Location Scouting
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The document discusses location scouting for a film production. It identifies the Neale-Wade Academy classroom that will be rearranged as an office, Wimblingtion Road for driving scenes due to its quiet nature, a church area for dark and secluded scenes portraying illegal activities to avoid police intervention, and Robingoodfellows Lane for other illegal activity scenes due to its isolation.
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Visit me
The document provides driving and transportation instructions to visit the author's mountain cottage. It recommends taking the bus, which departs every half hour, or driving a family car to the cottage. The road has some dangerous areas like narrow shoulders and sharp turns, so travelers should drive slowly and carefully. Hiking directions are also provided to reach the cottage from the parking lot via a cable car and prefabricated pathway, making sure to stay on the path for safety.
Institution Research
Warner Bros. is a subsidiary of Time Warner, the parent company and conglomerate that owns Warner Bros. and other media studios like New Line Cinema, HBO, The CW Television Network, Boomerang, and DC Comics. As the world's first fully integrated media and communications company, Time Warner consists of three divisions: HBO, Turner Broadcasting System, and Warner Bros., which has produced popular action films such as The Dark Knight, The Dark Knight Rises, The Matrix, Superman Returns, Green Lantern, and Watchmen.
Content analysis A2
The document describes 105 shots from a film, listing the shot number, type of shot, length of shot, scene number, and purpose or content of each shot. The shots include establishing shots, close-ups, mid shots, wide shots, overhead shots, and others. They show characters' facial expressions and emotions, settings, conversations, chase scenes, crashes, and other story elements across various scenes in the film.
Self Evaluation
The student analyzed drafts of their magazine cover, poster, and storyboard for a film trailer alongside professional examples. For the magazine cover and poster, the student felt their drafts had potential to be effective because they were very similar to the professional examples in terms of layout and positioning of elements. For the storyboard, the student felt it could be successful because it showed scenes out of order and had shorter scenes at the end to build intensity, matching conventions used in professional film trailers.
Production Plan
This production plan lists locations, costumes, props, personnel, equipment, and dates needed for a film shoot. It also assesses risks such as potential car crashes while driving or filming chase scenes, injuring pedestrians while running in town, and breaking equipment like cameras. Locations include offices, schools, buildings, hotels, cars, and alleys. Costumes include shirts, ties, glasses, and hats. Props include briefcases, files, weapons, phones, and computers. The personnel and dates are also outlined.
Film Magazine Cover Analysis
The magazine cover uses conventions typical of film magazine covers. It features a mid-shot image of Iron Man in costume to showcase the main character. The font size varies to draw attention to Iron Man 2 as the primary story. The color of the text also matches part of Iron Man's costume. The layout uses the route of the eye to guide the viewer through the cover before ending at the barcode. Overall, the cover effectively employs standard conventions to promote the action film.
Audience feedback
The document summarizes audience feedback on a script, storyboard, trailer, poster, and magazine cover created by the author. The audience felt the trailer was too linear and revealed too much of the story. They also said the storyboard lacked detail. The audience thought the basic layouts of the poster and magazine cover were conventional but suggested adding images to better evaluate them. Based on this feedback, the author will modify the trailer to jump between more scenes, add more details to the storyboard, and redraft the poster and magazine cover with example images.
Test Shots
This document provides descriptions of test shots for scenes in a spy/action movie trailer. Shots of a police car at the end with sirens will show the spy capturing an arrested drug dealer. Shots of a car will show the spy escaping from drug dealers and intensify the trailer. Additional shots include the car tire pulling away at speed during a chase, the interior as the spy drives in fear during the chase, the spy's eyes in the mirror as he drives seriously to his next assignment, looking out the back of the spy's car during the chase, and the front of the car tracking it as the spy drives away.
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The document provides driving and transportation instructions to visit the author's mountain cottage. It recommends taking the bus, which departs every half hour, or driving a family car to the cottage. The road has some dangerous areas like narrow shoulders and sharp turns, so travelers should drive slowly and carefully. Hiking directions are also provided to reach the cottage from the parking lot via a cable car and prefabricated pathway, making sure to stay on the path for safety.
Institution Research
Warner Bros. is a subsidiary of Time Warner, the parent company and conglomerate that owns Warner Bros. and other media studios like New Line Cinema, HBO, The CW Television Network, Boomerang, and DC Comics. As the world's first fully integrated media and communications company, Time Warner consists of three divisions: HBO, Turner Broadcasting System, and Warner Bros., which has produced popular action films such as The Dark Knight, The Dark Knight Rises, The Matrix, Superman Returns, Green Lantern, and Watchmen.
Content analysis A2
The document describes 105 shots from a film, listing the shot number, type of shot, length of shot, scene number, and purpose or content of each shot. The shots include establishing shots, close-ups, mid shots, wide shots, overhead shots, and others. They show characters' facial expressions and emotions, settings, conversations, chase scenes, crashes, and other story elements across various scenes in the film.
Self Evaluation
The student analyzed drafts of their magazine cover, poster, and storyboard for a film trailer alongside professional examples. For the magazine cover and poster, the student felt their drafts had potential to be effective because they were very similar to the professional examples in terms of layout and positioning of elements. For the storyboard, the student felt it could be successful because it showed scenes out of order and had shorter scenes at the end to build intensity, matching conventions used in professional film trailers.
Production Plan
This production plan lists locations, costumes, props, personnel, equipment, and dates needed for a film shoot. It also assesses risks such as potential car crashes while driving or filming chase scenes, injuring pedestrians while running in town, and breaking equipment like cameras. Locations include offices, schools, buildings, hotels, cars, and alleys. Costumes include shirts, ties, glasses, and hats. Props include briefcases, files, weapons, phones, and computers. The personnel and dates are also outlined.
Film Magazine Cover Analysis
The magazine cover uses conventions typical of film magazine covers. It features a mid-shot image of Iron Man in costume to showcase the main character. The font size varies to draw attention to Iron Man 2 as the primary story. The color of the text also matches part of Iron Man's costume. The layout uses the route of the eye to guide the viewer through the cover before ending at the barcode. Overall, the cover effectively employs standard conventions to promote the action film.
Audience feedback
The document summarizes audience feedback on a script, storyboard, trailer, poster, and magazine cover created by the author. The audience felt the trailer was too linear and revealed too much of the story. They also said the storyboard lacked detail. The audience thought the basic layouts of the poster and magazine cover were conventional but suggested adding images to better evaluate them. Based on this feedback, the author will modify the trailer to jump between more scenes, add more details to the storyboard, and redraft the poster and magazine cover with example images.
Test Shots
This document provides descriptions of test shots for scenes in a spy/action movie trailer. Shots of a police car at the end with sirens will show the spy capturing an arrested drug dealer. Shots of a car will show the spy escaping from drug dealers and intensify the trailer. Additional shots include the car tire pulling away at speed during a chase, the interior as the spy drives in fear during the chase, the spy's eyes in the mirror as he drives seriously to his next assignment, looking out the back of the spy's car during the chase, and the front of the car tracking it as the spy drives away.
Research Summary
The document discusses key elements of action genre films including fast-paced plots involving violence, clear protagonists and antagonists, and the use of weapons. It also summarizes common traits of action film trailers, magazine covers, and posters such as fast editing, large images of protagonists, prominent display of the film title, and inclusion of settings and characters.
Production concepts A2
This document discusses concepts related to action films. It lists popular action film titles such as James Bond, Spiderman, and The Matrix that are categorized by genre as spy, superhero, or sci-fi films. It also notes common props like weapons and vehicles, as well as character types including secret agents, soldiers, and people with super powers. Finally, it provides two potential storylines about an undercover cop infiltrating a drug ring and friends traveling across a post-apocalyptic America.
Production planning script
The document outlines the production plan and sequence of shots for an action spy film. It describes various scenes involving a spy meeting with his commander, gaining the trust of a drug dealer by attending a meeting, observing a drug deal, getting noticed at the deal, running away while being chased, and escaping in his car while being pursued. It concludes with the commander naming the operation and transitioning to the film title and release date.
Sound Effects
The document discusses sound effects for a spy film trailer. It describes using a tire squeal sound effect for a chase sequence to increase pace and intensity. It also mentions using a radio sound effect to show a change in emotion during an encounter between a spy and drug dealers. Finally, it discusses using a briefcase sound effect to represent a spy meeting with a commander to showcase a mission. The document seeks audience feedback on preferred versions of the different sound effect options.
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The document discusses obtaining audience feedback during the research, planning, and production stages of creating an action film trailer and ancillary products. Feedback was gathered through questionnaires and by showing similar professional works. This helped the document's author learn the audience's preferences, what they liked and disliked about the works-in-progress, and how to make the products more appealing by incorporating the feedback. The author was able to refine their works based on the feedback to better suit the target audience and genre.
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The document is a transcript of an interview about action film trailers. The interviewee discusses their frequent watching of action films. When shown trailers for Guardians of the Galaxy and Furious 7, they found Furious 7 to be the most appealing as it conveyed the plot and themes through effects and title screens. They also found it to be the most conventional action trailer due to its cliches. The Guardians trailer was seen as weaker for being too long.
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The document outlines the production plan and sequence of shots for an action spy film. It describes various scenes involving a spy meeting with his commander, gaining the trust of a drug dealer by attending a meeting, observing a drug deal, getting noticed at the deal, running away while being chased, and escaping in his car while being pursued. It concludes with the commander naming the operation and transitioning to the film title and release date.
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Location Scouting
- 2. NEALE-WADE ACADEMY I will use the Neale-Wade Academy to create the office scenes, I will use one of the classrooms and rearrange it to make it look like an office in a headquarters.
- 3. WIMBLINGTON ROAD • I will use this stretch of road for most of the driving scenes in the trailer. This is a fairly quite piece of road during the times I plan to film therefore it is easily accessible for me to use.
- 4. CHURCH • I will use this church area for the scenes that require a dark setting and an area that is separate from everywhere else. This will be used for the scenes that portray illegal activity to make sure that it looks authentic. • Doing these scenes here will stop any risk of police intervention (due to the portrayal of illegal activities) as it is in a secluded area.
- 5. ROBINGOODFELLOWS LANE • I will use this for other scenes that portray illegal activity as it is in a secluded area and isn’t very appealing.