the use of dark lighting, slow initial pacing that speeds up, and not showing the villain's face. For romance, it describes slow pacing, happy lighting, and focusing on the main characters. Action trailers are said to use dark lighting, fast pacing, and showing many locations. Sci-fi trailers are suggested to focus on space, use CGI, have slow then fast editing around disruptions, and use dim lighting. It then analyzes specific trailers for The Conjuring, (500) Days of Summer, and Fight Club against these
Movie trailers analysis
The document discusses and analyzes two movie trailers - one for the comedy film "Life as we know it" and one for the horror sequel "Paranormal Activity 2". Key points made about the trailers include: showing the film title late increases memorability, using stars can attract audiences, music and pacing help set tone, and clips provide more context than posters to entice viewers without giving too much away. Both trailers aim to tease and build intrigue about the films' plots through suspenseful images and minimal text or voiceover.
1) In what ways does your media product use, develop or challenge forms and c...
The document discusses how the media product of a teaser trailer for a psychological thriller film developed and challenged conventions of real media. The group researched thriller conventions like creating suspense, including action, and building tension. Their initial trailers were too vague, but after feedback they incorporated conventions like a cliffhanger and hinted at action. However, they challenged conventions by not including intensely thrilling scenes and having a female protagonist, aiming to subtly portray mental illness.
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Questionnaire Results Summary
The document summarizes the results of a questionnaire about action film preferences. It found that the target audience is evenly split between male and female, ages 18-24. They enjoy fast pacing, explosions, car chases, and attractive people in action films. Respondents expect to see these elements, along with fast editing and build up, in appealing action film trailers. While no single storyline was preferred, the favorite action films cited were James Bond and Non Stop films, suggesting an espionage genre trailer may be most effective.
Audience Feedback
The document discusses obtaining audience feedback during the research, planning, and production stages of creating an action film trailer and ancillary products. Feedback was gathered through questionnaires and by showing similar professional works. This helped the document's author learn the audience's preferences, what they liked and disliked about the works-in-progress, and how to make the products more appealing by incorporating the feedback. The author was able to refine their works based on the feedback to better suit the target audience and genre.
Interview
The document is a transcript of an interview about action film trailers. The interviewee discusses their frequent watching of action films. When shown trailers for Guardians of the Galaxy and Furious 7, they found Furious 7 to be the most appealing as it conveyed the plot and themes through effects and title screens. They also found it to be the most conventional action trailer due to its cliches. The Guardians trailer was seen as weaker for being too long.
Location Scouting
The document discusses location scouting for a film production. It identifies the Neale-Wade Academy classroom that will be rearranged as an office, Wimblingtion Road for driving scenes due to its quiet nature, a church area for dark and secluded scenes portraying illegal activities to avoid police intervention, and Robingoodfellows Lane for other illegal activity scenes due to its isolation.
Self Evaluation
The student analyzed drafts of their magazine cover, poster, and storyboard for a film trailer alongside professional examples. For the magazine cover and poster, the student felt their drafts had potential to be effective because they were very similar to the professional examples in terms of layout and positioning of elements. For the storyboard, the student felt it could be successful because it showed scenes out of order and had shorter scenes at the end to build intensity, matching conventions used in professional film trailers.
Effective Production Work
Dale Richardson outlines qualities of effective and ineffective production work. Effective work shows careful consideration of technical elements like costume, camerawork and editing to tell a story with intrigue and tension. A variety of shots, locations, actors and original footage is used with well-designed printed materials. Students demonstrate individual contributions and appropriate use of software to create high quality products conforming to genre conventions. Ineffective work lacks these elements and shows little variety, originality or individual effort.
Test Shots
This document provides descriptions of test shots for scenes in a spy/action movie trailer. Shots of a police car at the end with sirens will show the spy capturing an arrested drug dealer. Shots of a car will show the spy escaping from drug dealers and intensify the trailer. Additional shots include the car tire pulling away at speed during a chase, the interior as the spy drives in fear during the chase, the spy's eyes in the mirror as he drives seriously to his next assignment, looking out the back of the spy's car during the chase, and the front of the car tracking it as the spy drives away.
Potential fonts
This document lists potential fonts for a project. It discusses font options to consider such as Times New Roman, Arial, Calibri, and Verdana. These fonts are commonly used and appropriate for both formal and informal documents.
Ancillary products draft poster
This document provides release date information for an image from a film including the film title, actors, distribution and production companies, and copyright details.
Ancillary products draft mag
This document appears to be the masthead and cover of a magazine or periodical. It contains the magazine's title at the top and cover lines describing or advertising the lead story. Metadata at the bottom includes the issue number, price and publication date.
Production Plan
This production plan lists locations, costumes, props, personnel, equipment, and dates needed for a film shoot. It also assesses risks such as potential car crashes while driving or filming chase scenes, injuring pedestrians while running in town, and breaking equipment like cameras. Locations include offices, schools, buildings, hotels, cars, and alleys. Costumes include shirts, ties, glasses, and hats. Props include briefcases, files, weapons, phones, and computers. The personnel and dates are also outlined.
Shot List
This document contains a shot list for a film. It describes 28 shots in detail, noting the shot type (wide, close, etc.), any camera movement, and brief notes on what is shown in each shot. The shots progress through a meeting between a spy and a drug dealer, showing their introduction and observing a drug deal from a distance. It culminates in the spy being chased through the streets as seen from inside a moving car.
Production planning script
The document outlines the production plan and sequence of shots for an action spy film. It describes various scenes involving a spy meeting with his commander, gaining the trust of a drug dealer by attending a meeting, observing a drug deal, getting noticed at the deal, running away while being chased, and escaping in his car while being pursued. It concludes with the commander naming the operation and transitioning to the film title and release date.
Homework 1 – conventions
The document discusses how the author is using conventions fitting for the action genre in their trailer. Specifically, it mentions using fast-paced editing and music, amplified sounds during action scenes, themes of espionage/spies, close-up and angled camerawork, characters like spies, and settings that show importance or danger. All of these techniques are commonly used in action films to create tension and engage audiences.
Pitch – warner bros
Warner Bros. was founded in 1923 and owns several subsidiary companies involved in film and television production. It has been involved in producing hugely successful franchises like Harry Potter, The Matrix, and Christopher Nolan's Batman trilogy. The pitch is for a trailer for an action film that would suit Warner Bros.' brand and audience. The pitch demonstrates research into conventions of the action genre in film trailers and provides two potential story ideas that could work well.
Pitch – warner bros
Warner Bros. was founded in 1923 and owns several subsidiary companies involved in film and television production. It has been involved in producing some of the most successful and iconic film franchises. The document proposes an action film trailer idea that would suit Warner Bros. by using genre conventions like fast pacing, chase scenes, and fights to attract audiences. Elements from popular spy and post-apocalyptic films are outlined as potential story ideas.
Production concepts A2
This document discusses concepts related to action films. It lists popular action film titles such as James Bond, Spiderman, and The Matrix that are categorized by genre as spy, superhero, or sci-fi films. It also notes common props like weapons and vehicles, as well as character types including secret agents, soldiers, and people with super powers. Finally, it provides two potential storylines about an undercover cop infiltrating a drug ring and friends traveling across a post-apocalyptic America.
Content analysis A2
The document describes 105 shots from a film, listing the shot number, type of shot, length of shot, scene number, and purpose or content of each shot. The shots include establishing shots, close-ups, mid shots, wide shots, overhead shots, and others. They show characters' facial expressions and emotions, settings, conversations, chase scenes, crashes, and other story elements across various scenes in the film.
Research Summary
The document discusses key elements of action genre films including fast-paced plots involving violence, clear protagonists and antagonists, and the use of weapons. It also summarizes common traits of action film trailers, magazine covers, and posters such as fast editing, large images of protagonists, prominent display of the film title, and inclusion of settings and characters.
Institution Research
Warner Bros. is a subsidiary of Time Warner, the parent company and conglomerate that owns Warner Bros. and other media studios like New Line Cinema, HBO, The CW Television Network, Boomerang, and DC Comics. As the world's first fully integrated media and communications company, Time Warner consists of three divisions: HBO, Turner Broadcasting System, and Warner Bros., which has produced popular action films such as The Dark Knight, The Dark Knight Rises, The Matrix, Superman Returns, Green Lantern, and Watchmen.
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- 1. Transcript: 1. How often would you say you watch action films? 2. I will now show you these action film trailers, could you please tell me your opinions on them? 3. Which trailer was the most appealing to you and why? 4. Which trailer was the most conventional? 5. Which trailer was the weakest and what would you improve? 1. I often watch action films at home, if I go to the cinema I only watch the action blockbusters like James Bond and Fast and Furious. 2. Use of low key lighting in the guardians of the galaxy as well as the detailed costumes and props. In the Furious 7 trailer I liked the sounds of vehicles and the soundtrack of the trailer as well as the fast pace. 3. The 2nd trailer was more appealing due to its fast pace and more action like connotations whereas the first didn’t really have much action shown in it. 4. The 2nd trailer was more conventional. 5. The 1st trailer was weaker as it was much slower paced and focused on introducing characters rather than showing any action sequences. 1. I watch action films very often but I also watch other genres to the same extent. 2. From the guardians trailer I liked the use of humour within the trailer to contrast the themes of the film being friendly yet also a fight against an evil cause, good choice of music in the trailer. The Furious 7 trailer used many special effects, it gave a sense of the plot of the film, the trailer showed clear themes within the trailer when title screens came up with one word such as Vengeance. 3. The Furious 7 trailer was more appealing as it gave a sense of the plot of the film, the other trailer was quite long and is more aimed at people who have an acquired taste for films. 4. The furious 7 was more conventional as it seemed to show more ideas that it was an action film with the usual clichés such as guns explosions and Hollywood movie stars such as The Rock. 5. The guardians’ trailer was weaker as it seemed to be too long as a trailer.