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Gestalt Principles
Pranav Kishor Choudhary
180554
MBA (CUH-18-20)
Max Wertheimer
• April 15, 1880 – October 12,
1943
• Austro-Hungarian-born
psychologist
• PhD in 1904
• Started teaching career in
Frankfurt
• Worked at Berlin
Psychological Institute
• Professor at New School for
Social Research in New
York
Kurt Koffka
• March 18, 1886 – November
22, 1941
• German psychologist
• Born and educated in Berlin
• In WW1 worked for the
Military in a position that
later lead him to a
Professorship in
Experimental psychology
• 1927, Smith College in
Norththamton,
Masschusetts
Wolfang kholer
• 22 January 1887 – 11 June
1967
• German Psychologist and
phenomenologist
• In 1935 he left the country
for the United States
• 20 year of professorship
Swarthmore College in
Pennsylvania
What is gestalt psychology
• The way things has been put together/placed
• Whole of any thing is greater than sum of it’s part
• The whole is something different than the sum of its parts [Koffka (1935)]
• It emphasized the importance of sensory wholes and dynamic nature of visual
perception
• The term “Gestalt” loosely translates into “form” or “configuration”
• Learners are active not passive
• They do not collect data as it is but actively process and restructure the data in
order to understand it
Some General Rules
• Objects will be perceived in their simplest form
• Human Naturally follow lines and curves
• Mind will attempt to fill in the details that isn’t actually there.
Gestalt Principles
The way we form our perception are guided by certain
principles or laws. These principles and laws determine
what we see or make of things or situations.
Some Common Principles
• Reification
• Multistability
• Invariance
• Figure and ground
• Prägnanz
• Law of Proximity
• Law of Similarity
• Law of Closure
• Law of Symmetry
• Law of Common Fate
• Law of Continuity
• Law of Connectedness
• Law of Past Experience
Reification
• Mental process of “bringing
into being”.
• Adding things which are
not in the original stimulus.
• Perceiving the details that
are not really there
A
B
Multistability
• Multistability (or
multistable perception) is
the tendency of ambiguous
perceptual experiences to
pop back and forth unstably
between two or more
alternative interpretations
• Gestalt psychology does not
explain how images appear
multistable, only that they
do
Rubin's vase.
Invariance
• Invariance is the property of
perception whereby simple
geometrical objects are
recognized independent of
rotation, translation, and
scale; as well as several
other variations such as
elastic deformations,
different lighting, and
different component
features.
Figure and
ground
• We tend to pay attention
and perceive things in the
foreground first. A stimulus
will be perceived as
separate from its ground.
• Positive and Negative Space
FIAT Girl
Dirty Harry
Peter and The Wolf- Phoebe Morris Illustration
Blurring lines b/w Positive and Negative Space
M. C. Escher
Prägnanz
• Perceptual grouping or
perceptual segregation
• The stimulus will be
organized into as good as
figure as possible.
• Good refers to symmetry,
simplicity, and regularity.
Prägnanz
Law of
Proximity
• Elements that closer
together will be perceived
as coherent object.
Proximity
Hyundai eon vs Maruti alto 800
Law of
Similarity
• Elements within an
assortment of objects are
perceptually grouped
together if they are similar
to each other.
• Similarities can be colour,
shapes, texture or any other
design elements
• Anomally
• Used to create contrast
Similarity
Law of Closure
• We tend to fill the gaps or
“close” the figures we
perceive. We enclose a space
by completing a contour
and ignoring gaps in the
figure
Closure
Alcon Contact lenses
Law of
Symmetry
• Mind perceives objects as
being symmetrical and
forming around a center
point
• It is perceptually pleasing to
divide objects into an even
number of symmetrical
parts
• Several symmetries can
occur in one design.
• Symmetry and Asymmetry
can work together.
Symmetry
Law of Common
Fate
• Objects are grouped
together that moves in the
same direction
• Useful in design when we
want to add patterns or
textures to something,
without losing the
overarching image
Law of
Continuity
• Also known as the law of
good continuation
• Eye is compelled to move
through one object and
continue to another object.
• Stimuli remain distinct even
with overlap
• We are less likely to group
elements with sharp abrupt
directional changes as being
one object
Continuation
Law of
Connectedness
• Humans will follow
connections from one image
to another to link them
• If two elements, visually
linked by third element,
they are perceived as a
single entity
Law of Past
Experience
• Also known as the concept
of "mental models
• Under some circumstances
visual stimuli are
categorized according to
past experience
• What works for one person
may not act on the other.
• This law is of secondary
importance and easily
overlaps other sub patterns.
Conclusion
Psychology and Design are two separate yet intertwined
worlds.
While each can and does exist without the other, they share
so many elements and traits that it's hard to ignore the
existence of the other.
And, when the Gestalt principles are used in design, it can
please viewers, catch their eye, and sparks interest.
And its definitely rewarding for marketers.
References/ Bibliography
• Diamond, N., Sherry, J. F., Muñiz, A. M., McGrath, M. A., Kozinets, R. V., &
Borghini, S. (2009). American Girl and the Brand Gestalt: Closing the Loop on
Sociocultural Branding Research. Journal of Marketing, 73(3), 118–134.
https://doi.org/10.1509/jmkg.73.3.118
• Koffka, K, K. (2013). Principles Of Gestalt Psychology.
https://doi.org/10.4324/9781315009292
• Wertheimer, M. (n.d.). Gestalt theory. In A source book of Gestalt psychology. (pp. 1–
11). https://doi.org/10.1037/11496-001
Thank You

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Gestalt Principles

  • 1. Gestalt Principles Pranav Kishor Choudhary 180554 MBA (CUH-18-20)
  • 2. Max Wertheimer • April 15, 1880 – October 12, 1943 • Austro-Hungarian-born psychologist • PhD in 1904 • Started teaching career in Frankfurt • Worked at Berlin Psychological Institute • Professor at New School for Social Research in New York
  • 3. Kurt Koffka • March 18, 1886 – November 22, 1941 • German psychologist • Born and educated in Berlin • In WW1 worked for the Military in a position that later lead him to a Professorship in Experimental psychology • 1927, Smith College in Norththamton, Masschusetts
  • 4. Wolfang kholer • 22 January 1887 – 11 June 1967 • German Psychologist and phenomenologist • In 1935 he left the country for the United States • 20 year of professorship Swarthmore College in Pennsylvania
  • 5. What is gestalt psychology • The way things has been put together/placed • Whole of any thing is greater than sum of it’s part • The whole is something different than the sum of its parts [Koffka (1935)] • It emphasized the importance of sensory wholes and dynamic nature of visual perception • The term “Gestalt” loosely translates into “form” or “configuration” • Learners are active not passive • They do not collect data as it is but actively process and restructure the data in order to understand it
  • 6. Some General Rules • Objects will be perceived in their simplest form • Human Naturally follow lines and curves • Mind will attempt to fill in the details that isn’t actually there.
  • 7. Gestalt Principles The way we form our perception are guided by certain principles or laws. These principles and laws determine what we see or make of things or situations.
  • 8. Some Common Principles • Reification • Multistability • Invariance • Figure and ground • Prägnanz • Law of Proximity • Law of Similarity • Law of Closure • Law of Symmetry • Law of Common Fate • Law of Continuity • Law of Connectedness • Law of Past Experience
  • 9. Reification • Mental process of “bringing into being”. • Adding things which are not in the original stimulus. • Perceiving the details that are not really there A B
  • 10. Multistability • Multistability (or multistable perception) is the tendency of ambiguous perceptual experiences to pop back and forth unstably between two or more alternative interpretations • Gestalt psychology does not explain how images appear multistable, only that they do Rubin's vase.
  • 11.
  • 12.
  • 13. Invariance • Invariance is the property of perception whereby simple geometrical objects are recognized independent of rotation, translation, and scale; as well as several other variations such as elastic deformations, different lighting, and different component features.
  • 14. Figure and ground • We tend to pay attention and perceive things in the foreground first. A stimulus will be perceived as separate from its ground. • Positive and Negative Space
  • 16. Peter and The Wolf- Phoebe Morris Illustration
  • 17.
  • 18.
  • 19.
  • 20. Blurring lines b/w Positive and Negative Space M. C. Escher
  • 21. Prägnanz • Perceptual grouping or perceptual segregation • The stimulus will be organized into as good as figure as possible. • Good refers to symmetry, simplicity, and regularity.
  • 23. Law of Proximity • Elements that closer together will be perceived as coherent object.
  • 25. Hyundai eon vs Maruti alto 800
  • 26. Law of Similarity • Elements within an assortment of objects are perceptually grouped together if they are similar to each other. • Similarities can be colour, shapes, texture or any other design elements • Anomally • Used to create contrast
  • 28.
  • 29.
  • 30.
  • 31. Law of Closure • We tend to fill the gaps or “close” the figures we perceive. We enclose a space by completing a contour and ignoring gaps in the figure
  • 34. Law of Symmetry • Mind perceives objects as being symmetrical and forming around a center point • It is perceptually pleasing to divide objects into an even number of symmetrical parts • Several symmetries can occur in one design. • Symmetry and Asymmetry can work together.
  • 36. Law of Common Fate • Objects are grouped together that moves in the same direction • Useful in design when we want to add patterns or textures to something, without losing the overarching image
  • 37.
  • 38. Law of Continuity • Also known as the law of good continuation • Eye is compelled to move through one object and continue to another object. • Stimuli remain distinct even with overlap • We are less likely to group elements with sharp abrupt directional changes as being one object
  • 40.
  • 41. Law of Connectedness • Humans will follow connections from one image to another to link them • If two elements, visually linked by third element, they are perceived as a single entity
  • 42.
  • 43.
  • 44. Law of Past Experience • Also known as the concept of "mental models • Under some circumstances visual stimuli are categorized according to past experience • What works for one person may not act on the other. • This law is of secondary importance and easily overlaps other sub patterns.
  • 45.
  • 46.
  • 47. Conclusion Psychology and Design are two separate yet intertwined worlds. While each can and does exist without the other, they share so many elements and traits that it's hard to ignore the existence of the other. And, when the Gestalt principles are used in design, it can please viewers, catch their eye, and sparks interest. And its definitely rewarding for marketers.
  • 48. References/ Bibliography • Diamond, N., Sherry, J. F., Muñiz, A. M., McGrath, M. A., Kozinets, R. V., & Borghini, S. (2009). American Girl and the Brand Gestalt: Closing the Loop on Sociocultural Branding Research. Journal of Marketing, 73(3), 118–134. https://doi.org/10.1509/jmkg.73.3.118 • Koffka, K, K. (2013). Principles Of Gestalt Psychology. https://doi.org/10.4324/9781315009292 • Wertheimer, M. (n.d.). Gestalt theory. In A source book of Gestalt psychology. (pp. 1– 11). https://doi.org/10.1037/11496-001

Editor's Notes

  1. For instance, a triangle is perceived in picture A, though no triangle is there., in B a complete three-dimensional shape is seen, where in actuality no such thing is drawn
  2. ad for the Brazilian magazine veja was produced during the Iraq war and won top prizes at virtually every festival. Osama bin Laden (whole) or deAD ALive (parts).
  3. The figure is perceive as a square overlapping a triangle , not a combination of several complicated shapes. Based on our experiences with perception, we “expect” certain patterns and therefore perceive that expected pattern
  4. An Indian car company used this concept in their advertisement. The company directly compares a competitor’s car with their own, and in the picture their car is larger and overlaps the other car, making it appear to be closer to the viewer. By using the gestalt theory of proximity, their car should appear better than the competitor’s.
  5. There seems to be a triangle in the square.
  6. Panda Security Touts,
  7. this Kia ad shows row after row of the same image- a hamster on a wheel, but at the bottom right there is a bright red Kia car. The contrast and dissimilarity between the gray hamsters and the car draws the viewers attention to the car immediately.
  8. RED Call to Action (CTA) button, stands out
  9. useful in design when we want to add patterns or textures to something, without losing the overarching image
  10. Jagged lines can create a sense of chaos, and smooth curves can create a sense of calm and peace.
  11. In this ad, the eye is most likely drawn first to the woman, and not only is she drinking from a straw that leads directly to the Pepsi can, it appears that she is looking downward at the can, drawing the viewers attention to the product, after viewing the conventionally attractive woman.
  12. PlayStation Logo three separate parts
  13. 161% CTR increase (Click Through Rate)
  14. 3600% increase Similarity Grouping Past experience