Sketching as a tool
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This document discusses different uses and benefits of sketching. It notes that sketching can be used for documentation, discovery, creative expression, and giving form to ideas. Sketching can also be used as a way of thinking and communicating ideas through illustration, description, and persuasion. The document emphasizes using quick, clear, and playful sketches that evolve ideas without overworking them. It lists different sketching techniques like linework, perspective, iterative sketching, exploratory sketching, and representative rendering. Movement and contour lines are also mentioned.
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This book, just like the first edition, compiles
the work of many hands (and keyboards) and
conversations. It has been made possible by the
generous contributions of numerous people, to
whom I would like to express my gratitude.
First, I must acknowledge my current and
former students, who have taught me volumes
and who continue give me the energy to keep
going. I must thank all of the former students
who contributed work to the first edition especially,
including Theresa Isaacson, Leanne Larson,
Ardella Pieper, Cory Sherman, and Justin
Thomson. Denise Haertl, Dan Effenheim, Anne
(Cleary) Olsen, and Angela Ska, now professional
designers, all willingly handed over
portfolios for inclusion in this edition. Current
students who contributed work and help include
Kristy Bokelman, Anne Harmer, and
Randi Steinbrecher. And I thank former exchange
students Elke Kalvelage, Jessica
Tebbe, and Dirk Olbrich for allowing me to include
some of their fine work.
I have been amazed and touched by the
generosity of members of the design community
who shared time and contributed projects:
my friend Lynn Barnhouse at Meyer, Scherer
& Rockcastle Architects, who contributed a
great deal of work and gave hours of her time;
Jane Rademacher, Lisa Miller, and Bob Albachten;
and Thom Lasley, of RSP Architects.
Others who took time out of very busy schedules
to contribute include Thomas Oliphant;
Jim Smart, of Smart Associates; Jim Moeller, at
Arthur Shuster Inc.; Craig Beddow, of Beddow
Design; Deborah Kucera, of TKDA; Janet Lawson,
of Janet Lawson Architectural Illustration;
and Robert Lownes, of Design Visualizations;
Harris Birkeland; and Aj Dumas.
I must acknowledge and thank my colleagues
at the University of Wisconsin–Stout.
Courtney Nystuen, a wonderful teacher and architect,
contributed in many ways. Bill Wikrent,
who is talented, knowledgeable, and very generous,
deserves special thanks. And this edition
would not have been finished in this decade
without the gift of a sabbatical: thank you to the
Sabbatical Committee. Jack Zellner and Kristine
Recker Simpson deserve thanks for willingly
contributing their fine work.
This project would not have been possible
without the help of my husband, Roger Parenteau,
support from our daughter, Anna, and
a fair amount of terror generated by young
Luc to keep things interesting.
Drawing for interior design part 3
1) Scale drawings allow you to view the location and take accurate measurements of a space like you would in real life.
2) To make scale drawings, you need to train yourself to view space differently than normal by using more visual perspective methods of representation.
3) Projection views are easy to apply and also allow measurements like floor plans while keeping dimensions. They provide a more visual representation than floor plans by showing thickness, overlapping objects, and spaces.
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Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
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The Most Inspiring Entrepreneurs to Follow in 2024.pdf
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Sketching as a tool
- 1. SKETCHING
- 2. Drawing as Documentation and discovery
- 4. Drawing as thinking giving form to ideas what if? why? how? Alec Issigonis 1959 Leonardo Da Vinci
- 5. Drawing as communicating illustrating describing specific confirming / persuading / promoting / selling
- 6. quick
- 7. clarity
- 8. quantity
- 9. playful
- 11. humorous
- 12. schematics
- 13. evolving
- 14. avoid lock-down preciousness tunnel vision over-working
- 15. general issues key impressions
- 16. Linework
- 17. Linework
- 18. Linework
- 19. Linework
- 20. Perspective
- 21. Perspective
- 32. Minimal colour (less is more)
- 33. Minimal colour
- 34. Minimal colour
- 40. Mixing media & styles
- 51. Movement
- 52. Movement
- 53. Contour Lines
- 54. Contour Lines
- 55. ‘ The best way to get an idea is to get lots of ideas’