Ode
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Ode is a type of lyric poem written in praise of a person, animal, or object. It is serious and meditative in tone. There are two types of odes: traditional odes, which are usually longer and more formal in structure, and modern odes, which are often written in free verse. A classic ode has three structured parts: the strophe, the antistrophe, which responds to the strophe, and the epode, which completes the movement.
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The Ode
The ode is a formal poem that originated in ancient Greece as a song or chant accompanied by dance. Traditionally, odes celebrate or praise their subject and are directed at something not present. They can explore personal or general issues. Odes are usually moderate to long in length and formal in nature. There are three main types: Pindaric odes follow a three-part structure and were performed with music; Horatian odes are more contemplative; and irregular odes contain elements of other ode types but with a flexible format.
METAPHYSICAL POETRY
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Preface to Lyrical Ballads
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Samuel taylor coleridge
Samuel Taylor Coleridge was an English poet, critic, and philosopher who was a leader of Romantic poetry. He divided imagination into primary and secondary forms. Primary imagination is a creative faculty possessed by all, while secondary imagination is the conscious, creative power of poets. Coleridge believed the purpose of poetry was to give pleasure, and defined a poem as having organic unity and seeking to produce immediate pleasure in readers through the willing suspension of disbelief. He saw imagination as the key distinguishing factor of a true poet.
Aristotle's poetics
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Rime of the Ancient Mariner
This document provides a summary of Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner". It describes the poem's publication in Lyrical Ballads in 1798. The summary outlines the characters, including the Ancient Mariner and the Wedding Guest, and provides a short synopsis of each part of the poem, describing how the Mariner kills an albatross and is subsequently cursed, leading to the death of his shipmates. Major themes of the poem are also summarized, including the natural world, the spiritual world, religion, and retribution.
Dryden's Essay On Dramatic Poesy
This document summarizes John Dryden's essay "Essay of Dramatic Poesy" from 1668. In the essay, Dryden has four characters - Eugenius, Crites, Lisideius, and Neander - debate five issues of dramatic poetry: ancients vs moderns, unities, French vs English drama, separation of tragedy and comedy, and the appropriateness of rhyme. Each character takes a position on the debates, with Eugenius favoring moderns, Crites favoring ancients, Lisideius favoring French drama, and Neander favoring English drama. Dryden also provides definitions of drama and compares attributes of French and English plays.
Wordsworth view on Theme and Subject matter of poetry.
This presentation is a part of my academic presentation Literary Theory & Criticism Department of English M.k. Bhavnagar University and it is submitted to Pro. Dr. Dilip Barad.
Recommended
The Ode
The ode is a formal poem that originated in ancient Greece as a song or chant accompanied by dance. Traditionally, odes celebrate or praise their subject and are directed at something not present. They can explore personal or general issues. Odes are usually moderate to long in length and formal in nature. There are three main types: Pindaric odes follow a three-part structure and were performed with music; Horatian odes are more contemplative; and irregular odes contain elements of other ode types but with a flexible format.
METAPHYSICAL POETRY
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Preface to Lyrical Ballads
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Samuel taylor coleridge
Samuel Taylor Coleridge was an English poet, critic, and philosopher who was a leader of Romantic poetry. He divided imagination into primary and secondary forms. Primary imagination is a creative faculty possessed by all, while secondary imagination is the conscious, creative power of poets. Coleridge believed the purpose of poetry was to give pleasure, and defined a poem as having organic unity and seeking to produce immediate pleasure in readers through the willing suspension of disbelief. He saw imagination as the key distinguishing factor of a true poet.
Aristotle's poetics
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Rime of the Ancient Mariner
This document provides a summary of Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner". It describes the poem's publication in Lyrical Ballads in 1798. The summary outlines the characters, including the Ancient Mariner and the Wedding Guest, and provides a short synopsis of each part of the poem, describing how the Mariner kills an albatross and is subsequently cursed, leading to the death of his shipmates. Major themes of the poem are also summarized, including the natural world, the spiritual world, religion, and retribution.
Dryden's Essay On Dramatic Poesy
This document summarizes John Dryden's essay "Essay of Dramatic Poesy" from 1668. In the essay, Dryden has four characters - Eugenius, Crites, Lisideius, and Neander - debate five issues of dramatic poetry: ancients vs moderns, unities, French vs English drama, separation of tragedy and comedy, and the appropriateness of rhyme. Each character takes a position on the debates, with Eugenius favoring moderns, Crites favoring ancients, Lisideius favoring French drama, and Neander favoring English drama. Dryden also provides definitions of drama and compares attributes of French and English plays.
Wordsworth view on Theme and Subject matter of poetry.
This presentation is a part of my academic presentation Literary Theory & Criticism Department of English M.k. Bhavnagar University and it is submitted to Pro. Dr. Dilip Barad.
Hymn to Intellectual Beauty by Percy Bysshe Shelley
The document provides a biography and analysis of Percy Bysshe Shelley's poem "Hymn to Intellectual Beauty". It summarizes the poem as addressing an invisible power or spirit of beauty that occasionally visits mankind. The speaker questions why this spirit causes such despair when it leaves. He asserts that religious notions are attempts to understand humanity's response to this spirit. The poem explores themes of the power of imagination versus reason, the simplicity of nature, and freedom. It advocates understanding nature to be liberated from darkness rather than relying on religion or superstition.
Sailing to byzatium
Yeats explores his thoughts and musings on how immortality, art, and the human spirit may converge. Through the use of various poetic techniques, Yeats's Sailing to Byzantium describes the metaphorical journey of a man pursuing his own vision of eternal life as well as his conception of paradise.
Aristotle's Poetics
Aristotle's Poetics is considered the earliest surviving work of dramatic theory and first systematic treatise on literary criticism. In it, Aristotle defines poetry as a means of mimesis or imitation through language, rhythm, and harmony. He discusses different types of poetry like tragedy, comedy, and epic poetry. For tragedy specifically, Aristotle says the objects imitated are serious actions, the manner is dramatic rather than narrative, and the medium is verse spoken in dialogue. He provides key terms used in tragedy like hamartia, anagnorisis, peripeteia, and katharsis. Aristotle also outlines critical elements of plot and structure for a successful tragedy, including unity of action, completeness, magnitude, and eliciting
John Donne
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Ts Eliot
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Samuel taylor coleridge(1772 1834)
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
Notes: Preface to Lyrical Ballads by Wordsworth
Wordsworth believed poetry arises from powerful emotions that are recollected later in a state of tranquility. He argued poetry should use everyday language that ordinary people use rather than ornate poetic language. He wanted poetry to reflect the human experience and relationship with nature. Poetry should describe simple subjects and situations that are easily understood and remembered. A poet is an ordinary person who experiences strong feelings and can vividly recall those emotions later to convey them to others through their writing.
William wordsworth as a critic
This document summarizes the major periods of English literature and provides details on William Wordsworth and the emergence of Romanticism. It outlines the periods from the Medieval era to modernism. Romanticism emerged in response to Neo-Classicism, with Wordsworth playing a key role. As a major Romantic poet, Wordsworth published works like The Prelude and served as Poet Laureate. He also wrote influential literary criticism in works like prefaces, arguing poetry should use common language to transmit ordinary experiences transformed by imagination.
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The document provides background information on John Keats' poem "Ode to a Nightingale". It was written in 1819 after Keats found inspiration from listening to a nightingale sing near his home. The poem uses the nightingale's song to explore themes of pain vs pleasure, reality vs transcendence, and an escape from life's difficulties. Through vivid sensory descriptions of nature and mythology, Keats expresses his joy at the bird's song but also a sense of melancholy and awareness of his own mortality.
Sir Philip Sidney
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia.
His artistic contacts were more peaceful and more significant for his lasting fame. During his absence from court, he wrote Astrophel and Stella and the first draft of The Arcadia and The Defence of Poesy. Somewhat earlier, he had met Edmund Spenser, who dedicated The Shepheardes Calender to him. Other literary contacts included membership, along with his friends and fellow poets Fulke Greville, Edward Dyer, Edmund Spenser and Gabriel Harvey, of the (possibly fictitious) 'Areopagus', a humanist endeavour to classicise English verse.
Both through his family heritage and his personal experience (he was in Walsingham's house in Paris during the St. Bartholomew's Day Massacre), Sidney was a keenly militant Protestant. In the 1570s, he had persuaded John Casimir to consider proposals for a united Protestant effort against the Roman Catholic Church and Spain. In the early 1580s, he argued unsuccessfully for an assault on Spain itself. Promoted General of Horse in 1583,[1] his enthusiasm for the Protestant struggle was given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. In the Netherlands, he consistently urged boldness on his superior, his uncle the Earl of Leicester. He conducted a successful raid on Spanish forces near Axel in July, 1586.
An early biography of Sidney was written by his friend and schoolfellow, Fulke Greville. While Sidney was traditionally depicted as a staunch and unwavering Protestant, recent biographers such as Katherine Duncan-Jones have suggested that his religious loyalties were more ambiguous. He was known to be friendly and sympathetic towards individual Catholics.
An Apology for Poetry(also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage.
Aristotle’s theory of imitation
Difference from Plato's Concept of Imitation, New Dimensions, Poetry linked with Music, Medium of Poetic Imitation, Object of Imitation, Manner of Imitation, Artistic Imitation: A Process of Ordering and Arranging
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Romanticism and William Wordsworth by Romance Group
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Classicism vs romanticism
This document provides an overview of Classicism and Romanticism. Classicism, also known as the Age of Reason, valued logic, order, and restraint of imagination. It upheld tradition and resisted change. Romanticism emphasized emotion, individual expression, imagination, nature, the past, and the inner depths of human nature. It supported social progress and individual freedom. Key differences included Classicism focusing on reason and society versus Romanticism focusing on imagination and the personal or individual.
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This document provides biographical information about the Australian poet A.D. Hope. It states that he was born in 1907 in New South Wales, Australia where his father was a Presbyterian minister. Hope was educated in Tasmania and New South Wales before graduating with degrees from the University of Sydney and University College Oxford. He later worked as a lecturer at Sydney Teachers' College and the University of Melbourne before becoming a Professor of English at the Australian National University. The document outlines Hope's publications which included two poetry collections that received praise and literary awards. It notes he received high honors for his contributions to literature before passing away in 2000.
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Organized by Paakhi Bhatnagar, President and Chief Editor of Book Club at DPS Sharjah.
Ode powerpoint presentation1
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Samuel taylor coleridge(1772 1834)
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Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
Notes: Preface to Lyrical Ballads by Wordsworth
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William wordsworth as a critic
This document summarizes the major periods of English literature and provides details on William Wordsworth and the emergence of Romanticism. It outlines the periods from the Medieval era to modernism. Romanticism emerged in response to Neo-Classicism, with Wordsworth playing a key role. As a major Romantic poet, Wordsworth published works like The Prelude and served as Poet Laureate. He also wrote influential literary criticism in works like prefaces, arguing poetry should use common language to transmit ordinary experiences transformed by imagination.
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Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia.
His artistic contacts were more peaceful and more significant for his lasting fame. During his absence from court, he wrote Astrophel and Stella and the first draft of The Arcadia and The Defence of Poesy. Somewhat earlier, he had met Edmund Spenser, who dedicated The Shepheardes Calender to him. Other literary contacts included membership, along with his friends and fellow poets Fulke Greville, Edward Dyer, Edmund Spenser and Gabriel Harvey, of the (possibly fictitious) 'Areopagus', a humanist endeavour to classicise English verse.
Both through his family heritage and his personal experience (he was in Walsingham's house in Paris during the St. Bartholomew's Day Massacre), Sidney was a keenly militant Protestant. In the 1570s, he had persuaded John Casimir to consider proposals for a united Protestant effort against the Roman Catholic Church and Spain. In the early 1580s, he argued unsuccessfully for an assault on Spain itself. Promoted General of Horse in 1583,[1] his enthusiasm for the Protestant struggle was given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. In the Netherlands, he consistently urged boldness on his superior, his uncle the Earl of Leicester. He conducted a successful raid on Spanish forces near Axel in July, 1586.
An early biography of Sidney was written by his friend and schoolfellow, Fulke Greville. While Sidney was traditionally depicted as a staunch and unwavering Protestant, recent biographers such as Katherine Duncan-Jones have suggested that his religious loyalties were more ambiguous. He was known to be friendly and sympathetic towards individual Catholics.
An Apology for Poetry(also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage.
Aristotle’s theory of imitation
Difference from Plato's Concept of Imitation, New Dimensions, Poetry linked with Music, Medium of Poetic Imitation, Object of Imitation, Manner of Imitation, Artistic Imitation: A Process of Ordering and Arranging
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This document discusses John Keats as a poet of sensuousness. It explains that sensuous poetry appeals to the senses of sight, hearing, touch, taste, and smell. It analyzes several of Keats' poems that exemplify his use of sensory details, including descriptions of a woman's hair and eyes, the music of a nightingale, extreme cold, different wines, and mingled flower perfumes. The conclusion states that Keats' senses revealed beauty to him and that he had a mastery of using sensuous details in his poetry, which is why he is considered a sensuous poet.
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This document summarizes T.S. Eliot's essay "Tradition and the Individual Talent". The essay is divided into three parts: Eliot's concept of tradition, his theory of the impersonality of poetry, and a conclusion. Eliot argues that a poet must be steeped in tradition through painstaking study in order to create new works of art. A poet surrenders their personality and emotions to tradition, acting as a medium for their fusion. Their work is then judged based on how it compares and contributes to the ongoing tradition, rather than as an expression of personal feelings or experiences.
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William Wordsworth was an English poet born in 1770 who was orphaned as a teenager. He showed an early talent for poetry. As a young man, he traveled to France influenced by revolutionary ideals. He befriended Samuel Taylor Coleridge and the two worked on Lyrical Ballads together. Wordsworth found success with poems like "I Wandered Lonely as a Cloud" and was named Poet Laureate late in life, dying in 1850. The poem describes the poet's chance encounter with a vast field of daffodils beside a lake and how their beauty brought him joy and remained a source of happiness in memory.
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William Wordsworth was a prominent English Romantic poet known for his love of nature and emphasis on nature as a moral teacher. This presentation provides biographical information about Wordsworth and discusses key aspects of his work, including his views that nature has a healing power, a living personality, and that it can provide profound thoughts. It also summarizes his poem "I Wandered Lonely as a Cloud", highlighting how the beauty of daffodils overcomes the poet's loneliness and provides a strong sense of joy through their lively movement.
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- Classification of differential equations by type (ordinary vs. partial), order, and linearity.
- Methods for solving different types of differential equations such as variable separable form, homogeneous equations, exact equations, and linear equations.
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1) The document discusses writing an ode, which is a poem that praises an ordinary object, person, or place through imagery, metaphors, and similes.
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newton's laws of motion
- Sir Isaac Newton formulated his three laws of motion in his book Philosophiae Naturalis Principia Mathematica published in 1687.
- Newton's First Law states that an object at rest stays at rest and an object in motion stays in motion with the same speed and in the same direction unless acted upon by an unbalanced force.
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Elegy Written in a Country Churchyard
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The Sonnet (Poetry)
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Songs lyrics
The document contains lyrics to several Christian worship songs that focus on themes of faith, devotion to God, God's love and mercy, and following God's call even in the face of difficulty or sacrifice. The songs express gratitude to God for his blessings, salvation through Jesus Christ, forgiveness of sins, and provision of daily grace despite human failings. They portray God as amazing, majestic creator and ruler over all things who knows and cares for each person.
Gravitação e satelites
1) O documento discute as leis de Kepler sobre o movimento planetário e a teoria da gravitação universal de Newton.
2) É apresentada a história da astronomia desde Ptolomeu até Kepler e Newton, incluindo as contribuições de Copérnico, Tycho Brahe e Galileu.
3) Kepler formulou três leis que descrevem o movimento dos planetas em órbitas elípticas em torno do Sol.
Satire
This document discusses satire, providing examples from politics, fairy tales, movies, and television. It defines satire as using humor, irony, exaggeration or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues. Examples analyzed include a satirical news story about Obama creating jobs, elements of satire in the movie Shrek, and the use of satire in The Simpsons television show and The Daily Show with Jon Stewart.
Satire
The document defines satire and provides examples of techniques used in satirical works such as exaggeration, reversal, incongruity, and parody. It then analyzes a clip from Shrek that uses these techniques to satirize and critique traditional gender roles and action movie tropes. The clip features Princess Fiona defeating Robin Hood and his men through exaggerated martial arts moves and special effects seen in movies like The Matrix.
Irony
There are three main types of irony: verbal, situational, and dramatic. Verbal irony uses words to express something different than their literal meaning. Situational irony occurs when the actual outcome is opposite of what was expected. Dramatic irony is used in storytelling where the audience knows something characters do not, such as a character relying on deceitful people unknowingly. It creates curiosity in how the character will eventually discover the truth.
Monarchy
A monarchy is a form of government where sovereignty is embodied in one or several individuals, such as a king or queen, who rules until death or abdication. Countries that currently practice monarchy include Japan, England, and Nepal. In ancient times, kings were often seen as having sacred or divine roles as priests or with divine ancestry. While some monarchies continued into modern times as living gods, the modern era saw the rise of anti-monarchism and republicanism as more countries abolished their monarchies after World War I and II in favor of democratic forms of government.
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Ode
- 1. M a e – m a e V a l d e z
- 2. M a e – m a e V a l d e z WHAT IS ODE? Ode is a type of lyric poem written in praise of a person, animal or object. It is serious and meditative in tone and connects its subject with a great, universal and modern theme. Two types of Ode: 1. Traditional Odes are usually of some length and formality in structure. 2. Modern Odes are already written in free verse.
- 3. M a e – m a e V a l d e z KINDS OF ODES We have two kinds of Odes: • English Ode A lyrical stanza in praise of, or dedicated to someone or something which captures the poet's interest or serves as an inspiration for the ode. An ode's lyrics can be on various themes. • Classic Ode structured in three major parts: the strophe, the antistrophe, and the epode. 1. Strophe is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other.. Is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. In poems composed of similar units, such as epic poems, the term strophic is synonymous with stanzaic. 2. Antistrophe is the portion of an ode sung by the chorus in its returning movement from west to east, in response to the strophe, which was sung from east to west. It has the nature of a reply and balances the effect of the strophe. 3. Epode is the third part of an ode, which followed the strophe and the antistrophe, and completed the movement. Soon took a firm place in choral poetry, which it lost when that branch of literature declined. But it extended beyond the ode, and in the early dramatists we find numerous examples of monologues and dialogues framed on the epodical system. In Latin poetry the epode was cultivated, in conscious archaism, both as a part of the ode and as an independent branch of poetry.
- 4. M a e – m a e V a l d e z LESSON REVIEW Ode is a type of lyric poem written in praise of a person, animal or object. It has two types: the Traditional and the Modern. It has two kinds: An English and a Classic. Odes are usually of some length and formality in structure, but some modern odes are written in free verse. Odes’ persona is moved to deep reflection by a very mundane thing. Its thoughts and emotions contemplates it. You belong to a different time and place from them. Do you think people from your own world can relate to the feelings of those odes express? Draw connections between your own experiences and feelings and those of the persona in the ode.
- 5. VOCABULARY Ode Antistrophe Traditional Ode Epode Modern Ode Coryphaeus English Ode Stesichorus Classic Ode Iambic Strophe stanzaic M a e – m a e V a l d e z
- 6. M a e – m a e V a l d e z LESSON INQUIRY Define Ode. Recognize and Identify Ode and its features. Contemplate an ordinary object with the aim of seeing what is special in it. Express in various ways the insights you have gained from ode. How does Ode bring extraordinary meanings to ordinary things? END