La realidad aumentada combina lo virtual con lo real, a diferencia de la realidad virtual que aísla completamente al usuario de lo real. La realidad aumentada puede aplicarse en diversas áreas como identificar lugares y obtener información sobre ellos al escanearlos con la cámara de un dispositivo. Algunas herramientas que permiten experimentar con realidad aumentada son Wikitude World Browser, Argon2 Isotope, WordLens y ZooBurst, las cuales permiten visualizar información sobre lugares, traducir textos escaneados y crear libros 3D interactivos respect
The document outlines 5 different moodboard styles: 1) Clean, modern, and white space with high contrast grayscaled images/colors. 2) Pastel and soft/feminine with use of few colors and good for black and white photos. 3) Old print colors with an indie/hipster style focusing on grid layout, typography, and color combinations. 4) Fun and bright colors with a flat design consisting of large flat colors and icons. 5) Nature-inspired with textures and a neutral color palette.
The moodboard provides inspiration for a new design project by visually displaying colors, textures, images, typography and other elements that help set the aesthetic tone and feel. It acts as a starting point to spark creativity and help focus the direction by conveying the overall vibe and style in an intuitive way through visuals rather than lengthy written descriptions. The curated selection of inspirational pieces aim to evoke the desired emotional response or mood that will guide design decisions.
This document provides an overview of scale drawings and how to use a scale rule to take measurements from scaled plans. It discusses that scale drawings reduce the size of buildings so they fit on a page while maintaining accurate proportions. Common scales like 1:5 and 1:10 are explained, where 1mm on the rule represents 5mm or 10mm in real size. Examples of using a scale rule to measure lengths indicated on scaled slab and building plans are provided. The document concludes by encouraging the reader to practice taking measurements from sample plans using a scale rule.
The document provides details about an interior design student's skills, education, awards, and work experience. Some key points include:
- The student has strong design and technical skills in areas like AutoCAD, hand drafting, and sustainable design principles.
- They have received academic awards and recognition for design projects focusing on commercial spaces, healthcare, and sustainability.
- Current education includes a three-year diploma program in interior design with a Dean's List GPA of 4.0.
- Relevant work experience includes roles in retail, customer service, and as a student assistant for an interior design program.
2016 Interior Consult business presentation ICEdzo Bosma
Interior Consult is an international interior design firm based in Haarlem, Netherlands that specializes in commercial and hospitality projects. They offer full design and construction services, with a focus on hotels, resorts, offices, and retail spaces. Their process involves mood boarding, sketches, renderings, material selection, and turnkey realization of the final design. They have experience with major hotel chains and have completed projects across Europe, Asia, and the Middle East.
The document provides guidance on learning basic freehand drawing techniques through practice. It discusses drawing plans, sections, and perspectives to understand spaces and potential modifications. The relationship between drawing and design projects is emphasized, as drawings allow you to plan projects and represent ideas. Key techniques include using proper scales, showing proportions, surfaces and tones accurately. Practice is important to improve line quality and understanding of design principles.
El documento describe los principales elementos del diseño Material de Google. Explica que el diseño Material se presentó en 2014 y se basa en objetos físicos con profundidad, sombras y colores. Describe varios componentes de diseño clave como CardView, TextInputLayout y RecyclerView que implementan principios del diseño Material como movimiento, elevación y transiciones.
La realidad aumentada combina lo virtual con lo real, a diferencia de la realidad virtual que aísla completamente al usuario de lo real. La realidad aumentada puede aplicarse en diversas áreas como identificar lugares y obtener información sobre ellos al escanearlos con la cámara de un dispositivo. Algunas herramientas que permiten experimentar con realidad aumentada son Wikitude World Browser, Argon2 Isotope, WordLens y ZooBurst, las cuales permiten visualizar información sobre lugares, traducir textos escaneados y crear libros 3D interactivos respect
The document outlines 5 different moodboard styles: 1) Clean, modern, and white space with high contrast grayscaled images/colors. 2) Pastel and soft/feminine with use of few colors and good for black and white photos. 3) Old print colors with an indie/hipster style focusing on grid layout, typography, and color combinations. 4) Fun and bright colors with a flat design consisting of large flat colors and icons. 5) Nature-inspired with textures and a neutral color palette.
The moodboard provides inspiration for a new design project by visually displaying colors, textures, images, typography and other elements that help set the aesthetic tone and feel. It acts as a starting point to spark creativity and help focus the direction by conveying the overall vibe and style in an intuitive way through visuals rather than lengthy written descriptions. The curated selection of inspirational pieces aim to evoke the desired emotional response or mood that will guide design decisions.
This document provides an overview of scale drawings and how to use a scale rule to take measurements from scaled plans. It discusses that scale drawings reduce the size of buildings so they fit on a page while maintaining accurate proportions. Common scales like 1:5 and 1:10 are explained, where 1mm on the rule represents 5mm or 10mm in real size. Examples of using a scale rule to measure lengths indicated on scaled slab and building plans are provided. The document concludes by encouraging the reader to practice taking measurements from sample plans using a scale rule.
The document provides details about an interior design student's skills, education, awards, and work experience. Some key points include:
- The student has strong design and technical skills in areas like AutoCAD, hand drafting, and sustainable design principles.
- They have received academic awards and recognition for design projects focusing on commercial spaces, healthcare, and sustainability.
- Current education includes a three-year diploma program in interior design with a Dean's List GPA of 4.0.
- Relevant work experience includes roles in retail, customer service, and as a student assistant for an interior design program.
2016 Interior Consult business presentation ICEdzo Bosma
Interior Consult is an international interior design firm based in Haarlem, Netherlands that specializes in commercial and hospitality projects. They offer full design and construction services, with a focus on hotels, resorts, offices, and retail spaces. Their process involves mood boarding, sketches, renderings, material selection, and turnkey realization of the final design. They have experience with major hotel chains and have completed projects across Europe, Asia, and the Middle East.
The document provides guidance on learning basic freehand drawing techniques through practice. It discusses drawing plans, sections, and perspectives to understand spaces and potential modifications. The relationship between drawing and design projects is emphasized, as drawings allow you to plan projects and represent ideas. Key techniques include using proper scales, showing proportions, surfaces and tones accurately. Practice is important to improve line quality and understanding of design principles.
El documento describe los principales elementos del diseño Material de Google. Explica que el diseño Material se presentó en 2014 y se basa en objetos físicos con profundidad, sombras y colores. Describe varios componentes de diseño clave como CardView, TextInputLayout y RecyclerView que implementan principios del diseño Material como movimiento, elevación y transiciones.
This document discusses different uses and benefits of sketching. It notes that sketching can be used for documentation, discovery, creative expression, and giving form to ideas. Sketching can also be used as a way of thinking and communicating ideas through illustration, description, and persuasion. The document emphasizes using quick, clear, and playful sketches that evolve ideas without overworking them. It lists different sketching techniques like linework, perspective, iterative sketching, exploratory sketching, and representative rendering. Movement and contour lines are also mentioned.
The document discusses different types of space including actual three-dimensional space containing artifacts, virtual simulated spaces, and illusional spaces depicted on two-dimensional surfaces using perspective techniques. It describes linear perspective which uses vanishing points and converging lines to create the illusion of depth, as well as other perspective techniques like atmospheric perspective, foreshortening, isometric perspective, and multiple perspective.
This document provides instruction on how to create a two-point perspective drawing. It defines key terms like horizon line, vanishing point, and orthogonal line. The steps outlined are to first draw the horizon line where the sky meets the ground, then select two vanishing points on the horizon line where parallel lines appear to converge. Orthogonal lines are then drawn from corners of an object to the vanishing points to establish perpendicular lines going into the distance. Students are assigned to complete a two-point perspective cityscape drawing with labeled horizon line and vanishing point including at least 4 buildings, windows, and doors.
This document discusses symbols used in interior design drawings. Doors and windows are represented by simple symbols to indicate features like if they open inward or outward. Line thickness in drawings represents different elements, with base lines showing edges and thin lines showing non-structural details. Section lines distinguish walls from elements above in a plan view. Stairs are shown with banisters as two lines and an arrow to indicate direction. Elevations provide straight-on views of walls. Measurements are taken on site and translated to preliminary drawings before finalizing plans and elevations.
This document discusses interior architecture drawings. It begins with listing group members working on an interior architecture project. It then defines interior architecture as combining interior design and architecture, exploring how interiors of buildings are designed. The document outlines different types of interior architecture drawings including residential, commercial, healthcare, universal, and exhibition design. It describes the program brief, concept boards, sketches, drawings, and viewpoints used in interior architecture.
Light plays an important role in our daily lives. Light is also key to design. There’s design for light and design with light. Yet the way light is used morphs with new inventions and with increased awareness regarding sustainability and energy consumption.
Study Guide Test 2 (Visual Elements and Design Principles)Jacques de Beaufort
The document provides definitions and descriptions of various art concepts related to line, shape, space, perspective, color, texture, and other formal elements of art. It defines types of lines, shapes, perspective techniques, color schemes, and textures. It also defines concepts like space, mass, value, and principles of design.
This document provides an overview of an interior design course offered by Launchpad Academy. It begins with definitions of interior design and the roles of an interior designer. The course then covers various principles, practices and techniques over 12 modules lasting 3 hours each, including introduction to design, space planning, sketching, presentation methods, computer-aided design, designing different space types, use of materials and colors, and a final design project. The cost of the online course is Rs. 19,999 with payment options of online or bank deposit. Interested participants can register and find more information by calling the provided phone number.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This book, just like the first edition, compiles
the work of many hands (and keyboards) and
conversations. It has been made possible by the
generous contributions of numerous people, to
whom I would like to express my gratitude.
First, I must acknowledge my current and
former students, who have taught me volumes
and who continue give me the energy to keep
going. I must thank all of the former students
who contributed work to the first edition especially,
including Theresa Isaacson, Leanne Larson,
Ardella Pieper, Cory Sherman, and Justin
Thomson. Denise Haertl, Dan Effenheim, Anne
(Cleary) Olsen, and Angela Ska, now professional
designers, all willingly handed over
portfolios for inclusion in this edition. Current
students who contributed work and help include
Kristy Bokelman, Anne Harmer, and
Randi Steinbrecher. And I thank former exchange
students Elke Kalvelage, Jessica
Tebbe, and Dirk Olbrich for allowing me to include
some of their fine work.
I have been amazed and touched by the
generosity of members of the design community
who shared time and contributed projects:
my friend Lynn Barnhouse at Meyer, Scherer
& Rockcastle Architects, who contributed a
great deal of work and gave hours of her time;
Jane Rademacher, Lisa Miller, and Bob Albachten;
and Thom Lasley, of RSP Architects.
Others who took time out of very busy schedules
to contribute include Thomas Oliphant;
Jim Smart, of Smart Associates; Jim Moeller, at
Arthur Shuster Inc.; Craig Beddow, of Beddow
Design; Deborah Kucera, of TKDA; Janet Lawson,
of Janet Lawson Architectural Illustration;
and Robert Lownes, of Design Visualizations;
Harris Birkeland; and Aj Dumas.
I must acknowledge and thank my colleagues
at the University of Wisconsin–Stout.
Courtney Nystuen, a wonderful teacher and architect,
contributed in many ways. Bill Wikrent,
who is talented, knowledgeable, and very generous,
deserves special thanks. And this edition
would not have been finished in this decade
without the gift of a sabbatical: thank you to the
Sabbatical Committee. Jack Zellner and Kristine
Recker Simpson deserve thanks for willingly
contributing their fine work.
This project would not have been possible
without the help of my husband, Roger Parenteau,
support from our daughter, Anna, and
a fair amount of terror generated by young
Luc to keep things interesting.
1) Scale drawings allow you to view the location and take accurate measurements of a space like you would in real life.
2) To make scale drawings, you need to train yourself to view space differently than normal by using more visual perspective methods of representation.
3) Projection views are easy to apply and also allow measurements like floor plans while keeping dimensions. They provide a more visual representation than floor plans by showing thickness, overlapping objects, and spaces.
An interior architect designs indoor spaces that are functional, safe, and aesthetically pleasing for commercial or residential clients. The design process begins with exploratory sketches to refine the client's ideas. The interior architect then creates detailed drawings showing furniture arrangements, fireplace designs, and floor plans for spaces like living rooms, dining rooms, and bedrooms to communicate the final design.
This document discusses two point perspective and how to draw objects using this technique. [1] Two point perspective involves objects having sides that vanish toward two vanishing points on the horizon, while vertical lines have no perspective. [2] It allows drawings to have more depth and for objects to appear more natural and dimensional compared to one point perspective. [3] The document provides instructions for how to draw a box in two point perspective including placing vanishing points and drawing lines that recede toward them.
The portfolio of Class of 2014 interior design technology student Emily Birchfield. Students learn how to put together a portfolio of their work and have it ready to share for showing to prospective employers and clients. Interior design technology is a two-year diploma program at Lakeland College in Vermilion, Alberta, Canada
This document discusses the importance of expressionism in design. It states that good design satisfies all five senses to create an experience. Expressionism in design emphasizes emotional and psychological content to awaken these senses and create a complete experience.
Corporate Lighting: Architectural lighting for brand communicationThomas Schielke
Doctoral thesis from Darmstadt University of Technology.
Title: Corporate lighting - Methods and techniques of architectural lighting for brand communication.
Author: Thomas Schielke
Presentation: Dissertation defense 4.3.2014.
Online access to complete doctoral thesis:
http://tuprints.ulb.tu-darmstadt.de/id/eprint/3466
Contact for correspondence: www.arclighting.de
Abstract:
This work analyses architectural lighting as an element of brand communication. The lighting is comprehended as the message of a sender, which has an impact on the appearance of architecture. In the context of experiments and case studies, the effects of lighting on the appearance will be examined for a neutral space and for interiors and exteriors in the retail and service sectors. Illuminance, luminance distribution, as well as the light spectrum and dynamic serve as independent variables of lighting. A model for the brand personality with the four factors of temperament, competence, attractiveness and naturalness will be drawn upon for the appearance as an independent variable, as well as a sociological model with the two factors of style and price for social milieus. The experiments are carried out in real space and using light simulations. The results provide correlations between the perception of brightness, contrast, colour temperature and colourfulness and the factors for the two models relating to the appearance. In individual cases models exist for predicting the appearance on the basis of the subjective evaluation of light. This work documents significant differences for both models with respect to the appearance due to an alteration of the light physics parameters of luminous intensity distribution and light spectrum. The economic analysis of the experiments did not result in any significant correlations between higher investment or operating costs and a correspondingly higher subjective price impression of the various lighting situations. Case studies on design guidelines for lighting prove the various lighting design and lighting technology strategies, as well as the processes in business practice. The semiotic analysis of case studies considers architectural lighting as symbol, the properties of the appearance as the object and the consumer as the interpretant, and discusses strengths and weaknesses in communication. In this way, the work produces a differentiated connection between architecture, lighting and marketing.
Inspiration: interior ideas for perspective drawingFrank Curkovic
The document provides examples of interior perspective drawings using one-point and two-point perspective techniques. It also showcases interior photographs taken by renowned architectural photographer Julius Shulman, known for popularizing mid-century modern architecture through his work. The photos offer inspiration for creating realistic interior perspective drawings.
Erin Mulligan is an interior design graduate student at the University of Kansas. Her portfolio showcases professional work from internships and school projects. It includes renderings and construction drawings for the Bowling Green Baseball Stadium renovation and Piper High School floor design from internships at DLR Group. School projects featured a children's hybrid store called Stretch and a redesign of the University of Kansas Office of University Relations to improve sustainability and workspace. Drawings are also included from remodeling Richard Meier's Old Westbury House.
This portfolio showcases a variety of skills and experience gained throughout my schooling in the BAA Interior Design program at Humber Institute of Technology & Advanced Learning.
This document discusses different uses and benefits of sketching. It notes that sketching can be used for documentation, discovery, creative expression, and giving form to ideas. Sketching can also be used as a way of thinking and communicating ideas through illustration, description, and persuasion. The document emphasizes using quick, clear, and playful sketches that evolve ideas without overworking them. It lists different sketching techniques like linework, perspective, iterative sketching, exploratory sketching, and representative rendering. Movement and contour lines are also mentioned.
The document discusses different types of space including actual three-dimensional space containing artifacts, virtual simulated spaces, and illusional spaces depicted on two-dimensional surfaces using perspective techniques. It describes linear perspective which uses vanishing points and converging lines to create the illusion of depth, as well as other perspective techniques like atmospheric perspective, foreshortening, isometric perspective, and multiple perspective.
This document provides instruction on how to create a two-point perspective drawing. It defines key terms like horizon line, vanishing point, and orthogonal line. The steps outlined are to first draw the horizon line where the sky meets the ground, then select two vanishing points on the horizon line where parallel lines appear to converge. Orthogonal lines are then drawn from corners of an object to the vanishing points to establish perpendicular lines going into the distance. Students are assigned to complete a two-point perspective cityscape drawing with labeled horizon line and vanishing point including at least 4 buildings, windows, and doors.
This document discusses symbols used in interior design drawings. Doors and windows are represented by simple symbols to indicate features like if they open inward or outward. Line thickness in drawings represents different elements, with base lines showing edges and thin lines showing non-structural details. Section lines distinguish walls from elements above in a plan view. Stairs are shown with banisters as two lines and an arrow to indicate direction. Elevations provide straight-on views of walls. Measurements are taken on site and translated to preliminary drawings before finalizing plans and elevations.
This document discusses interior architecture drawings. It begins with listing group members working on an interior architecture project. It then defines interior architecture as combining interior design and architecture, exploring how interiors of buildings are designed. The document outlines different types of interior architecture drawings including residential, commercial, healthcare, universal, and exhibition design. It describes the program brief, concept boards, sketches, drawings, and viewpoints used in interior architecture.
Light plays an important role in our daily lives. Light is also key to design. There’s design for light and design with light. Yet the way light is used morphs with new inventions and with increased awareness regarding sustainability and energy consumption.
Study Guide Test 2 (Visual Elements and Design Principles)Jacques de Beaufort
The document provides definitions and descriptions of various art concepts related to line, shape, space, perspective, color, texture, and other formal elements of art. It defines types of lines, shapes, perspective techniques, color schemes, and textures. It also defines concepts like space, mass, value, and principles of design.
This document provides an overview of an interior design course offered by Launchpad Academy. It begins with definitions of interior design and the roles of an interior designer. The course then covers various principles, practices and techniques over 12 modules lasting 3 hours each, including introduction to design, space planning, sketching, presentation methods, computer-aided design, designing different space types, use of materials and colors, and a final design project. The cost of the online course is Rs. 19,999 with payment options of online or bank deposit. Interested participants can register and find more information by calling the provided phone number.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This book, just like the first edition, compiles
the work of many hands (and keyboards) and
conversations. It has been made possible by the
generous contributions of numerous people, to
whom I would like to express my gratitude.
First, I must acknowledge my current and
former students, who have taught me volumes
and who continue give me the energy to keep
going. I must thank all of the former students
who contributed work to the first edition especially,
including Theresa Isaacson, Leanne Larson,
Ardella Pieper, Cory Sherman, and Justin
Thomson. Denise Haertl, Dan Effenheim, Anne
(Cleary) Olsen, and Angela Ska, now professional
designers, all willingly handed over
portfolios for inclusion in this edition. Current
students who contributed work and help include
Kristy Bokelman, Anne Harmer, and
Randi Steinbrecher. And I thank former exchange
students Elke Kalvelage, Jessica
Tebbe, and Dirk Olbrich for allowing me to include
some of their fine work.
I have been amazed and touched by the
generosity of members of the design community
who shared time and contributed projects:
my friend Lynn Barnhouse at Meyer, Scherer
& Rockcastle Architects, who contributed a
great deal of work and gave hours of her time;
Jane Rademacher, Lisa Miller, and Bob Albachten;
and Thom Lasley, of RSP Architects.
Others who took time out of very busy schedules
to contribute include Thomas Oliphant;
Jim Smart, of Smart Associates; Jim Moeller, at
Arthur Shuster Inc.; Craig Beddow, of Beddow
Design; Deborah Kucera, of TKDA; Janet Lawson,
of Janet Lawson Architectural Illustration;
and Robert Lownes, of Design Visualizations;
Harris Birkeland; and Aj Dumas.
I must acknowledge and thank my colleagues
at the University of Wisconsin–Stout.
Courtney Nystuen, a wonderful teacher and architect,
contributed in many ways. Bill Wikrent,
who is talented, knowledgeable, and very generous,
deserves special thanks. And this edition
would not have been finished in this decade
without the gift of a sabbatical: thank you to the
Sabbatical Committee. Jack Zellner and Kristine
Recker Simpson deserve thanks for willingly
contributing their fine work.
This project would not have been possible
without the help of my husband, Roger Parenteau,
support from our daughter, Anna, and
a fair amount of terror generated by young
Luc to keep things interesting.
1) Scale drawings allow you to view the location and take accurate measurements of a space like you would in real life.
2) To make scale drawings, you need to train yourself to view space differently than normal by using more visual perspective methods of representation.
3) Projection views are easy to apply and also allow measurements like floor plans while keeping dimensions. They provide a more visual representation than floor plans by showing thickness, overlapping objects, and spaces.
An interior architect designs indoor spaces that are functional, safe, and aesthetically pleasing for commercial or residential clients. The design process begins with exploratory sketches to refine the client's ideas. The interior architect then creates detailed drawings showing furniture arrangements, fireplace designs, and floor plans for spaces like living rooms, dining rooms, and bedrooms to communicate the final design.
This document discusses two point perspective and how to draw objects using this technique. [1] Two point perspective involves objects having sides that vanish toward two vanishing points on the horizon, while vertical lines have no perspective. [2] It allows drawings to have more depth and for objects to appear more natural and dimensional compared to one point perspective. [3] The document provides instructions for how to draw a box in two point perspective including placing vanishing points and drawing lines that recede toward them.
The portfolio of Class of 2014 interior design technology student Emily Birchfield. Students learn how to put together a portfolio of their work and have it ready to share for showing to prospective employers and clients. Interior design technology is a two-year diploma program at Lakeland College in Vermilion, Alberta, Canada
This document discusses the importance of expressionism in design. It states that good design satisfies all five senses to create an experience. Expressionism in design emphasizes emotional and psychological content to awaken these senses and create a complete experience.
Corporate Lighting: Architectural lighting for brand communicationThomas Schielke
Doctoral thesis from Darmstadt University of Technology.
Title: Corporate lighting - Methods and techniques of architectural lighting for brand communication.
Author: Thomas Schielke
Presentation: Dissertation defense 4.3.2014.
Online access to complete doctoral thesis:
http://tuprints.ulb.tu-darmstadt.de/id/eprint/3466
Contact for correspondence: www.arclighting.de
Abstract:
This work analyses architectural lighting as an element of brand communication. The lighting is comprehended as the message of a sender, which has an impact on the appearance of architecture. In the context of experiments and case studies, the effects of lighting on the appearance will be examined for a neutral space and for interiors and exteriors in the retail and service sectors. Illuminance, luminance distribution, as well as the light spectrum and dynamic serve as independent variables of lighting. A model for the brand personality with the four factors of temperament, competence, attractiveness and naturalness will be drawn upon for the appearance as an independent variable, as well as a sociological model with the two factors of style and price for social milieus. The experiments are carried out in real space and using light simulations. The results provide correlations between the perception of brightness, contrast, colour temperature and colourfulness and the factors for the two models relating to the appearance. In individual cases models exist for predicting the appearance on the basis of the subjective evaluation of light. This work documents significant differences for both models with respect to the appearance due to an alteration of the light physics parameters of luminous intensity distribution and light spectrum. The economic analysis of the experiments did not result in any significant correlations between higher investment or operating costs and a correspondingly higher subjective price impression of the various lighting situations. Case studies on design guidelines for lighting prove the various lighting design and lighting technology strategies, as well as the processes in business practice. The semiotic analysis of case studies considers architectural lighting as symbol, the properties of the appearance as the object and the consumer as the interpretant, and discusses strengths and weaknesses in communication. In this way, the work produces a differentiated connection between architecture, lighting and marketing.
Inspiration: interior ideas for perspective drawingFrank Curkovic
The document provides examples of interior perspective drawings using one-point and two-point perspective techniques. It also showcases interior photographs taken by renowned architectural photographer Julius Shulman, known for popularizing mid-century modern architecture through his work. The photos offer inspiration for creating realistic interior perspective drawings.
Erin Mulligan is an interior design graduate student at the University of Kansas. Her portfolio showcases professional work from internships and school projects. It includes renderings and construction drawings for the Bowling Green Baseball Stadium renovation and Piper High School floor design from internships at DLR Group. School projects featured a children's hybrid store called Stretch and a redesign of the University of Kansas Office of University Relations to improve sustainability and workspace. Drawings are also included from remodeling Richard Meier's Old Westbury House.
This portfolio showcases a variety of skills and experience gained throughout my schooling in the BAA Interior Design program at Humber Institute of Technology & Advanced Learning.