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LESSON 5
Exhibits
Study Trips
Demonstrations
Dramatized Experiences
Contrived Experiences
Direct Purposeful Experiences
Educational
Telivision
Motion Pictures
Recordings
Radio Still pictures
Visual
Symbols
Verbal
Symbols
THECONEOFEXPERIENCE
The cone of Experience is a visual model, a
pictorial device that presents bands of
experience arranged according to degree of
abstraction and not degree of difficulty. The
farther you go from the bottom of the cone,
the more abstract the experience becomes.
Dale (1969) asserts that:
the pattern of arrangements of the bands
of experience is not difficulty but degree of
abstraction- the amount of immediate
sensory participation that is involved. A
still photograph of a tree is not more
difficult to understand than a dramatization
of Hamlet. It is simply in itself a less
concrete teaching material than the
dramatization.
• Dale further explains that " the individual bands
of the Cone of Experience stand for
experiences that are fluid, extensive, and
continually interact." It should not be taken
literally in its simplified form. The different kinds
of sensory aid often overlap and sometimes
blend into one another.Motion pictures can be
silent or they can combine sight and sound.
Students may merely view a demonstration or
they may view it then participate in it.
Does the Cone of Experiences mean that all
teaching and learning must move systematically
from base to pinnacle, from direct purposely
experiences to verbal symbols? Dale (1969)
categorically says:
...no. We continually shuttle back and forth
among various kinds of experiences.
Every day each of us acquires new concrete
experiences- through walking on the
street,gardening, dramatics, and endless other
means.Such learning by doing, such pleasurable
return to the concrete is natural throughout our
lives- and at every age level.
On the other hand, both the older child and
the young pupil make abstractions every day
and may need help in doing this well.
In our teaching, then, we do not always
begin with direct experience at the base of the
Cone. Rather, we begin with the kind of
experience that is most appropriate to the needs
and abilities of particular learner in a particular
learning situation. Then, of course, we vary this
experience with many other types of learning
activities.(Dale, 1969)
One kind of sensory experience is not
necessarily more educationally usefull
than another. Sensory experiences are
mixed and interrelated. When students
listen to you as you give your lecturette,
they do not just have an auditory
experience. They also have visual
experience in the sense that they are
"reading" your facial expressions and
bodily gestures.
It is true that the older the person is ,
the more abstract his concepts are likely
to be. This can be attributed to physical
maturation, more vivid experiences and
sometimes greater motivation for learning.
But an older student does not live purely in
his world of sensory experience.Both old
and young shuttle ia world of the concrete
and the abstract.
We face some risk when we
overemphasize the amount of direct
experience to learn a concept. Too much
realize on concrete experience may
actually obstruct the process of
meaningful generalization. The best will be
a striking a balance between a concrete
and abstract, direct participation and
symbolic expression for the learning that
will continue throughout life.
APPLICATION
A. Harvard psychologist, Jerome S. Bruner,
presents a three- tiered model of learning
where he points out that every area of
knowledge can be presented and learned
in three distinct steps.
First
Second
Third
THROUGH A SERIES
OF SYBOLS
THROUGH A SERIES
OF ILLUSTRATIONS
THROUGH A SEQUENCE
OF ACTIONS
SYMBOLIC
ICONIC
ENACTIVE
INCREASING
ABSTRACTION
ENACTIVE
ICONIC
SYMBOLIC
Bruner's Three-Tiered Model of Learning
hence. . . increasing
difficulty
It is highly recommended that a
learner proceed from the ENACTIVE to
the ICONIC and only after to the
SYMBOLIC.
The mind is often shocked into immediate
abstraction at the highest level without the
benefit of a gradual unfolding.
Question:
Are the implications of the Cone of
Experience in the Teaching-learning
process the same things that are
recommended by Bruner's three-tiered
model of learning?
• What learning aids in Edgar Dale's Cone
of Experience correspond/s to each tier or
level in Bruner's model?Write your
answers on the spaces provided.
Direct Purposeful Experiences
Contrived Experiences
Dramatized Experiences
Demonstrations
Study Trips
Exhibits
Educational
Telivision
Motion Pictures
Recordings
Radio Still pictures
Visual
Symbols
Verbal
Symbols
THE CONE OF EXPERIENCE
 SYMBOLIC
 ICONIC
ENACTIVE
• Edgar Dale's Cone of Experience is a
visual representation of learning resources
arranged according to degree of
abstractness. The farther you move away
from the base of the cone, the more
abstract the learning resource becomes.
Arranged from least to the most abstract
the learning resources presented in the
Cone of Experiences are:
• direct purposeful experiences
• contrived experiences
• dramatized experiences
• demonstrations
• study trips
• exhibits
• educational television
• motion pictures
• recordings,radio,still pictures
• visual symbols
• verbal symbols

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Educational technology report

  • 2. Exhibits Study Trips Demonstrations Dramatized Experiences Contrived Experiences Direct Purposeful Experiences Educational Telivision Motion Pictures Recordings Radio Still pictures Visual Symbols Verbal Symbols THECONEOFEXPERIENCE
  • 3. The cone of Experience is a visual model, a pictorial device that presents bands of experience arranged according to degree of abstraction and not degree of difficulty. The farther you go from the bottom of the cone, the more abstract the experience becomes.
  • 4. Dale (1969) asserts that: the pattern of arrangements of the bands of experience is not difficulty but degree of abstraction- the amount of immediate sensory participation that is involved. A still photograph of a tree is not more difficult to understand than a dramatization of Hamlet. It is simply in itself a less concrete teaching material than the dramatization.
  • 5. • Dale further explains that " the individual bands of the Cone of Experience stand for experiences that are fluid, extensive, and continually interact." It should not be taken literally in its simplified form. The different kinds of sensory aid often overlap and sometimes blend into one another.Motion pictures can be silent or they can combine sight and sound. Students may merely view a demonstration or they may view it then participate in it.
  • 6. Does the Cone of Experiences mean that all teaching and learning must move systematically from base to pinnacle, from direct purposely experiences to verbal symbols? Dale (1969) categorically says: ...no. We continually shuttle back and forth among various kinds of experiences. Every day each of us acquires new concrete experiences- through walking on the street,gardening, dramatics, and endless other means.Such learning by doing, such pleasurable return to the concrete is natural throughout our lives- and at every age level.
  • 7. On the other hand, both the older child and the young pupil make abstractions every day and may need help in doing this well. In our teaching, then, we do not always begin with direct experience at the base of the Cone. Rather, we begin with the kind of experience that is most appropriate to the needs and abilities of particular learner in a particular learning situation. Then, of course, we vary this experience with many other types of learning activities.(Dale, 1969)
  • 8. One kind of sensory experience is not necessarily more educationally usefull than another. Sensory experiences are mixed and interrelated. When students listen to you as you give your lecturette, they do not just have an auditory experience. They also have visual experience in the sense that they are "reading" your facial expressions and bodily gestures.
  • 9. It is true that the older the person is , the more abstract his concepts are likely to be. This can be attributed to physical maturation, more vivid experiences and sometimes greater motivation for learning. But an older student does not live purely in his world of sensory experience.Both old and young shuttle ia world of the concrete and the abstract.
  • 10. We face some risk when we overemphasize the amount of direct experience to learn a concept. Too much realize on concrete experience may actually obstruct the process of meaningful generalization. The best will be a striking a balance between a concrete and abstract, direct participation and symbolic expression for the learning that will continue throughout life.
  • 11. APPLICATION A. Harvard psychologist, Jerome S. Bruner, presents a three- tiered model of learning where he points out that every area of knowledge can be presented and learned in three distinct steps.
  • 12. First Second Third THROUGH A SERIES OF SYBOLS THROUGH A SERIES OF ILLUSTRATIONS THROUGH A SEQUENCE OF ACTIONS SYMBOLIC ICONIC ENACTIVE INCREASING ABSTRACTION ENACTIVE ICONIC SYMBOLIC Bruner's Three-Tiered Model of Learning hence. . . increasing difficulty
  • 13. It is highly recommended that a learner proceed from the ENACTIVE to the ICONIC and only after to the SYMBOLIC. The mind is often shocked into immediate abstraction at the highest level without the benefit of a gradual unfolding.
  • 14. Question: Are the implications of the Cone of Experience in the Teaching-learning process the same things that are recommended by Bruner's three-tiered model of learning?
  • 15. • What learning aids in Edgar Dale's Cone of Experience correspond/s to each tier or level in Bruner's model?Write your answers on the spaces provided.
  • 16. Direct Purposeful Experiences Contrived Experiences Dramatized Experiences Demonstrations Study Trips Exhibits Educational Telivision Motion Pictures Recordings Radio Still pictures Visual Symbols Verbal Symbols THE CONE OF EXPERIENCE  SYMBOLIC  ICONIC ENACTIVE
  • 17. • Edgar Dale's Cone of Experience is a visual representation of learning resources arranged according to degree of abstractness. The farther you move away from the base of the cone, the more abstract the learning resource becomes. Arranged from least to the most abstract the learning resources presented in the Cone of Experiences are:
  • 18. • direct purposeful experiences • contrived experiences • dramatized experiences • demonstrations • study trips • exhibits • educational television • motion pictures • recordings,radio,still pictures • visual symbols • verbal symbols