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Pearl and Dean categorize audiences by gender, age, family, and culture, targeting revenge at 16-30 year olds. Revenge would fall under their red category along with films like Kong: Skull Island, Fast and Furious 8, Keep Watching, and Unlocked - all thrillers, horrors, actions or crimes. Channel 4 categorizes by interests and personality, suggesting revenge's audience would be activists against domestic abuse as its storyline relates to their cause by helping recognize and stop abuse. Channel 4's system is preferred over Pearl and Dean's as abuse has no age limit.
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Cheaters
The document discusses the concept of cheating in relationships and provides examples from television shows and movies that involve infidelity or affairs. It defines cheating as breaking the established rules of a romantic partnership, often through having a sexual or emotional relationship with someone other than one's spouse or significant other. The TV show "Cheaters" and movies "Fatal Attraction" and "The English Patient" are used to illustrate themes of deception, obsession, and the consequences that can arise from extramarital affairs. Accompanying discussion questions prompt views on forgiving infidelity and the potential dangers and outcomes of unfaithfulness.
Who
The document outlines a psychological thriller opening sequence called "WHO?". It will follow two couples where the antagonist, who has a secret obsession with the protagonist, attacks the protagonist. The sequence will begin with the protagonist walking alone and injured the next morning, then use flashbacks to show clues about what happened the night before. It discusses the genre, inspirations, locations, production roles, and that it will likely receive a 15 BBFC rating due to strong language, sexual references, and violence.
4) who would be the audience to your media
Our target audience for a crime drama film featuring a young girl would primarily be young people, as the main character is young and the plot involves attending a party. More specifically, our ideal target audience would be 24-year-old middle-class women working in law, as the legal profession and themes of solving cases would closely match the subject matter explored in many crime dramas. Additionally, people seeking escape or diversion from personal problems in their own lives may also be drawn to crime dramas as a way to experience other peoples' lives and problems.
Media
This document discusses the target audience for a horror comedy film. The intended age range is 15-30 years old, as teenagers and young adults enjoy the rush of scary scenes. The target gender is male, as horror comedies tend to attract men who see it as manly to be scared and laugh. The target class is middle class, as upper class people may not find obscenities funny. The film aims to be open to all races and not display racism so that families of any culture can watch without worry of offense.
Social realism pitch presentation lauren and hannah
Hannah and Lauren will create a social realism film trailer targeting an audience aged 15-30. Their initial idea is about a party where a character gets hit by a drunk driver and dies. Social realism focuses on contemporary issues like drugs, alcohol, and sex. They will film on location in Woodford Halse and use non-professional actors. The characters will be stereotypical teenagers shown through tracksuits and smoking. Shots will include wide shots, close-ups, and establishing shots. Props will include alcohol, cars, and knives. The script will be semi-improvised to seem realistic. Urban music will be used to match the setting.
Target audience
This document provides information about the target audience for thriller films. It notes that thriller films generally target males and females aged 15-25 who enjoy action, horror, and drama genres and real-life crime scenarios. They like independent films and going to the cinema. Thrillers feature violent and disturbing plots certified for ages 15 or 18, appealing to young adults drawn to intense storylines and graphics. The audience expects normal situations to become threatening with fast-paced editing to enhance engagement. Psychological thrillers, often rated higher, additionally attract females who enjoy the mystery of unfolding events.
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The document provides background information for a short horror film called "Demented" that tells the story of a girl named Lily who gets involved with drugs and two men. At a party, the men take Lily's body from the car and throw it in a canal. Later, Lily returns as a haunted ghost to seek revenge. The target audience is teenagers and young adults who enjoy horror films involving sex, drugs, and violence. Key questions explore what happened to Lily and the fate of the two men. Storyboards outline scenes of Lily at a party with the men before her death and Lily haunting one of the men after her death.
Audience Research for 'Crime-Thriller' - AS
This document defines and discusses different types of thriller films. It begins by explaining that thrillers revolve around anticipation and suspense, keeping the audience on the edge of their seats. Crime thrillers incorporate aspects of crime films by focusing on plots involving serial killers or manhunts. Thrillers commonly feature exotic locations and male protagonists in dangerous situations. Enigmas are typically set up in the beginning and resolved at the end to engage viewers. Examples like Silence of the Lambs and Shutter Island are provided. British film ratings criteria for 12A, 15, and 18-rated thrillers are outlined regarding language, violence, sex, and other content. In conclusion, the document suggests their own hypothetical film would
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Who
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4) who would be the audience to your media
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Media
This document discusses the target audience for a horror comedy film. The intended age range is 15-30 years old, as teenagers and young adults enjoy the rush of scary scenes. The target gender is male, as horror comedies tend to attract men who see it as manly to be scared and laugh. The target class is middle class, as upper class people may not find obscenities funny. The film aims to be open to all races and not display racism so that families of any culture can watch without worry of offense.
Social realism pitch presentation lauren and hannah
Hannah and Lauren will create a social realism film trailer targeting an audience aged 15-30. Their initial idea is about a party where a character gets hit by a drunk driver and dies. Social realism focuses on contemporary issues like drugs, alcohol, and sex. They will film on location in Woodford Halse and use non-professional actors. The characters will be stereotypical teenagers shown through tracksuits and smoking. Shots will include wide shots, close-ups, and establishing shots. Props will include alcohol, cars, and knives. The script will be semi-improvised to seem realistic. Urban music will be used to match the setting.
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This document defines and discusses different types of thriller films. It begins by explaining that thrillers revolve around anticipation and suspense, keeping the audience on the edge of their seats. Crime thrillers incorporate aspects of crime films by focusing on plots involving serial killers or manhunts. Thrillers commonly feature exotic locations and male protagonists in dangerous situations. Enigmas are typically set up in the beginning and resolved at the end to engage viewers. Examples like Silence of the Lambs and Shutter Island are provided. British film ratings criteria for 12A, 15, and 18-rated thrillers are outlined regarding language, violence, sex, and other content. In conclusion, the document suggests their own hypothetical film would
Target audience
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Question 1
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Incognito
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Incognito
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Audiences of murder mystery films
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- The author conducted a questionnaire of 25 people about their murder mystery viewing habits. It found that most viewers are older teenagers and young adults who are not married. It also found viewers prefer films with both a murder and kidnapping that feature a charismatic, intelligent protagonist and a violent antagonist.
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Misfits peel
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Audience profile thriller
The document discusses the content and target audience of a film about a serial killer who has been hiding for decades. It contains violent scenes and is aimed at mature audiences over age 15. While thriller films are often thought to only appeal to men, the document notes that women also enjoy the storyline of thrillers. The suggested dress code for the audience is black suits for men and red dresses for women, as black represents danger/mystery and red represents blood, tying the audience's fashion to that of the characters. The film aims to appeal to all social classes, as the serial killer character is a middle-class detective and another character is working-class.
Ideas
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TA secondary research
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Ideas
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Representations of Charact6
This document discusses how the media product represents different social groups:
1. The protagonist is a high-class businessman representing the highest social group and how they deal with problems outside their normal experience.
2. Drug abuse and mental illness are represented to show how success can negatively impact one's mind.
3. The antagonist, Martin's ex-girlfriend Rosie, represents abuse victims and how abuse can affect both men and women.
4. Flashbacks show that telling someone about abuse is important to prevent dangerous consequences.
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Unit 5 question 9, structure and narrative
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Target Audience
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Secondary Research
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Audience Profiling
This document discusses audience profiling for a slasher film trailer. It identifies that the target audience is 15-24 year olds, as that age group seeks thrills and new experiences. It notes that stereotypically males are more interested in the slasher genre than females. The audience would come from working class, skilled working class and lower middle class backgrounds. Psychographic profiling shows this target audience seeks adventure and are open to new things, making them ideal consumers for a slasher film trailer.
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Target audience
The document discusses preferences for different genres of movies among various age groups. It finds that romantic movies have the broadest appeal across age and gender, with an audience of ages 13 to 55 including both females and males. Romantic films are seen as relaxing entertainment for families and couples to enjoy together. For these reasons, the author decides to focus on producing romantic movies.
Question 1
The target audience for teen dramas is teenagers and young adults. These films often deal with themes relevant to teenagers like coming of age, relationships, rebellion against parents, and other challenges of high school. They present serious topics in a glossy, stereotyped way. Certain subgenres may appeal more to male or female teens - for example, urban dramas with crime elements appeal more to male audiences who can relate to the male characters. The document discusses how the films "Kidulthood" and "Angus, Thongs and Perfect Snogging" attract different gender audiences through their themes and characters. The proposed film "After Effects" would target male teenagers interested in drugs and crime, using a dream sequence
David's short film proposal
The short film proposal outlines a film about the financial abuse of an elderly woman by her home carer. The carer gains the woman's trust over time and takes control of her finances, stealing large sums of money from her savings. When the bank alerts police, they try to convince the elderly woman to press charges, though she sees the carer as a friend. Through flashbacks and evidence, police make the woman understand the extent of the financial abuse and arrest the carer. The film aims to help audiences recognize and prevent financial abuse of the elderly.
Demographics - Coursework
The document discusses demographic information to determine the target audience for a film. It analyzes data on age, gender, genres watched, and social class of frequent moviegoers. The data shows that males and females between ages 16-54 are most likely to watch multiple films in a three month period. The primary genres of drama and war were chosen, with drama appealing most broadly across the population. The primary target audience for the film opening is identified as females and males over 35 in social class AB.
Racism on media
This document discusses 5 examples of racism that the author encountered in a single day. The examples include: 1) A woman joking that a black man she just met must deal drugs. 2) A friend claiming a man remembered a black woman's name because it was typically "Chantal". 3) A comedian showing a random picture of a black person instead of the actual black comedian. 4) A friend discussing a racist high school police officer. 5) A TV comedian asking a tall woman why she hadn't dated a black man. The author notes that racism can be unintended but still hurtful, and that some comedians choose to tell racist jokes without caring about the impact.
Incognito
This is the PowerPoint our group used to expand on our pitch trying to sell the opening to our crime thriller.
Incognito
This document provides a summary for a proposed crime thriller film titled "Incognito". Over the course of a school week, the plot follows a teenage girl who gets in with a criminal gang. She accidentally kills a ratting gang member and tries to hide the evidence. As her fellow gang members start suspecting her, she begins to deteriorate. The film aims to show how bad decisions don't define a person and how difficult it is for teenagers to conform without stability or parental love. It uses a fast pace initially but slows as the main character deteriorates. Visuals draw inspiration from films like Reservoir Dogs, Heathers, and Goodfellas to portray the two sides of the protagonist.
Audiences of murder mystery films
- The document discusses theories of audience reception for the murder mystery genre, including Barthes' Enigma Code and Hall's Reception Theory. It also discusses factors that influence the audience for murder mysteries, such as age, gender, employment status.
- The author conducted a questionnaire of 25 people about their murder mystery viewing habits. It found that most viewers are older teenagers and young adults who are not married. It also found viewers prefer films with both a murder and kidnapping that feature a charismatic, intelligent protagonist and a violent antagonist.
- The results indicate Hall's Reception Theory applies as different demographics view and interpret murder mystery films in different ways.
Misfits peel
The document discusses stereotypes presented in a film clip. It suggests that the clip portrays Black English people in a stereotypical way as prone to criminal acts by showing a character who says he will commit more crimes after getting out of prison. It also presents White British teens stereotypically as very common, aggressive, disobedient to authority as shown through their disrespectful interaction with an interviewer and by being in prison. Both portrayals reinforce negative stereotypes of the ethnic groups.
Audience profile thriller
The document discusses the content and target audience of a film about a serial killer who has been hiding for decades. It contains violent scenes and is aimed at mature audiences over age 15. While thriller films are often thought to only appeal to men, the document notes that women also enjoy the storyline of thrillers. The suggested dress code for the audience is black suits for men and red dresses for women, as black represents danger/mystery and red represents blood, tying the audience's fashion to that of the characters. The film aims to appeal to all social classes, as the serial killer character is a middle-class detective and another character is working-class.
Ideas
A man returns home covered in blood and dragging a weapon. He scrubs his hands and clothes but cannot get the blood off. He burns his clothes in a panic. Throughout the film there are flashbacks showing him killing a woman and dragging her body through the woods to bury her. The film follows this man as he acts normally the next day while flashbacks reveal he killed a female relative.
Demographics of horror
This document analyzes the target demographics for 4 horror films - The Conjuring, The Conjuring 2, Chainsaw Massacre 3, and World War Z. For each film, it identifies the key age range, attitudes, gender breakdown, values, location or class that the film is aimed at. For example, it states that The Conjuring targets females aged 15-24 who value religion, while Chainsaw Massacre 3 targets males aged 30-45 who have nostalgic and curious attitudes towards cult classics. The document uses demographic and psychographic data to understand each film's intended audience.
Marketing Strategy
The document discusses planning for a crime thriller film. It examines similar existing titles like American Crime, Memento, Nine Dead, and The Departed to help determine casting, narrative elements, trailer style, and pace. Specific casting choices are listed, including Nicki Hill as the main character Lauren Wilcox. A blurb is also provided that establishes the time-sensitive plot of a kidnapped woman who must be found before midnight to survive.
TA secondary research
The document analyzes data from the UK Film Council to identify the target demographic for an action film genre. It finds that action films appeal most to males of all ages from lower-middle and lower social classes. Specifically, the data shows that 55% of people surveyed watch action/adventure films, making it a mainstream genre. The document recommends aiming the action film at males of all ages that have kids and are in the lower-middle or lower social classes, as this represents the largest viewing demographic for the genre.
Ideas
A man returns home covered in blood and dragging a weapon. He washes up but cannot get the blood off, so burns his clothes in a panic. Throughout the film there are flashbacks showing him killing and burying a girl in the woods. The finalized idea is a psychological horror film where a man pretends nothing happened after murdering a female relative at home. While he acts normal, the audience sees news reports of the crime. Fake blood is used to emphasize the brutality, and flashbacks show the victim and murderer doing ordinary things together in the house. The film aims to induce fear and guilt using the murderer's unstable emotional state rather than showing graphic violence.
Representations of Charact6
This document discusses how the media product represents different social groups:
1. The protagonist is a high-class businessman representing the highest social group and how they deal with problems outside their normal experience.
2. Drug abuse and mental illness are represented to show how success can negatively impact one's mind.
3. The antagonist, Martin's ex-girlfriend Rosie, represents abuse victims and how abuse can affect both men and women.
4. Flashbacks show that telling someone about abuse is important to prevent dangerous consequences.
Unit 5 question 9, structure and narrative
The document discusses the typical narrative structure of movie trailers, including an establishing shot, equilibrium, disruption, climax, and resolution. It analyzes the trailers for the movies "Taken" and "Kick Ass" based on these elements. For "Taken," the equilibrium is the daughter's birthday party, the disruption is her friend's kidnapping, and fast-paced montages show the unfolding plot. For "Kick Ass," the equilibrium is the main character's ordinary life, the disruption is his decision to become a superhero, and increasing violence leads to a climax without clear resolution. The document concludes by reflecting on how this analysis can inform creating trailers that follow standard narrative conventions.
Unit 5 question 9, structure and narrative
The document discusses the typical narrative structure of movie trailers, including an establishing shot, equilibrium, disruption, climax, and resolution. It analyzes the trailers for the movies "Taken" and "Kick Ass" based on these elements. For "Taken," the equilibrium is the daughter's happy birthday, disrupted when her friend goes missing in Paris. It builds to a fast-paced climax as the father tries to rescue her. For "Kick Ass," the disruption is the main character's decision to become a superhero, leading to increasing violence and his kidnapping in the climax. Both trailers end without fully resolving the problems introduced.
Target Audience
This document discusses the target audience for a horror comedy film. The age range is between 15 to 30 years old as teenagers enjoy the rush of horror films. The gender is likely male as horror comedies tend to attract more males who enjoy being scared and laughing. The class is middle class as upper class people may not enjoy obscenities in films. The race and ethnicity is open to any as there is no racism in the film.
Cabin in the woods pp
This document analyzes the target audience for the horror/thriller film "Cabin in the Woods" to inform targeting for a new opening film of the same genre. It finds that the primary demographic is males ages 15-24, as they make up 65% of the audience and most enjoy themes of violence and gore. Psychographic analysis revealed the target audience has an "Explorer" personality that seeks new experiences through challenging films. Research on media consumption showed the 15-24 age group is most active on social media, indicating it should be a key platform to reach this audience.
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Similar to Categories of audience
Secondary Research
The document provides information on several drama films as comparable profiles, including We Need To Talk About Kevin, Trust, The Big Picture, Beginners, and Black Swan. It then analyzes the target audiences for these films and discusses magazines Total Film and Empire as ways to reach movie enthusiasts. The analysis finds that drama film audiences tend to be older (45+), more female, and in higher socioeconomic demographics. It determines its own film would appeal most to those over 18 interested in complex themes and fast-paced editing.
Audience Profiling
This document discusses audience profiling for a slasher film trailer. It identifies that the target audience is 15-24 year olds, as that age group seeks thrills and new experiences. It notes that stereotypically males are more interested in the slasher genre than females. The audience would come from working class, skilled working class and lower middle class backgrounds. Psychographic profiling shows this target audience seeks adventure and are open to new things, making them ideal consumers for a slasher film trailer.
Question 4
The document discusses the target audience for a horror film. The core audience is males ages 18-25, as horror films generally make most money from this demographic. Research shows males prefer horror more due to themes of masculinity and sexualization of female characters. The audience would fit socio-economic categories of middle/lower class workers and students. Data on audience preferences illustrate horror audiences are majority male and prefer supernatural/slasher subgenres. The target age range is also 19-24 years old, allowing adult themes.
Question 4
The document discusses the target audience for a horror film opening sequence. The primary audience is males ages 18-25, as horror films tend to be most successful with and make the most money from this demographic. Research shows males prefer horror genres more than females due to themes of masculinity and sexualization of female characters. The target audience would fall into socioeconomic categories C1, C2, or D in the UK, which are middle to lower-middle class. Examples of potential audience members are provided, generally being university students and young professionals who enjoy socializing with friends. Charts show most horror audiences are male, prefer supernatural subgenres, and are primarily ages 19-24.
Question 4
The document discusses the target audience for a horror film opening sequence. The primary audience is males ages 18-25, as horror films tend to be most successful with and make the most money from this demographic. Research shows males prefer horror genres more than females due to themes of masculinity and sexualization of female characters. The target audience would fall into socioeconomic categories C1, C2, or D in the UK, which are middle to lower-middle class. Examples of potential audience members are provided, generally being university students and young professionals who enjoy socializing with friends. Charts show most horror audiences are male, prefer supernatural subgenres, and are primarily ages 19-24.
Audience profiling
The document discusses the target audience for a horror film opening sequence. The primary audience is younger people aged 15-25 who enjoy the adrenaline rush of being scared. The sequence also aims to appeal to both male and female mass market viewers by eliciting different fear responses. Research found teenagers and adolescents most enjoy horror for its scary thrills. The film targets "exploring" and "struggler" psychographic groups seeking sensation from unsettling scenes. The certification affects who can watch due to disturbing content generally earning 12A ratings and above.
Prezzyyyy
The document discusses the target audience for a gritty British crime thriller film about police brutality and racial profiling set in London. The target audience is males aged 15-24, as crime thrillers predominantly appeal to this demographic. This age group enjoys fast-paced, action-packed, and sometimes gruesome films. The film will feature a male lead character engaging in dangerous situations, which males in the target age range can identify with. Additionally, the document provides mood boards showing interests of the target audience and describes their psychographic traits as "Strivers" or "Makers."
Evaluation 4
The document discusses the target audience for a gritty British crime thriller film about police brutality and racial profiling set in London. The target audience is males aged 15-24, as crime thrillers predominantly appeal to this demographic. This age group enjoys fast-paced, action-packed, and sometimes gruesome films. The film will feature a male lead character engaging in dangerous situations, which males in the target age range can identify with. Additionally, the document provides mood boards showing interests of the target audience and describes their psychographic traits as "Strivers" or "Makers."
Secondary Research
The document provides information on several films and film magazines to help determine the target audience for a new drama film. Key details include:
- The films appeal mainly to older (40+) audiences, especially those in the upper-middle class (AB demographic), due to complex subject matter.
- Film magazines Total Film and Empire largely attract educated, affluent males aged 18-39 who are passionate about film and new technology.
- This research indicates the new drama film should target 45+ audiences in the AB demographic, using sophisticated language and focusing on themes of obsession, addiction, and unpredictability.
Target audience of horror films
I researched the target audience of horror films, I looked into age, gender and social class in order to work out who I should aim my trailer at.
Evaluation question 4
- The target audience for the film is primarily males over 35 from social class C2, and secondarily females over 35. Black African/Caribbean and Eastern Europeans may also enjoy it.
- The film is rated 12 due to mild language, violence, and references but no drug use or offensive content. This rating appeals to both younger and older audiences.
- As a fantasy/thriller hybrid genre film, it has elements of both surprise and magic to attract a mainstream audience enjoying both genres.
- Reasons the target audience would want to see it include its suitability for family viewing, its sense of escapism, exciting magical elements, and appeal of a young girl antagonist.
Evaluation q4 - hibba sayeed
This document discusses targeting a male audience aged 15-30 for a horror film. Horror films typically contain graphic violence, language, and gory content, making younger audiences less suitable. The film would receive a 15 certificate to match other similar horror films. While mainly targeting males, some females and older audiences may also be interested due to elements of thriller. Research involving audience interviews found that families also enjoy watching together, and people have different preferences. The target audience was expanded to recognize varied interests in the horror genre.
Question 3
This document discusses how a media product represents social groups. It aims its content at youth aged 15-24 in the UK to raise awareness of real crime issues they may face. It focuses on this age group as they are more likely to experience crimes due to their surroundings. While some stereotypes were included, like depicting gang members as young black males, the document notes this stereotype wrongly assumes all young black people are dangerous. It provides two examples that negatively portray youths as violent and in gangs, despite diversity in real life.
Target audiences
Horror films primarily target females and males under 35. Data shows that 44% of females and 36% of males in this age group enjoy horror films. Additionally, 15% of the general public rate horror as their favorite genre, indicating it is mainstream. To appeal to both genders, the film opening should include elements that interest both males and females under 35. Mixing genres, like adding thriller elements to horror, could also draw in more of the audience.
Targetttt
Our target audience for the thriller trailer is younger people aged 16-25. Specifically, we aim to attract those categorized as C2, D, or E in socioeconomic class as they will identify with younger characters. According to ITV sales categories, our audience includes males aged 16-34 (AD, A3, ME, M3) and females in similar age groups and categories (WO, W3). Lifestyle categories like traditionalists, trendies, groupies, and egoists would be drawn to the thriller genre. We aim to promote on social media which this audience regularly uses.
The target audience of crime
Crime-Thriller films appeal to a broad audience ranging from ages 15 to 40, though they tend to attract more male viewers. Males are drawn to the criminal elements and action, while females enjoy the suspense and intrigue. Crime-Thrillers combine elements of crime films and thrillers, focusing on criminals and their activities like robberies and shootouts. The target audience for these films is typically ages 15-35 and includes both men and women from a variety of ethnic and socioeconomic backgrounds who seek adventure and discovery. Data from popular Crime-Thrillers like The Departed and Heat show they are favored most by younger male viewers ages 18-29, though those ages 30-44 also rate
Target audience presentation
This document discusses target audiences for different film genres. It provides details on how genres like horror, comedy, action, romance, and adventure appeal to specific demographic groups based on attributes such as age, gender, income level. Horror targets older viewers seeking tension, while comedy aims for a wide range due to varied senses of humor. The document then discusses plans for a film focused on social realism for ages 16-25, exploring themes like drugs, money issues, and sex that many teenagers can relate to. It cites The Inbetweeners TV show as an inspiration for capturing the lives of socially awkward suburban youth.
A w c target audience
This document discusses target audiences for films, specifically horror film subgenres. It identifies the target audiences for supernatural horror, comedy horror, and madness/paranoia films as mainly males and females aged 15-40 from middle and working class backgrounds. Research was conducted through interviews that found people who enjoy supernatural horror expect jump scares, tension, and original storylines, while feedback on social media also cited occult themes and curses. The key takeaway is that an effective supernatural horror film requires good scares, visual effects, and an engaging plot to appeal to its target audience.
A w c target audience
This document discusses target audiences for films, specifically horror film subgenres. It identifies the target audiences for supernatural horror, comedy horror, and madness/paranoia films as primarily males and females aged 15-40 from middle and working class backgrounds. Research was conducted through interviews that found people who enjoy supernatural horror expect jump scares, tension building, and original storylines, while feedback on social media also cited occult themes and curses. The key takeaway is that an effective supernatural horror film requires good scares, visual effects, and an engaging plot.
Audience of film and horror
The document discusses film audiences over time and the current UK cinema demographic. It saw a rise in cinema attendees after film's introduction until 1951, when TV was introduced and numbers declined until stabilizing in the 1980s. Currently, the main cinema audience is ages 15-24, followed by 35-44 and 25-34, and the male to female ratio is almost equal. For horror films specifically, the primary audiences are males ages 15-24, as well as working to middle class viewers and groups of friends or couples on dates.
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Media evaluation
The document summarizes and analyzes the key elements of a movie poster and magazine cover for the horror film "The Dollhouse". The poster features a single doll dressed in pink from a low angle, making the doll appear powerful and staring down at the audience. This is meant to encourage viewers to watch the film just as the dolls in the film persuade the girls to play with them. The magazine cover features two dolls, one in white and one in brown, suggesting something bad will happen to one of them. It promotes related stories about the villainous doll Chucky to attract audiences who enjoyed that film. Both the poster and magazine cover use stylistic choices common to horror media like a dark color scheme, spotlighting
Evaluation
The document discusses the various media technologies used by Dilara and Tana during the planning, research, construction, and evaluation stages of their media project. They used online resources like Google, YouTube, and Slideshare for planning and research. Applications such as Photoshop, Premiere Pro, and WordPress were used for construction. Evaluation involved technologies like iMovies, PowerPoint, and video recording on iPhone. A variety of equipment including a camera, tripod, and LED light were also employed.
What have we learned from our audience feedback?
The document summarizes audience feedback from a questionnaire and interviews conducted after screening a draft film trailer. 81.8% of participants said the trailer made them want to watch the full film. 95.5% agreed the trailer's titles linked well to the horror theme. All participants recognized the horror genre. 95.5% understood the plot. 68.2% noticed character development. 86.4% thought editing and sound effects were good. Feedback noted the need to increase character voices and decrease other sounds, which the creators addressed in the final draft. Interviewees specifically liked elements like a jump scare, music, and camera angles that achieved the intended chilling effect.
Costume and makeup
The document discusses the makeup, set design, and costumes for characters in a film. For the character Ella, a young girl, a natural makeup look was used and her face appeared slightly fairer to suggest she may become possessed. Teddy bears were added to a bedroom set to make it appear more full for a scene taking place in a child's bedroom. The costumes were changed from the original pitch, with Grace dressed in blue and green to communicate her calm and logical character, and Ella in red and black to hint at danger and the unknown happening to her character.
Character profile
Ella is a 10-year-old girl who enjoys exploring and is very adventurous. She wears maroon and black clothes and likes playing with dolls. Grace is Ella's 11-year-old sister who is more sensible and academic. Unlike Ella, Grace does not like wandering off or socializing. She wears blue and green clothes and enjoys science and math. The document provides character profiles for Ella and Grace by giving their ages, genders, personality traits, interests and clothing styles.
Untitled presentation
The document compares the horror films The Dollhouse and Chucky. Both films feature dolls as the central characters, but The Dollhouse challenges conventions by having the dolls be female rather than male. While traditionally female characters were portrayed as innocent and supporting, more recent films like The Dollhouse show girls in starring, cunning, and evil roles. The gender of the dolls is the main difference between the two films.
Poster + mag mock up and proposal
The document provides details and mockups for posters and magazine covers promoting a horror film called "The Dollhouse". Several poster designs are proposed and discussed. The posters feature a spotlight on the antagonist doll and titles in red to signify the horror genre. Magazine cover designs are also proposed, drawing inspiration from real horror film magazine covers in featuring close-ups of the antagonist doll(s). Feedback on initial designs is provided, with suggestions for improvements like brighter lighting to draw attention to the dolls' faces.
The dollhouse proposal
The Dollhouse proposal outlines a horror film about a couple who cannot have children and trap the souls of neighborhood children in dolls to keep as their own. The film follows two sisters, Ella and Grace, who discover the mysterious house and are drawn into danger. Ella is a creative and social butterfly while Grace is more mature and sensible. The film would receive a 12A classification for scary scenes that could influence young children, as well as some violence. The target audience is teenagers and young adults aged 15-24, as research shows they most enjoy the horror genre.
Location
The document discusses the importance of location selection in film production. The group chose a location that fit their storyline and mood without a budget. They filmed in public spaces and a house provided by a group member. Most important scenes took place inside the house, while outdoor scenes included girls wandering streets and a field. Each location served a purpose in showing character transformations and creating mood.
Film posters
The document provides analysis of various horror movie posters and magazine covers to inform the design of promotional materials for a student film project. Key elements discussed include using the antagonist/villain as the prominent visual focus; a dark/ominous color scheme; compositions that include half or obscured faces to suggest possession or lurking threats; and inclusion of reviews/ratings to attract audiences. Overall, the document examines common design conventions in horror media promotions to guide the creation of an effective poster and magazine cover tailored to the genre.
Key shots from a trailer
The document analyzes key shots that could be used in a movie trailer to establish elements of a story. It discusses using shots of characters interacting normally to set up an equilibrium that will later be disrupted. Subtle signs of danger are shown to hint at an impending problem. Shots of a mysterious red balloon and an abandoned, run-down house further allude to a threat. A shot of a young boy entering a dark tunnel symbolizes innocent curiosity entering dangerous territory. The reveal of a potentially evil female antagonist is shown, as well as dark shots of the antagonist to establish them as sinister. The trailer would end with a shot of the antagonist running toward the camera to entice viewers without a conclusive ending.
Film research
The document summarizes and analyzes trailers for three horror films - Chucky, Annabelle, and It. For Chucky, it describes shots used in the trailer and how they build suspense. It analyzes how Annabelle's trailer uses sound, editing techniques, and flashing images to create fear. For It, it discusses the opening shot, use of sound effects, black screens between shots, and a closing shot of the antagonist running at the camera to scare the audience.
Shooting script
The document discusses different shot types and angles for a film script, including a wide shot of girls walking in the park, a mid shot as they walk to a house, and a high angle shot of them in the entryway to make them seem vulnerable. It also mentions cutaway shots of hands inspired by The Babadook, an over the shoulder shot of a character picking up a doll, and a high angle shot of a character sitting on the floor to portray vulnerability. Specific lighting is also discussed, such as bright daylight for an opening scene and under lighting for a close-up of a character to seem more sinister.
Narrative theories
The document discusses two narrative theorists: Vladimir Propp and Tzvetan Todorov. It summarizes Propp's theory that there are certain character types that are used to create successful narratives. It then applies Propp's theory to characters in a teaser trailer. The document also summarizes Todorov's narrative theory about a disruption transforming a character or situation, and applies this to the film The Hunger Games and the teaser trailer.
Film posters
The document provides analysis of horror movie posters and magazine covers. It notes design elements that are commonly used, such as featuring the antagonist prominently, using a dark color scheme, and showing characters in partial or sinister poses. It also discusses including information like the movie title, director name, and reviews to attract audiences. The document concludes that for the author's own poster and magazine cover, they should emphasize the antagonist character while avoiding elements not applicable to their low-budget student film, like using established actors.
Narrative theories
This document discusses narrative theories by Vladimir Propp and Tzvetan Todorov. It summarizes Propp's theory that there are certain character types that drive narratives forward, such as heroes, villains, dispatchers. It then applies Propp's theory to analyze characters in The Hunger Games. It also summarizes Todorov's theory about narratives involving an initial equilibrium that is disrupted, followed by recognition, repair and restoration. As an example, it analyzes the narrative stages in the opening of The Hunger Games.
Institutions powerpoint
Vertigo Films would be a suitable institution to distribute a thriller film opening sequence. As an independent film company founded in 2002, Vertigo Films specializes in producing commercially successful independent films across genres including thriller, romance, mystery and drama. They take risks by funding films through public involvement and innovative financing. Their produced thriller film Pusher received good reviews, indicating their audience's openness to the thriller genre. In contrast, other institutions like Pixar are aimed at younger audiences through films rated U or PG, so they would not be a good fit for a thriller targeting audiences aged 16-30.
Categories of audience
Pearl and Dean categorize audiences by gender, age, family, and culture, targeting revenge at 16-30 year olds. Revenge would fall under their red category along with films like Kong: Skull Island, Fast and Furious 8, Keep Watching, and Unlocked - all thrillers, horrors, actions or crimes. Channel 4 categorizes by interests and personality types, suggesting revenge's audience would be activists against domestic abuse as its storyline relates to their cause in helping recognize and stop abuse. Channel 4's system is preferred over Pearl and Dean's as abuse has no age limit.
Film opening
The document summarizes key shots from the opening sequence of the film Black Swan. It introduces the protagonist standing alone in a dark room lit by a single spotlight, symbolizing her significance. Her ballet feet show her determination and perfectionism. The music then changes as the antagonist appears from the shadows. Shots show the antagonist following and seemingly controlling the protagonist. The light then reveals the antagonist's sinister expression. The protagonist tries to escape but is held back by the antagonist until the final shot where she stands alone facing the light, leaving the audience wondering if she is finally free.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling camera movements and sounds that create tension and suggest secrets. For Gone Girl, it explains how a tender moment is undercut by disturbing language to make the character seem untrustworthy. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that establish themes of isolation and corruption through the protagonist's dance. For the horror film, it notes the high angle shots create an unsettling voyeuristic feeling for the audience.
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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Categories of audience
- 1. Categories of audience Pearl and dean
- 2. Pearl and Dean Pearl and Dean have categorized the audience by gender, age, family, culture. The target audience for revenge is 16-30 year old. Revenge would fall in the red category (diagram on the right.). Other films in this category is โkong; skull islandโ , โfast and furious 8โ, โkeep watchingโ and โunlockedโ. These films fall under the genre of thriller, horror, action and crime. Revenge would fit into this category created by โPearl and Deanโ
- 3. Channel 4 Channel 4 have categorized their audience by interest and the type of person an individual is. Using channel 4โs categorizing system, the target audience for revenge would be an activist, people who actively fight against domestic abuse as the storyline will really relate to their cause. It will help the audience recognise abuse and how to stop it and get out of the cycle of abuse. Channel 4โs system of categorizing the audience is prefered to pearl and deanโs system as abuse does not have an age limit and can affect people of all ages.