Colors
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The document discusses the color wheel and color theory. It explains that the color wheel shows the relationships between colors and is used by artists. The primary colors are red, yellow, and blue. Secondary colors are orange, green, and purple and are created by mixing primary colors. Tertiary colors are made by mixing primary and secondary colors. Shades are made by mixing a color with black, while tints are made mixing a color with white.
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2) It explains that the color spectrum results from breaking white light into its component wavelengths and describes primary, secondary, and tertiary colors.
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This document provides instruction for students taking a creative industry course on visual art. It covers the key elements of color, form, and space. For color, it defines the properties of hue, intensity, and value. It also explains color schemes using the color wheel and complementary, analogous, split-complementary, triadic, square, and rectangle schemes. For form, it defines form and how to render form in 2D using values, highlights and shadows. For space, it defines positive and negative space, open and closed space, shallow and deep space, and 2D and 3D space. It provides instructions for completing plates demonstrating color wheel, complementary colors, warm/cool colors, types of form, and rendering form with
visual 102
This document provides information on the ARV 102 course titled "Architectural Visual Communications 4: Visual Techniques 2". The course focuses on visualization and graphic presentation through freehand drawings using various media in black and white. Course objectives are to visualize three-dimensional forms and prepare drawings of architectural perspectives using different media. Resources listed include architectural references. The document then provides details on the history and techniques of pen and ink, materials used, line drawings, tone and mixing colors. It discusses concepts like monochrome, perspective and introduces the color wheel and color schemes. Evaluation criteria and a submission schedule are also outlined.
Color and value
The document discusses color and value relationships. It explains that light is made up of all colors, and objects appear colored because they reflect particular wavelengths of light. The color wheel organizes primary, secondary, and tertiary colors. Color interactions depend on context and amounts. Unexpected color combinations can be visually disturbing, while planned schemes aid design. Value refers to a color's lightness or darkness, and can be changed by adding white or black, thinning paint, or mixing hues.
Color Theory.pptx
This document discusses color theory and the color wheel. It explains that there are three primary colors - red, yellow, and blue. The secondary colors are orange, green, and violet, which are created by mixing two primary colors. Tertiary colors are mixtures of a primary and a secondary color. The color wheel is used to understand color relationships like analogous colors that are adjacent hues, and complementary colors that are opposite each other. Color schemes utilize different color combinations and the document provides examples of monochromatic, warm, cool, split-complementary, and analogous color schemes. It explores how color conveys meaning and how artists manipulate hue, value, and intensity in their work.
Color terms
The document discusses color terminology and color theory. It explains that red, yellow, and blue are the primary colors from which all other colors are derived. The secondary colors of orange, green, and purple are created by mixing two primary colors. Tertiary colors are made from mixing a primary and secondary color adjacent on the color wheel. Color schemes include monochromatic using tones of one color, analogous using neighboring colors, complementary using opposite colors, triadic using three colors equally spaced, split-complementary, and achromatic using black, white and grays. Understanding color properties like hue, value, warmth and coolness is important for successful color combinations.
Soft pastel
This document provides an overview of techniques for painting with soft pastels. It begins by listing the basic supplies needed, including different types of pastel sticks and supports. It then discusses various techniques such as using different grips and strokes, layering color, blending, and correcting mistakes. The document also covers principles of color theory and creating harmonious color schemes. Three artists then demonstrate their methods for landscapes, still lifes, animals and portraits in soft pastel. Readers are guided through the entire painting process from initial sketches to finishing details.
Colour 3r eso
Colour can be perceived through sight when light interacts with objects. Sir Isaac Newton discovered that white light is made up of the visible light spectrum, including red, orange, yellow, green, blue, indigo, and violet colors. Colour theory explores how colors are created and mixed through additive primary colors of red, green and blue or subtractive primary colors of magenta, cyan and yellow. A document on color theory discusses qualities like hue, value, saturation and temperature, and how colors relate and are organized on a color wheel and color cube.
Colorwheel colorscheme
Color is produced when light reflects off objects into our eyes. There are three properties of color: hue (name of color), intensity (strength of color), and value (lightness or darkness). There are two color wheels - the additive color wheel used in technology with primary colors red, green, blue and secondary cyan, yellow, magenta, and the subtractive color wheel used in printing with primary colors cyan, magenta, yellow and secondary red, blue, green. The document then discusses primary, secondary, tertiary, warm, cool, complementary, analogous, split complementary, monochromatic, and triadic color schemes. It concludes with instructions for Zentangle art which uses repetitive patterns and doodling within a
Color Theory
This document provides an introduction to color theory, covering key concepts like hue, value, chroma, warm and cool colors, primary/secondary/tertiary colors, color schemes, and how color is used in works of art to create mood, illusion of space, and other effects. It defines aspects of color, explains the color wheel and how different colors are made, and analyzes color relationships in various paintings using terminology like local color, subjective color, analogous colors, complementary colors, and more.
Color wheel colorscheme
The document discusses color theory, including the three properties of color - hue, intensity, and value. It explains the additive and subtractive color wheels, primary and secondary colors, warm and cool colors, as well as color schemes like monochromatic, complementary, analogous, split complementary, and triadic. Specific color combinations and how they are created are defined. The document also provides an overview and instructions for Zentangle, a meditative art form using structured patterns.
color
The document discusses color theory and the color wheel. It explains that there are three primary colors - magenta, cyan, and yellow. By mixing two primary colors, secondary colors are created: orange, green, and purple. Tertiary colors are created by mixing a primary and secondary color. The three properties of color are also defined: hue (the name of the color), value (the darkness or lightness), and saturation (the purity or intensity of the color). Complementary, analogous, warm, and cool colors are described. Neutral colors like black, white, and gray are also discussed.
Elements intro-color
The document discusses color as an artistic element and describes how different colors can create different feelings and emotions. It defines color and explains color theory concepts like hue, value, saturation, primary colors, secondary colors, tertiary colors, and color harmonies including monochromatic, complementary, split complementary, triadic, and analogous color schemes. Color is one of the most powerful artistic elements and understanding uses of color is crucial in effective composition and design.
Color wheel colorscheme
Color is produced when light reflects off objects. There are three properties of color: hue (name of color), intensity (strength of color), and value (lightness or darkness). There are two color wheels - the additive wheel used in technology with primary colors of red, green, blue, and the subtractive wheel used in printing with primary colors of cyan, magenta, yellow. The document then discusses color schemes including monochromatic (one hue), complementary (opposite colors), analogous (adjacent colors), split complementary, triadic, and describes the process of Zentangle art.
Color intro
This document provides an overview of color theory, including the electromagnetic spectrum, how the eye perceives color, color mixing, properties of color like hue, value and intensity, color schemes, and how color is used in composition for emphasis, balance and creating the illusion of space. Some key points covered include that color is a property of light, objects do not have their own color, and the three primary colors are red, yellow and blue in the subtractive color system of pigments.
Color Theory-Art
This document discusses color theory and the color wheel. It explains that hue is the name of a color, such as red, green, or blue. Sir Isaac Newton discovered the visible light spectrum, which led to the first color wheel. The color wheel arranges colors in a circular fashion and shows how primary, secondary, and tertiary colors relate. Primary colors cannot be made by combining other colors, secondary colors are made by combining two primary colors, and tertiary colors mix a primary and secondary. The document also discusses color values using tints, shades, and neutrals made by mixing colors with white or black. Different color schemes like monochromatic, complementary, analogous, warm, and cool are also summarized.
Studio art the effects of color
This document provides information about color schemes and effects in visual art. It defines six color scheme terms: monochrome, harmonious, complementary, subdued/minimal, realistic, and earthy. For each term, it provides the definition and examples to illustrate the concept. It then prompts the reader to identify the color scheme used in various example images. After answering these questions, it instructs the reader to create a drawing applying the six color schemes to different sections to practice distinguishing between them. The document teaches key concepts of color theory and schemes through definitions, examples, and an interactive exercise.
Colour
1. Colour originates from light, with white light containing all colours of the visible spectrum.
2. The eye perceives colour when objects absorb some wavelengths of light and reflect others. For example, a red apple absorbs all colours except red light, which it reflects to the eye.
3. There are two main colour systems - additive for light-based media like monitors, which uses red, green and blue primary colours, and subtractive for pigment-based media like print, which uses cyan, magenta, yellow and black primary colours.
Colour
The document discusses color principles including primary colors, secondary colors, tertiary colors, neutral colors, tints, shades, analogous colors, warm colors, cool colors, and complementary colors. It provides examples of how color is used for camouflage, warning, and appeal in nature. Color can be used to create contrast, highlight features, and draw attention when placed together on the color wheel.
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Creative Industry Lecture 2 a b color form and space
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Landscape site analysis
The document discusses the key steps in the landscape design process, beginning with site analysis. Site analysis involves developing a base plan by analyzing the physical features of the site like property boundaries, contours, vegetation, environmental factors like sun, wind, and water movement. It also involves analyzing geographical factors such as noise levels, soil types, existing plants, utilities, and wildlife. The goal of site analysis is to gain a thorough understanding of the site to inform the overall landscape design.
Heritage, value, and urban fabric
This lecture discusses the concepts of urban heritage, its values, and challenges in conservation. It defines urban heritage as the built remains in a city with architectural and historical value, including individual buildings, groups of buildings, and city districts. Urban heritage has both tangible and intangible aspects. The values of urban heritage are classified as cultural/social, economic, and use values. Some of the challenges in conservation include balancing heritage preservation with development priorities, resolving conflicts between measurable economic values and non-measurable cultural values, and ensuring long-term sustainability of heritage sites.
Lecture (07)
This document discusses non-survey research methods, specifically document study. It outlines the advantages of document study such as allowing research on inaccessible subjects and longitudinal analysis. It also discusses the types of document study, including unstructured, personal documents, and structured content analysis. Content analysis is described as taking non-quantitative documents and transforming them into quantitative data through a five step process: drawing a sample, defining categories, recording units, context units, and a system of enumeration.
Introduction to research methods
This document outlines key concepts from a lecture on research methods. It defines research as a well-organized, systematic, data-based investigation aimed at finding solutions to problems. The main purpose of research is to solve societal problems. Following research methods ensures results are reached efficiently and orderly. Research can have various purposes, such as reviewing knowledge, investigating problems or issues, and generating new knowledge. Science is defined as using controlled methods to collect evidence and analyze information to construct theoretical explanations. There are natural and social sciences, as well as mathematics.
Visual Research methods
Good urban design ensures positive interaction between public spaces and public life. Observation is the key tool for understanding how public spaces are used so they can be improved. Direct observation of users through counting, mapping activities, tracing movements, and photography can provide quantitative and qualitative data on how spaces are used and what changes may better serve the public. Questions like how many people use a space, who they are, where they go, what activities they engage in, and for how long help categorize this observational data to gain specific insights.
Visual analysis of Saint Peter’s Square
St. Peter's Square in Vatican City was redesigned in the 17th century by Gian Lorenzo Bernini. The redesign included a long elliptical plaza centered around an Egyptian obelisk, with four rows of columns defining the entrance to St. Peter's Basilica. The symmetrical plaza allows large numbers of people to gather and see the Pope give blessings from the basilica's central balcony. The space balances constraints of existing structures with Baroque design principles to dramatize the approach to the basilica.
Urban Design - temporal dimension
This lecture discusses the temporal dimension of urban design. Urban design is four-dimensional, with time being the fourth dimension. We experience time in cities through rhythmic repetition of daily and seasonal cycles, as well as through progressive change over long periods. Urban spaces are used differently at various times of day and seasons. Understanding temporal patterns of activity can help designers facilitate more effective use of public spaces.
Urban Design - functional dimension
The document discusses the functional dimension of urban design and identifies five primary needs that people seek to satisfy in public spaces: comfort, relaxation, passive engagement, active engagement, and discovery. It also examines the social use of public spaces and notes that the most sociable spaces have features like a central location, being accessible from streets, being level with sidewalks, and having places to sit.
Contemporary Urban Design
1) Alberti advocated for straight, broad streets in Renaissance city planning as they conveyed grandeur and security. He argued streets should wind to allow views of buildings from every angle.
2) Squares were important for commerce, youth activities, and storing wartime provisions. While circular squares were ideal, irregular shapes fit sites better.
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History of Urban Design
The document discusses the origins and early forms of cities. It describes how the first cities like Jericho and Catal Huyuk emerged when people transitioned away from solely focusing on basic survival needs. These early cities relied on advanced agriculture and trade. Catal Huyuk had unusual features like houses built together without doors and accessed through roof hatches for added safety. Central planning and social hierarchies emerged as irrigation systems required organization and defense structures were built. The document then contrasts natural, unplanned growth of settlements with planned cities laid out using grids and master plans.
Urban Policy
The document discusses various aspects of urban design policy, including what policies are, their typical components, and different types of related documents like design codes, guides, and visions. It also addresses the relationship between urban design, planning and legislation, noting that urban design may involve preparing regulatory frameworks or even legislation to control development. Finally, it emphasizes that policies should define a vision to realize change over time through staged objectives, and that flexibility is important since cities are constantly changing in unpredictable ways.
FUTURE OF PUBLIC SPACES
The document discusses trends that are changing the concept of public space and public life. Specifically, it notes three key trends: 1) the withering of the public realm due to market liberalism and reduced government services, 2) tensions arising from global economic restructuring and corporate power, and 3) rapid technological changes transforming concepts of place and community. It explores how these trends are giving rise to privatized and controlled spaces like corporate plazas, shopping malls, and gated communities that replace traditional public spaces.
Urban spaces
This document defines and discusses the components of urban open spaces. It begins by defining urban open spaces as all types of spaces between buildings in a town, including paths, squares, gardens and parks. It then discusses the importance of urban open spaces in giving form to cities, providing recreation space, and encouraging social interaction. The document outlines different types of urban open spaces such as waterways, parks, green areas, and plazas. It provides details on the components, surroundings and landscapes of parks, greens, playgrounds, plazas and squares. It also discusses the physical components that make up urban open spaces, including walls, floors, roofs, and hardscape and softscape furnishings.
Buildings Structure system
The document discusses different building structural systems. It describes structural systems as assemblages of components that transfer loads through members to provide stability and durability. Some key structural systems discussed include wall bearing systems, skeleton systems using beams and columns, frame systems, truss systems, arch systems, shell systems, tent systems, and cable systems. Each system is defined and examples are provided.
Presentation Tips
The document provides 17 tips for creating effective presentation boards for design projects. Key recommendations include using a plain white background with 1-3 fonts, including sketches showing the design development process, using drawings to demonstrate context and enhance ideas, presenting concepts through short informative sentences and keywords rather than paragraphs of text, and properly organizing and composing boards to clearly communicate the project to viewers. Creativity, neatness, and avoiding last minute work are also emphasized.
Hotels
The document outlines key design principles for hotels, showing the link between different zones like parking, entrance, lobby, waiting area, administrative offices, toilets, restaurant, and guest rooms. It includes a bubble diagram mapping the flow between these areas and provides examples of massing and skin design considerations to tie the overall form and facade together cohesively.
Design principles
The document discusses the importance of order and diversity in design. It states that order helps organize things logically but too much order can be boring, while diversity without order results in chaos. The most desirable design has a balance between diversity and order that provides a sense of unity. Order can be achieved through various visual design principles like symmetry, hierarchy, repetition with variation, and balance.
Place: Spatial organization
The document discusses different emotional states and the design elements that can evoke each state. Relaxation is associated with simplicity, curves, soft colors and lights, and soothing sounds. Fight involves confusion, danger, and cold harsh elements. Gaiety features free bright spaces and warm sparkling lights and sounds. Contemplation provides isolation with soft colors and muted sounds. Sensuous love is intimate with fluid lines, soft textures, and romantic lighting and music. Sublime spiritual awe uses grandeur to inspire feelings of the eternal. Displeasure stems from discomforting spaces, textures and elements. Pleasure satisfies expectations through beauty, variety and harmony.
Design principles and architecture
The document discusses the importance of achieving balance between diversity and order in design. It states that order helps organize things logically but too much order can result in monotony, while diversity without order produces chaos. The most desirable design has a balance of both diversity and order to create a harmonious whole where all parts relate. Order in design can be achieved through principles like axis, symmetry, hierarchy, and repetition.
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定制美国西雅图城市大学毕业证学历证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Divertidamente SLIDE.pptxufururururuhrurid8dj
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Impact of Fonts: in Web and Apps Design
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
Actions and Commands:
Tap, Swipe, and Pinch
Rotate and Shake -Buttons -Menu Bars – Menus
Toolbars - Links- Action Panels
Hover Tools - Keyboard Actions- Drag-and-Drop
Typed Commands-Affordance-Direct Manipulation.
Forms and Controls:
Basics of Form Design
Patterns.
Maximize Your Content with Beautiful Assets : Content & Asset for Landing Page
Figma is a cloud-based design tool widely used by designers for prototyping, UI/UX design, and real-time collaboration. With features such as precision pen tools, grid system, and reusable components, Figma makes it easy for teams to work together on design projects. Its flexibility and accessibility make Figma a top choice in the digital age.
哪里办理美国中央华盛顿大学毕业证双学位证书原版一模一样
原版一模一样【微信：741003700 】【美国中央华盛顿大学毕业证双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版(BU毕业证)波士顿大学毕业证如何办理
BU毕业证学位证【微信95270640】办理BU毕业证【Q微信95270640】波士顿大学毕业证书原版↑制作波士顿大学学历认证文凭办理波士顿大学留信网认证,留学回国办理毕业证成绩单文凭学历认证【Q微信95270640】专业为海外学子办理毕业证成绩单、文凭制作，学历仿制，回国人员证明、做文凭，研究生、本科、硕士学历认证、留信认证、结业证、学位证书样本、美国教育部认证百分百真实存档可查】
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国外毕业证学位证成绩单办理流程：
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3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
专业服务请勿犹豫联系我！本公司是留学创业和海归创业者们的桥梁。一次办理终生受用一步到位高效服务。详情请在线咨询办理,欢迎有诚意办理的客户咨询!洽谈。
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Colors
- 2. THE COLOR WHEEL The color wheel shows relationships between the colors. Artists often use the color wheel to help understand how colors relate to one another.
- 3. THE COLOR WHEEL Primary Colors Secondary Colors Tertiary Colors
- 4. THE COLOR WHEEL PRIMARY COLORS The primary colors are red, blue, and yellow. Primary colors cannot be made from other colors.
- 5. THE COLOR WHEEL SECONDARY COLORS The secondary colors are orange, green, and purple. Secondary colors are made from mixing the primary colors.
- 6. THE COLOR WHEEL SECONDARY COLORS
- 7. THE COLOR WHEEL TERTIARY COLORS Mixing primary and secondary colors creates tertiary colors. Tertiary colors include: Red-Violet Blue-Violet Blue-Green Yellow Green Red-Orange Yellow-Orange On the color wheel, the tertiary colors are located between the primary and secondary colors they are made from.
- 8. THE COLOR WHEEL TERTIARY COLORS
- 10. Making Tints and Shades A shade of color is made by mixing that color with black. A tint of color is made by mixing that color with white.
- 12. This painting by Vincent Van Gogh, Fields in a Rising Storm, has tints and shades of blue in the sky, and tints and shades of green in the
- 15. ADVANCED COLOR THEORY An element of art which has three properties. 1) Hue, which is the name of a color. For example, red, yellow, blue are hues. 2) Intensity, which refers to the brightness and purity of a color. For example, bright red or dull red. 3) Value, which refers to the lightness or darkness of a color.
- 17. COLOR MIXING PRIMARY + SECONDARY When you mix the Primary Colors together, you get the Secondary Colors. What colors do these make? Red + Yellow = Red + Blue = Blue + Yellow = Orange Green Purple
- 23. WATERCOLOR TERMS WATERCOLOR TECHNIQUESWatercolor Techniques
- 24. Dry Brush –Brush loaded with paint onto dry paper.
- 25. Glazing-Glazes are easy to accomplish using a little patience between steps. You must let each wash dry completely before applying the next transparent layer of pigment.
- 26. Lifting-Removing paint from the paper using a sponge or a soft paper towel.
- 27. Masking-Cover areas to preserve the white of the paper. You can use tape or masking fluid.
- 28. Salt-Apply salt to wet paint areas of painting to create a speckled texture.
- 29. Scratching –Scratch into wet paper to create texture.
- 30. Splattering-The flicking of paint onto the paper. Stamping-Dabbing the paint onto the paper with a sponge.
- 31. Wax Resist-Wax is applied to areas you want the watercolor pigment to repel the surface.
- 32. Wet-in-wet-a process of adding paint into a wet area that already has been pre-wet with clean water.