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“The Cone is a visual
analogy, and like all
analogies, it does not
bear an exact and
detailed relationship to
the complex elements it
represents.”
-Edgar Dale
What is the Cone of
Experience?
What are the sensory
aids in the Cone of
Experience?
What are its
implication in
teaching?
 First introduced in
Dale’s 1946 book,
Audio-Visual Methods
in Teaching.
 Designed to “show the
progression of learning
experiences” (Dale (1969)
p. 108) from the
concrete to the
abstract
The Cone of Experience
Concrete Abstract
Direct and Purposeful
Experience
 Direct, First hand Experience
 Have a direct participation in the outcome
 Use of all our senses
Contrived Experience
 Models and mock-
ups
 “editing of reality”
 Necessary when
real experience
cannot be used or
are too
complicated
Dramatized Experience
 Reconstructed
experiences
 Can be used to simplify
an event or idea to its
most important parts
 Divided into two
categories
 Acting – actual participation
(more concrete)
 Observing – watching a
dramatization take place
(more abstract)
Demonstration
 Visualized explanation
of an important fact,
idea, or process
 Shows how certain
things are done
 Watch people do
things in real
situations
 Observe an event
that is unavailable in
the classroom
Field Trips
 Something seen by a
spectator
Two types
 Ready made
 Home-made
Exhibits
 Bring immediate interaction
with events from around
the world
 Edit an event to create
clearer understanding than
if experienced actual
event first hand
 Can omit unnecessary or
unimportant material
 Used to slow down a fast
process
 Viewing, seeing and
hearing experience
 Can re-create events with
simplistic drama that even
slower students can grasp
Educational Television and Motion
Pictures
Television Motion Picture
Recordings, Radio and Still
Pictures
Can often be understood
by those who cannot read
Helpful to students who
cannot deal with the
motion or pace of a real
event or television
Visual Symbols
 No longer involves
reproducing real
situations
 Chalkboard and
overhead projector the
most widely used
media
 Help students see an
idea, event, or process
Verbal Symbol
Two types
 Written words –
more abstract
 Spoken words – less
abstract
The Cone of
Experience is a visual
model, a pictorial
device that presents
bands of experience
arranged according
to degree of
abstraction and not
degree of difficulty.
The farther you go
from the bottom of the
cone, the more
abstract the
experience becomes.
People always think differently.
Some may think in concrete
terms and some in abstract
terms. Concrete thinking refers
to the thinking on the surface
whereas abstract thinking is
related to thinking in depth.
Read more: Difference Between Concrete and Abstract Thinking | Difference Between | Concrete vs
Abstract Thinking http://www.differencebetween.net/language/difference-between-concrete-and-
abstract-thinking/#ixzz3f5hiHSMx
Different kind of sensory aid often overlap
and sometime blend into one another.
One kind of sensory experience is not
necessarily more educationally useful than
another. Sensory experiences are mixed and
interrelated
Too much reliance on concrete experience may
actually obstruct the process of meaningful
generalization.
The best will be striking a balance between
concrete and abstract, direct participation and
symbolic expression for the learning that will
continue throughout the life
Do not use only one medium of
communication in isolation.
Rather use many instructional
materials to help the learner
conceptualize his/her
experience
Avoid teaching directly at the
symbolic level of thought without
adequate foundation of the
concrete. Learners’ concept will
lack deep roots in direct
experience.
When teaching, don’t get stuck
in the concrete. Strive to bring
our students to the symbolic or
abstract level to develop their
higher order thinking skills.
“These rootless experience will not have
the generative power to produce
additional concepts and will not enable
the learner to deal with new situations
that he/she faces” (Dale 1969)

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Dale's Cone of Experience

  • 1.
  • 2. “The Cone is a visual analogy, and like all analogies, it does not bear an exact and detailed relationship to the complex elements it represents.” -Edgar Dale
  • 3. What is the Cone of Experience? What are the sensory aids in the Cone of Experience? What are its implication in teaching?
  • 4.  First introduced in Dale’s 1946 book, Audio-Visual Methods in Teaching.  Designed to “show the progression of learning experiences” (Dale (1969) p. 108) from the concrete to the abstract The Cone of Experience
  • 6. Direct and Purposeful Experience  Direct, First hand Experience  Have a direct participation in the outcome  Use of all our senses
  • 7. Contrived Experience  Models and mock- ups  “editing of reality”  Necessary when real experience cannot be used or are too complicated
  • 8. Dramatized Experience  Reconstructed experiences  Can be used to simplify an event or idea to its most important parts  Divided into two categories  Acting – actual participation (more concrete)  Observing – watching a dramatization take place (more abstract)
  • 9. Demonstration  Visualized explanation of an important fact, idea, or process  Shows how certain things are done
  • 10.  Watch people do things in real situations  Observe an event that is unavailable in the classroom Field Trips
  • 11.  Something seen by a spectator Two types  Ready made  Home-made Exhibits
  • 12.  Bring immediate interaction with events from around the world  Edit an event to create clearer understanding than if experienced actual event first hand  Can omit unnecessary or unimportant material  Used to slow down a fast process  Viewing, seeing and hearing experience  Can re-create events with simplistic drama that even slower students can grasp Educational Television and Motion Pictures Television Motion Picture
  • 13. Recordings, Radio and Still Pictures Can often be understood by those who cannot read Helpful to students who cannot deal with the motion or pace of a real event or television
  • 14. Visual Symbols  No longer involves reproducing real situations  Chalkboard and overhead projector the most widely used media  Help students see an idea, event, or process
  • 15. Verbal Symbol Two types  Written words – more abstract  Spoken words – less abstract
  • 16. The Cone of Experience is a visual model, a pictorial device that presents bands of experience arranged according to degree of abstraction and not degree of difficulty. The farther you go from the bottom of the cone, the more abstract the experience becomes.
  • 17. People always think differently. Some may think in concrete terms and some in abstract terms. Concrete thinking refers to the thinking on the surface whereas abstract thinking is related to thinking in depth. Read more: Difference Between Concrete and Abstract Thinking | Difference Between | Concrete vs Abstract Thinking http://www.differencebetween.net/language/difference-between-concrete-and- abstract-thinking/#ixzz3f5hiHSMx
  • 18. Different kind of sensory aid often overlap and sometime blend into one another. One kind of sensory experience is not necessarily more educationally useful than another. Sensory experiences are mixed and interrelated
  • 19. Too much reliance on concrete experience may actually obstruct the process of meaningful generalization. The best will be striking a balance between concrete and abstract, direct participation and symbolic expression for the learning that will continue throughout the life
  • 20. Do not use only one medium of communication in isolation. Rather use many instructional materials to help the learner conceptualize his/her experience
  • 21. Avoid teaching directly at the symbolic level of thought without adequate foundation of the concrete. Learners’ concept will lack deep roots in direct experience.
  • 22. When teaching, don’t get stuck in the concrete. Strive to bring our students to the symbolic or abstract level to develop their higher order thinking skills.
  • 23. “These rootless experience will not have the generative power to produce additional concepts and will not enable the learner to deal with new situations that he/she faces” (Dale 1969)