Individual 3 mural designs
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The document proposes 3 mural design concepts: 1) "I call beat Love", 2) "Music is us (Earth)", and 3) an improved "Music is us (Earth)" design.
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Analysing existing digipaks
The digipak for Muse's album "Black Holes & Revelations" follows a conventional layout with the band name on the front and tracklist on the back. It uses imagery throughout relating to the album's apocalyptic and space themes, including images of the four horsemen of the apocalypse and the sun. The typography on the front cover is in all capital sans serif letters matching the style on the booklet. Images inside portray the band as serious musicians and the CD tray design suggests the genre of space rock.
Project pitch for digipak and magazine advert
Carl Ward proposes a magazine advertisement and digipak design for a folk band. He researches ads by Mumford and Sons and Noah and the Whale as examples for fitting the folk genre. For the magazine ad, Carl sketches layout ideas including the band name, digipak name/features, and release date. For the digipak design, Carl considers front cover images combining the band name with nature images relating to the album. The inside would include the CDs with tree tops, reviews, and band information. The back would list songs and continue the front image. Carl aims to practice filming techniques in addition to lip syncing for a required video task and seeks audience feedback through a survey.
Evaluation question 2
The combination of the band's main album and ancillary texts is effective because:
1) All media products share similarities to create brand recognition and stick to the band's genre.
2) The color blue is used throughout promotional materials to represent the album's nickname.
3) Referencing songs through album artwork follows industry conventions and highlights singles to potential buyers.
Ancillary task – digipak drafts
Robbie Watson is designing a digipak for an album featuring triangle shapes and the colors red, black and white. The front cover features a house-like triangle design referencing the album's name. The back cover also uses triangles to list the song titles. The inside left depicts an empty stage to highlight an acoustic song version. The inside right has a simpler upside down triangle design since it will be covered by the CD.
Digi pack Analysis
The document provides details from a Linkin Park album cover and back cover. It summarizes key elements like the band name in bold font, the album name below it, an image of a band member from the music video, song lyrics from the first track, and production crew credits. Overall, it aims to connect the album visually to the band's music video and give fans information about the album's contents.
Mood board
A digipak typically contains two CDs labeled as disk one and disk two, along with a contents listing providing the song number for each track to help listeners identify and skip to favorite songs. Some digipaks may also include additional items like a poster of the artist, as Beyoncé did for her Flawless album which included a poster for purchasers. Digipaks appeal to music fans who enjoy collecting albums across various music genres.
Poster analysis
The poster advertises an upcoming Arctic Monkeys album using their logo, name, and album release date to clearly communicate what is being promoted while reinforcing the band's image and star power. A minimalist black and white design features their soundwave-style logo in the top center, reminiscent of the band's style across platforms like YouTube. The lack of additional images suggests the band wants fans to focus solely on the new album.
What do digipacks include
1. The document describes the typical contents and layout of a digipack, including images of the artist on the front and sides, the album title, track listing, barcode, and sometimes a band logo or symbol representing their style of music.
2. It contrasts the digipacks of major artist Britney Spears and indie band Oasis. Spears' pack prominently features seductive images of her on three sides to entice buyers, while Oasis' does not show the band but instead features a guitar to represent their music style.
3. Both packs include the artist and album name on the front and spine for identification.
Recommended
Analysing existing digipaks
The digipak for Muse's album "Black Holes & Revelations" follows a conventional layout with the band name on the front and tracklist on the back. It uses imagery throughout relating to the album's apocalyptic and space themes, including images of the four horsemen of the apocalypse and the sun. The typography on the front cover is in all capital sans serif letters matching the style on the booklet. Images inside portray the band as serious musicians and the CD tray design suggests the genre of space rock.
Project pitch for digipak and magazine advert
Carl Ward proposes a magazine advertisement and digipak design for a folk band. He researches ads by Mumford and Sons and Noah and the Whale as examples for fitting the folk genre. For the magazine ad, Carl sketches layout ideas including the band name, digipak name/features, and release date. For the digipak design, Carl considers front cover images combining the band name with nature images relating to the album. The inside would include the CDs with tree tops, reviews, and band information. The back would list songs and continue the front image. Carl aims to practice filming techniques in addition to lip syncing for a required video task and seeks audience feedback through a survey.
Evaluation question 2
The combination of the band's main album and ancillary texts is effective because:
1) All media products share similarities to create brand recognition and stick to the band's genre.
2) The color blue is used throughout promotional materials to represent the album's nickname.
3) Referencing songs through album artwork follows industry conventions and highlights singles to potential buyers.
Ancillary task – digipak drafts
Robbie Watson is designing a digipak for an album featuring triangle shapes and the colors red, black and white. The front cover features a house-like triangle design referencing the album's name. The back cover also uses triangles to list the song titles. The inside left depicts an empty stage to highlight an acoustic song version. The inside right has a simpler upside down triangle design since it will be covered by the CD.
Digi pack Analysis
The document provides details from a Linkin Park album cover and back cover. It summarizes key elements like the band name in bold font, the album name below it, an image of a band member from the music video, song lyrics from the first track, and production crew credits. Overall, it aims to connect the album visually to the band's music video and give fans information about the album's contents.
Mood board
A digipak typically contains two CDs labeled as disk one and disk two, along with a contents listing providing the song number for each track to help listeners identify and skip to favorite songs. Some digipaks may also include additional items like a poster of the artist, as Beyoncé did for her Flawless album which included a poster for purchasers. Digipaks appeal to music fans who enjoy collecting albums across various music genres.
Poster analysis
The poster advertises an upcoming Arctic Monkeys album using their logo, name, and album release date to clearly communicate what is being promoted while reinforcing the band's image and star power. A minimalist black and white design features their soundwave-style logo in the top center, reminiscent of the band's style across platforms like YouTube. The lack of additional images suggests the band wants fans to focus solely on the new album.
What do digipacks include
1. The document describes the typical contents and layout of a digipack, including images of the artist on the front and sides, the album title, track listing, barcode, and sometimes a band logo or symbol representing their style of music.
2. It contrasts the digipacks of major artist Britney Spears and indie band Oasis. Spears' pack prominently features seductive images of her on three sides to entice buyers, while Oasis' does not show the band but instead features a guitar to represent their music style.
3. Both packs include the artist and album name on the front and spine for identification.
Poster analysis
The poster advertises the new album from Arctic Monkeys using minimal design elements. It features the band's name and logo in black and white at the top to identify the band and reinforce their image. Below is their soundwave-style logo reminiscent of how the band presents itself across platforms. The release date informs viewers when the album can be purchased on CD or downloaded, communicating availability on different platforms. An overall minimalist design with just text and the soundwave image aims to focus attention on the album itself for fans.
Media Evaluation Question 2
The document discusses the creation of a music brand identity across three promotional pieces - a music video, digital album packaging, and magazine advertisement. The group established a consistent brand identity using the motif of a red handprint, which featured prominently in all three pieces. House colors of red, black, and white were also used consistently to create a simple yet effective visual style. While the font changed slightly between pieces for variety, the red handprint image motif remained the same central identifying element. Still images from the music video were also utilized in creating the ancillary promotional materials.
Evaluation question 3
The document discusses how the main product (music video) and ancillary texts (album covers, inserts, poster) work together through consistent use of house colors, imagery, and typography. The creator established green, blue, and brown as the house colors based on a location shoot. These colors were then featured across all ancillary texts through photo editing to create a cohesive brand identity. Additionally, imagery of the artist and location were repeated as motifs, white typography was used consistently, and fake industry information was included to make the materials seem more professional.
Media Evaluation Question 2
The document discusses the creation of a music brand identity across three promotional pieces - a music video and two ancillary tasks. The brand identity centered around a red hand motif that was featured prominently in the video and printed materials. House colors of red, black, and white were used consistently, and typography was mostly consistent across pieces with a subtle change in the video. Genre characteristics like a fast cut pace without transitions were employed to match the fast tempo of the song. Still images from the video featuring the red hand motif were also used in the ancillary tasks to promote the album in a recognizable way.
Dan watts practice essay question
The document summarizes the application of communication theories to an album cover, back cover, and CD. The front cover features a dove symbolizing freedom from worries, as well as its association with drugs at raves. The producer name "Sanctum of House" indicates the genre is house music. Neale's theory is also applied through the consistent use of white, grey, and black colors on the covers and CD, as well as repeating the song title "Discolights."
Cd case – de shamonix
We took multiple photos of the band at their gigs to find the perfect image for the CD cover using a Canon EOS camera. We uploaded the photos to our Mac and edited them in Photoshop, choosing a low-key lit photo of the band in focus against a darker background. The back cover and inside booklets featured the same simple design and font as the front for consistency. The photo used on the CD was also used in a magazine ad to link the two. The overall case was kept basic but effectively promoted the band for their debut album.
Analysis digipak
The document analyzes common elements of album packaging designs such as digipaks. It notes that most designs prominently feature a close-up portrait of the artist to make them recognizable. They also usually display the artist's name in bold text to connect the name to the artist. Additionally, album titles are included to differentiate each release while relating to the music contained. Other standard elements include barcodes for identification, track listings, company logos and copyright information. The conclusion states that successful album designs attract audiences with bold, eye-catching elements focused on the artist to build their star image and reputation.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
Conventions of a Digipak
A digipak is an alternative to a plastic jewel CD case, made of printed thick card containing a plastic CD holder. Digipaks allow artists to showcase their brand through images related to their music videos or style. Examples provided include albums by Hole, Black Honey, Harry Styles, and The Script that featured imagery connecting the album art to their music. The front of a digipak introduces the artist, while the inside, back, and fold-out panels continue imagery and lyrics to provide context for the artist and album. Advantages include giving audiences insight into the artist's vision, while disadvantages are less durability than jewel cases.
Fosterthepeople album cover
The album cover uses a warm yellow tone for the title "torches" and the torches in the image to visually link the two. The stylised drawing on the nonconventional cover links to the indie pop genre. Additionally, the drawing showcases the band's creative aspects. The same thin, elongated font is used on the back cover and album information to maintain visual continuity. Websites on the back lead to the band's and production companies' sites. The cover artwork was designed by a friend of the band's singer but caused initial debate, though it became integrated into their live shows and merchandise.
Evaluation q2
The document discusses the themes, promotion methods, house style, layout, imagery, and critical theory used for a music video and accompanying print products. The main themes of the music video are happiness, energy, color, and unity, as shown through camera work, set design, and editing. Promotion will involve releasing teaser images on social media to attract both male and female audiences. The house style carries over colors, fonts, and branding across print products to create cohesion. Layout maintains a simple, playful style. Multiple locations are used in the video to add interest, while photography in the streets reinforces themes of freedom. Maintaining eye contact with the audience breaks the fourth wall and creates intimacy.
Cd digipak analysis
The document describes the design elements of a music album packaging in a digipak format. It includes an image of the artist on the front cover with the track listing and barcode on the back. The album covers and an article about the artist are included inside the digipak, which houses the CD tray in the middle and uses a dark color scheme reflecting the artist's expression.
Digipak analysis
This document analyzes the design elements of several music compilation digipaks, including those for Foo Fighters, Linkin Park, and Autonomie. Some key findings are that vintage vinyl designs signal older rock music, simplistic color schemes and designs appeal most to audiences, and including track listings and additional materials like booklets can encourage purchases. Consistency across the front, back, and interior packaging is also important for audience understanding.
Seafret album cover
This document analyzes the album covers and packaging of albums by the band Seafret. It summarizes:
The first album, "Tell Me It's Real", has a plain blue background that allows the band name and album title to stand out in monotone grayscale costumes. The band members on the cover links to authenticity. The title is in white text for subtlety to match the band as new artists.
The back has the same art deco font as the album title. It is minimal with no artwork, drawing focus to the artists and their craft.
The EP "Oceans" cover also uses blues and has blurred shapes like looking through water, linking to the band name meaning sea fog
In what ways does your media product use
Our media products used many conventions of real bands. Our poster design was similar to album covers we researched, using the same font as Two Door Cinema Club. The poster also included the band's website. Our music video featured the band playing instruments, as in other indie videos. Some shots used a bloom effect. While most indie videos focus on the band, ours specifically featured the lead singer. Our album packaging followed conventions like splitting song titles across two discs. However, our music video challenged conventions by lacking a narrative, unlike most of Two Door Cinema Club's videos, though keeping with the genre's simpler, homemade style.
Question one
The document discusses how the media producer's digipak and music video both use and challenge conventions of real media texts.
The digipak follows conventions like a 4-panel layout but challenges conventions like positioning of the artist name and track listing. The music video uses conventions like close-ups of the performer but challenges conventions through its dark urban setting rather than bright locations typically seen.
Weak intertextual references to Bob Dylan and a stronger reference to Sinéad O'Connor through close-up shots are also made.
Ancillary Task Research by FlowMotion Films
The document analyzes Rudimental's album cover design for their album "Home" and their official website. It notes several key design elements of the album cover including the group's name in large font at the top to emphasize its importance, a small graffiti image indicating their drum and bass music style, and consistency in the bold typography. It also observes the synergy between the album cover and website designs with the same color scheme and font. The document examines other album covers and concludes with lessons learned about the importance of positioning images/text effectively and maintaining synergy between album and website designs to match the artist's style and genre of music.
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Jamini Roy was a famous Indian painter born in 1887 who died in 1972. He is known for pioneering a distinct style of painting that drew inspiration from the folk art of rural Bengal. Roy's paintings often depicted scenes from everyday life and used simple forms and flat areas of color influenced by the traditions of tribal art.
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Poster analysis
The poster advertises the new album from Arctic Monkeys using minimal design elements. It features the band's name and logo in black and white at the top to identify the band and reinforce their image. Below is their soundwave-style logo reminiscent of how the band presents itself across platforms. The release date informs viewers when the album can be purchased on CD or downloaded, communicating availability on different platforms. An overall minimalist design with just text and the soundwave image aims to focus attention on the album itself for fans.
Media Evaluation Question 2
The document discusses the creation of a music brand identity across three promotional pieces - a music video, digital album packaging, and magazine advertisement. The group established a consistent brand identity using the motif of a red handprint, which featured prominently in all three pieces. House colors of red, black, and white were also used consistently to create a simple yet effective visual style. While the font changed slightly between pieces for variety, the red handprint image motif remained the same central identifying element. Still images from the music video were also utilized in creating the ancillary promotional materials.
Evaluation question 3
The document discusses how the main product (music video) and ancillary texts (album covers, inserts, poster) work together through consistent use of house colors, imagery, and typography. The creator established green, blue, and brown as the house colors based on a location shoot. These colors were then featured across all ancillary texts through photo editing to create a cohesive brand identity. Additionally, imagery of the artist and location were repeated as motifs, white typography was used consistently, and fake industry information was included to make the materials seem more professional.
Media Evaluation Question 2
The document discusses the creation of a music brand identity across three promotional pieces - a music video and two ancillary tasks. The brand identity centered around a red hand motif that was featured prominently in the video and printed materials. House colors of red, black, and white were used consistently, and typography was mostly consistent across pieces with a subtle change in the video. Genre characteristics like a fast cut pace without transitions were employed to match the fast tempo of the song. Still images from the video featuring the red hand motif were also used in the ancillary tasks to promote the album in a recognizable way.
Dan watts practice essay question
The document summarizes the application of communication theories to an album cover, back cover, and CD. The front cover features a dove symbolizing freedom from worries, as well as its association with drugs at raves. The producer name "Sanctum of House" indicates the genre is house music. Neale's theory is also applied through the consistent use of white, grey, and black colors on the covers and CD, as well as repeating the song title "Discolights."
Cd case – de shamonix
We took multiple photos of the band at their gigs to find the perfect image for the CD cover using a Canon EOS camera. We uploaded the photos to our Mac and edited them in Photoshop, choosing a low-key lit photo of the band in focus against a darker background. The back cover and inside booklets featured the same simple design and font as the front for consistency. The photo used on the CD was also used in a magazine ad to link the two. The overall case was kept basic but effectively promoted the band for their debut album.
Analysis digipak
The document analyzes common elements of album packaging designs such as digipaks. It notes that most designs prominently feature a close-up portrait of the artist to make them recognizable. They also usually display the artist's name in bold text to connect the name to the artist. Additionally, album titles are included to differentiate each release while relating to the music contained. Other standard elements include barcodes for identification, track listings, company logos and copyright information. The conclusion states that successful album designs attract audiences with bold, eye-catching elements focused on the artist to build their star image and reputation.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
Conventions of a Digipak
A digipak is an alternative to a plastic jewel CD case, made of printed thick card containing a plastic CD holder. Digipaks allow artists to showcase their brand through images related to their music videos or style. Examples provided include albums by Hole, Black Honey, Harry Styles, and The Script that featured imagery connecting the album art to their music. The front of a digipak introduces the artist, while the inside, back, and fold-out panels continue imagery and lyrics to provide context for the artist and album. Advantages include giving audiences insight into the artist's vision, while disadvantages are less durability than jewel cases.
Fosterthepeople album cover
The album cover uses a warm yellow tone for the title "torches" and the torches in the image to visually link the two. The stylised drawing on the nonconventional cover links to the indie pop genre. Additionally, the drawing showcases the band's creative aspects. The same thin, elongated font is used on the back cover and album information to maintain visual continuity. Websites on the back lead to the band's and production companies' sites. The cover artwork was designed by a friend of the band's singer but caused initial debate, though it became integrated into their live shows and merchandise.
Evaluation q2
The document discusses the themes, promotion methods, house style, layout, imagery, and critical theory used for a music video and accompanying print products. The main themes of the music video are happiness, energy, color, and unity, as shown through camera work, set design, and editing. Promotion will involve releasing teaser images on social media to attract both male and female audiences. The house style carries over colors, fonts, and branding across print products to create cohesion. Layout maintains a simple, playful style. Multiple locations are used in the video to add interest, while photography in the streets reinforces themes of freedom. Maintaining eye contact with the audience breaks the fourth wall and creates intimacy.
Cd digipak analysis
The document describes the design elements of a music album packaging in a digipak format. It includes an image of the artist on the front cover with the track listing and barcode on the back. The album covers and an article about the artist are included inside the digipak, which houses the CD tray in the middle and uses a dark color scheme reflecting the artist's expression.
Digipak analysis
This document analyzes the design elements of several music compilation digipaks, including those for Foo Fighters, Linkin Park, and Autonomie. Some key findings are that vintage vinyl designs signal older rock music, simplistic color schemes and designs appeal most to audiences, and including track listings and additional materials like booklets can encourage purchases. Consistency across the front, back, and interior packaging is also important for audience understanding.
Seafret album cover
This document analyzes the album covers and packaging of albums by the band Seafret. It summarizes:
The first album, "Tell Me It's Real", has a plain blue background that allows the band name and album title to stand out in monotone grayscale costumes. The band members on the cover links to authenticity. The title is in white text for subtlety to match the band as new artists.
The back has the same art deco font as the album title. It is minimal with no artwork, drawing focus to the artists and their craft.
The EP "Oceans" cover also uses blues and has blurred shapes like looking through water, linking to the band name meaning sea fog
In what ways does your media product use
Our media products used many conventions of real bands. Our poster design was similar to album covers we researched, using the same font as Two Door Cinema Club. The poster also included the band's website. Our music video featured the band playing instruments, as in other indie videos. Some shots used a bloom effect. While most indie videos focus on the band, ours specifically featured the lead singer. Our album packaging followed conventions like splitting song titles across two discs. However, our music video challenged conventions by lacking a narrative, unlike most of Two Door Cinema Club's videos, though keeping with the genre's simpler, homemade style.
Question one
The document discusses how the media producer's digipak and music video both use and challenge conventions of real media texts.
The digipak follows conventions like a 4-panel layout but challenges conventions like positioning of the artist name and track listing. The music video uses conventions like close-ups of the performer but challenges conventions through its dark urban setting rather than bright locations typically seen.
Weak intertextual references to Bob Dylan and a stronger reference to Sinéad O'Connor through close-up shots are also made.
Ancillary Task Research by FlowMotion Films
The document analyzes Rudimental's album cover design for their album "Home" and their official website. It notes several key design elements of the album cover including the group's name in large font at the top to emphasize its importance, a small graffiti image indicating their drum and bass music style, and consistency in the bold typography. It also observes the synergy between the album cover and website designs with the same color scheme and font. The document examines other album covers and concludes with lessons learned about the importance of positioning images/text effectively and maintaining synergy between album and website designs to match the artist's style and genre of music.
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Mural art presentation update 2016
Mankind has created murals on walls for thousands of years, dating back to paintings of animals in caves in France made with natural pigments. Murals have been produced in many cultures around the world on interior and exterior walls of buildings, from ancient Egyptian tombs and Roman bedrooms to the Sistine Chapel ceiling. Modern murals often convey important community messages or celebrate local history and wildlife. Large murals located high on buildings use bright colors and bold designs to be visible from the street below and bring visual interest to neighborhoods.
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The document provides information about a mural design project for a high school music wing. It discusses key concepts of mural design including understanding the project criteria, outcomes, and rubric. It also includes examples of different murals from around the world and through history for inspiration. The music wing makeover project challenges students to design murals that will be visually appealing, appropriate for the space, and reflective of the music program. The designs will be judged and selected by the music department. Students should consider themes, styles, elements, and principles when developing their designs.
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- Area: 1,200 sqm
Castro Cafe was one of the first cafes in Delhi to serve Continental cuisine. It was designed by Romi Khosla to be an open, airy space that brought the outdoors in.
The cafe had a central courtyard with plants and trees, allowing natural light and ventilation to flow through. Large windows opened the interiors to the courtyard.
Materials like exposed brick, rough plaster and wood were used to give it a rustic yet sophisticated feel. Overhanging eaves and pergolas provided shade.
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The document provides instructions for making a pinhole camera from a Pringle tube using various materials. The steps include cutting the tube in half, creating a circular opening using sugar paper and a compass, covering the inside with black sugar paper, closing one end with tracing paper and securing it with an elastic band, and wrapping the outside with foil. The completed pinhole camera works well for its purpose.
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The document provides instructions for making a pinhole camera from a Pringle tube in 6 steps. The steps include cutting the tube in half, creating a circular opening using a compass, lining the inside with black paper, closing one end with tracing paper and securing it with a rubber band, and wrapping the outside in foil. The completed pinhole camera worked as intended.
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In a questionnaire, the audience was asked about their experiences with and preferences for murals. A majority had seen a mural before. When asked which music idol they would want to see in a mural, there was no clear consensus between response options like Madonna and Michael Jackson. Most responded that no idol was necessary. The questionnaire also asked about color preferences for murals, and bold, bright colors were favored. Non-traditional murals like graffiti style won out over traditional mural styles in another question.
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The document reports on the results of a questionnaire given to 10 music teachers about their preferences for a mural in the school's music practice rooms. The teachers were asked about their favorite musical instrument, preferred mural designs, attractive colors, famous murals they've seen, and any music idols they would like depicted in the mural.
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Teachers were asked in a questionnaire about their preferences for a mural in the school's music practice rooms. They were asked about their favorite musical instrument, preferences between traditional or non-traditional mural styles, favorite colors, ideas for what to include in the mural such as musical idols or themes, and their overall thoughts on adding a musical mural to the practice rooms.
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A questionnaire asked respondents about their favorite musical instrument, preferred type of mural, and attractive colors. Based on the results, guitar was the most popular instrument at 28%, while piano, clarinet, trumpet, cello and drums each received 9% or 18%. For murals, 67% preferred non-traditional styles over traditional at 33%. Regarding colors, no single color was specified as most attractive.
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The document reports on the results of a questionnaire given to 10 music teachers about their preferences for a mural in the school's music practice rooms. The teachers were asked about their favorite musical instrument, preferred mural designs, attractive colors, famous murals seen, and any music idols they would like depicted in the mural.
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