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Rodolfo E Laycano, Jr.
Activity 1: Find Me
Match the words to
the pictures and its
country of origin:
2.
3.
4.
1.
5. 6.
a. Philippines
b. Brunei
c. Malaysia
d. Indonesia
e. Singapore
f. Vietnam
2. a. Philippines 3. c. Malaysia
4. d. Indonesia
1. b. Brunei
5. e. Singapore 6. f. Vietnam
Lesson 1:
FABRIC / FABRIC
DESIGN
THAILAND
produced from the cocoons of
Thai silkworms
mainly produced in Khorat
which is the center of the silk
industry in Thailand.
Thai weavers raise the
caterpillars on a steady diet of
mulberry leaves.
considered to be one of the
finest arts in the world
THAI SILK
CAMBODIA
dates to as early as the first
century since textiles were used
for trading.
Modern textiles have traces of
motifs imitating clothing details
on ancient stone sculptures.
Two main types
of Cambodian
weaving:
1.
(Khmer term: chong kiet)
To create patterns, weavers tie
and dye portions of weft yarn
before weaving begins. Patterns
are diverse and vary by region;
common motifs include lattice,
stars, and spots.
2.
yields single or two-color fabrics
produced by weaving three
threads so that the "color of one
thread dominates on one side of
the fabric, while the two others
determine the color on the
reverse side.
Cambodian textiles have
employed natural dyes coming
from:
Red dye - insect nests,
Blue dye – indigo Yellow and
Green dye - prohut bark
Black dye - ebony bark
Cambodia's modern silk-
weaving centers:
Takeo
Battambang
Beanteay Meanchey
Siem Reap and
Kampot provinces.
generally sold domestically
used in sampot (wrap skirts),
furnishings, and pidan (pictoral
tapestries)
played a significant role in
Cambodian culture
imports most of its cotton,
traditionally woven cotton
remains popular
Cotton textiles
Rural women often weave
homemade cotton fabric,
which is used in garments and
for household purposes.
Cotton textiles
the traditional check scarves
worn almost universally by
Cambodians, are made of
cotton.
Krama
CAMBODIA Angkor Silk Farm - Silk on the Loom -
Siem Reap, Cambodia.mp4
CAMBODIA How to make Cambodian Silk - Khmer
Silk.mp4
LAOS
According to Lao tradition, stories
Of orally nor was it written, they wove
it. Strand by strand, Lao stories were
weaved in the intricate dense patterns
and motifs of textiles. Unfortunately
some are elaborately fantastic, and
the motifs so cryptic, that in many
cases only the weaver can accurately
interpret the story.
Most diverse of these
stories are the ones woven
into a sihn — the Lao
women’s ankle-long skirt
whose form is undeniable
but whose patterns are
unique to each skirt.
Though the skirt looks simple and
elegant, it is traditional that every
woman in Laos weaves all the sihns she
would wear throughout her lifetime.
She uses folk icons to express
p
a
c
e
c
r
o
s
o
m
n
p
a
l
i
l
s
h
e
d
v
i
e
w
b
y
s
.
sy
T
m
h
b
is
olist
is
t
o
o
t
e
f
t
m
e
n
s
f
—
ro
c
m
ra
t
b
h
s
e
fo
in
r
a
r
n
e
i
s
m
ou
a
r
t
c
e
ef
o
u
r
ln
a
e
n
s
i
s
m
, s
a
n
t
a
e
k
w
es
or
fo
ld
r
fertility, butterflies for beauty, birds for
success, and so on.
VIETNAM
Golden Thread Silks was born in
Vietnam. Many of our
fabrics originated from Ha Dong,
the center of weaving and
sericulture (silk worm production)
for centuries. Old jacquard looms
are still used, weaving patterns
containing centuries-old symbols
and characters.
Some popular Vietnamese fabric ranges
are:
1. Shantung taffeta
2. Bengaline weave
3
h
a
.
n
E
d
b
-
o
w
n
o
y
v
s
e
a
t
i
n
n
-
s
o
a
u
n
t
h
a
e
l
l
r
-
n
a
V
t
i
u
e
r
t
a
n
l
a
l
m
u
s
t
a
r
n
o
d
u
ssilk
naturally dyed using ebony fruit pods. The
fabric dates back over a century, but was
only recently revitalized by the designer Vo
Viet Chung.
INDONESIA,
MALAYSIA, &
SINGAPORE
The fabric most common to both
countries is the Batik. The term “batik” is
an Indonesian-Malay word, believed to be
related to the Malay word “titik”, which
means ‘point’, ‘dot’ or ‘drop’. The “drop”
action refers to the process of dyeing the
fabric by making use of a resist technique:
covering areas of cloth with a dye-resistant
substance (usually hot wax) to prevent
them from absorbing colors. This
technique is has been taught for over a
thousand years.
There are two categories of batik
designs:
1. geometric motifs
2. free form designs
Modern batik designs depend on
the creativity of their designers.
Naturalistic motifs like leaves,
flowers and birds have been utilized to
create elaborate and intricate designs.
GEOMETRIC
MOTIFS
FREE FORM DESIGNS
Modern designs also include more
colors, courtesy of chemical dyes, as
artists are not bounded by the strict
guidelines of traditional practices,
when craftsmen were dependent on
natural dyes.
In neighboring Malaysia, the states
of
considered the cradle where batik first
flourished, reaching even Singapore’s
shores.
There are two main types of batik that are
produced there:
1. Hand painted - the artist uses the
canting, a small copper container with one
or more different-sized pipes
2. Block printed - done by welding
together strips of metal to form a metal
block. The metal block is then dipped into
molten wax and pressed against the fabric
in order to make a pattern
HAND PAINTED
BLOCK PRINTED
Leaves and flowers in
Malaysian batiks are
incorporated to avoid the
interpretation of human and
animal images as idolatry, in
accordance with local Islamic
doctrine. This makes their batik
look similar to that of
Indonesia.
However, the Malaysian batik is
famous for its geometrical designs or
spirals. The method of Malaysian batik
making is also different from those of
Indonesian Javanese batik. Their
patterns are larger and simpler. More
brush painting is applied to be able to
put lighter and more vibrant colors
than deep colored Javanese batik.
MALAYSIAN BATIK
In Singapore, the existence and
use of batik has been recorded
since the 12th century but has
receded its popularity through the
years. Nowadays, batik is featured
in as the uniform of flight
attendants for the official flag
carrier airlines of Singapore,
Indonesia and Malaysia.
BRUNEI
Brunei's traditional textile is
also called batik but it is
uniquely different from
Indonesia, Malaysia and
Singapore. Its designs have their
national flower simpur, sumboi-
sumboi (pitcher plant) and
Brunei's traditional design of air
muleh.
Different techniques are used in
Brunei’s batik like airbrushing,
cracking, bubble, rainbow, sprinkle,
geometry and marble. These
techniques are applied on the fabrics
like cotton, chiffon, linen and brocade.
Hand-made batik designs are
created through the art of layering and
mixing of colors injected with
creativity.
Batik can be done by four
different ways:
1. hand-drawn
2. using metal blocks
3. screen printing
4. digital printing
That’s All!!!
Thank you and God
bless!

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arts week1.pptx

  • 2.
  • 3. Activity 1: Find Me Match the words to the pictures and its country of origin:
  • 4. 2. 3. 4. 1. 5. 6. a. Philippines b. Brunei c. Malaysia d. Indonesia e. Singapore f. Vietnam
  • 5. 2. a. Philippines 3. c. Malaysia 4. d. Indonesia 1. b. Brunei 5. e. Singapore 6. f. Vietnam
  • 6. Lesson 1: FABRIC / FABRIC DESIGN
  • 8. produced from the cocoons of Thai silkworms mainly produced in Khorat which is the center of the silk industry in Thailand.
  • 9. Thai weavers raise the caterpillars on a steady diet of mulberry leaves. considered to be one of the finest arts in the world
  • 12. dates to as early as the first century since textiles were used for trading. Modern textiles have traces of motifs imitating clothing details on ancient stone sculptures.
  • 13. Two main types of Cambodian weaving:
  • 14. 1. (Khmer term: chong kiet) To create patterns, weavers tie and dye portions of weft yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots.
  • 15. 2. yields single or two-color fabrics produced by weaving three threads so that the "color of one thread dominates on one side of the fabric, while the two others determine the color on the reverse side.
  • 16. Cambodian textiles have employed natural dyes coming from: Red dye - insect nests, Blue dye – indigo Yellow and Green dye - prohut bark Black dye - ebony bark
  • 17. Cambodia's modern silk- weaving centers: Takeo Battambang Beanteay Meanchey Siem Reap and Kampot provinces.
  • 18. generally sold domestically used in sampot (wrap skirts), furnishings, and pidan (pictoral tapestries)
  • 19. played a significant role in Cambodian culture imports most of its cotton, traditionally woven cotton remains popular Cotton textiles
  • 20. Rural women often weave homemade cotton fabric, which is used in garments and for household purposes. Cotton textiles
  • 21. the traditional check scarves worn almost universally by Cambodians, are made of cotton. Krama
  • 22. CAMBODIA Angkor Silk Farm - Silk on the Loom - Siem Reap, Cambodia.mp4 CAMBODIA How to make Cambodian Silk - Khmer Silk.mp4
  • 23. LAOS
  • 24. According to Lao tradition, stories Of orally nor was it written, they wove it. Strand by strand, Lao stories were weaved in the intricate dense patterns and motifs of textiles. Unfortunately some are elaborately fantastic, and the motifs so cryptic, that in many cases only the weaver can accurately interpret the story.
  • 25. Most diverse of these stories are the ones woven into a sihn — the Lao women’s ankle-long skirt whose form is undeniable but whose patterns are unique to each skirt.
  • 26. Though the skirt looks simple and elegant, it is traditional that every woman in Laos weaves all the sihns she would wear throughout her lifetime. She uses folk icons to express p a c e c r o s o m n p a l i l s h e d v i e w b y s . sy T m h b is olist is t o o t e f t m e n s f — ro c m ra t b h s e fo in r a r n e i s m ou a r t c e ef o u r ln a e n s i s m , s a n t a e k w es or fo ld r fertility, butterflies for beauty, birds for success, and so on.
  • 27.
  • 29. Golden Thread Silks was born in Vietnam. Many of our fabrics originated from Ha Dong, the center of weaving and sericulture (silk worm production) for centuries. Old jacquard looms are still used, weaving patterns containing centuries-old symbols and characters.
  • 30. Some popular Vietnamese fabric ranges are: 1. Shantung taffeta 2. Bengaline weave 3 h a . n E d b - o w n o y v s e a t i n n - s o a u n t h a e l l r - n a V t i u e r t a n l a l m u s t a r n o d u ssilk naturally dyed using ebony fruit pods. The fabric dates back over a century, but was only recently revitalized by the designer Vo Viet Chung.
  • 31.
  • 33. The fabric most common to both countries is the Batik. The term “batik” is an Indonesian-Malay word, believed to be related to the Malay word “titik”, which means ‘point’, ‘dot’ or ‘drop’. The “drop” action refers to the process of dyeing the fabric by making use of a resist technique: covering areas of cloth with a dye-resistant substance (usually hot wax) to prevent them from absorbing colors. This technique is has been taught for over a thousand years.
  • 34.
  • 35. There are two categories of batik designs: 1. geometric motifs 2. free form designs Modern batik designs depend on the creativity of their designers. Naturalistic motifs like leaves, flowers and birds have been utilized to create elaborate and intricate designs.
  • 38. Modern designs also include more colors, courtesy of chemical dyes, as artists are not bounded by the strict guidelines of traditional practices, when craftsmen were dependent on natural dyes. In neighboring Malaysia, the states of considered the cradle where batik first flourished, reaching even Singapore’s shores.
  • 39.
  • 40. There are two main types of batik that are produced there: 1. Hand painted - the artist uses the canting, a small copper container with one or more different-sized pipes 2. Block printed - done by welding together strips of metal to form a metal block. The metal block is then dipped into molten wax and pressed against the fabric in order to make a pattern
  • 43. Leaves and flowers in Malaysian batiks are incorporated to avoid the interpretation of human and animal images as idolatry, in accordance with local Islamic doctrine. This makes their batik look similar to that of Indonesia.
  • 44. However, the Malaysian batik is famous for its geometrical designs or spirals. The method of Malaysian batik making is also different from those of Indonesian Javanese batik. Their patterns are larger and simpler. More brush painting is applied to be able to put lighter and more vibrant colors than deep colored Javanese batik.
  • 46. In Singapore, the existence and use of batik has been recorded since the 12th century but has receded its popularity through the years. Nowadays, batik is featured in as the uniform of flight attendants for the official flag carrier airlines of Singapore, Indonesia and Malaysia.
  • 48. Brunei's traditional textile is also called batik but it is uniquely different from Indonesia, Malaysia and Singapore. Its designs have their national flower simpur, sumboi- sumboi (pitcher plant) and Brunei's traditional design of air muleh.
  • 49. Different techniques are used in Brunei’s batik like airbrushing, cracking, bubble, rainbow, sprinkle, geometry and marble. These techniques are applied on the fabrics like cotton, chiffon, linen and brocade. Hand-made batik designs are created through the art of layering and mixing of colors injected with creativity.
  • 50. Batik can be done by four different ways: 1. hand-drawn 2. using metal blocks 3. screen printing 4. digital printing
  • 51.
  • 52.
  • 53. That’s All!!! Thank you and God bless!