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Desuggestopedia

Kerem Hernández
 Michelle Portillo
  Sofía Gallardo
                     KH
ntroduction


This method was created by Georgi Lozanov and
is an illustrative method, an aproach in which
there is respect for students‟ feelings.
Desuggestopedia, the application of the study of
suggestion to pedagogy, has been developed to
helps students eliminate the feeling that they
cannot be successful or the negative association
they may have toward studying and, thus, to help
them overcome the barriers to learning. One of
the ways the students‟ mental reserves are
stimulated is through integration of the fine arts.
bservations




  WELCOME
4. These are reproductions of classical
      paintings throughout the text.
 5. In the left column of the wall is the
   dialog in the target language. In the
   right column is the native language
                 translation.
 6. The teacher gives the students hats
to wear for the different characters in
   the dialog. The students take turns
       reading portions of the dialog.
 7. The teacher tells the students that
       they are auditioning for a play.
8. The teacher leads the class in various
     activities involving the painting.
    9. The teacher and students play a
    question and answer picture game.
rinciples
   1. Students can learn from what is present in the
    environment, even if their attention is not directed
                  to it („Peripheral learning‟)
    2. One way that meaning is made clear is through
          native language translations on the wall-
  3. Learning is facilitated in a cheerful environment.
4. Fine arts provides positive suggestions for students.
 5. One way that the meaning is made clear is through
     native language translation that have to be on the
                              wall.
6. The teacher should help the students “activate” the
         material to which they have been exposed.
7. The fine arts enable suggestions to
      reach the subconscious. The arts
should, therefore, be integrated as muchs
   as possible into the teaching process.
 8.Dramatization is a particularly valuable
  way of playfully activating the material.
    Fantasy reduces barriers to learning.
9. In an atmosphere of play, the conscious
  attention of the learner does not focus
  on linguistic forms, but rather on using
     the language. Learning can be fun.
    10. The teacher should present and
 explain the grammar and vocabulary, but
 not dwell on them. The bold print allows
   the students focus to shift from the
   whole text to the details before they
    return to the whole text again. The
dynamic interplay between the whole and
             parts is important.
A great deal of attention is given
     to students‟ feelings in this
  method. One of the fundamental
 principles of the method is that if
      students are relaxed and
 confident, they will not need to try
  hard to learn the language. It will
 just come naturally and easily. It is
    considered important in this
   method that the psychological
  barriers that students bring with
        them be desuggested.



onclusion

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Desuggestopedia elt presentation modificado

  • 1. Desuggestopedia Kerem Hernández Michelle Portillo Sofía Gallardo KH
  • 2. ntroduction This method was created by Georgi Lozanov and is an illustrative method, an aproach in which there is respect for students‟ feelings. Desuggestopedia, the application of the study of suggestion to pedagogy, has been developed to helps students eliminate the feeling that they cannot be successful or the negative association they may have toward studying and, thus, to help them overcome the barriers to learning. One of the ways the students‟ mental reserves are stimulated is through integration of the fine arts.
  • 4. 4. These are reproductions of classical paintings throughout the text. 5. In the left column of the wall is the dialog in the target language. In the right column is the native language translation. 6. The teacher gives the students hats to wear for the different characters in the dialog. The students take turns reading portions of the dialog. 7. The teacher tells the students that they are auditioning for a play. 8. The teacher leads the class in various activities involving the painting. 9. The teacher and students play a question and answer picture game.
  • 5. rinciples 1. Students can learn from what is present in the environment, even if their attention is not directed to it („Peripheral learning‟) 2. One way that meaning is made clear is through native language translations on the wall- 3. Learning is facilitated in a cheerful environment. 4. Fine arts provides positive suggestions for students. 5. One way that the meaning is made clear is through native language translation that have to be on the wall. 6. The teacher should help the students “activate” the material to which they have been exposed.
  • 6. 7. The fine arts enable suggestions to reach the subconscious. The arts should, therefore, be integrated as muchs as possible into the teaching process. 8.Dramatization is a particularly valuable way of playfully activating the material. Fantasy reduces barriers to learning. 9. In an atmosphere of play, the conscious attention of the learner does not focus on linguistic forms, but rather on using the language. Learning can be fun. 10. The teacher should present and explain the grammar and vocabulary, but not dwell on them. The bold print allows the students focus to shift from the whole text to the details before they return to the whole text again. The dynamic interplay between the whole and parts is important.
  • 7. A great deal of attention is given to students‟ feelings in this method. One of the fundamental principles of the method is that if students are relaxed and confident, they will not need to try hard to learn the language. It will just come naturally and easily. It is considered important in this method that the psychological barriers that students bring with them be desuggested. onclusion