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4. THE CHURCH IN THE MIDDLE AGES
 The church was a very rich institution. It
controlled big fiefdoms and received high
taxes called: “tithe”  “diezmos” from
the peasants. It consisted on the 10% of
the benefits from the crops. With that
money the church could maintain itself in
the privileged group.
4.1. CHURCH ORGANIZATION
 The church was perfectly structured in
order to spread religion everywhere.
 A group of Christians formed a parish
(parroquia), managed by a priest.
 A set of parish created a diocese,
managed by a bishop.
 At the top of the church organization was
the Pope.
4.2. THE CLERGY CLASS
 The clergy group was divided into two
branches:
 The secular group formed by:
 Bishops
 Priests
 The regular group formed by:
 Abbots, Abbesses:
 Monks, nuns.
 This group lived in monasteries, and they had to
respect monastic rules.
5. THE CRUSADES
 The crusades were a series of holy wars
between European Christians and
Muslims in the Middle East that took place
from the 11th to 12th centuries.
 The aim of these wars was to reclaim the
holy lands for Christians, such as
Jerusalem, which was controlled by the
Turks.
6. THE ROMANASQUE ART
6. ARCHITECTURE: VOCABULARY
 Floor plan > Planta (de la iglesia, catedral)
 Latin Cross > Cruz latina
 Transept > Transepto. It’s the short part of
the cross in a Latin cross floor plan.
 Nave > Nave. The different corridors of the
church or cathedral.
 Central Nave > The nave in the middle of the
church. It’s the main one.
 Apse > Ábside. A semicircular or poligonal
termination or recess in a church, shaped in
a half circle or with many sides, usually with
a domed roof.
ARCHITECTURE VOCABULARY
 Ambulatory: girola. It’s an aisle
surrounding the end of a church.
 Crossing: crucero. It’s the square formed
where the two crosses of a church cross
each other.
 Bell Tower: campanario
 Barrel vault: bóveda de cañón. A vault with
the form of a half cylinder.
 Buttresses: contrafuerte. It’s a support
that is out from the wall of a building to
6.1. ARQUITECTURE
 The churches were built of stone.
6. ARQUITECTURE
 The floor plan was in the shape of a Latin
cross
CATHEDRAL OF SANTIAGO DE COMPOSTELA
Central
nave
Buttresses
Apses
portal
Crossing
Lateral
naves
Transept
Ambulatory
INTERIOR OF A
ROMANASQUE
CHURCH
Try to identify the
parts of the church.
You could see:
-Apse
-Central Nave
-Barrel Vault
-Crossing
-Altar
 Central apse only. And Central apse with
lateral apses.
AMBULATORY
THE TYPE OF ARCH
 In Romanesque art the semi-circular arch
was used. (Arco de medio punto), in fact,
it is as a half of a full circle.
S. CLEMENTE DE TAULL (CATALUÑA)
ZAMORA’S CATHEDRAL
PISA’S CATHEDRAL
BUTTRESSES
SANTIAGO´S CATHEDRAL
SCULPTURE
 The sculptures were used to represent
religious themes, such as sacred events of
the Holy Bible.
 Didactic purpose. It was meant to teach the
Christian beliefs to the people, who were
mostly illiterate: not able to read or write.
 Most of them were places in the exterior or
buildings:
 doorways of churches and cathedrals.
But also in:
 Columns
 Capitals
SCULPTURE
 Sculptures tended to be adapted to the
architectural space.
 Most of the figures were rigid, static and
inexpressive.
 The most common themes were religious ones,
such as the “Pantocrat Christ”: in which Christ is
represented in the middle of the magic mandorla,
with his right hand he is blessing, and with the
left he has a sacred book.
 Around him there are four symbolic
representations of the four evangelists:
 S.Mateo – an Angel
 S. Marcos – a Lion
 S. Lucas - A Bull
SCULPTURE IN A DOORWAY
 Archivolts: arquivoltas. The bands surrounding
an arched opening.
 Tympanum: tímpano. Semicircular surface
situated between the upper part of a door or
window and the arc over it.
PORTAL DE LA GLORIA IN SANTIAGO
Trumeau –
Parteluz Jambs
PAINTING
 The purpose was also didactic.
 Mural paintings were the only form of
painting, done in fresco.
 The predominant theme was also the
Pantocrator.
 Simple colours and black lines.
 The characters were in rigid poses and
their faces showed no emotion.
PANTOCRATOR OF SAN CLEMENTE DE TAÜLL

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Clergy and crusades

  • 1. 4. THE CHURCH IN THE MIDDLE AGES
  • 2.  The church was a very rich institution. It controlled big fiefdoms and received high taxes called: “tithe”  “diezmos” from the peasants. It consisted on the 10% of the benefits from the crops. With that money the church could maintain itself in the privileged group.
  • 3. 4.1. CHURCH ORGANIZATION  The church was perfectly structured in order to spread religion everywhere.  A group of Christians formed a parish (parroquia), managed by a priest.  A set of parish created a diocese, managed by a bishop.  At the top of the church organization was the Pope.
  • 4. 4.2. THE CLERGY CLASS  The clergy group was divided into two branches:  The secular group formed by:  Bishops  Priests  The regular group formed by:  Abbots, Abbesses:  Monks, nuns.  This group lived in monasteries, and they had to respect monastic rules.
  • 5. 5. THE CRUSADES  The crusades were a series of holy wars between European Christians and Muslims in the Middle East that took place from the 11th to 12th centuries.  The aim of these wars was to reclaim the holy lands for Christians, such as Jerusalem, which was controlled by the Turks.
  • 6.
  • 8. 6. ARCHITECTURE: VOCABULARY  Floor plan > Planta (de la iglesia, catedral)  Latin Cross > Cruz latina  Transept > Transepto. It’s the short part of the cross in a Latin cross floor plan.  Nave > Nave. The different corridors of the church or cathedral.  Central Nave > The nave in the middle of the church. It’s the main one.  Apse > Ábside. A semicircular or poligonal termination or recess in a church, shaped in a half circle or with many sides, usually with a domed roof.
  • 9. ARCHITECTURE VOCABULARY  Ambulatory: girola. It’s an aisle surrounding the end of a church.  Crossing: crucero. It’s the square formed where the two crosses of a church cross each other.  Bell Tower: campanario  Barrel vault: bóveda de cañón. A vault with the form of a half cylinder.  Buttresses: contrafuerte. It’s a support that is out from the wall of a building to
  • 10. 6.1. ARQUITECTURE  The churches were built of stone.
  • 11. 6. ARQUITECTURE  The floor plan was in the shape of a Latin cross
  • 12. CATHEDRAL OF SANTIAGO DE COMPOSTELA Central nave Buttresses Apses portal Crossing Lateral naves Transept Ambulatory
  • 13. INTERIOR OF A ROMANASQUE CHURCH Try to identify the parts of the church. You could see: -Apse -Central Nave -Barrel Vault -Crossing -Altar
  • 14.  Central apse only. And Central apse with lateral apses.
  • 15.
  • 17. THE TYPE OF ARCH  In Romanesque art the semi-circular arch was used. (Arco de medio punto), in fact, it is as a half of a full circle.
  • 18.
  • 19. S. CLEMENTE DE TAULL (CATALUÑA)
  • 24. SCULPTURE  The sculptures were used to represent religious themes, such as sacred events of the Holy Bible.  Didactic purpose. It was meant to teach the Christian beliefs to the people, who were mostly illiterate: not able to read or write.  Most of them were places in the exterior or buildings:  doorways of churches and cathedrals. But also in:  Columns  Capitals
  • 25. SCULPTURE  Sculptures tended to be adapted to the architectural space.  Most of the figures were rigid, static and inexpressive.  The most common themes were religious ones, such as the “Pantocrat Christ”: in which Christ is represented in the middle of the magic mandorla, with his right hand he is blessing, and with the left he has a sacred book.  Around him there are four symbolic representations of the four evangelists:  S.Mateo – an Angel  S. Marcos – a Lion  S. Lucas - A Bull
  • 26.
  • 27.
  • 28.
  • 29. SCULPTURE IN A DOORWAY  Archivolts: arquivoltas. The bands surrounding an arched opening.  Tympanum: tímpano. Semicircular surface situated between the upper part of a door or window and the arc over it.
  • 30. PORTAL DE LA GLORIA IN SANTIAGO Trumeau – Parteluz Jambs
  • 31. PAINTING  The purpose was also didactic.  Mural paintings were the only form of painting, done in fresco.  The predominant theme was also the Pantocrator.  Simple colours and black lines.  The characters were in rigid poses and their faces showed no emotion.
  • 32. PANTOCRATOR OF SAN CLEMENTE DE TAÜLL