Satish Gujral is an Indian artist born in 1925 in Jhelum, Pakistan. He is known for his paintings, sculptures, murals and architecture. Gujral was part of the Progressive Artists' Group in Mumbai and studied art in Lahore, Mumbai, and Mexico. His early works focused on the anguish of partition through pieces like Mourning En Masse. Throughout his career, Gujral experimented with different mediums and materials. Notable works include his burnt wood sculptures and the Belgian Embassy in New Delhi. Gujral has received several honors and awards for his contributions to art.
Ism's as an expression of built form and planning.
◦ Mannerism (mid 1500s)
◦ Neo classism (mid 1700s)
◦ Romanticism (late 1700s- early 1800s)
◦ Realism (France, mid 1800s)
◦ Impressionism (late 1800s)
◦ Post Impressionism (very late 1800s and into the turn of the 20th century)
◦ Symbolism (Turn of the twentieth century)
◦ Cubism (first two decades of 1900s)
◦ Surrealism (birth in 1924)
◦ Abstract Expressionism (birth in 1940s)
M.F. Hussain - Famous Painters For Kids – Mocomi.comMocomi Kids
Muqbool Fida Hussain, popularly known as simply MF, was an Indian modernist painter, Read more about M.F. Hussain, visit: http://mocomi.com/m-f-hussain/
Balkrishna Vithaldas Doshi was born in Pune, India in 1927.
He did his bachelors from J. J. School of Art, Bombay in1950.
He worked for four years with Le Corbusier as senior designer
(1951-54) in Paris.
In 1956 he established a private practice in VASTU-SHILPA ,
Ahmedabad and in 1962 he established VASTU-SHILPA
foundation for ENVIRONMENTAL DESIGN.
He also founded and designed the School of Architecture and
Planning in Ahmedabad .
Doshi worked closely with Louis khan and Anant raje, when Kahn
designed the campus of the Indian Institute of Management.
In 1 958 he was a fellow at the Graham Foundation for
Advanced Studies in the Fine Arts .
Doshi has been a member of the Jury for several international and
national competitions including the Indira Gandhi National Centre for
Arts and Aga Khan Award for Architecture.
AWARDS :
PHILOSOPHIES :
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Contemporary Architecture
+ = DOSHI ARCHITECTURE
Traditional Architecture
Interrelationship of indoor and outdoor space
An appropriate and honest approach to materials proper climatic
response
Observance of hierarchy and order that has always been present
in the best modern architecture.
Construction of scale models and of full scale mockups to make
decisions jointly with the client.
WORKS :
•
•
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•
•
•
•
•
•
•
•
•
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1979-81 Sangath, BV Doshi's office, Ahmedabad
1972 Centre for Environment and Planning Technology (CEPT),
Ahmedabad
1962-74 Indian Institute of Management Bangalore
1989 National Institute of Fashion Technology, Delhi
1990 Amdavad ni Gufa, Ahmedabad
Aranya Low Cost Housing, Indore
IFFCO township, Kalol
Sawai Gandharva, Pune
Premabhai Hall, Ahmedabad
Tagore Hall, Ahmedabad
Vidyadhar Nagar, Jaipur
IIM - Udaypur
Indian institute of Indology - Ahmedabad
Ism's as an expression of built form and planning.
◦ Mannerism (mid 1500s)
◦ Neo classism (mid 1700s)
◦ Romanticism (late 1700s- early 1800s)
◦ Realism (France, mid 1800s)
◦ Impressionism (late 1800s)
◦ Post Impressionism (very late 1800s and into the turn of the 20th century)
◦ Symbolism (Turn of the twentieth century)
◦ Cubism (first two decades of 1900s)
◦ Surrealism (birth in 1924)
◦ Abstract Expressionism (birth in 1940s)
M.F. Hussain - Famous Painters For Kids – Mocomi.comMocomi Kids
Muqbool Fida Hussain, popularly known as simply MF, was an Indian modernist painter, Read more about M.F. Hussain, visit: http://mocomi.com/m-f-hussain/
Balkrishna Vithaldas Doshi was born in Pune, India in 1927.
He did his bachelors from J. J. School of Art, Bombay in1950.
He worked for four years with Le Corbusier as senior designer
(1951-54) in Paris.
In 1956 he established a private practice in VASTU-SHILPA ,
Ahmedabad and in 1962 he established VASTU-SHILPA
foundation for ENVIRONMENTAL DESIGN.
He also founded and designed the School of Architecture and
Planning in Ahmedabad .
Doshi worked closely with Louis khan and Anant raje, when Kahn
designed the campus of the Indian Institute of Management.
In 1 958 he was a fellow at the Graham Foundation for
Advanced Studies in the Fine Arts .
Doshi has been a member of the Jury for several international and
national competitions including the Indira Gandhi National Centre for
Arts and Aga Khan Award for Architecture.
AWARDS :
PHILOSOPHIES :
•
•
•
•
Contemporary Architecture
+ = DOSHI ARCHITECTURE
Traditional Architecture
Interrelationship of indoor and outdoor space
An appropriate and honest approach to materials proper climatic
response
Observance of hierarchy and order that has always been present
in the best modern architecture.
Construction of scale models and of full scale mockups to make
decisions jointly with the client.
WORKS :
•
•
•
•
•
•
•
•
•
•
•
•
•
1979-81 Sangath, BV Doshi's office, Ahmedabad
1972 Centre for Environment and Planning Technology (CEPT),
Ahmedabad
1962-74 Indian Institute of Management Bangalore
1989 National Institute of Fashion Technology, Delhi
1990 Amdavad ni Gufa, Ahmedabad
Aranya Low Cost Housing, Indore
IFFCO township, Kalol
Sawai Gandharva, Pune
Premabhai Hall, Ahmedabad
Tagore Hall, Ahmedabad
Vidyadhar Nagar, Jaipur
IIM - Udaypur
Indian institute of Indology - Ahmedabad
Baker studied architecture in Birmingham and graduated in 1937, aged 20, in a period of political unrest for Europe.During the Second World War, he served in the Friends Ambulance Unit in China and Burma.He worked as an architect for an international and interdenominational Mission dedicated to the care of those suffering from leprosy. He focused on converting or replacing asylums once used to house the ostracized sufferers of the disease - "lepers".He Used indigenous architecture and methods of these places as means to deal with his once daunting problems.
Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape curved walls to enclose more volume at lower material cost than straight walls.Designing and building low cost, high quality, beautiful homes
Suited to or built for lower-middle to lower class clients.
Irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind.Brick jali walls, a perforated brick screen which utilises natural air movement to cool the home's interior and create intricate patterns of light and shadow.
Planked To Please Your Sense, Our New Collection Is Sure Enticer With Each Intricate Vein, Rich Looking Lathe And Shaded Texture. This Earthy Collection Is Designed With Just One Aim- To Amaze
Zainul Abedin an artist of exceptional talent and international repute. He played a pioneering role in the modern art movement in Bangladesh that began, by all accounts, with the setting up of the Government Institute of Arts and Crafts (now Institute of Fine Arts) in 1948 in Dhaka of which he was the founding principal.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...Ranjan Joshi
Applied Art science 1900 till 1960 in Maharashtra courtesy Visual Art of Maharashtra Biographical Encyclopedia Edited By Suhas Bahulkar and Deepak Ghare to be published soon by Pundole Art Gallery-Mumbai -India.
A wonderful presentation depicting the beauty of one of the significant attributes of Indian Culture of historical importance- Indian Paintings ;in the best of its hues ..!
Mithila Art - Reincarnated from the rubbles of an earthquake.pdfAbir Pothi
“In the best art there is an inescapable element of strangeness, the sense of a novel wonder, a mystery burning at the heart of life, and it is the strangeness this incandescence which above all the painting of Mithila transmits”. The overwritten statement is the words William G. Archer chose to end his article on Mithila art titled ‘Mithila Painting’ which was published in 1949 in Marg Vol. 3, No. 3. This article grabbed the public attention towards Mithila painting. Archer gave a detailed account of the social and ritual context, conventions, sources of variation, and uses of line and colour in the ancient wall-painting tradition in Mithila region of Bihar.
hindu garden, landscape architecture, botanical garden, ppt based on aktu architecture syllabus, ppt made by ar. manisha khandelwal and ar. kashif zafar
its about the pvc (polyvinyl chloride) doors about its properties, advantages and disadvantages with market survey of pvc doors according to indian rupees and in additional i can provide pvc doors plan, elevation and section sheet on request.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2. SATISH GUJRAL
BORN :25 DECEMBER 1925 (AGE 90) Jhelum, Punjab
NATIONALITY: Indian
EDUCATION: Mumbai
KNOWN FOR: Painting, Sculpting, Muralist, Architect, Writer, &
Graphic Designer .
SPOUSE: Kiran
Satish Gujral published 4 books including an autobiography.
3. EARLY LIFE
Satish Gujral was born in JHELUM, PUNJAB . At the age of 8, a
sickness resulted in impairment of hearing.
He lost his brother RAJ in the mishap.
May be it is the perpetual silence that surrounded him that helped him
to discover the artistic talent in him.
During his early years of sickness, “entombed in silence”, as he said,
he read Urdu literature and went on doodling with a pencil on a paper.
4. EDUCATION/ ORIGINATION
In 1939 he joined MAYO SCHOOL OF ARTS in Lahore to study applied arts
and mastered stone and wood carving , clay modeling, scale drawing, design, etc.
3 years before the partition of India, In 1944 he moved to Bombay and enrolled
in SIR JJ SCHOOL OF ART for diploma in fine arts and to became a member of
Progressive artists group (PAG) which includes S.H. Raza, EN. Souza, P.N. Mago,
M.F. Hussain and many others.
In 1947 due to recurring sickness he was forced to drop out of school and leave
Bombay.
In 1952 he got a scholarship to study at PALACIO NATIONAL DE BELLES
ARTES, MEXICO.
Mayo school of arts,
Lahore
Sir JJ school of art,
Bombay
Palacio National
de belles artes,
Mexico
5. TRANSFORMATION IN MEDIUM
The social content dominated his paintings and graphics, and the
anguish of the nations who lost their homes and families during the
partition of the country came out in anger, sweeping gestural
brushwork in his paintings.
His search was on for what was living and life-giving in the
traditional arts and crafts of India, and he diversified his sculpture
materials with machined industrial objects in steel, copper, glass,
often painted in strong enamel colors.
Later he tried out the junk sculptures, introducing light and
sound in them.
6. Since the late ‘80s up to the recent years, Satish
Gujral’s paintings and sculptures further
diversified both in terms of material and content.
Satish Gujral’s sculptures in burnt wood have
came with a kind of visceral exposure of forms,
human and otherwise.
He executed commissions to make large
murals, mostly in mosaic and ceramic tiles and
later in machined steel elements, simulated his
interest in their immediate architectural context.
anger, sweeping gestural
brushwork in his paintings
he diversified his sculpture
materials with machined
industrial objects in steel,etc.
junk sculptures, introducing
light and sound in them.
TRANSFORMATION
Sculptures in burnt wood
large murals, mostly in mosaic
and ceramic tiles & later in
machined steel elements
architectural context
7. WORKS
The partition of India and the associated agony of the immigrants
impacted a young Satish which manifested itself in the art works he created
later.
From 1952 to 1974 Gujral organised shows of his sculptures, paintings
and graphics in many cities across the world such as New York , New
Delhi, Montreal, Berlin and Tokyo among other cities.
Satish Gujral was an architect also and his design of Belgium Embassy
in New Delhi was selected by the international Forum of architects as one
of the finest buildings built in the 20th century.
8. • Mourning En Masse
• The Days of Glory
• The Raising of
Lazarus
• Meera Bai
• SCULPTURE
MATERIAL
• Burnt wood
• Brass
• Bronze
• Ceramic
• Belgian Embassy, new
Delhi
• Daryani House, new
Delhi.
• Goa University
• CMC, Hyderabad
• Punjab university
• World trade fair, new
Delhi
• Northern railway, new
Delhi
• Shastri Bhavan, new
Delhi
EXECUTED
MURAL FOR DESIGN
PAINTINGSSCULPTURE
WORKS
9. FAMOUS PAINTINGS
1. MOURNING EN MASSE
• Medium : CHARCOAL ON PAPER
• Date : 1947-1948.
• Event : INDIA – PAKISTAN
PARTITION
• Concept : He considers to be living and life
giving in the tradition of arts and crafts of
India.
Social content dominates his paintings and
THE ANGUISH OF THE NATIONS
WHO LOST THEIR HOMES AND
FAMILIES DURING THE PARTITION
OF THE COUNTRY came out in anger,
sweeping gestural brushwork in his
paintings.
10. THE DAYS OF GLORY
Date: 1952
Medium: CHARCOAL ON PAPER
Event: INDIA-PAKISTAN
PARTITION
Concept: THE ANGUISH OF THE
MILLIONS WHO LOST THEIR
HOMES &FAMILIES DURING THE
PARTITION OF HIS COUNTRY.
11. MEERA BAI
Medium : MIXED MEDIA ( OIL, ACRYLIC, MARBLE
GRAIN) / CANVAS
Date : 1999
Size 512*512 MM
12. ARCHITECTURE
BELGIAN EMBASSY, new
delhi
• In 2000, the building was recognised as
one of the 1000 best buildings in the
19th century.
• Features : Multi dome, Arches, Brick,
Watershed
• The building is constructed with red
bricks.
• The entrance opens into a courtyard
with stone masonary and greenery
within.
13. • It is a sculpture form, specially
from the outside. Moving inside is
like moving through sculpted
spaces.
• Here in lies the problem.
“Probably after having conceived
of the form, Gujral didn’t want to
compromise with it and was
therefore not able to plan the
openings, windows and doors,” he
clarifies adding “We architects
feel that form of the building
should emerge form the
foundations and function rather
then vice versa”.
14. SCULPTURE
• Height: 12 FEET
• Concept: Man and
Machine into a unified
energy matrix; THE
MACHANICAL AND
BIOLOGICAL
CONFRONT AND
COMPLIMENT
EACH OTHER.
15. SG 161
Bronze
Height: 15”
Weight: 24 kg
SG 162
Brass
Height: 15”
Weight: 20 kg
SG 168
Brass
Height: 15”
Weight: 18 kg
BRASS & BRONZE SCULPTURE
SG 163
Brass
Height: 12”
Weight: 9 kg
19. BOOKS ON SATISH GUJRAL
A BRUSH WITH LIFE: AN
AUTOBIOGRAPHY
• Writer: Satish Gujral
• About: An Autobiography
SATISH GUJRAL: AN
ARTOGRAPHY
• Writer: Gayatri Sinha, Sunto
Dutta & Gautam Bhatia
• About: Aesthetic & Personal
Journey of him over Last
Five Decades.
20. PERSONAL LIFE
Spouse: KIRAN, lives in new delhi.
Son: MOHIT GUJRAL, who is an architect is married to former
model, Feroze Gujral .
Daughter: ALPANA is a jewelery designer and RASEEL is an
interior designer.
Elder Brother: was former Indian Prime Minister , INDER
KUMAR GUJRAL..
21. POPULAR IN CULTURE
Dozens of documentaries have been made recording his
work and a full feature film on his life is in the making.
A 24minute documentary called “A Brush With Life” was
released on 15 februray 2012 which was based on his own
book with the same name.
Four (4) books of his work have been published including
an autobiography.
22. TIMELINE
1925 : Born in Jhelum, Pakistan
1944 : Joined J.J. School of Arts, Bombay
1947 : Discontinued from J.J. School of Arts, Bombay due to recurring
illness
1952 : Left for Mexico
1956 : Won National Award for painting
1972 : Won Order of the Crown from Belgium
1999 : Was honored with the Padma Vibhushan Award
23. For more artworks of SATISH GUJRAL , visit
www.emamichisel.com
Satish Gujral – the official website
www.satishgujral.com
THANK YOU
