This document summarizes the language teaching method called Suggestopedia, developed by Bulgarian psychiatrist Georgi Lozanov. Suggestopedia aims to remove psychological barriers to learning through the use of specially designed classroom environments involving music, decoration, and an authoritative teacher role. Key aspects include placing students in a relaxed "pseudo-passive" state, using Baroque music to facilitate learning, and teaching large volumes of vocabulary and conversational skills quickly over intensive short-term courses.
Main points on Suggestopedia <a><img src="https://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png" /></a><br /><span>Suggestopedia</span> por <span>Florencia Barison</span> se distribuye bajo una <a>Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional</a>.http://creativecommons.org/licenses/by-nc-sa/4.0/
Suggestopedia has probably both the most enthusiastic and the most critical response of any of the so-called new methods. Having acknowledged that three are techniques and procedures in Suggestopedia that may prove useful in a foreign language classroom. And yet from Lozanov’s points of view, this air of science is what gives Suggestopedia its authority in the eyes of students and prepares them to expect success. Perhaps, then, it is not productively to futher belabor the science/non-science, data/double-talk issues and instead, as Bancroft and Stevick have done, try to identify and validate those techniques from Suggestopedia that appear effective and that harmonize with other successful techniques in the language teaching inventory.
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2. Suggestopedia – Developed by theSuggestopedia – Developed by the
Bulgarian psychiatrist andBulgarian psychiatrist and
educatoreducator
Georgi LozanovGeorgi Lozanov
5. The most important characteristics of this methodThe most important characteristics of this method
are:are:
DecorationDecoration
FurnitureFurniture
Arrangement of theArrangement of the
classroomclassroom
AuthoritativeAuthoritative behavior ofbehavior of
the teacherthe teacher
The use ofThe use of soft Baroquesoft Baroque
musicmusic (this makes the(this makes the
method unique)method unique)
6. Three functions of music in therapy :Three functions of music in therapy :
(Gaston, 1968)(Gaston, 1968)
To facilitate establishment andTo facilitate establishment and
maintenance of personal relationsmaintenance of personal relations
To bring about increased self-esteemTo bring about increased self-esteem
through increased self-satisfaction inthrough increased self-satisfaction in
musicial performancemusicial performance
To use the unique potential ofTo use the unique potential of
rhythm to energize and bring orderrhythm to energize and bring order
(the reason for the use of music in(the reason for the use of music in
Suggestopedia)Suggestopedia)
7. ApproachApproach
Theory of language is notTheory of language is not
articulated by Lozanov.articulated by Lozanov.
Theory of learning underliesTheory of learning underlies
SSuggestouggestology. So that;logy. So that;
Students => SuggestibleStudents => Suggestible
Fears => DesuggestibleFears => Desuggestible
8. ApproachApproach
Bancroft states that tBancroft states that there are sixhere are six
principle theoretical components ofprinciple theoretical components of
Suggestopedia:Suggestopedia:
AuthorityAuthority
InfantilizationInfantilization
Double-planednessDouble-planedness
IntonationIntonation,, rhythmrhythm,, and concertand concert
pseudopseudo--passivenesspassiveness
9. AuthorityAuthority
give control and authority to the teachergive control and authority to the teacher
completelycompletely
What makes a teacher authoritive?What makes a teacher authoritive?
self-confidenceself-confidence
Personal distancePersonal distance
Acting abilityActing ability
Possitive attitudePossitive attitude
11. Double-plannednessDouble-plannedness
Learner learns not only fromLearner learns not only from
- direct instruction- direct instruction
but alsobut also
- bright decor of the classroom,- bright decor of the classroom,
musicial background, shape of themusicial background, shape of the
calssroom, personality of thecalssroom, personality of the
teacher.teacher.
12. Intonation, Rhythm, ConcertIntonation, Rhythm, Concert
Pseudo-PassivenessPseudo-Passiveness
Intonation plus Rhythm coordinatedIntonation plus Rhythm coordinated
with musicial backgroundwith musicial background
A relaxed attitude with the help ofA relaxed attitude with the help of
musicial background : Concertmusicial background : Concert
Pseudo-PassivenessPseudo-Passiveness
16. DesignDesign
Roles of LearnersRoles of Learners
PseudoPseudo--passivenesspassiveness statestate
Acting childishlyActing childishly
Not to figure outNot to figure out
Not to manipulatNot to manipulatee
Not to study materialNot to study material
17. DesignDesign
Roles of teachersRoles of teachers
According to Lozanov, teachers should giveAccording to Lozanov, teachers should give
attention toattention to
Absolute confidenceAbsolute confidence
His/her manners and dressHis/her manners and dress
Organizing the lessonOrganizing the lesson (music choice, punctuality)(music choice, punctuality)
Responding tactfullyResponding tactfully
Modest enthusiasmModest enthusiasm
19. ProcedureProcedure
A 4-hour languageA 4-hour language
class has threeclass has three parts:parts:
Oral view sectionOral view section
micro studiesmicro studies
macro studiesmacro studies
A new materialA new material
presentation and discussionpresentation and discussion
Concert sessionConcert session
20. ConclusionConclusion
Learning is facilitated by environment andLearning is facilitated by environment and
music.music.
Teacher is the authority.Teacher is the authority.
Psychological barriersPsychological barriers are removed.are removed.
In texts target language and its nativeIn texts target language and its native
languagelanguage areare givengiven..