Southeast asian art lesson 1 by: Maam odie INFANTA High SchoolOdenah Rutas
This document discusses traditional textile arts of several Southeast Asian countries. It describes silk production and weaving techniques in Thailand, Cambodia, Laos and Vietnam. For Thailand, it notes Thai silk and silk weaving as a fine art. In Cambodia, it discusses traditional ikat and uneven twill weaving, as well as natural dyes. Laos is known for storytelling through weaving. Vietnam produces golden thread silks and wedding suits. Batik fabric is discussed for Indonesia, Malaysia, Singapore and Brunei, noting different batik techniques and designs unique to each country.
Thai silk is produced from silkworm cocoons in Thailand, mainly in the region of Khorat. Thai weavers raise silkworms and feed them mulberry leaves. Thai silk is known for its fine quality and unique patterns and colors. Silk weaving also has a long history in Cambodia, dating back to the first century. Traditional techniques like ikat and uneven twill produce single or two-color fabrics using natural dyes like indigo, prohut bark, and ebony bark. Modern silk weaving centers in Cambodia provide employment for rural women.
Souteast asian arts Grade8 first quarterElmer Llames
1. Many Southeast Asian countries have rich traditions of textile weaving and fabric production, with silk production centered in Thailand and Vietnam and batik prominent in Indonesia, Malaysia, and Brunei.
2. Cambodia and Laos also have long histories of textile arts, with Cambodia known for silk weaving utilizing ikat and twill techniques and natural dyes, and Laos tradition holding that stories were woven into women's skirts.
3. Various arts and crafts traditions also exist in the region, including Thai sky lanterns, Lao mulberry paper making, Vietnamese silk painting, Indonesian shadow puppetry, Malaysian kite making, and Brunei's songkok caps.
The document discusses traditional arts and crafts from several Southeast Asian countries. It describes Thai flying lanterns used during festivals, Cambodian and Lao indigenous handicrafts that support livelihoods, Laotian traditional sa paper making, Vietnamese silk painting showcasing landscapes and daily life, Indonesian shadow puppetry performances called wayang kulit depicting Hindu epics, Malaysian wau kites with wing-shaped designs, and the Bruneian songkok cap widely worn in the region.
The document discusses traditional textiles and fabrics from several Southeast Asian countries. It provides details on silk production and weaving techniques used in Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. For example, it notes that Thai silk is produced from silkworm cocoons in Khorat, the center of Thailand's silk industry. It also explains that batik, a resist dyeing technique used to make patterned fabrics, originated in Indonesia but is also practiced in other Southeast Asian countries with variations. The document includes photos of traditional textiles, clothing, and crafts from the different places.
This document provides an overview of traditional arts, fabrics, and textiles from Southeast Asian countries. It describes specific textile arts from Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Traditional Thai silk production and Cambodian natural dye methods are outlined. The main textile techniques discussed are batik fabric from Indonesia, Malaysia, and Brunei and ikat and twill weaving styles from Cambodia. A variety of traditional garments, fabrics, and textile arts from each Southeast Asian country are presented.
Arts and crafts of southeast asian countriesCarl Marcelo
Batik is a wax resist dyeing technique used in Indonesia. There are different categories of batik designs including geometric motifs from earlier periods like kawung consisting of intersecting circles symbolizing fruits, and parang which features rugged designs once used exclusively by royal courts.
Thai silk is produced from silkworm cocoons, mainly in Khorat. Weavers raise silkworms on mulberry leaves to produce fine silk with unique patterns. Cambodian silk dates back to ancient times and features ikat dyeing before weaving to create patterns, as well as uneven twill weaves that produce single or two-color fabrics. Natural dyes from various plants and insects are used to produce silk for
This document provides information about traditional textile arts from several Southeast Asian countries, including Thailand, Cambodia, Laos, Vietnam, Indonesia/Malaysia/Singapore, and Brunei. For each country, it describes unique characteristics of local fabrics such as materials, techniques, designs, and cultural significance. Learners are then asked to match pictures of these textiles to their country of origin, and discuss how they differ from Philippine textiles in a group activity.
Southeast asian art lesson 1 by: Maam odie INFANTA High SchoolOdenah Rutas
This document discusses traditional textile arts of several Southeast Asian countries. It describes silk production and weaving techniques in Thailand, Cambodia, Laos and Vietnam. For Thailand, it notes Thai silk and silk weaving as a fine art. In Cambodia, it discusses traditional ikat and uneven twill weaving, as well as natural dyes. Laos is known for storytelling through weaving. Vietnam produces golden thread silks and wedding suits. Batik fabric is discussed for Indonesia, Malaysia, Singapore and Brunei, noting different batik techniques and designs unique to each country.
Thai silk is produced from silkworm cocoons in Thailand, mainly in the region of Khorat. Thai weavers raise silkworms and feed them mulberry leaves. Thai silk is known for its fine quality and unique patterns and colors. Silk weaving also has a long history in Cambodia, dating back to the first century. Traditional techniques like ikat and uneven twill produce single or two-color fabrics using natural dyes like indigo, prohut bark, and ebony bark. Modern silk weaving centers in Cambodia provide employment for rural women.
Souteast asian arts Grade8 first quarterElmer Llames
1. Many Southeast Asian countries have rich traditions of textile weaving and fabric production, with silk production centered in Thailand and Vietnam and batik prominent in Indonesia, Malaysia, and Brunei.
2. Cambodia and Laos also have long histories of textile arts, with Cambodia known for silk weaving utilizing ikat and twill techniques and natural dyes, and Laos tradition holding that stories were woven into women's skirts.
3. Various arts and crafts traditions also exist in the region, including Thai sky lanterns, Lao mulberry paper making, Vietnamese silk painting, Indonesian shadow puppetry, Malaysian kite making, and Brunei's songkok caps.
The document discusses traditional arts and crafts from several Southeast Asian countries. It describes Thai flying lanterns used during festivals, Cambodian and Lao indigenous handicrafts that support livelihoods, Laotian traditional sa paper making, Vietnamese silk painting showcasing landscapes and daily life, Indonesian shadow puppetry performances called wayang kulit depicting Hindu epics, Malaysian wau kites with wing-shaped designs, and the Bruneian songkok cap widely worn in the region.
The document discusses traditional textiles and fabrics from several Southeast Asian countries. It provides details on silk production and weaving techniques used in Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. For example, it notes that Thai silk is produced from silkworm cocoons in Khorat, the center of Thailand's silk industry. It also explains that batik, a resist dyeing technique used to make patterned fabrics, originated in Indonesia but is also practiced in other Southeast Asian countries with variations. The document includes photos of traditional textiles, clothing, and crafts from the different places.
This document provides an overview of traditional arts, fabrics, and textiles from Southeast Asian countries. It describes specific textile arts from Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Traditional Thai silk production and Cambodian natural dye methods are outlined. The main textile techniques discussed are batik fabric from Indonesia, Malaysia, and Brunei and ikat and twill weaving styles from Cambodia. A variety of traditional garments, fabrics, and textile arts from each Southeast Asian country are presented.
Arts and crafts of southeast asian countriesCarl Marcelo
Batik is a wax resist dyeing technique used in Indonesia. There are different categories of batik designs including geometric motifs from earlier periods like kawung consisting of intersecting circles symbolizing fruits, and parang which features rugged designs once used exclusively by royal courts.
Thai silk is produced from silkworm cocoons, mainly in Khorat. Weavers raise silkworms on mulberry leaves to produce fine silk with unique patterns. Cambodian silk dates back to ancient times and features ikat dyeing before weaving to create patterns, as well as uneven twill weaves that produce single or two-color fabrics. Natural dyes from various plants and insects are used to produce silk for
This document provides information about traditional textile arts from several Southeast Asian countries, including Thailand, Cambodia, Laos, Vietnam, Indonesia/Malaysia/Singapore, and Brunei. For each country, it describes unique characteristics of local fabrics such as materials, techniques, designs, and cultural significance. Learners are then asked to match pictures of these textiles to their country of origin, and discuss how they differ from Philippine textiles in a group activity.
This document summarizes traditional textile arts from several Southeast Asian countries. It discusses the history of silk weaving in Thailand and describes traditional Cambodian fabrics like ikat and uneven twill. Vietnamese textiles originated from Ha Dong and include fabrics like shantung taffeta. Batik is described as a common technique in Indonesia, Malaysia, and Singapore where patterns are made by hand painting melted wax onto fabric. Brunei batik features designs that symbolize the country. Myanmar is known for intricate silk weaves like Yakyaw Acheik that take a long time to produce. Students are assigned a project to design their own batik by the given deadline.
This document provides an overview of traditional textile arts in several Southeast Asian countries. It describes weaving and dyeing techniques used to create silk in Thailand and Cambodia, including ikat patterns and natural dyes. In Laos, stories were traditionally woven into women's skirts using symbolic motifs. Vietnam is known for intricate patterns in golden silk fabrics. Batik fabric is common in Indonesia, Malaysia, and Singapore, created using wax-resist dyeing. Malaysia and Brunei also have distinctive batik styles featuring local motifs. Overall, the document highlights how textile arts reflect and preserve the cultures and traditions of various Southeast Asian peoples.
This document provides an overview of traditional textile and fabric designs from several Southeast Asian countries. It discusses the origins and techniques used in Thai silk, Cambodian silk and cotton, Lao skirts, Vietnamese silks, and batik fabrics from Indonesia, Malaysia, Singapore, Brunei. For each country or region, it describes the materials, production processes, common motifs, cultural significance, and modern adaptations of traditional textile arts.
This document provides information about traditional arts and crafts from several Southeast Asian countries, including Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. It covers textiles and fabric design, including production of silk in Thailand and Cambodia and batik techniques used in Indonesia and Malaysia. Other crafts discussed include wood carving and sculpture traditions in each country as well as handicrafts, shadow puppets, kites, hats, and more. Key elements of art and principles of design are also defined at the end.
This document provides information about traditional textile and fabric designs from several Southeast Asian countries. It discusses the origins and techniques used in Thai silk, Cambodian silk and cotton textiles, Lao storytelling through textile patterns, Vietnamese silk production, and batik fabrics from Indonesia, Malaysia, Singapore, Brunei. Key details are provided about the materials, dyes, regional styles, and cultural significance of textile traditions in each country.
The document provides information about traditional textile and fabric designs from several Southeast Asian countries. It discusses the silk production of Thailand and describes Thai silk as being produced from silkworms and featuring unique patterns and colors. It also outlines the two main types of weaving in Cambodia - the ikat technique where portions of weft yarn are tie-dyed before weaving, and uneven twill weaves that produce single or two-color fabrics. Finally, it notes that batik fabric production is common across Indonesia, Malaysia, and Singapore, involving the resist dyeing technique to prevent fabric areas from absorbing color.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore and Brunei. For each country, it describes traditional fabrics, dyes, weaving techniques and patterns. It also outlines some of the key arts and crafts from each place, such as Thai silk, Cambodian ikat, Laotian embroidery, Vietnamese silk painting, Indonesian batik, Malaysian kites and Bruneian headwear. The document aims to educate about the unique art forms and their significance in Southeast Asian cultures and ways of life.
The document summarizes folk arts from several Southeast Asian countries, including textiles from Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, and Brunei. It describes traditional techniques like Thai silk production, Cambodian ikat dyeing and cotton weaving, Lao storytelling through patterned skirts, Vietnamese golden thread silks, batik techniques in Indonesia and Malaysia, and sky lantern festivals in Thailand. The document aims to teach students about the influence of history and culture on diverse artworks across Southeast Asia.
This document summarizes traditional fabrics, arts, and crafts from several Southeast Asian countries. It discusses the silk production processes in Thailand and Vietnam and weaving techniques like ikat and uneven twill used in Cambodia. Batik fabric designs involving wax-resist dyeing techniques are described for Indonesia, Malaysia, and Singapore. Traditional crafts discussed include Thai sky lanterns, Lao and Cambodian paper and basket making, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, and Malaysian kites. Head coverings like the songkok cap of Brunei are also summarized. The document concludes by briefly mentioning stone carving art in Cambodia, Thailand, Laos, Vietnam, Malaysia, and
This document provides an overview of folk arts in Southeast Asia, including textiles, crafts, and other art forms. It discusses the unique fabrics, weaving techniques, and natural dyes used in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms highlighted include Thai silk, Cambodian ikat weaving, Laotian sihn skirts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and Brunei's songkok caps. The document aims to educate readers about the rich cultural traditions expressed through the visual arts in Southeast Asia.
This document provides an overview of folk arts in Southeast Asia, including textiles, crafts, and other art forms. It discusses the unique fabrics, weaving techniques, and natural dyes used in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms highlighted include Thai silk, Cambodian ikat weaving, Laotian sihn skirts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and Brunei's songkok caps. The document aims to educate readers about the rich cultural traditions expressed through the visual arts in Southeast Asia.
Fabric and Fabric Design - MAPEH 8 (Arts 1st Quarter)Carlo Luna
MAPEH 8 1st Quarter - Southeast Asian Arts
Lesson 1: Fabric / Fabric Design
A. Thailand
B. Cambodia
C. Laos
D. Vietnam
E. Indonesia, Malaysia, Singapore
F. Brunei
The document provides information about traditional arts and crafts from various countries in Southeast Asia, including textiles, fabrics, and batik designs. It discusses silk production in Thailand and Vietnam and specific textile techniques used in Cambodia, Laos, Indonesia, Malaysia, Singapore, and Brunei. The key information covered includes traditional natural dyes and motifs used, centers of textile production, and distinguishing characteristics of batik styles between countries in the region. The overall document aims to educate readers about the traditional arts and crafts that reflect the cultures of Southeast Asian countries.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, Brunei and the Philippines. Specific fabrics and techniques mentioned include Thai silk, Cambodian ikat and natural dyes, Lao skirt patterns, Vietnamese satin and silk painting. Shadow puppetry, kite flying and woven hats are also summarized as traditional crafts of Indonesia, Malaysia and Brunei respectively. The document aims to educate about the unique art forms and cultural expressions of Southeast Asian nations.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, Brunei and the Philippines. Specific fabrics and techniques mentioned include Thai silk, Cambodian ikat and natural dyes, Lao skirt patterns, Vietnamese satin and silk painting. Traditional crafts summarized include Thai sky lanterns, Cambodian weaving, Laos embroidery, Vietnamese silk painting, Indonesian shadow puppets, Malaysian kites, and head coverings from Brunei. The document aims to educate about the unique art forms and cultural expressions of Southeast Asian nations.
This document provides information about folk arts in Southeast Asia, including different countries' traditions in textiles, sculpture, and performance arts. It begins by outlining the module's objectives to teach about the artistic heritage of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms discussed include Thai silk, Cambodian ikat weaving, Lao storytelling through textile patterns, Vietnamese silk painting, Indonesian wayang shadow puppetry, Malaysian kite flying, and stone carving traditions in Cambodia and Thailand. The document exposes students to the diverse crafts and artistic styles across Southeast Asia.
This document discusses traditional fabrics and textiles from Southeast Asian countries. It describes Thai silk production centered in Khorat, Cambodia's use of silk for skirts and furnishings, and Vietnam's golden thread silk originating from Ha Dong. The document also covers batik techniques used for resist dyeing in Malaysia, Indonesia, Brunei and Singapore, featuring wayang kulit puppet patterns. Finally, it discusses Myanmar's Lun yakyaw acheik fabrics printed with floral, wave and bird designs representing nature's influence on their culture.
Grade 8 Learning Module in Art - Quarter 1R Borres
This module provides an overview of the folk arts of Southeast Asia, including textiles, crafts, architecture, and other art forms. The document discusses different types of traditional fabrics and weaving techniques used in various Southeast Asian countries such as Thai silk, Cambodian ikat, Laotian sihn skirts, and batik fabrics of Indonesia, Malaysia, and Brunei. Other folk art forms presented include Thai sky lanterns, Cambodian and Lao handicrafts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and the Brunei songkok cap. The objectives of the module are to help students learn about, analyze, compare and appreciate
This document provides information about arts and crafts from Southeast Asian countries. It discusses textile techniques like weaving, batik dyeing, and silk painting that are common in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore and Brunei. Specific details are provided on traditional textiles and fabrics from each country. The document also describes crafts like sky lanterns from Thailand and paper making from Laos. It concludes by providing instructions for learners to create their own batik design using fabric, paint, and glue.
This document provides information about traditional fabrics and textiles from several Southeast Asian countries. It discusses silk production and weaving in Thailand, including mat mee patterned silk created through a specific dyeing process and yok dork brocade fabrics featuring floral patterns. Cambodian weaving techniques like ikat and uneven twill are described. Laos is noted for handmade cotton and silk fabrics including the ankle-length sihn skirt. Golden thread silks from Vietnam and specific fabrics like shantung taffeta and bengaline weave are mentioned. Batik fabric, hand-painted with canting pipes or block printed, is discussed as the traditional textile of Indonesia, Malaysia and Singapore, while Brun
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
This document summarizes traditional textile arts from several Southeast Asian countries. It discusses the history of silk weaving in Thailand and describes traditional Cambodian fabrics like ikat and uneven twill. Vietnamese textiles originated from Ha Dong and include fabrics like shantung taffeta. Batik is described as a common technique in Indonesia, Malaysia, and Singapore where patterns are made by hand painting melted wax onto fabric. Brunei batik features designs that symbolize the country. Myanmar is known for intricate silk weaves like Yakyaw Acheik that take a long time to produce. Students are assigned a project to design their own batik by the given deadline.
This document provides an overview of traditional textile arts in several Southeast Asian countries. It describes weaving and dyeing techniques used to create silk in Thailand and Cambodia, including ikat patterns and natural dyes. In Laos, stories were traditionally woven into women's skirts using symbolic motifs. Vietnam is known for intricate patterns in golden silk fabrics. Batik fabric is common in Indonesia, Malaysia, and Singapore, created using wax-resist dyeing. Malaysia and Brunei also have distinctive batik styles featuring local motifs. Overall, the document highlights how textile arts reflect and preserve the cultures and traditions of various Southeast Asian peoples.
This document provides an overview of traditional textile and fabric designs from several Southeast Asian countries. It discusses the origins and techniques used in Thai silk, Cambodian silk and cotton, Lao skirts, Vietnamese silks, and batik fabrics from Indonesia, Malaysia, Singapore, Brunei. For each country or region, it describes the materials, production processes, common motifs, cultural significance, and modern adaptations of traditional textile arts.
This document provides information about traditional arts and crafts from several Southeast Asian countries, including Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. It covers textiles and fabric design, including production of silk in Thailand and Cambodia and batik techniques used in Indonesia and Malaysia. Other crafts discussed include wood carving and sculpture traditions in each country as well as handicrafts, shadow puppets, kites, hats, and more. Key elements of art and principles of design are also defined at the end.
This document provides information about traditional textile and fabric designs from several Southeast Asian countries. It discusses the origins and techniques used in Thai silk, Cambodian silk and cotton textiles, Lao storytelling through textile patterns, Vietnamese silk production, and batik fabrics from Indonesia, Malaysia, Singapore, Brunei. Key details are provided about the materials, dyes, regional styles, and cultural significance of textile traditions in each country.
The document provides information about traditional textile and fabric designs from several Southeast Asian countries. It discusses the silk production of Thailand and describes Thai silk as being produced from silkworms and featuring unique patterns and colors. It also outlines the two main types of weaving in Cambodia - the ikat technique where portions of weft yarn are tie-dyed before weaving, and uneven twill weaves that produce single or two-color fabrics. Finally, it notes that batik fabric production is common across Indonesia, Malaysia, and Singapore, involving the resist dyeing technique to prevent fabric areas from absorbing color.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore and Brunei. For each country, it describes traditional fabrics, dyes, weaving techniques and patterns. It also outlines some of the key arts and crafts from each place, such as Thai silk, Cambodian ikat, Laotian embroidery, Vietnamese silk painting, Indonesian batik, Malaysian kites and Bruneian headwear. The document aims to educate about the unique art forms and their significance in Southeast Asian cultures and ways of life.
The document summarizes folk arts from several Southeast Asian countries, including textiles from Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, and Brunei. It describes traditional techniques like Thai silk production, Cambodian ikat dyeing and cotton weaving, Lao storytelling through patterned skirts, Vietnamese golden thread silks, batik techniques in Indonesia and Malaysia, and sky lantern festivals in Thailand. The document aims to teach students about the influence of history and culture on diverse artworks across Southeast Asia.
This document summarizes traditional fabrics, arts, and crafts from several Southeast Asian countries. It discusses the silk production processes in Thailand and Vietnam and weaving techniques like ikat and uneven twill used in Cambodia. Batik fabric designs involving wax-resist dyeing techniques are described for Indonesia, Malaysia, and Singapore. Traditional crafts discussed include Thai sky lanterns, Lao and Cambodian paper and basket making, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, and Malaysian kites. Head coverings like the songkok cap of Brunei are also summarized. The document concludes by briefly mentioning stone carving art in Cambodia, Thailand, Laos, Vietnam, Malaysia, and
This document provides an overview of folk arts in Southeast Asia, including textiles, crafts, and other art forms. It discusses the unique fabrics, weaving techniques, and natural dyes used in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms highlighted include Thai silk, Cambodian ikat weaving, Laotian sihn skirts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and Brunei's songkok caps. The document aims to educate readers about the rich cultural traditions expressed through the visual arts in Southeast Asia.
This document provides an overview of folk arts in Southeast Asia, including textiles, crafts, and other art forms. It discusses the unique fabrics, weaving techniques, and natural dyes used in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms highlighted include Thai silk, Cambodian ikat weaving, Laotian sihn skirts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and Brunei's songkok caps. The document aims to educate readers about the rich cultural traditions expressed through the visual arts in Southeast Asia.
Fabric and Fabric Design - MAPEH 8 (Arts 1st Quarter)Carlo Luna
MAPEH 8 1st Quarter - Southeast Asian Arts
Lesson 1: Fabric / Fabric Design
A. Thailand
B. Cambodia
C. Laos
D. Vietnam
E. Indonesia, Malaysia, Singapore
F. Brunei
The document provides information about traditional arts and crafts from various countries in Southeast Asia, including textiles, fabrics, and batik designs. It discusses silk production in Thailand and Vietnam and specific textile techniques used in Cambodia, Laos, Indonesia, Malaysia, Singapore, and Brunei. The key information covered includes traditional natural dyes and motifs used, centers of textile production, and distinguishing characteristics of batik styles between countries in the region. The overall document aims to educate readers about the traditional arts and crafts that reflect the cultures of Southeast Asian countries.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, Brunei and the Philippines. Specific fabrics and techniques mentioned include Thai silk, Cambodian ikat and natural dyes, Lao skirt patterns, Vietnamese satin and silk painting. Shadow puppetry, kite flying and woven hats are also summarized as traditional crafts of Indonesia, Malaysia and Brunei respectively. The document aims to educate about the unique art forms and cultural expressions of Southeast Asian nations.
This document provides information about traditional arts and crafts from several Southeast Asian countries. It discusses the textile designs of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, Brunei and the Philippines. Specific fabrics and techniques mentioned include Thai silk, Cambodian ikat and natural dyes, Lao skirt patterns, Vietnamese satin and silk painting. Traditional crafts summarized include Thai sky lanterns, Cambodian weaving, Laos embroidery, Vietnamese silk painting, Indonesian shadow puppets, Malaysian kites, and head coverings from Brunei. The document aims to educate about the unique art forms and cultural expressions of Southeast Asian nations.
This document provides information about folk arts in Southeast Asia, including different countries' traditions in textiles, sculpture, and performance arts. It begins by outlining the module's objectives to teach about the artistic heritage of Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore, and Brunei. Specific art forms discussed include Thai silk, Cambodian ikat weaving, Lao storytelling through textile patterns, Vietnamese silk painting, Indonesian wayang shadow puppetry, Malaysian kite flying, and stone carving traditions in Cambodia and Thailand. The document exposes students to the diverse crafts and artistic styles across Southeast Asia.
This document discusses traditional fabrics and textiles from Southeast Asian countries. It describes Thai silk production centered in Khorat, Cambodia's use of silk for skirts and furnishings, and Vietnam's golden thread silk originating from Ha Dong. The document also covers batik techniques used for resist dyeing in Malaysia, Indonesia, Brunei and Singapore, featuring wayang kulit puppet patterns. Finally, it discusses Myanmar's Lun yakyaw acheik fabrics printed with floral, wave and bird designs representing nature's influence on their culture.
Grade 8 Learning Module in Art - Quarter 1R Borres
This module provides an overview of the folk arts of Southeast Asia, including textiles, crafts, architecture, and other art forms. The document discusses different types of traditional fabrics and weaving techniques used in various Southeast Asian countries such as Thai silk, Cambodian ikat, Laotian sihn skirts, and batik fabrics of Indonesia, Malaysia, and Brunei. Other folk art forms presented include Thai sky lanterns, Cambodian and Lao handicrafts, Vietnamese silk painting, Indonesian wayang kulit shadow puppets, Malaysian wau kites, and the Brunei songkok cap. The objectives of the module are to help students learn about, analyze, compare and appreciate
This document provides information about arts and crafts from Southeast Asian countries. It discusses textile techniques like weaving, batik dyeing, and silk painting that are common in countries like Thailand, Cambodia, Laos, Vietnam, Indonesia, Malaysia, Singapore and Brunei. Specific details are provided on traditional textiles and fabrics from each country. The document also describes crafts like sky lanterns from Thailand and paper making from Laos. It concludes by providing instructions for learners to create their own batik design using fabric, paint, and glue.
This document provides information about traditional fabrics and textiles from several Southeast Asian countries. It discusses silk production and weaving in Thailand, including mat mee patterned silk created through a specific dyeing process and yok dork brocade fabrics featuring floral patterns. Cambodian weaving techniques like ikat and uneven twill are described. Laos is noted for handmade cotton and silk fabrics including the ankle-length sihn skirt. Golden thread silks from Vietnam and specific fabrics like shantung taffeta and bengaline weave are mentioned. Batik fabric, hand-painted with canting pipes or block printed, is discussed as the traditional textile of Indonesia, Malaysia and Singapore, while Brun
Similar to Arts 8 (Fabric and Fabric Design).pdf (20)
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
2. THAILAND
Thai Silk - is produced from the cocoons of Thai
silkworm.
- Thai silk making is considered to be one of the
finest arts in the world, a product of a unique
manufacturing process and bearing unique patterns
and colors.
Khorat – is the center of the silk industry in Thailand
where Thai silkworm is mainly produced.
-Thai weavers from this region raise the caterpillars
on a steady diet of mulberry leaves.
5. cambodia
Silk weaving in Cambodia dates to as early as the first
century since textiles were used for trading.
Two main types of Cambodian Weaving:
1. Ikat Technique – To create patterns, weavers tie
and dye portions of weft yam before weaving
begins.
- Lattice, stars and spots (common motifs)
6. cambodia
2. Uneven Twill –It yields single or two-color fabrics,
which produced by weaving three threads so that the
“color of one thread dominates on the side of the
fabric, while the two others determine the color on the
reverse side.”
Traditionally, Cambodian textiles have employed
natural dyes from:
a. Insect nest–Red dye c. prohut bark- Yellow and Green Dye
b. Indigo–Blue dye d. ebony bark- Black dye
9. cambodia
Silk-Weaving – it provides employment
Cambodian Silk – sold domestically but now it has
been exported viability. It is used in:
Sampot – (wrap skirts) Furnishings Pidan –
(pictorial tapestries)
Cotton Textiles – played an important role in
Cambodian culture.
Krama – the traditional check scarves worn
universally by Cambodians which is made of cotton.
11. laos
Lao tradition – stories of their history were not passed
on orally nor was written, they were woven (strand by strand).
Sihn – the Lao women’s ankle-long skirt whose
form is undeniable but whose patterns are
unique to each skirt.
- The skirt looks simple and elegant, it is
traditional that every woman in Laos weaves all
the sihns she would wear throughout her lifetime.
She uses folk icons to express personal views.
12. laos
Often accomplished by symbolist totems from the
inanimate or animate world.
-Crabs – resourcefulness -Butterflies -beauty
-Snake – fertility - Birds – success
13. vietnam
Golden Thread Silks – were born in Vietnam.
Ha Dong – the center of weaving and sericulture
(silkworm production) for centuries.
Some popular Vietnamese fabric ranges are:
1. Shantung taffeta – silk cloth usually used for bridal gown.
2. Bengaline weave – a great looking thick-grained taffeta.
It was first made of silk in Bengal, India.
3. Ebony satin – an all-natural lustrous silk hand-woven in
Southern Vietnam and naturally dyed using fruit pods.
15. Indonesia, Malaysia & singapore
Batik – the most common fabric in the 3 countries.
- Is an Indonesian Malay word.
Titik – point, dot or drop, believe to be related to
Malay word.
Two categories of batik design:
1. Geometric motifs
2. Free forms design
16. Indonesia, Malaysia & singapore
Two categories of batik design:
1. Geometric motifs
2. Free forms design
17. Indonesia, Malaysia & singapore
Two main types of batik:
1. Hand painted – the artist uses the canting, a small
copper container.
2. Block printed – done by welding together strips of
metal to form a metal lock. The metal lock is then
dipped into molten wax and pressed against the
fabric to make a pattern.
20. Indonesia, Malaysia & singapore
Leaves and flowers in Malayan batik are incorporated
to avoid the interpretation of human and animal
images as idolatry, in accordance with local Islamic
doctrine.
Nowadays, Batik is featured as the uniform of flight
attendants for the official flag carrier airlines of
Singapore, Indonesia and Malaysia.
21. brunei
Batik – Brunei’s traditional textile. It is uniquely
different from Indonesia, Malaysia and Singapore.
Common Designs:
Simpur – national flower
Sumboi-sumboi- pitcher plant
Air muleh – Brunei’s traditional design
22. brunei
Batik can be done in four different ways:
1. Hand drawn or printed
2. Metal blocks
3. Screen printing
4. Digital printing.