3. CHARACTERISTICS OF SOUND
• Sound waves travel at great distances in a very short time, but as the distance
increases the waves tend to spread out.
• As the sound waves spread out, their energy simultaneously spreads through
• an increasingly larger area. Thus, the wave energy becomes weaker as the distance
from the source is increased.
• Sounds may be broadly classified into two general groups.
• One group is NOISE, which includes sounds such as the pounding of a hammer or
the slamming of a door.
• The other group is musical sounds, or TONES.
• The distinction between noise and tone is based on the regularity of the
vibrations, the degree of damping, and the ability of the ear to recognize
components having a musical sequence.
• You can best understand the physical difference between these kinds of sound by
comparing the wave shape of a musical note, with the wave shape of noise,
• You can see by the comparison of the two wave shapes, that noise makes a very
irregular and haphazard curve and a musical note makes a uniform and regular
curve.
6. PITCH
In music notation, pitch can be seen visually by looking at the
placement of a note on a musical staff.
By comparing the location of where two or more notes are placed
graphically, we look at their relative position to one another and
we know in what direction they are related to each other, in a
position of either higher or lower than another.
We make a comparison of the two notes thereby easily
identifying where each note is spatially on the staff by making a
visual distinction.
This is made possible through the use of notation software or by
notating music by hand.
7. PITCH
Each sound or tone represented by the notes in the above diagram is produced or
transformed from a visual only presentation by the notes as shown on the staff, to an audio and
visual presentation, what we hear, when played by an instrument and what we see on the staff.
Again, the notes are relative to each other, higher or lower, and we understand their relationship
by making the visual comparison of one to the other.
We can see pitch visually in this way and at the same time hear the sound in an analog or auditory
way by playing the notes on an instrument or we can do the same thing by playing a sound clip at
the same time we look at the chart below.
So, before playing the notes first look at the chart and make some distinctions such as, the first
note is lower than the second note on the chart.
8. DURATION
• Duration is also a simple concept whereby
we make additional distinctions based upon
the linear structure we call time.
• In music, the duration is determined by the
moment the tone becomes audible until the
moment the sound falls outside of our
ability to hear it or it simply stops.
• In music notation, a half note is longer than an
eighth note, a quarter note is shorter in
duration than a whole note.
10. DURATION
visually, we see notes represented by different shapes.
These shapes determine the designated amount of time they are to be
played. Silence is also represented in the chart by the funny little shapes in
between the notes.
They are called rests and this is also heard as silence.
Note shapes partially determine the duration of the audible sound and rest
shapes partially determine the duration of silence in music.
11. SINUSOIDAL WAVES
• Mathematically, the most basic wave is the (spatially) one-dimensional sine wave (or
harmonic wave or sinusoid) with an amplitude described by the equation:
• The wavelength is the distance between two sequential crests or troughs (or other
equivalent points), generally is measured in meters. A wavenumber , the spatial
frequency of the wave in radians per unit distance (typically per meter), can be
associated with the wavelength by the relation.
• The period is the time for one complete cycle of an oscillation of a wave. The
frequency is the number of periods per unit time (per second) and is typically
measured in hertz. These are related by:
• In other words, the frequency and period of a wave are reciprocals.
12. QUALITY
• From a church bell tower we
hear the sound of the large bell
ringing in the neighborhood.
• Assuming the bell is playing a C
note and we compare a
different instrument playing the
same C note.
• we can make the comparison
between them listening and
comparing the tonal quality or
timber differences between the
two instruments.
13. QUALITY
• To further explain; For an mp3 sample of two different
instruments, one following the other.
• One instrument is a violin and the other is a flute, both
playing the same C note or the same pitch.
• The difference we hear is not in duration or in pitch but in
tonal quality or timbre.
• This aspect of music is broad and encompassing of the
many different possibilities available from different
instruments and from the same instrument as well.
• The skill and artistry of the performer also plays a
significant role and highly influences the tonal quality
produced by a single instrument as does the quality and
character of the instrument itself.
14. INTENSITY
• Intensity is a measure of the loudness of the
tone.
• Assuming that the pitch, duration and tonal
quality are the same, we compare two or more
tones based upon loudness or intensity.
• One is louder or quieter than the other.
• When playing a piano for instance, if we strike the
keys gently we produce a quiet sound.
• If we strike them hard we produce a louder sound
even though the pitch is the same.