This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
2. WHAT KIND OF MEDIA
INSTITUTION MIGHT
DISTRIBUTE YOUR
MEDIA PRODUCT AND
WHY?
3. MEDIA INSTITUTIONS
CINEMA
A theatre where films are shown for public entertainment in
exchange for money. This is usually where big business movies
are shown.
4. MEDIA INSTITUTIONS
TELEVISION/TV
It is a telecommunication medium used for transmitting moving
images in monochrome (black-and-white), or in colour, and in two
or three dimensions and sound.
5. FILM FESTIVALS
A film festival is an organised, extended presentation of films in
one or more cinemas or screening venues, usually in a single city
or region. Increasingly, film festivals show some films outdoors.
Films may be recently released or depending on the festivals
focus, it can include international and domestic releases.
Let me tell you more
about Film Festivals:
MEDIA INSTITUTIONS
6. Film festivals screen a lot of drama genre films similar to
independent cinemas. The Cannes film festival is one of the most
renowned in the world and has screened some controversial
films, such as La Haine.
FILM FESTIVALS
7. FILM FESTIVALS
La Haine
While La Haine was screened at
the Cannes Film Festival, all the
police officers on duty turned
their backs.
La Haine focuses on police
brutality in the suburbs of Paris.
Thanks to this film being shown
at such a prestigious event, the
voice of the suburbs was heard
like it had never been able to
before.
8. FILM FESTIVALS
Every film put forward for a film festival aims to win at least one
award. Their genre attracts mainstream audiences which makes
them appealing to the judges. An example of this is the Sundance
Film Festival.
Moving on to Independent cinemas…
9. INDEPENDENT CINEMAS
Guildford Picture Palace
Shows a variety of films that have very different genres and
choosing one would not be specific enough for the whole
audience, their main audience is people 40 + and those interested
in non-mainstream films that come from more multi-cultural
backgrounds.
10. INDEPENDENT CINEMAS
What’s On?
After searching numerous
independent cinema sites
(for example BFI) drama
films are shown as the
most popular.
This shows that the
audiences of mainstream
cinemas (the Odeon) differ
from those that are
independent.
11. INDEPENDENT CINEMAS
The Electric Theatre
The Electric Theatre shows a lot of films that differentiate from the
norm, critics enjoy going to these types of cinema’s compared to
bigger chains such as the ‘Odeon’.
12. INDEPENDENT CINEMAS
Even though big chains are often cheaper and easier to find than
smaller independent cinemas, they usually don’t include and
screen films with cultural variety/niche subjects.
For example, the only reason The Danish Girl got into big chained
cinemas such as the Odeon was because Eddie Redmayne had
a starring role.
13. INDEPENDENT CINEMAS
Most independent films are from the drama genre, which
contrasts with psycho thrillers since they are mostly all fiction
based, whereas dramas are based on real life.
14. WHAT’S ON?
At our local cinema the ‘Odeon’ most films being
shown are from the fantasy genre and do not have
a specific sub-genre.
15. WHAT’S ON?
This shows that the prevailing audience at the ‘Odeon’ are interested in
films that play with their imagination and expand what they believe is
reality.
This is because independent film cinema audiences are more
concerned with real life events.
16. WHAT’S ON?
Other ‘Odeon’s’ are also screening the same and similar films, which
prove that at the moment the fantasy genre is a definite sale
breaker.
17. WHERE WOULD OUR FILM BE
SHOWN?
Our film is most likely to be shown in an independent cinema.
The films screened in a mainstream cinema have larger budgets.
The one for Star Wars: The Force Awakens, was $245 million.
Low budget films like ours do not attract large audiences: they tend
to talk about niche topics. They are also made by less well known
producers who may not be able to secure the most renowned actors.
18. WHERE WOULD OUR FILM BE
SHOWN?
If we aimed for our film to be screened in a mainstream cinema,
we would have to enter it for selection at a well known film
festival. However it is unlikely that a film with our limited budget
would be able to compete & be considered.
19. WHERE WOULD OUR FILM BE
SHOWN?
The Young Film Makers Competition should also be considered.
This is where most small production film makers start and I am of
the opinion that we would have a fair chance for our film to be
screened.
20. WHERE WOULD OUR FILM BE
SHOWN?
Without a budget, our film could be uploaded to YouTube. This
would give us the opportunity to reach a large audience very
quickly through social media.