Poster analysis
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The poster advertises an upcoming Arctic Monkeys album using their logo, name, and album release date to clearly communicate what is being promoted while reinforcing the band's image and star power. A minimalist black and white design features their soundwave-style logo in the top center, reminiscent of the band's style across platforms like YouTube. The lack of additional images suggests the band wants fans to focus solely on the new album.
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Poster analysis
The poster advertises the new album from Arctic Monkeys using minimal design elements. It features the band's name and logo in black and white at the top to identify the band and reinforce their image. Below is their soundwave-style logo reminiscent of how the band presents itself across platforms. The release date informs viewers when the album can be purchased on CD or downloaded, communicating availability on different platforms. An overall minimalist design with just text and the soundwave image aims to focus attention on the album itself for fans.
Question 1
Austen Nuttall's media products use, develop, and challenge conventions of real media. Their digipak uses a standard 4 panel design but challenges conventions like artist name placement. It also develops conventions through using materials like newspaper font to represent the "Information" track. The music video connects to the digipak through their shared theme of information sourced from newspapers. Overall, the digipak borrows, adapts, and repositions typical design elements to create distinctive media products.
How effective is the combination of your main
The document discusses how a band created synergy across a music video, magazine advert, and album packaging for their new single. Key elements like the band's logo, name, and song title were kept consistent in a graffiti font style to reinforce the band's UK hip hop genre. Colors like red, black, and white were also kept the same. Images and styles from the music video were translated to the magazine advert to create a cohesive link between the media texts and appeal to fans of the genre. The goal was to make the materials easily recognizable and help promote and sell the new album release.
Ancillary tasks analyse 2
The document discusses how various ancillary tasks for a music production project were linked together and to the main music video production. Key linking elements included using a red and black guitar that was featured prominently in the video and incorporated into the CD digipak and magazine advert. Logos and other visuals like photos were also reused across ancillary pieces and the video to create brand recognition and help audiences connect the different elements.
How effective is the combination of your main updated
The document discusses the creation of a music video, poster, and album cover for a drum and bass track. For each product, the creator researched conventions of the genre and included important elements like nightclub scenes, colorful lighting, and abstract images. The poster features the artist's image and social media links. The monochrome album cover was inspired by another cover, but includes splashes of color on interior pages. Overall, the combination of the main video and ancillary texts effectively capture the upbeat nature of drum and bass through consistent themes and adherence to genre conventions across all products.
Combination of products
The combination of products and ancillary texts for a music artist's release effectively reinforce the brand identity. Across the poster, digipack, and music video, consistent elements like camera shots, fonts, logos, color schemes, and emphasis on the performer and guitar create a cohesive narrative and synergize the materials. Following conventions like focusing on the artist and acoustic instrumentation helps tell the story being conveyed in the song.
Merge of ancillary
The mockups and final designs for an album cover, inlays, and advertisement maintain a consistent black and white colour scheme and repeated images of the artist to create branding for an alternative pop act. The album cover features the artist's image repeated against a dark background to add depth. Lyrics are included in the inlays to engage the target audience. Together these ancillary materials tie into the style of the artist's music video to present a recognizable image and appeal to fans of their distinctive style.
How effective is the combination of your main product and ancillary texts?
The document discusses how various visual elements are used across three media products to effectively convey themes and create cohesion. Crosses, black and white imagery, the color purple, contrasts/binary oppositions, and drug references are used consistently in the digipak, music video, and advertisement. Crosses represent religious and anti-religious themes in the music. Black and white signifies darker themes and places. Purple ties the products together and references hip hop and drugs. Contrasts, like between crosses and inverted crosses, emphasize different meanings. Drugs are a central theme depicted in all products, linking them to the group's music.
Recommended
Poster analysis
The poster advertises the new album from Arctic Monkeys using minimal design elements. It features the band's name and logo in black and white at the top to identify the band and reinforce their image. Below is their soundwave-style logo reminiscent of how the band presents itself across platforms. The release date informs viewers when the album can be purchased on CD or downloaded, communicating availability on different platforms. An overall minimalist design with just text and the soundwave image aims to focus attention on the album itself for fans.
Question 1
Austen Nuttall's media products use, develop, and challenge conventions of real media. Their digipak uses a standard 4 panel design but challenges conventions like artist name placement. It also develops conventions through using materials like newspaper font to represent the "Information" track. The music video connects to the digipak through their shared theme of information sourced from newspapers. Overall, the digipak borrows, adapts, and repositions typical design elements to create distinctive media products.
How effective is the combination of your main
The document discusses how a band created synergy across a music video, magazine advert, and album packaging for their new single. Key elements like the band's logo, name, and song title were kept consistent in a graffiti font style to reinforce the band's UK hip hop genre. Colors like red, black, and white were also kept the same. Images and styles from the music video were translated to the magazine advert to create a cohesive link between the media texts and appeal to fans of the genre. The goal was to make the materials easily recognizable and help promote and sell the new album release.
Ancillary tasks analyse 2
The document discusses how various ancillary tasks for a music production project were linked together and to the main music video production. Key linking elements included using a red and black guitar that was featured prominently in the video and incorporated into the CD digipak and magazine advert. Logos and other visuals like photos were also reused across ancillary pieces and the video to create brand recognition and help audiences connect the different elements.
How effective is the combination of your main updated
The document discusses the creation of a music video, poster, and album cover for a drum and bass track. For each product, the creator researched conventions of the genre and included important elements like nightclub scenes, colorful lighting, and abstract images. The poster features the artist's image and social media links. The monochrome album cover was inspired by another cover, but includes splashes of color on interior pages. Overall, the combination of the main video and ancillary texts effectively capture the upbeat nature of drum and bass through consistent themes and adherence to genre conventions across all products.
Combination of products
The combination of products and ancillary texts for a music artist's release effectively reinforce the brand identity. Across the poster, digipack, and music video, consistent elements like camera shots, fonts, logos, color schemes, and emphasis on the performer and guitar create a cohesive narrative and synergize the materials. Following conventions like focusing on the artist and acoustic instrumentation helps tell the story being conveyed in the song.
Merge of ancillary
The mockups and final designs for an album cover, inlays, and advertisement maintain a consistent black and white colour scheme and repeated images of the artist to create branding for an alternative pop act. The album cover features the artist's image repeated against a dark background to add depth. Lyrics are included in the inlays to engage the target audience. Together these ancillary materials tie into the style of the artist's music video to present a recognizable image and appeal to fans of their distinctive style.
How effective is the combination of your main product and ancillary texts?
The document discusses how various visual elements are used across three media products to effectively convey themes and create cohesion. Crosses, black and white imagery, the color purple, contrasts/binary oppositions, and drug references are used consistently in the digipak, music video, and advertisement. Crosses represent religious and anti-religious themes in the music. Black and white signifies darker themes and places. Purple ties the products together and references hip hop and drugs. Contrasts, like between crosses and inverted crosses, emphasize different meanings. Drugs are a central theme depicted in all products, linking them to the group's music.
Evaluation Question 1
The document discusses a promotion package for a new album that includes a music video and two of the following: a website, CD/DVD package cover, or magazine advertisement. It focuses on researching conventions for the hip hop genre in magazine advertisements and CD/DVD covers. Specifically, it discusses using bright colors, focusing on the band name over images of band members, and abstract/symbolic images. The promotion package was created to match these hip hop conventions but could have been improved by focusing more on narrative, choosing a lighter location, and casting older band members.
Question one
The document discusses how the media producer's digipak and music video both use and develop conventions of real media texts, as well as challenge some conventions.
Specifically, the digipak uses a standard 4 panel layout but develops conventions through the use of track titles, artist positioning, and an art deco visual style. The music video uses close-ups of the performer as a motif but challenges conventions through its dark urban setting. Both works employ intertextuality, most strongly referencing Bob Dylan and Sinead O'Connor.
Market research focus vid
The focus group viewed and discussed three music videos: Arctic Monkeys' "I bet that you look good on the dance floor" featuring only live performance; Bastille's "Things we lost in the fire" containing only narrative; and OneRepublic's "Counting stars" with a mixture of both. Participants generally favored OneRepublic's video for its variety, but found its storylines difficult to follow at times. Bastille's video was praised for its atmosphere and themes, though some elements were deemed irrelevant. Arctic Monkeys' live-only video was straightforward but could have benefited from additional visual elements. Overall, the group agreed the best videos include both narrative and live performance.
Evaluation Question 2
The document discusses the effectiveness of combining ancillary texts like a digipak and magazine advert with a main music product.
The digipak uses images from the music video throughout its four panels to create coherence between the products. Panel 1 features a striking image of the performer to familiarize audiences. Panels 2-3 continue linking themes and locations from the video. Panel 4 includes a black and white image and track list.
The magazine advert also uses an image from the shooting of the music video. It was chosen over a digipak image because it better conveys themes without showing faces. The first panel of the digipak is also included to link the two ancillary texts and aid recognition for consumers
Evaluation question 2 media
The document discusses the effectiveness of combining a music video, digipak, and poster for a band. The music video uses a black and white scheme with four pastel colors representing each band member. This color scheme is continued in the digipak layout and design. However, the poster only uses black and white to appear crisper and appeal to a wider audience. Overall, the imagery, themes, and representation of the band remain consistent across products while allowing for variation to suit each format.
Props, Costume, Equipment and Filming/ Photography Plans
This document outlines the props, costumes, equipment, and filming plans for a music video. It details that the band members will wear typical indie costumes of dark jeans, plain tops, and boots. The artist character will wear baggy jeans, canvas shoes, and a flannel shirt. Equipment includes cameras, microphones, and musical instruments. Filming plans include still shots of the band playing, individual portraits, and shots replicating scenes from the inspiration film where an artist throws paint at canvases. Filming locations are a photography studio for band shots and an art building in York with a rooftop.
Evaluation question 2
The document discusses how the author linked their main music video product to ancillary products like a digipak and magazine advert. It explains that they linked the products through consistent themes of death and grief, color schemes featuring the band in natural lighting, use of the same band equipment props, displaying the band's name, and having the band members wear consistent clothing. The goal was to make all the products work together to sell the band and present a cohesive brand identity.
CCR 2 LAYLA CLAASEN
Elements of branding and visual consistency were important across the artist's three media products. A recognizable font, the color yellow for text, and themes of nature and black and white filters were carried over from the music video to the album packaging and website. This consistency in visual elements helps to clearly identify the artist and her brand across all of her work.
Question 1
This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Evaluation Question 2
The document discusses how the creator ensured their main music video product and two ancillary tasks of a digipak and music advert were effectively related. For the digipak, the creator used similar visual elements like the model, lighting, and fonts used in the music video. Location images on the digipak also related to those in the video. The music advert featured the same model as the video and digipak with a matching color scheme to clearly link all three pieces. Both the digipak and advert conformed to genre conventions to appeal to the target demographic.
Digipak
The document discusses creating a promotional package for a new album featuring the song "White Noise." The creator used Photoshop to design an album cover, CD cover, and poster. A consistent image was used across all materials to identify the artist. Location photos from Hackney were incorporated to match the urban feel of the song, and flashing lights were added to align with audience feedback.
Lower Than Atlantis- self titled album analysis
This document analyzes the packaging and design of the 2014 album "Lower Than Atlantis" by the band of the same name. It notes various ways the album packaging differs from their previous works and establishes a new visual identity. This includes featuring a photo of the band on the cover for the first time, using pastel colors instead of darker tones, and introducing a new logo and font that would be continued across singles and merchandise to signify a change in the band's sound. The deluxe version of the album was presented in a hardcover book format including photos rather than a traditional digipak.
Evaluation Question Number 2
The three main products created - a music video, digipak, and magazine advert - were effective and successful. The music video used a Canon DSLR camera to capture high quality, professional shots. Audience research and analysis of similar music videos informed the content of the video. Both the digipak and magazine advert featured the artist's logo to promote their identity and sell the music. Semiotics theory was applied throughout the products to convey meaning symbolically - for example, the artist's body language in the video signified a heartbreak from a breakup. The same font was used for the title on the magazine and digipak for consistency, and the magazine advertised the digipak, linking the two products.
Music video purposes_work_sheet sp revisited
Simple Plan promoted the song "Your Love Is A Lie" through various strategies to benefit both the band and their label. This included performing the song at the 2010 Winter Olympics for major exposure, promoting it on their social media accounts and website where fans could watch previews. Selling merchandise on their website extended their income from fans worldwide. They also used outlets like YouTube to share their music videos, bringing a larger fan base. Producers collaborated with other popular artists through synergy opportunities to broaden Simple Plan's audience and popularity, such as having them sing the theme song for Scooby Doo which exposed them to more fans.
Digipak analysis-x3
The document analyzes the digital packaging designs of several albums:
1) Arctic Monkeys' "AM" has a simplistic black and white design with waveforms that subtly include the band and album initials. This simple yet clever design makes the band highly recognizable.
2) Nickelback's "Greatest Hits" clearly displays the band name and title at the top for instant recognition. It features a photo of the band members and a dull color scheme common in the rock genre.
3) Oasis' "Acoustic" album differs by showing an acoustic guitar instead of the band, informing listeners that it is an acoustic release. It is a double digipak containing a CD and more
Goodwin's theory
This document summarizes Andrew Goodwin's theory of analyzing music videos from his 1992 book. It outlines the 8 main characteristics he identified: performance, narrative, genre conventions, correlations between music/visuals and lyrics/visuals, star image motifs, notion of looking, intertextual references, and technical elements. Examples are provided for each characteristic. The document then provides guidance on applying Goodwin's theory to analyze a music video of your choice by identifying its genre, artist, song, and examples of genre conventions found in the video.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Question 2
The group created three media texts - a music video, digipak, and poster - to promote the song "From Time" by Drake. There was consistency across the texts in theme, costume, location, and housestyle. The theme centered around elements of rap and R&B music, represented through costumes worn in both the video and on the digipak, and locations chosen for nighttime shoots. Housestyle was maintained through use of the same colors (white, black, gold), fonts, and drawing inspiration from Drake's existing media products. The group plans to distribute the music video on YouTube, poster in rap/R&B magazines, and single for sale online via Spotify and iTunes and in stores like HMV
Uploaded final pitch
The document summarizes a pitch for a compilation album and DVD for the British indie rock band The Crookes. It includes details about the band members and their discography. The pitch proposes including the band's most popular songs and hits on an "Essentials" album, along with live performances, interviews, and behind-the-scenes footage on a companion DVD. A mood board and draft design for the album packaging are presented, following an indie-inspired black, white, and gray color scheme. The target audience is identified as music fans ages 16-30 interested in indie rock.
Too weird analysis
In this PowerPoint presentation I analyse the digipak for the album "Too Weird To Live, Too Rare To Die" by 'Panic! At The Disco'.
diiigii
The document discusses conventions for digipack album design. It provides details on elements that should be included, such as a recognizable font style and color scheme carried throughout advertising. The front panel should feature the artist image and title coordinated with their branding. The back panel typically includes the tracklist, bar code, and label logo. Elements like the spine contain condensed artist and album text. Effective digipacks represent the artist and music genre through visuals and colors to attract the intended audience. Examples of Nirvana's Nevermind and other albums illustrate these conventions.
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Evaluation Question 1
The document discusses a promotion package for a new album that includes a music video and two of the following: a website, CD/DVD package cover, or magazine advertisement. It focuses on researching conventions for the hip hop genre in magazine advertisements and CD/DVD covers. Specifically, it discusses using bright colors, focusing on the band name over images of band members, and abstract/symbolic images. The promotion package was created to match these hip hop conventions but could have been improved by focusing more on narrative, choosing a lighter location, and casting older band members.
Question one
The document discusses how the media producer's digipak and music video both use and develop conventions of real media texts, as well as challenge some conventions.
Specifically, the digipak uses a standard 4 panel layout but develops conventions through the use of track titles, artist positioning, and an art deco visual style. The music video uses close-ups of the performer as a motif but challenges conventions through its dark urban setting. Both works employ intertextuality, most strongly referencing Bob Dylan and Sinead O'Connor.
Market research focus vid
The focus group viewed and discussed three music videos: Arctic Monkeys' "I bet that you look good on the dance floor" featuring only live performance; Bastille's "Things we lost in the fire" containing only narrative; and OneRepublic's "Counting stars" with a mixture of both. Participants generally favored OneRepublic's video for its variety, but found its storylines difficult to follow at times. Bastille's video was praised for its atmosphere and themes, though some elements were deemed irrelevant. Arctic Monkeys' live-only video was straightforward but could have benefited from additional visual elements. Overall, the group agreed the best videos include both narrative and live performance.
Evaluation Question 2
The document discusses the effectiveness of combining ancillary texts like a digipak and magazine advert with a main music product.
The digipak uses images from the music video throughout its four panels to create coherence between the products. Panel 1 features a striking image of the performer to familiarize audiences. Panels 2-3 continue linking themes and locations from the video. Panel 4 includes a black and white image and track list.
The magazine advert also uses an image from the shooting of the music video. It was chosen over a digipak image because it better conveys themes without showing faces. The first panel of the digipak is also included to link the two ancillary texts and aid recognition for consumers
Evaluation question 2 media
The document discusses the effectiveness of combining a music video, digipak, and poster for a band. The music video uses a black and white scheme with four pastel colors representing each band member. This color scheme is continued in the digipak layout and design. However, the poster only uses black and white to appear crisper and appeal to a wider audience. Overall, the imagery, themes, and representation of the band remain consistent across products while allowing for variation to suit each format.
Props, Costume, Equipment and Filming/ Photography Plans
This document outlines the props, costumes, equipment, and filming plans for a music video. It details that the band members will wear typical indie costumes of dark jeans, plain tops, and boots. The artist character will wear baggy jeans, canvas shoes, and a flannel shirt. Equipment includes cameras, microphones, and musical instruments. Filming plans include still shots of the band playing, individual portraits, and shots replicating scenes from the inspiration film where an artist throws paint at canvases. Filming locations are a photography studio for band shots and an art building in York with a rooftop.
Evaluation question 2
The document discusses how the author linked their main music video product to ancillary products like a digipak and magazine advert. It explains that they linked the products through consistent themes of death and grief, color schemes featuring the band in natural lighting, use of the same band equipment props, displaying the band's name, and having the band members wear consistent clothing. The goal was to make all the products work together to sell the band and present a cohesive brand identity.
CCR 2 LAYLA CLAASEN
Elements of branding and visual consistency were important across the artist's three media products. A recognizable font, the color yellow for text, and themes of nature and black and white filters were carried over from the music video to the album packaging and website. This consistency in visual elements helps to clearly identify the artist and her brand across all of her work.
Question 1
This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Evaluation Question 2
The document discusses how the creator ensured their main music video product and two ancillary tasks of a digipak and music advert were effectively related. For the digipak, the creator used similar visual elements like the model, lighting, and fonts used in the music video. Location images on the digipak also related to those in the video. The music advert featured the same model as the video and digipak with a matching color scheme to clearly link all three pieces. Both the digipak and advert conformed to genre conventions to appeal to the target demographic.
Digipak
The document discusses creating a promotional package for a new album featuring the song "White Noise." The creator used Photoshop to design an album cover, CD cover, and poster. A consistent image was used across all materials to identify the artist. Location photos from Hackney were incorporated to match the urban feel of the song, and flashing lights were added to align with audience feedback.
Lower Than Atlantis- self titled album analysis
This document analyzes the packaging and design of the 2014 album "Lower Than Atlantis" by the band of the same name. It notes various ways the album packaging differs from their previous works and establishes a new visual identity. This includes featuring a photo of the band on the cover for the first time, using pastel colors instead of darker tones, and introducing a new logo and font that would be continued across singles and merchandise to signify a change in the band's sound. The deluxe version of the album was presented in a hardcover book format including photos rather than a traditional digipak.
Evaluation Question Number 2
The three main products created - a music video, digipak, and magazine advert - were effective and successful. The music video used a Canon DSLR camera to capture high quality, professional shots. Audience research and analysis of similar music videos informed the content of the video. Both the digipak and magazine advert featured the artist's logo to promote their identity and sell the music. Semiotics theory was applied throughout the products to convey meaning symbolically - for example, the artist's body language in the video signified a heartbreak from a breakup. The same font was used for the title on the magazine and digipak for consistency, and the magazine advertised the digipak, linking the two products.
Music video purposes_work_sheet sp revisited
Simple Plan promoted the song "Your Love Is A Lie" through various strategies to benefit both the band and their label. This included performing the song at the 2010 Winter Olympics for major exposure, promoting it on their social media accounts and website where fans could watch previews. Selling merchandise on their website extended their income from fans worldwide. They also used outlets like YouTube to share their music videos, bringing a larger fan base. Producers collaborated with other popular artists through synergy opportunities to broaden Simple Plan's audience and popularity, such as having them sing the theme song for Scooby Doo which exposed them to more fans.
Digipak analysis-x3
The document analyzes the digital packaging designs of several albums:
1) Arctic Monkeys' "AM" has a simplistic black and white design with waveforms that subtly include the band and album initials. This simple yet clever design makes the band highly recognizable.
2) Nickelback's "Greatest Hits" clearly displays the band name and title at the top for instant recognition. It features a photo of the band members and a dull color scheme common in the rock genre.
3) Oasis' "Acoustic" album differs by showing an acoustic guitar instead of the band, informing listeners that it is an acoustic release. It is a double digipak containing a CD and more
Goodwin's theory
This document summarizes Andrew Goodwin's theory of analyzing music videos from his 1992 book. It outlines the 8 main characteristics he identified: performance, narrative, genre conventions, correlations between music/visuals and lyrics/visuals, star image motifs, notion of looking, intertextual references, and technical elements. Examples are provided for each characteristic. The document then provides guidance on applying Goodwin's theory to analyze a music video of your choice by identifying its genre, artist, song, and examples of genre conventions found in the video.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Question 2
The group created three media texts - a music video, digipak, and poster - to promote the song "From Time" by Drake. There was consistency across the texts in theme, costume, location, and housestyle. The theme centered around elements of rap and R&B music, represented through costumes worn in both the video and on the digipak, and locations chosen for nighttime shoots. Housestyle was maintained through use of the same colors (white, black, gold), fonts, and drawing inspiration from Drake's existing media products. The group plans to distribute the music video on YouTube, poster in rap/R&B magazines, and single for sale online via Spotify and iTunes and in stores like HMV
Uploaded final pitch
The document summarizes a pitch for a compilation album and DVD for the British indie rock band The Crookes. It includes details about the band members and their discography. The pitch proposes including the band's most popular songs and hits on an "Essentials" album, along with live performances, interviews, and behind-the-scenes footage on a companion DVD. A mood board and draft design for the album packaging are presented, following an indie-inspired black, white, and gray color scheme. The target audience is identified as music fans ages 16-30 interested in indie rock.
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Props, Costume, Equipment and Filming/ Photography Plans
Props, Costume, Equipment and Filming/ Photography Plans
Similar to Poster analysis
Too weird analysis
In this PowerPoint presentation I analyse the digipak for the album "Too Weird To Live, Too Rare To Die" by 'Panic! At The Disco'.
diiigii
The document discusses conventions for digipack album design. It provides details on elements that should be included, such as a recognizable font style and color scheme carried throughout advertising. The front panel should feature the artist image and title coordinated with their branding. The back panel typically includes the tracklist, bar code, and label logo. Elements like the spine contain condensed artist and album text. Effective digipacks represent the artist and music genre through visuals and colors to attract the intended audience. Examples of Nirvana's Nevermind and other albums illustrate these conventions.
Daft Punk
The document discusses album covers, posters, and merchandise from the electronic music duo Daft Punk. It analyzes the consistent stylistic elements across their releases from 1997 to 2007, including the use of simplistic black and metallic color schemes representing their futuristic sound. A key point is how Daft Punk engages their target audience through unconventional techniques like varying album title prominence and using intertextuality across releases to build intrigue without clearly defining their genre. The document also examines the influence of the "Daft Bodies" dance video created by fans in 2007, which gained widespread popularity online and led to greater commercial success and merchandise sales for Daft Punk's music.
AM advert analysis
The document describes the advertising for Arctic Monkeys' album AM. It uses a simple black and white color scheme that stands out and complies with the band's retro style. The advertisement features the band name in large white text at the top, the album cover photo in the center, and the album name and release date at the bottom to clearly communicate the key information to fans. The basic layout and consistent font help fans instantly recognize the band and album.
Digipack analysis1
Sundara Karma uses simple album covers and posters with their logo and band name prominently displayed in bold, colorful fonts. Their covers have adopted a minimalist approach with black and white close-up shots and colorful text instead of images. Their posters similarly keep the design simple with the name, logo, and information about releases displayed with the band's photo in the background. Other indie bands also utilize bold fonts for the band name and logo along with simple artwork or concepts without photos of the band themselves.
Ancillary task
This is my analysis of album covers within my genre to gain knowledge of how to create my digipack and poster. I also looked into the synergy and how the album represented all aspects of an artist.
Digipak Analysis X3
- Pink Floyd were an influential English rock band formed in 1965 known for their progressive/psychedelic music and elaborate live shows.
- Their 1973 album "The Dark Side of the Moon" was a commercial success, spending over 14 years on the Billboard chart and selling over 40 million copies worldwide.
- The album's minimalist front cover features the band's logo refracted through a prism, representing unity diffracted, leaving an absence of unity. This simple yet profound design became iconic.
Ideas for a promotional package 2
This document provides ideas and plans for promoting a music album and music video. It discusses ideas for the album cover, CD, DVD, and music video. The album cover would be simplistic with a black and white color scheme. The music video would tell a narrative story and include shots of the band performing, following a theme of anger after a breakup. It also outlines plans for costumes, locations, and target audience. The promotional package would be cohesive across formats to effectively promote the artist and album.
Kings Of Leon - Album Advert Analysis
The document summarizes a music advertisement. It features a bold band name and image over a black background to stand out. The green-toned front image relates to the album title "Only by Night" and draws attention. The ad also provides information about the new album, including release date and song titles, to inform fans.
Advertisement posters analysis
This document analyzes and summarizes several music advertisement posters:
1. Posters are commonly used to promote albums, artists, films, and TV shows. They often feature the artist's name in bold text and the album title in thinner text. Many use the same image from the album cover.
2. The Ben Howard poster analyzed promotes his debut album with his name in bold and the album title in thinner text, matching the album cover image.
3. The Bombay Bicycle Club poster informs viewers of the band, album, and tracks in an appealing color scheme with the band name highlighted at top.
4. The Verve poster features a complex background image with text positioned centrally to
Pendulum research
The Pendulum website uses consistent branding techniques to promote the band's image and music. These include prominently displaying their name in a consistent font across all pages and using album artwork as the background. The site also advertises their latest single with a banner and background option, provides music playback, and offers fans exclusive membership. Similarly, the album packaging utilizes the bold, colorful imagery associated with the band as its theme throughout the cover, inside, and back. Posters promoting the band also employ matching bright colors, club scenes, and the repeated logo to create a recognizable style and appeal to their target audience.
Kings of leon
The poster advertises Kings of Leon's album "Only by the Night" using the album cover as the main image. The album cover features partial faces of the band members arranged symmetrically to represent their collaborative work. It also depicts an eagle in the background symbolizing their American heritage. The green overlay and target indicators on the album cover relate to the title "Only by the Night" by evoking a night vision theme. Text on the poster is in different colors and a sans-serif font to match the variety of songs. Including popular song titles from the album will attract more fans. The dark tones and computer-inspired design target a mainly young male audience.
Digi pack research
This document discusses conventions in indie rock album covers and promotional posters. It notes that black and white colors are typically used to give an urban feel. Posters usually contain the band name and release date to promote albums. Album covers often directly reference the image used in promotional posters to link the two. Unconventional color schemes and simplistic, unique images are used to make covers stand out while keeping them simple. The document concludes that these techniques help indie rock bands effectively promote their music and albums.
Album Poster Analysis
The document analyzes five album posters, summarizing key elements of each poster's design. Common elements included are: the artist name in large font at the top to identify them; the album title below in smaller font; the main image, often featuring band members, that takes up significant space; and release date and song information to promote the album. Color schemes, font styles, and placement of elements are designed to maximize visibility and recognition of the artist and album.
Digipak
The CD cover uses simplicity and minimalism to portray an artistic style. The front cover features a black and white painting of the artist in the studio over a white background, suggesting a calm, emotional R&B album. In contrast to more cluttered genres like rock and dubstep, this simple design stands out on shelves while still including standard elements like the artist and album name. The back cover continues the theme with a minimal color palette and font, emphasizing the small number of tracks to imply quality over quantity of songs.
Research conclusions
The document summarizes ways that music videos, album artwork, and advertisements establish genre and represent artists. It discusses how videos use shots that link to the music's genre. Album covers highlight band names and use colors associated with genres. Advertisements prominently display band names and use colors linked to genres. Photographs of bands playing rock instruments also help establish genre.
Digipak Research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that were popular in album covers from the 1970s to draw attention to the cover.
- Including an image of the band to make the album recognizable and inform audiences about the artists.
- Placing the band and album name prominently on the front and spine for visibility and easy discovery on store shelves.
- Making the track list the clear focus on the back cover without other distracting elements.
Digipak research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that draw the eye as well as images of the band to make the album recognizable.
- Placing the band and album name prominently to identify the artist and title.
- Keeping the track list as the sole focus on the back cover so it is easy to read.
- Incorporating consistent colors, fonts, and layouts across the digipak surfaces to create a cohesive design.
Analysis of music posters
The document analyzes and summarizes music posters for four different albums:
1) Bring Me The Horizon's "Sempiternal" poster features the band's name in large white text on a black background for visibility. It also includes the album's unique "sempiternal" logo and positions the album title at the bottom in gold text for continuity.
2) Fall Out Boy's "From Under The Cork Tree" poster uses a theater theme commonly seen in 2000s pop punk posters. It features the band's tour van crash and contrasts monotone and vibrant colors to represent the band's old-school rock music.
3) Arctic Monkeys' "AM" poster positions the band's iconic white
Ancillary Task research - Catherine
This is my research for my ancillary tasks into Indie artists and looks into how different products (the DigiPak, website homepage and in two instances the music videos) are used to create synergy.
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Poster analysis
- 1. Having the name and the logo of the band on the poster is a massive feature on any poster. It lets everyone know what the poster is advertising but it also reinforces the bands starimage. The logo is positioned in the top centre of the poster, highlighting that it is the most important feature. It is in black and white which is directly linked to the Arctic Monkey’s image. The use of the date tells the audience and any potential audience when the album is actually available e.g. on CDs and download. This is an important feature as it informs every one of the platforms the album is available on. A very minimalistic design has been used to advertise the album. The soundwave style logo has been used, something which is reminiscent of the band as it is used across different platforms e.g on YouTube. The use of black and white again is reminiscent of indie rock/rock bands. There is a lack of images, suggesting the band want the poster to be only about the album and for the fans to concentrate on that. Poster Analysis- Arctic Monkeys