The document discusses potential media outlets for distributing a film, including independent cinemas, film festivals, and television. Independent cinemas are identified as the best option, as they regularly show less popular genres and films from local production companies, unlike large cinema chains that primarily screen big budget films. Film festivals could also work, though getting noticed will be challenging. Television is mentioned as well, with BBC One or Film4 seen as possibilities for exclusive airings.
Our media product, which is an opening sequence for a thriller film, would be best distributed by independent cinemas rather than large chains like Odeon or Vue. Independent cinemas tend to show films with higher ratings and lower budgets that have not received worldwide distribution. Television distribution would likely be on a smaller movie channel rather than Sky Movies which focuses on popular thrillers. Online, YouTube would be a suitable platform as it hosts numerous films not shown in major cinemas or elsewhere.
Our media product is an opening sequence for a thriller film. It would be best distributed by independent cinemas, as they show films of higher certificates and less popular films not distributed worldwide, like thrillers. Independent cinemas also cater to audiences seeking less mainstream films than large cinemas like Odeon, which focus more on comedy and children's films. Television networks could also potentially distribute our thriller sequence, as channels like Sky have aired popular thriller titles in the past.
Luke Burnip proposes several potential outlets for displaying his crime thriller film project. He suggests showing it at an independent cinema like the Ambassadors Cinema in Woking, submitting it to a film festival like the BFI London Film Festival, or displaying it on YouTube or Film4 for free online streaming. An independent cinema or film festival would provide an audience receptive to low-budget films and allow the filmmakers creative control. Film4 or YouTube would increase the film's accessibility and potential for publicity. With further development, Luke feels the project could be submitted to an independent film festival.
The document discusses potential institutions for distributing a crime thriller film, including cinemas, TV channels, and film festivals. It analyzes how the genres shown at different venues align with the film. Film festivals like Sundance and BFI are concluded to be the best options, as they frequently feature crime thrillers and could expose the film to interested audiences. Mainstream cinemas are deemed less suitable due to focusing on more popular genres like sci-fi and fantasy.
1) The document analyzes different potential media institutions that could distribute a crime thriller film, including cinemas, film festivals, TV channels, and streaming services.
2) It finds that independent cinemas and film festivals would be most suitable, as they show more thriller genres compared to large cinemas that focus on big budget action and drama. Specifically, the BFI film festival would be a good fit since it shows several thriller genres.
3) Of the options discussed, it determines that film festivals would be the most realistic distribution path, as they are more open to showcasing new, low-budget films across different genres compared to other institutions.
The document discusses several options for showcasing an independent film, including film festivals, cinemas, streaming services, and young filmmaker competitions. It determines that film festivals like BFI and independent cinemas would be most suitable, as they showcase a variety of genres and budgets. However, the best choice is a young filmmakers competition, as it directly compares films from similar experience levels.
The document discusses potential distribution outlets for an independently produced student film called "The Last Task". It analyzes the genres shown at various cinemas, festivals, and TV channels to determine where the film might best be distributed. It concludes that smaller, less mainstream venues like The Electric Cinema, Film4, young filmmaker competitions, or a YouTube channel would be more suitable options than larger chains like Odeon or more prominent channels like BBC due to the independent nature and lack of funding/promotion for the student film.
The document discusses potential media institutions that could distribute a media product. It suggests that Netflix would be a good option due to its history of supporting independent films and having a catalog of similar genre films. Certain multiplex cinemas could also work as some have shown independent British films before. The BFI cinema may be suitable since it occasionally shows indie films to engage varied audiences, in addition to major films.
Our media product, which is an opening sequence for a thriller film, would be best distributed by independent cinemas rather than large chains like Odeon or Vue. Independent cinemas tend to show films with higher ratings and lower budgets that have not received worldwide distribution. Television distribution would likely be on a smaller movie channel rather than Sky Movies which focuses on popular thrillers. Online, YouTube would be a suitable platform as it hosts numerous films not shown in major cinemas or elsewhere.
Our media product is an opening sequence for a thriller film. It would be best distributed by independent cinemas, as they show films of higher certificates and less popular films not distributed worldwide, like thrillers. Independent cinemas also cater to audiences seeking less mainstream films than large cinemas like Odeon, which focus more on comedy and children's films. Television networks could also potentially distribute our thriller sequence, as channels like Sky have aired popular thriller titles in the past.
Luke Burnip proposes several potential outlets for displaying his crime thriller film project. He suggests showing it at an independent cinema like the Ambassadors Cinema in Woking, submitting it to a film festival like the BFI London Film Festival, or displaying it on YouTube or Film4 for free online streaming. An independent cinema or film festival would provide an audience receptive to low-budget films and allow the filmmakers creative control. Film4 or YouTube would increase the film's accessibility and potential for publicity. With further development, Luke feels the project could be submitted to an independent film festival.
The document discusses potential institutions for distributing a crime thriller film, including cinemas, TV channels, and film festivals. It analyzes how the genres shown at different venues align with the film. Film festivals like Sundance and BFI are concluded to be the best options, as they frequently feature crime thrillers and could expose the film to interested audiences. Mainstream cinemas are deemed less suitable due to focusing on more popular genres like sci-fi and fantasy.
1) The document analyzes different potential media institutions that could distribute a crime thriller film, including cinemas, film festivals, TV channels, and streaming services.
2) It finds that independent cinemas and film festivals would be most suitable, as they show more thriller genres compared to large cinemas that focus on big budget action and drama. Specifically, the BFI film festival would be a good fit since it shows several thriller genres.
3) Of the options discussed, it determines that film festivals would be the most realistic distribution path, as they are more open to showcasing new, low-budget films across different genres compared to other institutions.
The document discusses several options for showcasing an independent film, including film festivals, cinemas, streaming services, and young filmmaker competitions. It determines that film festivals like BFI and independent cinemas would be most suitable, as they showcase a variety of genres and budgets. However, the best choice is a young filmmakers competition, as it directly compares films from similar experience levels.
The document discusses potential distribution outlets for an independently produced student film called "The Last Task". It analyzes the genres shown at various cinemas, festivals, and TV channels to determine where the film might best be distributed. It concludes that smaller, less mainstream venues like The Electric Cinema, Film4, young filmmaker competitions, or a YouTube channel would be more suitable options than larger chains like Odeon or more prominent channels like BBC due to the independent nature and lack of funding/promotion for the student film.
The document discusses potential media institutions that could distribute a media product. It suggests that Netflix would be a good option due to its history of supporting independent films and having a catalog of similar genre films. Certain multiplex cinemas could also work as some have shown independent British films before. The BFI cinema may be suitable since it occasionally shows indie films to engage varied audiences, in addition to major films.
The document discusses potential media institutions that could distribute a horror/thriller film. Mainstream cinemas like Odeon, Ambassador, and Vue are unlikely options as they primarily show popular fantasy/sci-fi films. The Commodore cinema may be more receptive given its isolated location and fewer options. The Electric cinema has limited offerings and could potentially show the film. Film festivals like BFI and Sundance that have histories of selecting horror/thriller genres would provide good exposure and distribution opportunities for an independent film.
The document discusses potential distribution outlets for a short film opening sequence with no budget. It notes that major cinema chains like the Odeon would not be suitable due to the very short length and lack of profit potential. Independent cinemas also may not accept it if the genre is not popular locally. Online indie websites are suggested as they have lower costs and barriers. Television stations like BBC and Film4 that seek to make profits are also not realistic options. The conclusion is that platforms like BBC Three or free online movie websites may be best for a no-budget short film.
This document discusses different types of media institutions that could distribute an independent film. It describes cinemas, television, and film festivals. Film festivals often screen drama films and can bring attention to controversial topics. Independent cinemas also tend to show drama films and cater to more niche audiences interested in non-mainstream genres. A low-budget, independent film would likely be distributed at an independent cinema or film festival rather than a large cinema chain due to its limited appeal and production values. It could also be uploaded to YouTube to reach audiences online.
What kind of media institution might distribute your media productamy collins
ย
The document discusses potential media institutions that could distribute a psychological thriller film produced by media students. It analyzes that independent cinemas and film festivals like Sundance and BFI would be most suitable since they showcase new and aspiring filmmakers. Local cinemas and television channels like BBC and Film4 would not likely distribute the film due to it being a small student production without publicity or popular actors. The document concludes that film festivals are the most probable distribution avenue to gain support, publicity and recognition for the new filmmakers.
The document discusses five film institutions as potential producers and distributors for a new horror/action film. It provides lists of relevant films each institution has produced and background information about each. The third institution, Lions Gate, is chosen because its opening logo is well-suited for the genre of the new film and would fit well within the title sequence. Lions Gate is also known for producing successful films within this genre.
The document discusses different aspects of film production and distribution for an independent horror film. It describes how a production company would help create the film from initial idea through completion. It also discusses choosing the distribution company Momentum Pictures, which focuses on horror films and has distributed successful titles in the genre. The film will be funded by the BFI, which supports emerging UK filmmakers. Titles and influences from other horror films like Orphan and House of Wax are discussed.
This document discusses major film institutions from around the world including the US, UK, France, Germany, India, Spain, and Australia. It provides examples of major production companies from each country/region and notes they each produce different genres of films and television shows. Smaller, independent production companies tend to have smaller budgets and distribute their films differently than larger, major studios. The success of a film depends on factors like the involved actors, director, and production company. Film awards are also discussed as a way for films and their creators to be recognized.
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Based on the genres typically featured at each, it determines that independent cinemas and young filmmakers' festivals would be most receptive to an independent thriller. Realistically, it concludes the film would likely be shown at a young people's festival if of high quality, or could alternatively be shared online via forums and YouTube.
The document discusses the target audience and distribution options for an independent romantic comedy film. The target audience is identified as being ages 15-20, with a potential preference for female viewers given the male lead. Major distribution companies like Universal and Warner Bros. release large studio films, while independent companies like IFC Films and Film4 specialize in smaller, independent films. The document concludes that Entertainment Film Distributors would be the most suitable independent distributor given their experience distributing similar low-budget, independent romantic comedies.
The document discusses potential options for distributing a low-budget student film called "THE LAST TASK". Major cinema chains like Odeon would be unlikely due to the film's niche genre (psychological thriller) and lack of famous actors. Film festivals may work for newly released student films. However, larger festivals prefer more well-known films. Independent cinemas and online platforms like YouTube would be better options, as they cater to less mainstream films without big production values.
This document discusses potential distribution options for a low-budget independent film. It analyzes that the film would not be suitable for mainstream cinemas like the Odeon due to its low budget. Better options would be independent cinemas, film festivals, or online distributors. Specifically, it recommends the Electric Cinema in London, film festivals like CINEMAGIC or Sundance, and the online distributor IndieFlix which allows worldwide access and pays filmmakers based on views. The best strategy concluded would be online distribution to guarantee views and payment with a simpler application process than film festivals.
The document discusses different types of media for releasing a film, including various cinemas and film festivals. It analyzes the target audiences and marketing approaches of different venues. Based on the research, television is identified as the best option to reach the film's target 18-22 year old audience nationally, as it is easier for viewers than cinemas or festivals and offers broad exposure without the large competition of other options. Releasing on television balances advantages and disadvantages better than the alternatives.
The document discusses potential media institutions to distribute an independent psychological thriller film. It analyzes that an independent cinema like Dorking Halls would be more suitable than a large chain cinema as it has a smaller size and might be more interested in showcasing different genres. Of film festivals considered, the BFI London Film Festival would be the best fit as it regularly features thriller films and appeals to audiences interested in that genre. Overall, an independent cinema is deemed the best outlet as the film's niche audience and genre would not find success through mainstream distribution channels.
The document discusses potential film distribution companies for a film called "Anonymous". It argues that smaller independent companies like Stealth Films, Cipher, and TMC Films would be suitable because "Anonymous" is similar to the teen drama "Kidulthood" which was produced by a smaller company. It also notes that "Anonymous" has a niche audience and would be distributed in independent cinemas. Warp Films is mentioned as another potential independent distributor since they have a niche audience and connections in Australia, and have successfully distributed films reflecting British culture in the past.
The student analyzed potential media institutions to distribute their post-apocalyptic film. Major studios like Warner Bros and Lionsgate were deemed unsuitable due to the film's low budget and lack of famous actors. Independent British film companies like DNA Films and Palace Pictures would be more interested since they distribute similar genre films set in Britain. The student also proposed advertising the film at small UK film festivals focused on new British directors, such as the British Independent Film Festival, rather than large cinema chains that prioritize blockbuster films.
The document discusses potential media institutions that might distribute an independent thriller film. It analyzes what types of films are shown at mainstream cinemas (fantasy films), independent cinemas (dramas), and film festivals (mostly dramas that could win awards). It determines that an independent cinema or young filmmakers festival would be the most realistic venues, as mainstream cinemas primarily show larger budget films. Online sharing through websites like YouTube could also be an option to reach a wide audience.
Film4 Productions would be the best institution to distribute the film Nostalgia, as it is a low-budget British film. Film4 Productions specializes in low-budget films and has a target audience of young adults, which matches Nostalgia. Universal Pictures could also be a good fit since they distribute romantic genre films like Nostalgia. However, the filmmaker is nervous that Nostalgia may be criticized for not being a blockbuster given its lower production quality. Overall, Film4 Productions and Universal Pictures would both be suitable options.
This document provides information on various Harry Potter fan content found online, including a literal trailer parodying the Deathly Hallows film, a fan fiction website where fans write unofficial stories, an Amazon review to help customers decide whether to buy the DVD, and two wiki-style websites where fans can discuss and share information about the films.
This document discusses the types of facilities, films, audiences, locations, and issues faced by multiplex independent cinemas. They would aim to show popular, big budget films to attract the largest audiences possible, though budget constraints may limit choices. Locations are usually out of town for parking space. Issues include pressure to profit from high-budget films, competition from other cinemas, and potential piracy problems due to limited film options.
Warp Films would be the best distributor for this film. As an independent film company, Warp Films allows films to be shot in local areas, saving money compared to larger studios. Warp Films also attracts an audience interested in similar unconventional storylines and bizarre plots, meaning the audience could better appreciate and enjoy this film. Distributing with a larger conglomerate may not reach the right audience for this restricted film or earn enough profit to avoid the film being labeled a failure.
The document discusses potential outlets for distributing an independent film. An independent cinema or film festival like Cannes would be suitable options as they often showcase smaller, non-Hollywood films. Broadcasters like Film4 also show independent movies. While larger cinema chains may not be viable due to their focus on bigger budget films and broad audiences, YouTube offers a platform to gain exposure. Realistically, competitions and self-distribution online are the most practical options for a low-budget, independent student film.
This document discusses different types of media institutions that could distribute a media product and analyzes which might be suitable for the author's film. It identifies festivals, Netflix, and some multiplex cinemas as potential distribution outlets. Festivals often feature independent and niche films, while Netflix and select cinemas occasionally show smaller British productions. The author's crime thriller would fit in with genres typically presented on these platforms.
The document discusses potential media institutions that could distribute a horror/thriller film. Mainstream cinemas like Odeon, Ambassador, and Vue are unlikely options as they primarily show popular fantasy/sci-fi films. The Commodore cinema may be more receptive given its isolated location and fewer options. The Electric cinema has limited offerings and could potentially show the film. Film festivals like BFI and Sundance that have histories of selecting horror/thriller genres would provide good exposure and distribution opportunities for an independent film.
The document discusses potential distribution outlets for a short film opening sequence with no budget. It notes that major cinema chains like the Odeon would not be suitable due to the very short length and lack of profit potential. Independent cinemas also may not accept it if the genre is not popular locally. Online indie websites are suggested as they have lower costs and barriers. Television stations like BBC and Film4 that seek to make profits are also not realistic options. The conclusion is that platforms like BBC Three or free online movie websites may be best for a no-budget short film.
This document discusses different types of media institutions that could distribute an independent film. It describes cinemas, television, and film festivals. Film festivals often screen drama films and can bring attention to controversial topics. Independent cinemas also tend to show drama films and cater to more niche audiences interested in non-mainstream genres. A low-budget, independent film would likely be distributed at an independent cinema or film festival rather than a large cinema chain due to its limited appeal and production values. It could also be uploaded to YouTube to reach audiences online.
What kind of media institution might distribute your media productamy collins
ย
The document discusses potential media institutions that could distribute a psychological thriller film produced by media students. It analyzes that independent cinemas and film festivals like Sundance and BFI would be most suitable since they showcase new and aspiring filmmakers. Local cinemas and television channels like BBC and Film4 would not likely distribute the film due to it being a small student production without publicity or popular actors. The document concludes that film festivals are the most probable distribution avenue to gain support, publicity and recognition for the new filmmakers.
The document discusses five film institutions as potential producers and distributors for a new horror/action film. It provides lists of relevant films each institution has produced and background information about each. The third institution, Lions Gate, is chosen because its opening logo is well-suited for the genre of the new film and would fit well within the title sequence. Lions Gate is also known for producing successful films within this genre.
The document discusses different aspects of film production and distribution for an independent horror film. It describes how a production company would help create the film from initial idea through completion. It also discusses choosing the distribution company Momentum Pictures, which focuses on horror films and has distributed successful titles in the genre. The film will be funded by the BFI, which supports emerging UK filmmakers. Titles and influences from other horror films like Orphan and House of Wax are discussed.
This document discusses major film institutions from around the world including the US, UK, France, Germany, India, Spain, and Australia. It provides examples of major production companies from each country/region and notes they each produce different genres of films and television shows. Smaller, independent production companies tend to have smaller budgets and distribute their films differently than larger, major studios. The success of a film depends on factors like the involved actors, director, and production company. Film awards are also discussed as a way for films and their creators to be recognized.
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Based on the genres typically featured at each, it determines that independent cinemas and young filmmakers' festivals would be most receptive to an independent thriller. Realistically, it concludes the film would likely be shown at a young people's festival if of high quality, or could alternatively be shared online via forums and YouTube.
The document discusses the target audience and distribution options for an independent romantic comedy film. The target audience is identified as being ages 15-20, with a potential preference for female viewers given the male lead. Major distribution companies like Universal and Warner Bros. release large studio films, while independent companies like IFC Films and Film4 specialize in smaller, independent films. The document concludes that Entertainment Film Distributors would be the most suitable independent distributor given their experience distributing similar low-budget, independent romantic comedies.
The document discusses potential options for distributing a low-budget student film called "THE LAST TASK". Major cinema chains like Odeon would be unlikely due to the film's niche genre (psychological thriller) and lack of famous actors. Film festivals may work for newly released student films. However, larger festivals prefer more well-known films. Independent cinemas and online platforms like YouTube would be better options, as they cater to less mainstream films without big production values.
This document discusses potential distribution options for a low-budget independent film. It analyzes that the film would not be suitable for mainstream cinemas like the Odeon due to its low budget. Better options would be independent cinemas, film festivals, or online distributors. Specifically, it recommends the Electric Cinema in London, film festivals like CINEMAGIC or Sundance, and the online distributor IndieFlix which allows worldwide access and pays filmmakers based on views. The best strategy concluded would be online distribution to guarantee views and payment with a simpler application process than film festivals.
The document discusses different types of media for releasing a film, including various cinemas and film festivals. It analyzes the target audiences and marketing approaches of different venues. Based on the research, television is identified as the best option to reach the film's target 18-22 year old audience nationally, as it is easier for viewers than cinemas or festivals and offers broad exposure without the large competition of other options. Releasing on television balances advantages and disadvantages better than the alternatives.
The document discusses potential media institutions to distribute an independent psychological thriller film. It analyzes that an independent cinema like Dorking Halls would be more suitable than a large chain cinema as it has a smaller size and might be more interested in showcasing different genres. Of film festivals considered, the BFI London Film Festival would be the best fit as it regularly features thriller films and appeals to audiences interested in that genre. Overall, an independent cinema is deemed the best outlet as the film's niche audience and genre would not find success through mainstream distribution channels.
The document discusses potential film distribution companies for a film called "Anonymous". It argues that smaller independent companies like Stealth Films, Cipher, and TMC Films would be suitable because "Anonymous" is similar to the teen drama "Kidulthood" which was produced by a smaller company. It also notes that "Anonymous" has a niche audience and would be distributed in independent cinemas. Warp Films is mentioned as another potential independent distributor since they have a niche audience and connections in Australia, and have successfully distributed films reflecting British culture in the past.
The student analyzed potential media institutions to distribute their post-apocalyptic film. Major studios like Warner Bros and Lionsgate were deemed unsuitable due to the film's low budget and lack of famous actors. Independent British film companies like DNA Films and Palace Pictures would be more interested since they distribute similar genre films set in Britain. The student also proposed advertising the film at small UK film festivals focused on new British directors, such as the British Independent Film Festival, rather than large cinema chains that prioritize blockbuster films.
The document discusses potential media institutions that might distribute an independent thriller film. It analyzes what types of films are shown at mainstream cinemas (fantasy films), independent cinemas (dramas), and film festivals (mostly dramas that could win awards). It determines that an independent cinema or young filmmakers festival would be the most realistic venues, as mainstream cinemas primarily show larger budget films. Online sharing through websites like YouTube could also be an option to reach a wide audience.
Film4 Productions would be the best institution to distribute the film Nostalgia, as it is a low-budget British film. Film4 Productions specializes in low-budget films and has a target audience of young adults, which matches Nostalgia. Universal Pictures could also be a good fit since they distribute romantic genre films like Nostalgia. However, the filmmaker is nervous that Nostalgia may be criticized for not being a blockbuster given its lower production quality. Overall, Film4 Productions and Universal Pictures would both be suitable options.
This document provides information on various Harry Potter fan content found online, including a literal trailer parodying the Deathly Hallows film, a fan fiction website where fans write unofficial stories, an Amazon review to help customers decide whether to buy the DVD, and two wiki-style websites where fans can discuss and share information about the films.
This document discusses the types of facilities, films, audiences, locations, and issues faced by multiplex independent cinemas. They would aim to show popular, big budget films to attract the largest audiences possible, though budget constraints may limit choices. Locations are usually out of town for parking space. Issues include pressure to profit from high-budget films, competition from other cinemas, and potential piracy problems due to limited film options.
Warp Films would be the best distributor for this film. As an independent film company, Warp Films allows films to be shot in local areas, saving money compared to larger studios. Warp Films also attracts an audience interested in similar unconventional storylines and bizarre plots, meaning the audience could better appreciate and enjoy this film. Distributing with a larger conglomerate may not reach the right audience for this restricted film or earn enough profit to avoid the film being labeled a failure.
The document discusses potential outlets for distributing an independent film. An independent cinema or film festival like Cannes would be suitable options as they often showcase smaller, non-Hollywood films. Broadcasters like Film4 also show independent movies. While larger cinema chains may not be viable due to their focus on bigger budget films and broad audiences, YouTube offers a platform to gain exposure. Realistically, competitions and self-distribution online are the most practical options for a low-budget, independent student film.
This document discusses different types of media institutions that could distribute a media product and analyzes which might be suitable for the author's film. It identifies festivals, Netflix, and some multiplex cinemas as potential distribution outlets. Festivals often feature independent and niche films, while Netflix and select cinemas occasionally show smaller British productions. The author's crime thriller would fit in with genres typically presented on these platforms.
Evaluation question 3 โ what kind of mediarosespencer14
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This document discusses different types of media institutions that could distribute a media product and the genres they typically feature. It provides examples of genres shown at various cinemas and film festivals. The key media institutions identified for distributing an independent, low-budget film are independent cinemas and film festivals. Independent cinemas help promote new films and film festivals provide exposure for independent works.
This document evaluates potential media institutions that could distribute a psychological thriller film. It is suggested that independent cinemas, film festivals like the British Film Institute Festival, and online streaming services on platforms like Netflix, Amazon Prime, and YouTube would be good fits. The document analyzes current films showing at local cinemas and determines they do not typically feature psychological thrillers. It is concluded independent cinemas and online streaming would provide the broadest reach and be best suited to showcase the film.
1. The document evaluates potential media institutions where a low-budget student film could be shown, including cinemas, film festivals, and television.
2. It analyzes the genres currently most popular at two local cinemas, the Odeon and Ambassador, finding they mainly show comedies and dramas, not thrillers like the student film.
3. Independent cinemas and film festivals are suggested as better options as they show a more diverse range of films. The Surrey Film Festival in particular caters to student films.
The document discusses potential distribution options for an independent, low-budget thriller film. It analyzes why large chain cinemas and major TV networks would be unlikely given the film's scale. Better prospects mentioned include smaller UK film festivals in London focusing on student/indie films, and independent cinemas in London and Bristol that showcase new work. Young filmmakers competitions are highlighted as a good opportunity to screen the film. Online filmmaking forums are also identified as places for independent filmmakers to share knowledge and seek advice.
This document considers options for screening an amateur psychological thriller film. ODEON cinemas are deemed unlikely due to the film's niche genre and lack of professional production values or famous actors. Local independent cinemas are a better option as they attract niche audiences and give opportunities to smaller producers. However, entering the film in a young filmmakers' competition would be the most probable choice, as such events aim to showcase amateur works without expectations for budgets or industry connections.
Cinemas, film festivals, and TV are potential institutions to distribute an independent psycho thriller film. Cinemas appeal to wide audiences but most cinemas are currently showing more mainstream genres. Film festivals could help bring popularity back to less common genres and expose the film to industry professionals. TV is also a good option as most people own one, but the film may fit better on niche channels that show similar genres. In conclusion, film festivals or young filmmaker competitions are recommended to get exposure and feedback that could lead to broader distribution.
The document discusses potential media institutions for distributing a new psychological thriller film called "Molly". It analyzes movie theaters like the Odeon and independent cinemas, as well as film festivals such as Sundance. While large chains mainly show popular mainstream blockbusters, independent cinemas and specialized festivals provide opportunities for new films and genres. The document concludes that an independent cinema or film festival showing a variety of genres would be best to attract the target audience for a new psychological thriller.
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Mainstream cinemas primarily show big budget fantasy films, while independent cinemas focus more on drama genres. Film festivals commonly feature drama films that are more art-house in nature. Given that the film is an independent thriller, it would likely be shown at a young filmmakers' festival or shared online through websites like YouTube, as these venues are more open to lower budget, independent productions. Realistically, the best venue would be a youth festival if the film's production quality was high.
The document evaluates potential outlets for showcasing a film. It is analyzed that mainstream cinemas like Odeon and Woking Theatre primarily show large budget films and are not currently interested in crime thrillers. Independent cinemas like BFI and Reading Theatre show a variety of genres and would be better options. Film festivals like Sundance and BFI could provide exposure but have many entries. A young filmmakers competition would allow comparison to similar skills and budgets and is concluded to be the best overall showcase for the film.
The document discusses potential media institutions that could distribute a psychological thriller media product. It analyzes local movie theaters in Guildford and Woking showing mainly family films and some thrillers. Independent cinemas like BFI show more adult films. Film festivals tend to focus on genres different than psychological thrillers. The document determines that local movie theaters would be best to reach the target audience, and that film competitions could gain attention for the skills used.
This document discusses different types of media institutions that could distribute a media product. It mentions several film festivals around the world like Cannes, Sundance, and Berlin. It also analyzes the genres of films shown at some local cinemas like Odeon, Ambassadors, and BFI. Based on the genres of crime thrillers shown recently on TV, the document concludes that Odeon cinemas and streaming services like Netflix would be suitable outlets for distributing a thriller film.
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Evaluation question 3 โ what kind of mediarosespencer14
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This document discusses different potential media institutions to distribute a psychological thriller media product. It analyzes the genres currently being shown at local cinemas like the Odeon in Guildford and the Ambassadors in Woking, finding they focus on action, adventure and fantasy films, not psychological thrillers. Independent cinemas like BFI and the Reading Film Theatre show different genres like period dramas and historical films that attract different audiences than mainstream cinemas. Based on this, mainstream cinemas would not be good fits as the target audience for psychological thrillers is not present, while independent cinemas have audiences interested in unique genres but not psychological thrillers specifically.
The document discusses various options for screening the author's independent thriller film. It is unlikely the large Odeon cinema will show it due to focusing on popular blockbusters. Independent film festivals like Sundance and Portobello are possibilities, though large festivals may overlook a small indie film. Independent cinemas like BFI London and Reading Film Fest would be more likely to screen it as they show a variety of genres and indie films. Streaming it on YouTube would allow the widest exposure and feedback to help develop the film.
This document discusses potential media institutions that might distribute an independent, low-budget British thriller film called "Homeless". It suggests that regional independent cinemas like Picturehouse cinemas would be most likely exhibitors, specifically CinemaCity in Norwich where the film is set. It also argues online streaming services like LoveFilm and Channel 4 or Film4 television would provide good outlets for wider audiences due to their experience distributing similar British films. Mainstream cinema chains and most UK broadcasters are seen as less suitable due to their focus on large, mainstream audiences.
This document discusses potential media platforms to show a film, including major cinemas like Odeon, indie cinemas like Godalming Cinema, film festivals like the Surrey Film Festival, and TV film channels like Film4. Major cinemas mainly show large budget, mainstream films and would not be suitable. Indie cinemas and local festivals could work but have limitations in audience size. TV channels like Film4 that show a variety of films could provide a broader viewership.
1. The document discusses several potential media institutions that could distribute an independent film product, including cinemas, television, internet streaming services, independent cinemas, and film festivals.
2. Specifically, it states that an independent cinema or film festival would be best suited to distribute a low-budget film with a niche target audience, as most films shown in large chain cinemas have larger budgets and more mainstream appeal.
3. Film festivals in particular are highlighted as venues that commonly showcase drama genre and independent films similar to what might be produced for a school competition.
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
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Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
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1. Brief
description of
media
institutions
that could
distribute
your product
There are several media institutes that could distribute
our film, including:
-film festivals-A film festival would enable film producers
to
-cinemas-Cinema is the most popular way of viewing
films, but there would be the challenge of getting
cinemas to put the film on their screens
-TV- the film can be shown on a television channel such as
BBC One or ITVTwo.TV would be the most viewed
institute, but does not mean that it would be shown
again, or that it would be shown as often or to the right
target audience.
2. Analysis and comparison of films on at
local cinemas
The most popular genre that is being shown at the
Odeon cinema is a mixture of the sci-fi and action
genres and this suggests that sci-fi/action films are the
most popular genre at Odeon cinemas.This suggests
that this cinema chain is not the right cinema to show
our film at.
Odeon Cinema - Guildford
Image source: www.odeon.co.uk/
3. Analysis and comparison of films on at
local cinemas
At the StainesVue cinema, the most popular genre is
also sci-fi which suggests that sci-fi is a popular
genre at the moment due to high profile sci-fi films
such as StarWars: Rogue One and Passenger. Action
films, such as MonsterTrucks, are also very popular.
This suggests thatVue is not the right cinema chain
to show our film in.
Vue cinema- Staines
Image source: https://www.myvue.com/cinema/staines/whats-on
4. Analysis and comparison of films on
at local cinemas
The most popular film genres in the
Ambassador are alsoAction and Sci-fi. Drama
is not as popular at the Ambassadors than at
other cinemas such as the Odeon orVue.This
suggests that the Ambassador is not the right
cinema to show our film at as there are only
large budget films being shown.
1
2
3
4
5
6
Ambassador cinema - Woking
Image source: http://www.atgtickets.com/venues/ambassadors-cinemas/
5. Analysis and comparison of films on at
local cinemas
From my research, I have found that it would not be a good choice to attempt to show our film at a large
cinema company, such as Odeon,Vue or Ambassador, because it is not likely that our film would be viewed
a lot, if at all as other film genres, such as sci-fi, are currently more popular, so our film would be shunned
as it is not a sci-fi or an action film (both action and sci-fi are currently very popular genres.)
Another reason that it is not a good choice to attempt to show our film at a large cinema company is that
these large companies only accept big budget films with well-known actors and supporting staff, all of
which our film does not have.
Conclusion
6. Independent cinemas analysis
From my research of the BFI cinema, I have found
that Action and Comedy are the most popular
genres, but there are also films of other genres
being shown, such as Crime and drama.This
makes the BFI one of the cinemas that our film to
be shown at as they show a wide variety of films.
BFI cinema
1
2
3
4
Source:
https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalin
k=filmsindex&BOparam::WScontent::loadArticle::context_id=
7. There is a wide variety of films on at the Reading
independent cinema.Among the most popular genres
currently being shown is Drama and historic films are
very popular.Other genres that appear include Legal
and Crime.This would make the Reading Film theatre a
good option as to where to show our film as our film is a
crime-thriller, meaning that it would fit in with the rest.
Reading independent
cinema- Reading
Source:
http://readingfilmtheatre.co.uk/events/categories/films/
Independent cinemas analysis
8. Independent cinemas analysis
From my analysis of the films being shown atThe
capitol, I have found that action and comedy are the
most popular genres atThe capitol.Although there is a
range of films currently screening atThe capitol, I do not
think that the capitol is the best cinema to screen at
because of other genres of film out-performing our film
due to their genreโs popularity, as well as due to their
larger budgets.
The capitol, independent cinema -
Horsham
1
2
3
Source: http://www.thecapitolhorsham.com/whats-on/addnewpage-1128/
9. Independent cinemas analysis
From my research of a variety of local independent cinemas, I have found that independent cinemas are
overall more welcoming and opening when it comes to the genres and types of films that are shown on
their screens.This leads me to conclude that our film (The Hunt) would more likely be shown at an
independent cinema rather than a large cinema chain, such as Odeon or Ambassador, due to the fact that
independent cinemas will screen films that are made by local and national film production companies,
rather than the international production companies that are screened at the large cinema chains.
10. Film
festivals
From my research, I have found that the most common
film genre is thriller, with the sub genres of Action, horror
and Crime also being very popular.This suggests that this
film festival is a popular venue for thriller films being
shown.This also suggests that it is a popular genre for
small film production companies as there are a number of
large and small production companies that unveil their
films at this festival.
BFI Film Festival
Source: http://www.bfi.org.uk/lff
11. Film
festivals
From my analysis of the Sundance film festival, I have
found that the most popular genre of film is Drama, as
well as a number of documentaries.This suggests that
this film festival mainly accepts dramas, in particular US-
made dramas, due to the nature of where the festival is
based, in the US.There are also several horror and
thrillers, but these are only accepted in the festival as they
are deemed as different from other films of the same
genre.
Source: http://www.sundance.org/festivals/sundance-film-festival/program
Sundance Film Festival
12. Film festivals From my research of the genres and films that being
shown at the Cannes film festival, I conclude that the
most common genres are Drama andThriller.This is due
to theThriller and Drama genres being very open when it
comes to what can be included, as well as due to the
range of sub-genres. Awards, such as best screenplay (Le
Client) and Best Director (Personal Shopper), are won by
the films and production companies that are in the largest
category. For example, as there were a lot of Drama and
Thriller films in this yearโs Cannes festival, it is very likely
that the top Awards will be won by a Drama orThriller
rather than an Action film or a comedy.
Cannes Film Festival
Source: http://www.festival-cannes.com/
13. Our genre
in recent
TV
The Fugitive is a Crime-thriller is about a wrongfully
convicted doctor (Harrison Ford) that escapes from
custody to prove his innocence while being pursued by a
team of US Marshals lead by Deputy Samuel Gerard
(Tommy Lee Jones).
This thriller airs prominently on Film4, as well as on ITV4.
Source: https://en.wikipedia.org/wiki/The_Fugitive_(1993_film)
14. Our genre
in recent
TV
A crime-Drama set in NewYork that follows a detective
(DenzelWashington) as he attempts to stop a gang
performing the perfect bank heist.
This film has been shown on ITV 2, 4 and Film4.
Inside Man
Source: http://www.film4.com/reviews/2006/inside-man
15. Our genre
in recent
TV
A group of skilled thieves, lead by Daniel "Danny"
Ocean (George Clooney) attempt to rob the
largest casinos in LasVegas.
This film has been shown on ITV 4 and Film4, and
has shown to be very successful getting high
reviews, including from critics.
Source: http://www.film4.com/reviews/2001/oceans-eleven
Oceanโs Eleven
16. Where
could our
film be
shown
From my research our film could be shown at an independent
cinema, but not at a cinema chain such as Odeon. This is due to
these large cinemas usually only accepting high profile and big
budget films, that already have good reviews from critics. On
the other hand once a film has been accepted at one chain the
other cinema chains would also consider screening the film.
Although attempting to get our film into a chain seems very
lucrative, it would take a lot of time and money. By far it would
be easier and more worthwhile to screen our film at an
independent cinema, where less-well-known films are shown
regularly and have a higher success rate.
Therefore I conclude that our film would be shown at an
independent cinema (such as reading independent theatre)
rather than a big cinema chain (such as Odeon) as small films
have a higher success rate at independent cinemas due to their
exclusivity of being only at those select cinemas
Cinemas
17. Where
could our
film be
shown
Another media venue that our film could be shown at is at film
festivals, such as the BFI film festival and the Cannes film festival. The
BFI film festival would be a good option as there is a wide variety of
films from a number of genres, made in a numerous styles. On the flip
side, as there is so many films making their premiere, it would make
our film hard to be recognised by critics.
Another film festival for us to consider is the Cannes film festival, a
festival based in Cannes, France, with a focus on film made in France,
but films from outside France do appear. Cannes would be a good
option for getting our film out to the public because it is not just
focussed in the UK (like the BFI film festival) and so there is the
opportunity to get our film screened in Europe as Cannes is one of the
major film festivals in Europe. On the down side, there are many
French and other European films, our film can be barely noticed. To
add to this, most of the awards and high scoring films are French films.
Overall, I would think that our film would be best suited to be shown at
the BFI film festival because there is a higher chance to be recognised
by critics, due to the popularity of the BFI festival.
Film festival
18. Where
could our
film be
shown
Our film could also be shown as a television exclusive film,
being shown on a high profile television channel such as BBC
One or Film 4.
BBC One would a good choice for showing our film as it is
one of the top television channels in the UK, being viewed by
millions of people each day. On the other hand, the BBC only
put on the best quality films, and this would make it difficult
for our film to be shown in the first place.
Another television channel that could screen our film is Film
4, a subsidiary of Channel 4, that only show films. Film 4
would be a good choice for a television channel to show our
film because of its platform, as it shows a wide variety of
films from a variety of genres and this would make our film
easy to be accepted. On the downside, our film might not be
recognised due to the large influx of films that are shown.
Overall, Film 4 would be more appropriate as there is better
chance of our film being accepted.
Television
19. Where
could our
film be
shown
An additional media outlet that could be considered is
through online streaming, through a service such asAmazon
Prime or Netflix.
Amazon Prime is a video streaming service hosted by the
web giant Amazon. It would be beneficial to use Amazon
Prime to showcase our film because it would allow our film to
be watched on-demand. On the downside, our film might
not attract viewers.
Netflix is another streaming service that could be used to
showcase our film because it is a popular service, but is more
widely available, therefore our film is more likely to be seen
and viewed.The downside is that our film might not get the
best reviews due to the high quality of programs that are
already available in Netflix.
Overall, it would be more worthwhile to use Netflix for
showcasing our film than other top online streaming
services, such as Amazon Prime, because Netflix is more
widely available on more devices, when compared to these
other streaming services.
Online Streaming services
20. Where could
our film be
shown
Young filmmakerโs competitions are popular with young
people that have an interest in making films. Examples of
these competitions include various competitions held by
the BFI and British Safety Council (a Health and Safety
charity), among others.
BFI would be the more likely competition that our film
would be showcased at because of the variety of locations
in which the competitions take place in, as well as due to
the fact that our film might not fit other competitionโs
entry standards (as is the case with the entry standards
for the British Safety Councilโs competition). For these
reasons, the BFI young filmmakerโs competitions would
be more ideal than other young filmmakerโs
competitions.
Young filmmakerโs competitions
Some of the competitions held by the BFI
Source: http://www.bfi.org.uk/education-research/bfi-film-academy-scheme/film-festivals-young-filmmakers
Sources: https://www.britsafe.org/SUSS/risk
21. Conclusion In conclusion, from the research that I have done, I think
that the only realistic media institute that would
showcase our film would be a young filmmakerโs
competition because our film (The Hunt) would be taken
lightly by other media venues (cinemas, online streaming
services, etc.) As well as our film being taken lightly by
these other venues, our film would not have the budget or
marketing capacity when compared to other films shown
at these large media venues. A young filmmakerโs
competition (such as the BFI young filmmakers
competitions) would be the only reasonable media venue,
in which our film would be able to be premiered without a
large budget, etc.