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The document discusses the concept of mimesis or imitation in art. It states that all art is mimetic in nature as it imitates life and reality. The poet is twice removed from reality by imitating ideas which are themselves imitations of reality. Aristotle defined art through 'mythos' and 'praxis' and considered mimesis to be central to poetry. He argued that mimetic art is superior to philosophy and history. While the historian reports what happened, the poet depicts what might have or ought to have happened, making poetry more universal than history. All art forms differ in how they achieve mimesis, through sounds, colors, actions or words. The ultimate end of poetry, according to





