Abstract expressionism 2011
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Abstract Expressionism was an influential art movement of the mid-20th century that emphasized spontaneity and the personal emotional experience of the artist. There were two major types: action painting, exemplified by Jackson Pollock's drip technique, and color field painting, where artists like Hans Hoffman and Richard Diebenkorn used large areas of color to create a sense of depth. Jackson Pollock was a seminal action painter and is considered the "father" of Abstract Expressionism, which helped establish American art on the global stage for the first time.
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abstract expressionism
Term "Abstract Expressionism" was first used in Germany in connection with Rusian artist Wassily Kandinsky in 1919 (referencing the German Expressionists with their anti-figurative aesthetic), but later became more commonly associated with Post-WWII American Art.
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This slideshow was created as an introduction to a Year 9 unit on Abstract Expressionism, it was designed as a starting point for further research into specific artists of the movement and its wider influences. It was also designed as a starting point into a practical exercise recreating the 'sentiment' of AE without necessarily reproducing the 'methods'. It needs editing.
Paintings of abstract expressionism
This presentation will let you know about the famous paintings during the time of Abstract Expressionism in brief with their details
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The document provides background information on Abstract Expressionism, also known as the New York School. It summarizes key events and influences that led to the development of this post-World War II art movement in New York City in the 1940s-1960s. It profiles several influential Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Robert Motherwell and describes their signature styles like action painting and color field painting.
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Abstract Expressionism emerged in New York City in the 1940s as artists rapidly applied paint to large canvases in an expressive style, drawing from Surrealist ideas of tapping the unconscious mind. There were two main types: action painting, which emphasized the artist's hand movements and texture, and color field painting, which used broad areas of color. Famous artists like Jackson Pollock, Willem de Kooning, Arshile Gorky, Mark Rothko, and Clyfford Still developed techniques like dripping and splattering paint to create emotional, non-representational works focused on the creative process over any subject matter.
Abstract expressionism-processes-and-materials
Abstract Expressionism was an artistic movement in post-World War II America that featured large-scale abstract paintings using energetic, gestural brushwork. Jackson Pollock, a leading Abstract Expressionist, created the painting One: Number 31 by pouring and dripping commercial paint directly onto unprimed canvases laid on the floor, using an unusual technique that produced dynamic webs of lines. Pollock incorporated unusual found objects like coins and buttons into some of his works. The document encourages readers to analyze Pollock's paintings, experiment with their own abstract collages using cutouts from magazines, and present their creations to classmates.
Abstract expressionism final powerpoint
Abstract Expressionism was a prominent American art movement between the 1940s and mid-1950s, centered in New York City. It featured rebellious and idiosyncratic works, moving from representation to abstraction. Key figures included Arshile Gorky, considered the father of the movement, and Jackson Pollock, who pioneered drip painting and helped begin the movement. Artists expressed emotion and explored color, form, and the act of painting itself through styles like action painting and color field painting.
Abstract Expressionism
Lecture 6: The New York School comes of age with the mature work of Jackson Pollock, Mark Rothko, and Willem de Kooning. We also discuss the 'second generation' artists such as Joan Mitchell and Morriss Lewis. A strong focus on expressive brushwork, personal emotion and the underlying tenets of existentialist thought is on full display. Clement Greenberg's thoughts on the inherent flatness of the picture plane also exert a strong influence. The work should also be seen in the context of the Cold War and 'soft power'.
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abstract expressionism
Term "Abstract Expressionism" was first used in Germany in connection with Rusian artist Wassily Kandinsky in 1919 (referencing the German Expressionists with their anti-figurative aesthetic), but later became more commonly associated with Post-WWII American Art.
Abstract expressionism
This slideshow was created as an introduction to a Year 9 unit on Abstract Expressionism, it was designed as a starting point for further research into specific artists of the movement and its wider influences. It was also designed as a starting point into a practical exercise recreating the 'sentiment' of AE without necessarily reproducing the 'methods'. It needs editing.
Paintings of abstract expressionism
This presentation will let you know about the famous paintings during the time of Abstract Expressionism in brief with their details
Abstract Expressionism
The document provides background information on Abstract Expressionism, also known as the New York School. It summarizes key events and influences that led to the development of this post-World War II art movement in New York City in the 1940s-1960s. It profiles several influential Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Robert Motherwell and describes their signature styles like action painting and color field painting.
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Abstract Expressionism emerged in New York City in the 1940s as artists rapidly applied paint to large canvases in an expressive style, drawing from Surrealist ideas of tapping the unconscious mind. There were two main types: action painting, which emphasized the artist's hand movements and texture, and color field painting, which used broad areas of color. Famous artists like Jackson Pollock, Willem de Kooning, Arshile Gorky, Mark Rothko, and Clyfford Still developed techniques like dripping and splattering paint to create emotional, non-representational works focused on the creative process over any subject matter.
Abstract expressionism-processes-and-materials
Abstract Expressionism was an artistic movement in post-World War II America that featured large-scale abstract paintings using energetic, gestural brushwork. Jackson Pollock, a leading Abstract Expressionist, created the painting One: Number 31 by pouring and dripping commercial paint directly onto unprimed canvases laid on the floor, using an unusual technique that produced dynamic webs of lines. Pollock incorporated unusual found objects like coins and buttons into some of his works. The document encourages readers to analyze Pollock's paintings, experiment with their own abstract collages using cutouts from magazines, and present their creations to classmates.
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Abstract Expressionism was a prominent American art movement between the 1940s and mid-1950s, centered in New York City. It featured rebellious and idiosyncratic works, moving from representation to abstraction. Key figures included Arshile Gorky, considered the father of the movement, and Jackson Pollock, who pioneered drip painting and helped begin the movement. Artists expressed emotion and explored color, form, and the act of painting itself through styles like action painting and color field painting.
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Lecture 6: The New York School comes of age with the mature work of Jackson Pollock, Mark Rothko, and Willem de Kooning. We also discuss the 'second generation' artists such as Joan Mitchell and Morriss Lewis. A strong focus on expressive brushwork, personal emotion and the underlying tenets of existentialist thought is on full display. Clement Greenberg's thoughts on the inherent flatness of the picture plane also exert a strong influence. The work should also be seen in the context of the Cold War and 'soft power'.
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Abstract Expressionism emerged in the late 1940s as a radical new art movement in America that focused on formal qualities and emphasized the autonomy of art over political or social concerns; critics like Clement Greenberg championed Abstract Expressionism and formalism, arguing that art should separate itself from mass culture and popular tastes through an emphasis on formal innovation and medium-specific purity; Greenberg's theories helped establish Abstract Expressionism as the leading avant-garde movement in America and positioned it as an anti-communist symbol during the Cold War era.
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Abstract Expressionism was a post-World War II American art movement that originated in New York in the 1940s. It was the first American art movement to gain worldwide recognition and prominence, establishing New York City as the center of the global art world. Abstract Expressionism had two main streams - Action Painting in the late 1940s-1950s, characterized by impulsive, emotional brushwork, and Color Field and Hard-Edge Painting in the early 1960s, focused on large areas of color or geometric shapes. Major artists associated with the movement included Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko.
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The document discusses Abstract Expressionism, an art movement that began in the 1940s in New York City. It involved spontaneous and emotional painting styles like action painting and color field painting. Key artists included Jackson Pollock, Willem de Kooning, Lee Krasner, and Mark Rothko. They reacted against traditional art and sought to directly express inner emotions, often dealing with trauma from World War II. Though critics were initially hesitant, it came to influence many later art movements.
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Abstract expressionism
Abstract Expressionism was a mid-20th century art movement centered in New York City. Artists applied paint forcefully and non-geometrically to large canvases to express inner emotions and feelings. There were two main techniques - action painting involving dripped and splattered paint, and color field painting using solid fields of color. Pioneering artists included Jackson Pollock, famous for his drip paintings, Willem de Kooning, and Mark Rothko known for his blocks of color. Abstract Expressionism emphasized individual expression and made New York a new center for art.
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Abstract Expressionism was a post-World War II art movement that began in New York in the 1940s and 1950s. Artists used non-traditional techniques like action painting to express themselves freely without a specific subject. Two main concepts were energetic gestures using impulsive brushwork and large fields of color. Major artists included Jackson Pollock, known for his drip technique paintings, Mark Rothko who created emotional color field paintings, Willem de Kooning who painted abstracted figures and landscapes, and Lee Krasner, Pollock's wife. The movement marked a shift to American modern art and freedom of expression.
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Abstract Expressionism was a post-World War II art movement where artists focused on the physical act of painting rather than preconceived images. The resulting works were nonrepresentational and explored psychology and subjective states of mind. While modernism brought artistic independence from politics, some critics argued Abstract Expressionism had no social purpose due to its inaccessibility. However, others believe the art's interpretation depends on the viewer and it does not intentionally convey political or ideological messages.
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Abstract Expressionism was a post-World War II art movement developed by American painters in New York in the 1940s-1950s. It emphasized spontaneous, emotional expression and the unconscious through gestural brushstrokes and pouring paint onto large canvases. Leading artists included Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman. Their works, such as Pollock's No. 5, 1948 and de Kooning's Woman II, had a significant impact and established New York as the new center of modern art. Filipino artists like Jose Joya and Frederick Agustin also participated in the abstract expressionist movement.
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Abstract Expressionism emerged in New York in the 1940s-1950s as a leading art movement, exemplified by Action Painting such as Jackson Pollock's process of dripping and splattering paint onto large canvases, as well as Color Field Painting using large areas of vibrant color. Younger artists in the 1960s reacted against Abstract Expressionism with new movements like Pop Art, which incorporated popular culture imagery, and Conceptual Art, which emphasized ideas over physical objects.
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Abstract expressionism emerged after World War II and emphasized spontaneous, energetic applications of paint and revealing the artist's process. The movement included action painting, where artists used techniques like dripping and flinging paint, and color field painting, characterized by large areas of flat color. Prominent abstract expressionists included Jackson Pollock, who developed drip painting, Willem de Kooning, known for figurative works, and Mark Rothko, whose paintings featured rectangular fields of color.
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Abstract Expressionism emerged in the late 1940s as a radical new art movement in America that focused on formal qualities and emphasized the autonomy of art over political or social concerns; critics like Clement Greenberg championed Abstract Expressionism and formalism, arguing that art should separate itself from mass culture and popular tastes through an emphasis on formal innovation and medium-specific purity; Greenberg's theories helped establish Abstract Expressionism as the leading avant-garde movement in America and positioned it as an anti-communist symbol during the Cold War era.
Abstract Expressionism
Abstract Expressionism was a post-World War II American art movement that originated in New York in the 1940s. It was the first American art movement to gain worldwide recognition and prominence, establishing New York City as the center of the global art world. Abstract Expressionism had two main streams - Action Painting in the late 1940s-1950s, characterized by impulsive, emotional brushwork, and Color Field and Hard-Edge Painting in the early 1960s, focused on large areas of color or geometric shapes. Major artists associated with the movement included Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko.
Abstract Expressionism
Abstract Expressionism was an American post-World War II art movement between 1946-1960. It was characterized by spontaneous, informal paintings focused on the inner psyche using unconventional techniques like drip and pour to create energetic, dynamic gestures expressing the authentic personal experience rather than conforming to common sense. Key artists included Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Mark Rothko, Franz Kline, and Lee Krasner.
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Robert Rauschenberg was an American artist considered influential in challenging modernist views of art. He was inspired by Dadaists, Joseph Cornell, Kurt Schwitters, and artists of the 1950s like Jasper Johns. Rauschenberg helped establish Neo-Dada and acted as a bridge between Abstract Expressionism and Pop Art by incorporating everyday objects and images in innovative combinations in his combines and silkscreen works. He pushed boundaries and inspired later artists associated with Pop Art.
Abstract Expressionism
This powerpoint presentation talks about the Art Movement: Abstract Expressionism. It also discusses about the history, definition and characteristics of Abstract Expressionism. It also discusses about the painters who are related in the period of Abstract Expressionism.
Abstract Expressionism
The document discusses Abstract Expressionism, an art movement that began in the 1940s in New York City. It involved spontaneous and emotional painting styles like action painting and color field painting. Key artists included Jackson Pollock, Willem de Kooning, Lee Krasner, and Mark Rothko. They reacted against traditional art and sought to directly express inner emotions, often dealing with trauma from World War II. Though critics were initially hesitant, it came to influence many later art movements.
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The document discusses the Abstract Expressionism movement and three key styles that emerged from New York School artists: action painting, color field painting, and representational works incorporating these styles. It provides examples of paintings by Jackson Pollock, Mark Rothko, Phillip Guston, and others that exemplify action painting, color field painting, and the blending of styles. The movement was the first American art movement to achieve worldwide recognition and put New York at the center of the art world.
Abstract expressionism
Abstract Expressionism was a mid-20th century art movement centered in New York City. Artists applied paint forcefully and non-geometrically to large canvases to express inner emotions and feelings. There were two main techniques - action painting involving dripped and splattered paint, and color field painting using solid fields of color. Pioneering artists included Jackson Pollock, famous for his drip paintings, Willem de Kooning, and Mark Rothko known for his blocks of color. Abstract Expressionism emphasized individual expression and made New York a new center for art.
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Abstract Expressionism was a post-World War II art movement that began in New York in the 1940s and 1950s. Artists used non-traditional techniques like action painting to express themselves freely without a specific subject. Two main concepts were energetic gestures using impulsive brushwork and large fields of color. Major artists included Jackson Pollock, known for his drip technique paintings, Mark Rothko who created emotional color field paintings, Willem de Kooning who painted abstracted figures and landscapes, and Lee Krasner, Pollock's wife. The movement marked a shift to American modern art and freedom of expression.
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Action Painting
This document summarizes action painting, a style of abstract expressionism characterized by energetic and expressive application of paint. It was pioneered by artists like Jackson Pollock and Willem de Kooning in the 1940s. While some viewed action paintings as random splatters, the document analyzes works by Joan Mitchell, Jackson Pollock, Jean-Paul Riopelle, Helen Frankenthaler, and Willem de Kooning to show how they demonstrate control and composition despite their gestural styles. It addresses the criticism of whether such works can truly be considered art.
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Robert Rauschenberg was an American painter and graphic artist whose early works anticipated pop art. Some key influences on his style included his mother's dressmaking from scraps, his painting instructor Josef Albers, and composers John Cage and Merce Cunningham who encouraged the use of found objects and chance in art. Rauschenberg is known for combining diverse materials and images in his artworks, rejecting the seriousness of abstract expressionism.
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Abstract Expressionism was a post-World War II art movement where artists focused on the physical act of painting rather than preconceived images. The resulting works were nonrepresentational and explored psychology and subjective states of mind. While modernism brought artistic independence from politics, some critics argued Abstract Expressionism had no social purpose due to its inaccessibility. However, others believe the art's interpretation depends on the viewer and it does not intentionally convey political or ideological messages.
Abstract Expressionism
Abstract Expressionism was a post-World War II art movement developed by American painters in New York in the 1940s-1950s. It emphasized spontaneous, emotional expression and the unconscious through gestural brushstrokes and pouring paint onto large canvases. Leading artists included Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman. Their works, such as Pollock's No. 5, 1948 and de Kooning's Woman II, had a significant impact and established New York as the new center of modern art. Filipino artists like Jose Joya and Frederick Agustin also participated in the abstract expressionist movement.
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Abstract Expressionism emerged in New York in the 1940s-1950s as a leading art movement, exemplified by Action Painting such as Jackson Pollock's process of dripping and splattering paint onto large canvases, as well as Color Field Painting using large areas of vibrant color. Younger artists in the 1960s reacted against Abstract Expressionism with new movements like Pop Art, which incorporated popular culture imagery, and Conceptual Art, which emphasized ideas over physical objects.
Modern Artists - Robert Rauschenberg
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Robert Rauschenberg was an American artist born in 1925 who helped pioneer the Neo-Dada artistic movement and was a bridge into Pop Art. He was influenced by Dadaists like Marcel Duchamp and Joseph Cornell as well as Kurt Schwitters. Rauschenberg created "Combines" which employed non-traditional materials in innovative ways and pushed boundaries in his works like Bed and Monogram. He had a significant influence on other artists like Jasper Johns and Roy Lichtenstein and helped move art in a new direction with his use of everyday objects and pop culture imagery. Rauschenberg challenged notions of what art could be and helped establish concepts that shaped several subsequent decades of art.
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The document summarizes the emergence and evolution of major art movements in New York City following World War II. It describes how the New York School of abstract expressionism arose as European artists immigrated to New York during the war. Artists like Jackson Pollock and Mark Rothko developed new styles of abstract expressionism using techniques like action painting and color field painting. In the 1960s, new movements like pop art, conceptual art, and op art emerged, experimenting with popular culture, ideas over objects, and optical illusions.
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The document provides an overview of the artists Jasper Johns and Robert Rauschenberg, who are seen as bridging Abstract Expressionism and Pop Art in the 1950s-1960s. It discusses key works by each artist that incorporated everyday objects and images in new ways, challenging traditional notions of what art could be and paving the way for Pop Art. Rauschenberg in particular is seen as undermining the idea of a singular meaning or illusion in art through his combines and erasures.
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The document summarizes the emergence and evolution of major art movements in New York City following World War II. It describes how the New York School of abstract expressionism arose as European artists immigrated to New York during the war. Artists like Jackson Pollock and Mark Rothko developed new styles of abstract expressionism using techniques like action painting and color field painting. In the 1960s, new movements like pop art, conceptual art, and op art emerged, experimenting with popular culture, ideas over objects, and optical illusions.
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Abstract Expressionism was an influential art movement from the 1940s-1950s known for spontaneous, expressive styles. It encompassed action painting and color field painting. Key artists included Jackson Pollock, Willem de Kooning, and Mark Rothko. Op Art from the 1950s-1970s used optical illusions to create the illusion of movement through geometric shapes and lines. Pop Art emerged in the late 1950s-1960s as a reflection of consumer culture, using images from popular culture and advertising. Andy Warhol and Roy Lichtenstein were influential Pop artists. Minimalism of the 1960s-1970s stripped art to basic geometric forms and materials to remove expression. Key minimalist artists were Richard Serra,
Answer all three of the following questions per work of ar.docx
Answer
all three
of the following questions
per work
of art shown below. You should reference your book to aid you in answering these questions. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work.
“Painting”
Who is the artist?
Which event does this respond to and what statement does it make?
What may have inspired the image of the male figure?
“Flowers on Body”
What issues did this artist address in her work?
What series does this particular image belong to?
What themes does this image address?
“Backs”
What materials did the artist use in her works?
How is this representative of her work?
What do the forms suggest in this work?
you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week.
Abstract Expressionism
Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction.
Action painting
Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation.
Assemblage
An artwork constructed from already existing objects.
Chromatic abstraction
A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko.
Color field painting
A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis.
Conceptual art
An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression.
Deconstruction
An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstruction means destabilizing established meanings and interpretations while encouraging subjectivity and individual differences.
Earthworks
An American art form that emerged in the 1960s. .
Artwork ReviewAnswer all three of the following questions p.docx
Artwork Review
Answer
all three
of the following questions
per work
of art shown below. You should reference your book to aid you in answering these questions. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work.
The following are glossary terms for the week to be used with your work this week. You do not need to utilize them all; however, you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week.
Abstract Expressionism
Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction.
Action painting
Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation.
Assemblage
An artwork constructed from already existing objects.
Chromatic abstraction
A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko.
Color field painting
A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis.
Conceptual art
An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression.
Deconstruction
An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstruction means destabilizing established meanings and interpretations while encouraging subjectivity and individual differences.
Earthworks
An American art form that emerged in the 1960s. Often using the land itself as their material, Environmental artists construct monuments of great scale and minimal form. Permanent or impermanent, these works transform some section of the environment, calling attention both to the land itself and to the hand of the artist. Sometimes referred.
20th century modern art - Karen W
The document summarizes major art movements and artists from the mid-20th century. The New York School was influenced by earlier modern art styles and produced abstract expressionist works with freedom and looseness. The second generation was more academic in their precise, cohesive styles. Minimal art focused on shape and materials while optical art used visual tricks. Pop art featured popular culture imagery and was pioneered by artists like Andy Warhol. Conceptual art prioritized ideas over finished works. Artists like Pollock, Bacon, and Miro experimented with new techniques and themes of humanity.
Abstract expressionism
The document provides background information on Abstract Expressionism, also known as the New York School. It summarizes key events and influences that led to the development of this post-World War II art movement in New York City in the 1940s-1960s. It profiles several influential Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Robert Motherwell and describes their signature styles like action painting and color field painting.
AssignmentAnswer all three of the following questions per work.docx
Assignment
Answer all three of the following questions per work of art shown below. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work.
1. “Painting”
1.
. Who is the artist?
. Which event does this respond to and what statement does it make?
. What may have inspired the image of the male figure?
· “Flowers on Body”
1.
. What issues did this artist address in her work?
. What series does this particular image belong to?
. What themes does this image address?
· “Backs”
· What materials did the artist use in her works?
· How is this representative of her work?
· What do the forms suggest in this work?
Glossary Terms
The following are glossary terms with which you need to become familiar and to utilize within your work this week. You do not need to utilize them all; however, you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week.
· Abstract Expressionism
. Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction.
· Action painting
. Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation.
· Assemblage
. An artwork constructed from already existing objects.
· Chromatic abstraction
. A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko.
· Color field painting
. A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis.
· Conceptual art
. An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression.
· Deconstruction
. An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstr ...
Pil-educational art software designed by Miss Munrakhan
Here are the answers to the questions:
1. True
2. False
3. True
4. True
5. True
6. False
The painting "Les Demoiselles D’avignon" was painted by Pablo Picasso, not Leonardo Da Vinci. Marie Rosalie Bonheur was not a prominent member of the Optical art Movement. She was a realist painter.
3.3 post painterly_abstraction
1) In the late 1950s, Clement Greenberg began championing a new style of painting he called Post Painterly Abstraction, which moved beyond Abstract Expressionism towards a more purified abstraction.
2) Artists like Helen Frankenthaler, Morris Louis, and Kenneth Noland began using staining techniques that eliminated gestures and focused on the properties of color, creating diaphanous, optically focused works.
3) Josef Albers and Ad Reinhardt also paralleled this trend with their explorations of color theory and attempts to define art as existing purely for its own visual properties rather than expression.
Abstract Expressionism
Abstract Expressionism emerged in New York City in the 1940s-1950s as an American art movement focused on spontaneous, emotional, and abstract qualities rather than objective representation. Key figures included Jackson Pollock, whose action painting involved dripping and splattering paint, as well as Mark Rothko, whose color field paintings used large areas of color without edges. The movement emphasized personal expression and the act of painting over recognizable imagery, influencing later art styles through its rejection of realism.
Abstract expressionism
Abstract Expressionism developed in New York in the 1940s as an art movement after World War II. It combines the emotional intensity of German Expressionism with the anti-figurative aspects of European abstract art. Abstract Expressionism has two main styles - action painting, which uses gestural brushwork, and color-field painting, which uses large areas of flat color. Action painting emphasizes the process of applying paint spontaneously, while color-field painting focuses on the interaction of color planes. Major artists associated with these styles include Jackson Pollock, Willem de Kooning, and Franz Kline.
Mid-Late 20th Century Art
This document summarizes major art movements from the mid-20th century including Abstract Expressionism, Minimalism, Pop Art, and key artists such as Jackson Pollock, Willem de Kooning, Mark Rothko, Donald Judd, Roy Lichtenstein, and Andy Warhol. It describes Abstract Expressionism as the first major American avant-garde movement and focuses on Pollock's action painting and de Kooning's raw, intense style. Minimalism featured simple geometric forms and basic materials. Pop Art was inspired by popular culture and images from comics and advertisements.
Remix mid to late 20th century art styles
This document provides an overview of several major art movements that emerged in mid-to-late 20th century America and Europe, including Abstract Expressionism, Op Art, Minimalism, and Hard-Edge painting. It summarizes key artists and characteristics of each style. Abstract Expressionism, led by Jackson Pollock and Willem de Kooning, featured emotionally expressive abstract paintings and established New York as the new center of the art world in the late 1940s. Op Art from the 1960s used optical illusions and patterns to create the illusion of visual movement. Minimalism reduced forms to pure geometric shapes intended to emphasize materials rather than symbolism.
art 10.pptx
Social realism aimed to bring awareness to social issues through art. Artists depicted subjects like poverty, war, and worker exploitation to promote reform. Abstractionism moved away from realistic depictions toward experimental styles focused on forms, colors, and emotions. Pop art drew inspiration from popular culture, depicting celebrities and advertisements. Abstract expressionism used gestural brushwork and vibrant colors to express emotions. Conceptual art emphasized ideas over finished objects.
ASP Abstract Exp 1950s
The document summarizes the Abstract Expressionist movement in American art during the 1950s. It describes how artists such as Pollock, de Kooning, and Rothko rejected traditional techniques and subjects to create large-scale, gestural and abstract works expressing inner experiences. These works emphasized spontaneity, process, and either energetic brushwork or fields of color. The movement played a key role in establishing American art on the global stage.
Abstract expressionism
Abstract expressionism was a post-World War II American art movement that originated in New York City in the 1940s. It was influenced by German Expressionism and focused on emotional intensity and self-expression through abstract styles like action painting and color field painting. Action painting featured impulsive, loose brushwork to convey movement, while color field used large areas of color. This was a revolutionary movement that established New York as a new center for art and featured influential artists such as Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman.
Similar to Abstract expressionism 2011 (20)
Answer all three of the following questions per work of ar.docx
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Artwork ReviewAnswer all three of the following questions p.docx
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Abstract expressionism 2011
- 1. Abstract Expressionism Nneka Okoli Nicole Coleman Damola Adebiyi
- 5. Jackson Pollock Robert Motherwell Action Painters
- 14. Beside the Sea
- 15. Hans Hoffman Richard Diebenkorn Color Field Painters