Plato introduces the theory of imitation, which argues that art and literature are imitations of nature rather than reflections of truth or reality. According to Plato's theory, a painter's depiction of a chair is twice removed from the truth since it is an imitation of the carpenter's physical chair, which itself is an imitation of the ideal "chair" form. Plato believed that literature could misguide society and corrupt youth, and thus wanted to ban poets from his republic. However, the conclusion is that while Plato makes a valid point about imitation, poetry is not inherently harmful.
Difference from Plato's Concept of Imitation, New Dimensions, Poetry linked with Music, Medium of Poetic Imitation, Object of Imitation, Manner of Imitation, Artistic Imitation: A Process of Ordering and Arranging
Plato's Objection to Poetry and Aristotle's DefenceDilip Barad
This presentation deals with Greek philosopher Plato's objections to poetry and Aristotle's clarification on the confusion created by Plato. It is said that Plato confused study of morals/ethics with that of aesthetics. Aristotle removed this confusion.
Difference from Plato's Concept of Imitation, New Dimensions, Poetry linked with Music, Medium of Poetic Imitation, Object of Imitation, Manner of Imitation, Artistic Imitation: A Process of Ordering and Arranging
Plato's Objection to Poetry and Aristotle's DefenceDilip Barad
This presentation deals with Greek philosopher Plato's objections to poetry and Aristotle's clarification on the confusion created by Plato. It is said that Plato confused study of morals/ethics with that of aesthetics. Aristotle removed this confusion.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
This Presentation is part of my M.A Study Paper about "Criticism and Indian aesthetic". Here my presentation is about Practical Criticism by I.A Richard.
The concept of imagination in biographia literariaDayamani Surya
Samuel Taylor Coleridge in his Biographia Literature considered that the mind can be divided into two faculties called as imagination and fancy.
Imagination is further divided into two types namely Primary Imagination and Secondary Imagination.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
This Presentation is part of my M.A Study Paper about "Criticism and Indian aesthetic". Here my presentation is about Practical Criticism by I.A Richard.
The concept of imagination in biographia literariaDayamani Surya
Samuel Taylor Coleridge in his Biographia Literature considered that the mind can be divided into two faculties called as imagination and fancy.
Imagination is further divided into two types namely Primary Imagination and Secondary Imagination.
This presentation is all about man's language and brain development. I created this file as one of my visual aids in our course, Foundation of Language Education.
Brain and language,
neurolinguistics,
Brain science or neuroscience,
Interesting brain facts,
Parts of the brain,
How the two sides process information,
Left Hemisphere,
Right Hemisphere,
Aphasia,
Major Types of Aphasia,
Non-Fluent Aphasia,
Fluent Aphasia,
Broca’s aphasia,
Broca’s aphasia as a syntactic disorder,
Wernicke's aphasia,
Stages of Acquisition of first LanguageJoel Acosta
Language acquisition is the process by which humans acquire the capacity to perceive and comprehend language, as well as to produce and use words to communicate. The capacity to successfully use language requires one to acquire a range of tools including syntax, phonetics, and an extensive vocabulary. This language might be vocalized as with speech or manual as in sign. The human language capacity is represented in the brain.
Running Head IMITATIVE ART1IMITATIVE ART3Imit.docxcowinhelen
Running Head: IMITATIVE ART 1
IMITATIVE ART 3
Imitation As the Specific Concept That Most Piqued My Interest in Art
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Imitation As the Specific Concept That Most Piqued My Interest in Art
The specific concept in the different art and poetry topics that most piqued my interest is “imitation”. As noted in Book X, Plato banishes the poets from his city simply because he says that they are imitators who cannot spread wisdom due to falsity of their pieces of art. Plato was unlike his ancient Greek counterparts who thought that drama, poetry, and other forms of fine art were imitations of reality, a reality that could be actual or potential. They in fact believed that fine art was imitative in nature and attached a great importance to poetry as an integral part of the Greek education. Further, the Greeks held art as an imitation of nature or reality. However, because Plato’s theory on nature and reality was widely different just like was his ideas on the mechanism of imitation from other theorists and poets, he banished the poets as liars (Plato 2015).
Similarly, Danto compares Socrates and Hamlet who describe art as a mirror meaning that art is an imitation of nature. From his point of view, the mirror perspective of both Socrates and Hamlet defining art as a mirror, makes art an imitation or mirror image that is meant to deceive because it is an imitation lacking reality or originality of craftsmanship. He therefore, demystifies Hamlet’s thinking of art as a mirror that shows people what we they cannot see for themselves, as well as Socrates thinking that art is like a mirror that reflects what people can already see (Danto 1964, 571-584). It is therefore evident that the topic of imitation in art is dominant in both Danto’s and Plato’s reading making it a topic that piques my interest in art.
How Art Imitation Is Analyzed By Plato and Danto
According Plato, art can never truly represent reality, for life itself, of which art is merely a copy, does not represent reality. This is why he says that the world, we experience it, is just an illusion or collection of mere appearances which are like reflections in a mirror or shadows on a wall (Muller, 1982, 229-247). Therefore, he believes that anything the artists produce is just an imitation that lacks reality. Further, any artistic representation is at best a third remove from reality according to Plato. He only asserts that only God is perfectly good, and therefore changeless and incapable of deceit, but artists are deceptive. On the other hand, Danto emphasizes the need for reality as opposed to imitation. He for instance explains that art is something that is original and distinguishable. Although it may look like the exact object it is however easily recognized and distinguished from all others.
Relevance of Imitation to Plato’s And Danto’s Overall Argument
Imitation is relevant to P ...
Plato was an ancient Greek philosopher who lived from approximately 428/427 BC to 348/347 BC. He was a student of Socrates and the teacher of Aristotle, two other renowned philosophers.
Plato is widely regarded as one of the most important figures in the development of Western philosophy. His philosophical ideas and writings have had a significant influence on various fields, including ethics, politics, metaphysics, epistemology, and aesthetics.
One of Plato's most famous works is "The Republic," in which he presents his ideas about justice and the ideal state. In this dialogue, Plato explores concepts such as the nature of reality, the nature of the soul, and the philosopher-king.
Plato's philosophy is characterized by his theory of Forms or Ideas. According to Plato, the physical world that we perceive with our senses is merely a reflection or imperfect copy of an ideal, eternal realm of Forms. The Forms are abstract, unchanging, and perfect concepts or essences that serve as the true objects of knowledge.
Plato also emphasized the importance of education and the pursuit of knowledge. He believed that true knowledge could only be attained through a process of philosophical inquiry and contemplation.
In addition to his philosophical ideas, Plato made significant contributions to other disciplines. He founded the Academy in Athens, which was one of the earliest known organized institutions of higher learning in the Western world. The Academy became a center for intellectual and philosophical activity for several centuries.
Overall, Plato's philosophical ideas continue to be studied and debated today, making him one of the most influential thinkers in history. His work has had a profound impact on the development of Western philosophy and has shaped the way we think about a wide range of topics.
2. “The right function of art is to put before the soul
the images what is instrinsically great and
beautiful.”-Plato
3. INTRODUCTION
Plato was a great Greek critic of
literature, philosopher, thinker, educatio
nalist.
He was also a fine literary stylist and
great story teller.
He introduce “theory of imitation ‘’
4. According to him, the nature is only true and
other materials are imitation or copy of the
truth.
So literature and poetry are not true it’s
imitation of nature.
5. He gives an example of a carpenter and a chair
to understand theory of imitation.
6. The idea of ‘chair’ first came in the mind on
carpenter.
He gave physical shape to his idea out of wood
and created a chair.
The painter imitated the chair of carpenter.
Thus, painter chair is twice to remove from
reality.
7. Literature is harmful to the society and
misguide the people of country and spoil the
youth.
Plato also against poetry. He wanted to
banish poets from the country because he
believed that poetry spoil the young mind.
8. CONCLUSION
Plato is a great critic and his view of
imitation is true at some point but the
poetry is not harmful to the society.
So, the view of Plato should not
followed in literature.