Design for all (eng)
•
2 likes•2,816 views
This document discusses the history and principles of Design for All. It began in 1987 with the goal of enhancing quality of life for disabled people. Several institutions were founded throughout the 1980s-2000s to promote Design for All including the IDD in Dublin and EIDD in Europe. Design for All aims to promote social inclusion and improve quality of life through universal design of products, services and environments. It requires involving end users throughout the design process. The document outlines several approaches including inclusive design, universal design and accessibility. It discusses how populations are aging and more diverse, requiring designs that can be used by people of all abilities. Design for All benefits include innovation, increased functionality and market size, and creating socially responsible businesses. Examples of
Recommended
More Related Content
What's hot
What's hot (20)
Viewers also liked
Viewers also liked (20)
Similar to Design for all (eng)
Similar to Design for all (eng) (20)
Recently uploaded
Recently uploaded (20)
Design for all (eng)
- 1. Design for All Francesco Rodighiero Cultore della materia Ergonomia Olistica 2013-2014 Politecnico di Milano
- 2. History • 1987 - Paul Hogan proposes to use the project for “...enhancing the quality of life for disabled people” • 1992 - Paul Hogan founded in Dublin the IDD, Institute Design and Disability • 1994 - Delegation of ADI: IIDD Istituto Italiano Design e Disabilità • 2006 - L’IIDD became IIDD Design for All Italia • 2006 - 20XX - ? • 1993 - In Dublin was founded EIDD, European Institute Design and Disability 2
- 3. • Promote social inclusion of people with disabilities through the project • Improving the quality of life through the Design for All 3
- 4. Definition • Design for All is the design for human diversity, social inclusion and equality. The practice of Design for All makes conscious use of the analysis of the needs and human aspirations and requires the involvement of end users at every stage of the design process. • This holistic and innovative approach constitutes a creative and ethical challenge for all planners, designers, entrepreneurs, administrators and political leaders. • It deals primarily with processes and methods with the three-legged approach: project eco-friendly, affordable and usable. • Design for All means designing environments, systems, products and services available independently from people with diverse needs and abilities. 4 Stockholm Declaration EIDD© Appr. EIDD AGM 9.5.2004
- 5. Several approaches • Inclusive design • Universal design • Design for all • Accessibility • People-centered Design • User-focused design • Transgenerational Design • … 5
- 6. Inclusive Design Universal Design Main methods in the world Design for All 6
- 7. Universal design and Inclusive Design • Universal Design means the design of products and environments usable by all, as much as possible without adjustments or special solutions. It's spread in the United States, it tends to aim to the final product, using rules of easy application. It may have shortterm benefits, but fails to create the awareness of social inclusion in decision-makers and planners. • Inclusive Design is much common in the United Kingdom and it’s very close to the concept of Design for All. All the environmental, engineering, architecture, products projects and processes must meet as much as possible the diversity of human needs. 7
- 8. Design for All criteria • Human being dignity • Safety • Well-being • Functionality • Uunderstandability • Pleasantness 8 HOX chair Asaf Yogev 2012
- 9. Why Design for All? Target, opportunities and advantages 9 The Cradle Kåre Frandsen 2012
- 10. Individuals and diversity • The “ideal” human being does not exist • The differences are related to the cycle of life: children, adults, elderly • Multiple Disabilities: Permanent (+50,000,000 in EU), temporary, age-related 10
- 11. • Only a small portion of users found comfortable usability • Solutions DfA increase the usability for the final user • Increases the target audience 11 Popolazione Functionality and Design for All Facile utilizzo Frustrata Riscontra difficoltà Product Experience Esclusa (2004 USA) Delicanter Paolo Favaretto 1998
- 12. Design for All e la popolazione • We can survive to diseases and injury and live with disabilities like never before. • The elderly population is steadily increasing and proportional to the new perspectives of life (+100,000,000 in EU) • La quarta età è ormai conclamata e facilmente raggiungibile • The increasing age implies a decline in capacity, improved health, more leisure time, less tolerance to products hard to use or which require special skills • The target is increasing 12 No country for old men Collection Lanzavecchia + Wai 2012
- 13. Unione Europea 2012 Men Età Unione Europea 2050 Wemen Età Popolazione in milioni 2012 - 2050 Increase expectation 13
- 14. Il benessere per una società for All • end of ’40 - ’50 Survivor society • end of ’50 - ’60 Economic boom society • end of ’60 -’70 Protest movement society • end of ’70 - inizi ’80 Post-material society • ’80 - ’90 Experience society • 2000 - ?? Well being society 14 Skyline Lab by Snaidero Lucci + Orlandini 2004
- 15. Vantaggi del processo DfA • Tool for innovation Ricerca Bisogno Traduzione Under- standing • Increase the functionality and accessibility • Increase the competitiveness and added value to companies Creazione Requisiti • Increase your target market Concepts • It 's always updated according to contemporary society • Create a business socially correct • It gives a creative response and nondiscriminatory Soluzioni Valutazione Revisione ! • Increased end-user satisfaction 15 Coinvolgimento con gli utenti Sviluppo
- 16. Handle It Oskar Kohnen + Charlotte Algie 2013 Scala e rampa Arthur Erickson 1980, Vancouver Leonardo Fabrizio Bianchetti 2006 Mando Avrill Accolla 2009 Examples 16
- 17. Able Danilo Ragona 2009 Coney Island On_Office Architettura 2012 Voice stick Sung Woo Park 2008 Swedish cheese slicer 17
- 18. “People ignore design that ignores people.” Frank Chimero 18
- 20. Requests by the client
- 21. Material Selection Costs and production volumes
- 22. 15 ° inclination Concave front edge lightness
- 27. Design Massimo & Francesco Rodighiero
- 28. Flat
- 29. Demì The real cutting board
- 31. Research
- 32. Research +
- 33. How it works
- 38. Thank you.