GRADE 8- ARTS
HOW MANY COUNTRIES ARE
THERE IN SOUTHEAST ASIA?
https://www.youtube.com/watch
?v=nuRx8Mbe5Lk
https://www.youtube.com/watch?v=eqImcJOip1E
https://www.youtube.com/watch?v=jxUncoUNTmQ
https://www.youtube.com/watch?v=6RiJ-HlW-MI
BRUNEI
CAMBODIA
LAO PDR
MALAYSIA
MYANMAR
INDONESIA
PHILIPPINES
THAILAND
SINGAPORE
EASTIMOR
VIETNAM
Southeast Asia countries
INTRODUCTION:
This module intends to give you
knowledge about the elements and
principles of arts and crafts inspired by the
cultures of Southeast Asia and let you
discover its contribution to the history of
the world of arts.
Through this module, it enables you
to discover techniques and analyze how
the Southeast Asian people produce
their arts and crafts considering the
elements and principles of arts. It also
shows creativity and ingenuity of the
artworks of the specific countries as
they became part of the aesthetic world
of arts.
Elements and Principles of Arts and Crafts in
Southeast Asia
•Southeast Asian arts are predominantly
influenced by religious belief and are often
expressed natural scenes and themes from their
aesthetic tradition.
•WOOD- is the first material to be used for
artistic purposes .
Southeast Asians-
-do not have a strong tradition of
art theory
-their Concerned- Actual work
of producing beautiful things.
_Once taught of having lack of inventiveness
MYANMAR AND THAILAND
Scholars contended
- Southeast Asian people were cultivating
plants, making pottery, and working in
bronze.
The most common fabric in some
Southeast Asian countries is the
batik which is thought to be derived
from the word ‘ambatik’ that can
be translated into ‘a cloth with
little dots’.
Process of making Batik
Traditional batik
•In the second color applied was a brown color called
soga.
•The color could range from light yellow to a dark
brown. The dye came from the bark of the Soga
tree.
•Another color that was traditionally used was a dark
red color called mengkuda. This dye was created
from the leaves of the Morinda Citrifolia.
Batik pattern in Java can be divided into three
main elements:
Shadow puppetry is known in Indonesia
Batik pattern in Java
1. Klowongan or the main decorative
motif
2. Isen-isen
3. Decorative motif as filler
-placed on the background pattern as a
balance to the field so that the overall
pattern.
Indonesian batik patterns are
usually symbolic. Infants are
carried in batik slings
decorated with symbols
designed to bring the child
luck.
Batik designs are reserved for brides and
bridegrooms, as well as their families.
Wayang Kulit Performance
•The following are the elements of Wayang Kulit
performance:
•1. Puppeteer or Dhalang – one who entertains
and teaches; usually men
•2. Gamelan (a traditional Indonesian orchestra) –
its job is to accompany the puppeteer’s story with
engaging music.
•3. Shadow puppets (wayang kulit) – traditionally
made out of cowhide.
Wayang Kulit is among the best known,
offering a unique combination of ritual,
lesson, and entertainment.
Malaysia
•Malaysian batik can be found in the east
coast of Malaysia such as Kelantan,
Terengganu and Pahang.
Since there are large number of Javanese
immigrants in Malaysia, especially on the
southern part, batik in Johor clearly shows
Javanese influences.
•The visual identity of Malaysian sculpture is based on the
physical form and space. Malaysia’s sculptures are mostly
relief. Relief sculpture is done with stone, marble, bronze, and
many other substances. It is divided into three types:
•1. Alto form – This is similar to the Egyptians’ alto relief
sculptures of gods or Pharaohs attached to their temples. It is
almost completely carved from its surface, highly shaped with
very little of the structure touching the base or plane.
•2. Bas form – This is common as wall decorations on Greek or
Roman buildings, and these are mostly seen on the
Colosseum. It is a relief that barely extends past the base.
•3. Sunken relief sculpture – an image that is carved into the
surface rather than out of it.
The best Malay woodcarving is from Terengganu and
Kelantan, where the craft is divided into two:
1. Ukiran halus (fine carving) – involves the carving of
relief patterns, hilts of keris (short Malay dagger), bed
heads, and cupboard tops.
2. Ukiran kasar (rough carving) – refers to the carvings on
larger objects like furniture's.
https://www.youtube.com/watch?v=U9GfPJ4IHE8
Did you know that Thai silk is produced from
the cocoons of Thai silkworms?
Silkworm
RICE PAPER
The Thai name of sky lantern is
khom loi.
The most popular one is the Loy
Krathong Festival which is held on
the night of the 12th full moon,
usually in November.
Famous sculpture is Wat Pho in Bangkok
It is one of the largest temple complexes in the city, it’s famed for its
giant reclining Buddha that is 46 meters long and 15 meters high, covered
in gold leaf. The Buddha’s feet is 5 meters long decorated in mother of
pearl.
Myanmar has ten most famous traditional arts
and crafts which is called Pan Sel Myo (10
flowers):
Panchi is the traditional painting style of Myanmar. Known to
have been developed in the region of Bagan, Panchi depicts
scenes of people, animals, objects, and scenery in rich, vibrant
colors.
In ancient Myanmar, palaces and temples were
meticulously decorated with ornate wooden carvings.
Since the Bagan period, the tempering of iron or steel in
furnaces has played an integral role in the production of
goods and tools.
Panyun is the art of making materials such as alms
bowls, vessels, and cigar boxes using wood, bamboo,
and lacquer.
Myanmar has practiced the art of Panpoot, or
woodturning. Using a turning lathe, artisans have crafted
fine wooden products such as boxes, bowls, tables and
chairs with intricate designs and shapes.
Panyan is the art of constructing buildings with
brick, stone, and cement. Using ancient
techniques and tools,
Pantuat is the craft of creating decorative floral patterns,
lions, and dragons out of stucco. Pantaut designs adorn
the walls of temples and palaces. The decorations are
highly detailed and are a point of pride in Myanmar
architecture.
Pantamault is the art of stone carving and is still
practiced today. Statues, animals, flag poles, and pillars
are among the many sculptures created by these skilled
artisans
In Myanmar, the art of gold and silversmithing is called
Pantain. Traditionally, silver was used in the production of
precious drinking bowls, cups and shields while gold was
more often used for earrings and other jewelry
Bronze casting is used to manufacture a variety of
objects like the ornate statues seen in pagodas,
bells and cooking utensils.

GRADE 8- ARTS.pptx

  • 1.
  • 2.
    HOW MANY COUNTRIESARE THERE IN SOUTHEAST ASIA? https://www.youtube.com/watch ?v=nuRx8Mbe5Lk https://www.youtube.com/watch?v=eqImcJOip1E https://www.youtube.com/watch?v=jxUncoUNTmQ https://www.youtube.com/watch?v=6RiJ-HlW-MI
  • 3.
  • 4.
  • 5.
  • 6.
    INTRODUCTION: This module intendsto give you knowledge about the elements and principles of arts and crafts inspired by the cultures of Southeast Asia and let you discover its contribution to the history of the world of arts.
  • 7.
    Through this module,it enables you to discover techniques and analyze how the Southeast Asian people produce their arts and crafts considering the elements and principles of arts. It also shows creativity and ingenuity of the artworks of the specific countries as they became part of the aesthetic world of arts.
  • 8.
    Elements and Principlesof Arts and Crafts in Southeast Asia •Southeast Asian arts are predominantly influenced by religious belief and are often expressed natural scenes and themes from their aesthetic tradition. •WOOD- is the first material to be used for artistic purposes .
  • 9.
    Southeast Asians- -do nothave a strong tradition of art theory -their Concerned- Actual work of producing beautiful things. _Once taught of having lack of inventiveness
  • 10.
    MYANMAR AND THAILAND Scholarscontended - Southeast Asian people were cultivating plants, making pottery, and working in bronze.
  • 11.
    The most commonfabric in some Southeast Asian countries is the batik which is thought to be derived from the word ‘ambatik’ that can be translated into ‘a cloth with little dots’.
  • 14.
  • 16.
    Traditional batik •In thesecond color applied was a brown color called soga. •The color could range from light yellow to a dark brown. The dye came from the bark of the Soga tree. •Another color that was traditionally used was a dark red color called mengkuda. This dye was created from the leaves of the Morinda Citrifolia.
  • 17.
    Batik pattern inJava can be divided into three main elements: Shadow puppetry is known in Indonesia Batik pattern in Java 1. Klowongan or the main decorative motif 2. Isen-isen 3. Decorative motif as filler -placed on the background pattern as a balance to the field so that the overall pattern.
  • 21.
    Indonesian batik patternsare usually symbolic. Infants are carried in batik slings decorated with symbols designed to bring the child luck.
  • 22.
    Batik designs arereserved for brides and bridegrooms, as well as their families.
  • 23.
    Wayang Kulit Performance •Thefollowing are the elements of Wayang Kulit performance: •1. Puppeteer or Dhalang – one who entertains and teaches; usually men •2. Gamelan (a traditional Indonesian orchestra) – its job is to accompany the puppeteer’s story with engaging music. •3. Shadow puppets (wayang kulit) – traditionally made out of cowhide.
  • 24.
    Wayang Kulit isamong the best known, offering a unique combination of ritual, lesson, and entertainment.
  • 25.
    Malaysia •Malaysian batik canbe found in the east coast of Malaysia such as Kelantan, Terengganu and Pahang. Since there are large number of Javanese immigrants in Malaysia, especially on the southern part, batik in Johor clearly shows Javanese influences.
  • 26.
    •The visual identityof Malaysian sculpture is based on the physical form and space. Malaysia’s sculptures are mostly relief. Relief sculpture is done with stone, marble, bronze, and many other substances. It is divided into three types: •1. Alto form – This is similar to the Egyptians’ alto relief sculptures of gods or Pharaohs attached to their temples. It is almost completely carved from its surface, highly shaped with very little of the structure touching the base or plane. •2. Bas form – This is common as wall decorations on Greek or Roman buildings, and these are mostly seen on the Colosseum. It is a relief that barely extends past the base. •3. Sunken relief sculpture – an image that is carved into the surface rather than out of it.
  • 27.
    The best Malaywoodcarving is from Terengganu and Kelantan, where the craft is divided into two: 1. Ukiran halus (fine carving) – involves the carving of relief patterns, hilts of keris (short Malay dagger), bed heads, and cupboard tops. 2. Ukiran kasar (rough carving) – refers to the carvings on larger objects like furniture's.
  • 29.
  • 30.
    Did you knowthat Thai silk is produced from the cocoons of Thai silkworms?
  • 34.
  • 43.
  • 47.
    The Thai nameof sky lantern is khom loi. The most popular one is the Loy Krathong Festival which is held on the night of the 12th full moon, usually in November.
  • 50.
    Famous sculpture isWat Pho in Bangkok
  • 51.
    It is oneof the largest temple complexes in the city, it’s famed for its giant reclining Buddha that is 46 meters long and 15 meters high, covered in gold leaf. The Buddha’s feet is 5 meters long decorated in mother of pearl.
  • 70.
    Myanmar has tenmost famous traditional arts and crafts which is called Pan Sel Myo (10 flowers):
  • 72.
    Panchi is thetraditional painting style of Myanmar. Known to have been developed in the region of Bagan, Panchi depicts scenes of people, animals, objects, and scenery in rich, vibrant colors.
  • 74.
    In ancient Myanmar,palaces and temples were meticulously decorated with ornate wooden carvings.
  • 76.
    Since the Baganperiod, the tempering of iron or steel in furnaces has played an integral role in the production of goods and tools.
  • 78.
    Panyun is theart of making materials such as alms bowls, vessels, and cigar boxes using wood, bamboo, and lacquer.
  • 80.
    Myanmar has practicedthe art of Panpoot, or woodturning. Using a turning lathe, artisans have crafted fine wooden products such as boxes, bowls, tables and chairs with intricate designs and shapes.
  • 82.
    Panyan is theart of constructing buildings with brick, stone, and cement. Using ancient techniques and tools,
  • 84.
    Pantuat is thecraft of creating decorative floral patterns, lions, and dragons out of stucco. Pantaut designs adorn the walls of temples and palaces. The decorations are highly detailed and are a point of pride in Myanmar architecture.
  • 86.
    Pantamault is theart of stone carving and is still practiced today. Statues, animals, flag poles, and pillars are among the many sculptures created by these skilled artisans
  • 88.
    In Myanmar, theart of gold and silversmithing is called Pantain. Traditionally, silver was used in the production of precious drinking bowls, cups and shields while gold was more often used for earrings and other jewelry
  • 90.
    Bronze casting isused to manufacture a variety of objects like the ornate statues seen in pagodas, bells and cooking utensils.