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English Phonetics And Phonology
 Stress-timed rhythm
 Syllable-timed rhythm
 Foot
 Stress-shift
M.Mahdipour
 The notion of rhythm involves some
noticeable event happening at regular
intervals of time.
 It has often been claimed that English
speech is rhythmical and that the rhythm is
detectable in the regular occurrence of
stressed syllables.
M.Mahdipour
 This theory implies that stressed syllables will
tend to occur at relatively regular intervals
whether they are separated by unstressed
syllables or not.
 It states that in languages like English,
Russian, Arabic the times from each stressed
syllable to the next will tend to be the same,
irrespective of the number of intervening
unstressed syllables.
Ex/ `Walk `down the `path to the `end of the caǹal
M.Mahdipour
 The theory also claims that there is another
kind of rhythm in some languages (French)
called syllable-timed rhythm in which all
syllables whether stressed or unstressed tend
to occur at regular time intervals and the time
between stressed syllables will be shorter or
longer due to the number of unstressed
syllables.
M.Mahdipour
 Foot is a unit of rhythm. It begins with a
stressed syllable and includes all following
unstressed syllables up to the next stressed
syllable.
 `walk `down the `path to the `end of the ca `nal
M.Mahdipour
 Some feet are stronger than others,
producing strong-week patterns in larger
pieces of speech above the level of the foot.
For example; the word “twenty” has one
strong and one weak syllable, forming one
foot. And so does the word “places”.
 S W S W
 twen ty pla ces
M.Mahdipour
 Now consider the phrase ‘twenty places’
where ‘places’ normally carries stronger
stress.
W S
 s w s w
 twen ty pla ces
M.Mahdipour
 Looking at this phrase in the context of a
longer phrase “twenty places further back”,
we’ll have:
w
 w w
w w w
twen ty pla ces fur ther back
 The strength of any particular syllable can be measured by counting
up the number of times an S symbol occurs above.
M.Mahdipour
 English speech tends towards a regular
alternation between stronger and weaker, and
tends to adjust stress levels to bring this
about. This is the effect called stress-shift. As
you can see below, the stresses are altered
according to context.
 Compact (adj) /kəm`pækt/
 Compact disk /kɒmpækt disk/
 Westminster /west`mɪnstə/
 Westminster Abbey /`westmɪnstə `æbi/
M.Mahdipour
 In speaking English we vary in how
rhythmically we speak: sometimes we speak
very rhythmically (like in public speaking)
while at other times we may speak
arhythmically if we are hesitant or nervous.
 Stress-timed rhythm is characteristic of one
style of speaking, not of English speech as a
whole.
M.Mahdipour
 Regressive
 Progressive (Coalescent)
 Assimilation of place
 Assimilation of voice
M.Mahdipour
 In natural connected speech, sounds belonging
to one word can cause changes in sounds
belonging to neighbouring words. we call this
difference assimilation.
……. Cf Ci ……..
word boundary
 Assimilation is sth which varies in extent
according to speaking rate and style and is
more likely to be found in rapid, casual speech.
M.Mahdipour
 If Cf changes to become
like Ci in some way, the
assimilation is called
regressive.( The
following phoneme
affects on its preceding)
 If Ci changes to become
like Cf, then the
assimilation is called
progressive. This kind of
assimilation is sometimes
called Coalescence.
 In words like:
 Not yet & could you
 A final t,d and an initial j
following often combine to
form tʃ, ʤ, so that ‘not yet’
 Is pronounced /nɒʧet/
and ‘could you’ is /kʊʤu/.
2.1 Regressive assimilation 2.2 Progressive assimilation
M.Mahdipour
 This is the case parallel to regressive/progressive where
a Cf with alveolar place of articulation is followed by an
Ci with a place of articulation that is not alveolar.
 ex/ that person is /ðæp pɜ‫׃‬sn/
that man /ðæp mæn/
meat pie /mi‫׃‬p paı/
that case /ðæk keıs/
bright colour /braık kΛlə/
good boy /gʊb bɔı/
bad thing /bæd̥ Ɵıŋ/
card game /kɑ‫׃‬g geım/
green paper /gr‫׃‬m peıpə/
ten girls /teŋ gɜ‫׃‬lz/
this shoe /ðıʃ ʃu‫/׃‬
those years /ðəʊʒ jıəz/
M.Mahdipour
 It is important to know the consonants that have
undergone assimilation have not disappeared; the
duration of consonants remains more or less what
one would expect for a two-consonant cluster.
 The change in the manner of articulation is most
likely towards an easier consonant which makes less
obstruction to the airflow.
A case of progressive assimilation where Ci
becomes identical in manner to the Cf.
ex/ in the /ın ðə/ /ın̥n̥ə/
get them /get ðəm/ /gettəm/
read these /ri‫׃‬d ði‫׃‬z/ /ri‫׃‬ddi‫׃‬z/
M.Mahdipour
 This is found in a limited way and there is only regressive
assimilation of voice.
 If Cf is a lenis (voiced) consonant and Ci is fortis (voiceless)
the lenis consonant often becomes voiceless too.
 ex/ I have to /aı hæf tu/
 A type of assimilation that has become fixed is the
progressive assimilation of vioce with the suffixes s,z
 (3rd person singular, plural, possessive) where S is
pronounced as /S/ if the preceding consonant is fortis
(voiceless) and as /Z/ if the preceding consonant is lenis
(voiced).
 Cats /kæts/ dogs /dɒgz/
 Jumps /dʒΛmps/ runs /rΛnz/
 Pat’s /pæts/ pam’s/pæmz/
M.Mahdipour
 Assimilation creates sth of a problem for
phoneme theory:
 For example when d in good/gʊd/ in the context
‘good girl’ gives /gʊg gɜ‫׃‬l/ or b in the context
‘good boy’ /gʊb bɔı/ should we say that one
phoneme has been substituted for another?
 English has no dental or labiodental plosive
phonemes, so in these cases, although there is
clearly assimilation , there could not be said to
be a substitution of one phoneme for another.
The alternative is to say that assimilation causes
a phoneme to be realized by a different
allophone. This would mean that the phoneme d
of ‘good’ has velar and bilabial allophones.
M.Mahdipour
 In certain circumstances a phoneme
may be realised as zero or have zero
realisation or be deleted, this is called
Elision.
 It is typical of rapid, casual speech.
M.Mahdipour
1. Loss of weak vowel after p,t,k:
potato, tomato, canary, perhaps, today.
2. Weak vowel + n, l, r becomes syllabic
consonant:
tonight /tn̥aıt/ police/pl̥i‫׃‬s/ correct/kr̥ekt/
3. Avoidance of complex consonant clusters:
acts/æks/ looked back/lʊk bæk/ scripts/skrıps/
4. Loss of final v in ‘of’ before consonants:
Lots of them/lɒts ə ðəm/ west of money/weıst ə mΛni/
M.Mahdipour
 Had, would (‘d) : pronounced /d/ (after vowels), /əd/ (after
consonants)
 Is, has (‘s): pronounced /s/ (after fortis consonants), /z/
(after lenis consonants)
 Will (‘ll): pronounced /l/ (after vowels), /l̥/ (after consonants)
 Have (‘ve): pronounced /v/ (after vowels), /əv/ (after
consonants)
 Are (‘re): pronounced /ə/, /ər/(after vowels)
M.Mahdipour
 In real connected speech we link words
together in a number of ways. The most
familiar case is the use of linking r.
 ‘Here’ /hıə/ but ‘here are’/hıər ə/
 ‘Four’ /fɔ‫/׃‬ but ‘four eggs’/fɔ‫׃‬r egz/
M.Mahdipour
 It is using r for linking words ending with a
vowel, even when there is no justification.
 Formula A /fɔ‫׃‬mjələr eı/
 Australia all out /ɒstreıliər ɔ‫׃‬l aʊt/
 Media event /mi‫׃‬diər ıvent/
M.Mahdipour
 Linking r and intrusive r are special cases of juncture. Take a look at
some other examples:
 my turn /maı tɜ‫׃‬n/ long aı, aspirated t
 might earn/maıt ɜ‫׃‬n/ shortened aı, unaspirated t
 my train /maı treın/
 might rain /mait rein/
 Tray lending /treı lendiŋ/ long eı, clear l
 Trail ending /treıl endiŋ/ shortened eı, dark l
 keeps ticking t aspirated in ticking
 keep sticking t unaspirated after s
M.Mahdipour
M.Mahdipour

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Aspects of connected speech by mohsen mahdipour

  • 2.  Stress-timed rhythm  Syllable-timed rhythm  Foot  Stress-shift M.Mahdipour
  • 3.  The notion of rhythm involves some noticeable event happening at regular intervals of time.  It has often been claimed that English speech is rhythmical and that the rhythm is detectable in the regular occurrence of stressed syllables. M.Mahdipour
  • 4.  This theory implies that stressed syllables will tend to occur at relatively regular intervals whether they are separated by unstressed syllables or not.  It states that in languages like English, Russian, Arabic the times from each stressed syllable to the next will tend to be the same, irrespective of the number of intervening unstressed syllables. Ex/ `Walk `down the `path to the `end of the caǹal M.Mahdipour
  • 5.  The theory also claims that there is another kind of rhythm in some languages (French) called syllable-timed rhythm in which all syllables whether stressed or unstressed tend to occur at regular time intervals and the time between stressed syllables will be shorter or longer due to the number of unstressed syllables. M.Mahdipour
  • 6.  Foot is a unit of rhythm. It begins with a stressed syllable and includes all following unstressed syllables up to the next stressed syllable.  `walk `down the `path to the `end of the ca `nal M.Mahdipour
  • 7.  Some feet are stronger than others, producing strong-week patterns in larger pieces of speech above the level of the foot. For example; the word “twenty” has one strong and one weak syllable, forming one foot. And so does the word “places”.  S W S W  twen ty pla ces M.Mahdipour
  • 8.  Now consider the phrase ‘twenty places’ where ‘places’ normally carries stronger stress. W S  s w s w  twen ty pla ces M.Mahdipour
  • 9.  Looking at this phrase in the context of a longer phrase “twenty places further back”, we’ll have: w  w w w w w twen ty pla ces fur ther back  The strength of any particular syllable can be measured by counting up the number of times an S symbol occurs above. M.Mahdipour
  • 10.  English speech tends towards a regular alternation between stronger and weaker, and tends to adjust stress levels to bring this about. This is the effect called stress-shift. As you can see below, the stresses are altered according to context.  Compact (adj) /kəm`pækt/  Compact disk /kɒmpækt disk/  Westminster /west`mɪnstə/  Westminster Abbey /`westmɪnstə `æbi/ M.Mahdipour
  • 11.  In speaking English we vary in how rhythmically we speak: sometimes we speak very rhythmically (like in public speaking) while at other times we may speak arhythmically if we are hesitant or nervous.  Stress-timed rhythm is characteristic of one style of speaking, not of English speech as a whole. M.Mahdipour
  • 12.  Regressive  Progressive (Coalescent)  Assimilation of place  Assimilation of voice M.Mahdipour
  • 13.  In natural connected speech, sounds belonging to one word can cause changes in sounds belonging to neighbouring words. we call this difference assimilation. ……. Cf Ci …….. word boundary  Assimilation is sth which varies in extent according to speaking rate and style and is more likely to be found in rapid, casual speech. M.Mahdipour
  • 14.  If Cf changes to become like Ci in some way, the assimilation is called regressive.( The following phoneme affects on its preceding)  If Ci changes to become like Cf, then the assimilation is called progressive. This kind of assimilation is sometimes called Coalescence.  In words like:  Not yet & could you  A final t,d and an initial j following often combine to form tʃ, ʤ, so that ‘not yet’  Is pronounced /nɒʧet/ and ‘could you’ is /kʊʤu/. 2.1 Regressive assimilation 2.2 Progressive assimilation M.Mahdipour
  • 15.  This is the case parallel to regressive/progressive where a Cf with alveolar place of articulation is followed by an Ci with a place of articulation that is not alveolar.  ex/ that person is /ðæp pɜ‫׃‬sn/ that man /ðæp mæn/ meat pie /mi‫׃‬p paı/ that case /ðæk keıs/ bright colour /braık kΛlə/ good boy /gʊb bɔı/ bad thing /bæd̥ Ɵıŋ/ card game /kɑ‫׃‬g geım/ green paper /gr‫׃‬m peıpə/ ten girls /teŋ gɜ‫׃‬lz/ this shoe /ðıʃ ʃu‫/׃‬ those years /ðəʊʒ jıəz/ M.Mahdipour
  • 16.  It is important to know the consonants that have undergone assimilation have not disappeared; the duration of consonants remains more or less what one would expect for a two-consonant cluster.  The change in the manner of articulation is most likely towards an easier consonant which makes less obstruction to the airflow. A case of progressive assimilation where Ci becomes identical in manner to the Cf. ex/ in the /ın ðə/ /ın̥n̥ə/ get them /get ðəm/ /gettəm/ read these /ri‫׃‬d ði‫׃‬z/ /ri‫׃‬ddi‫׃‬z/ M.Mahdipour
  • 17.  This is found in a limited way and there is only regressive assimilation of voice.  If Cf is a lenis (voiced) consonant and Ci is fortis (voiceless) the lenis consonant often becomes voiceless too.  ex/ I have to /aı hæf tu/  A type of assimilation that has become fixed is the progressive assimilation of vioce with the suffixes s,z  (3rd person singular, plural, possessive) where S is pronounced as /S/ if the preceding consonant is fortis (voiceless) and as /Z/ if the preceding consonant is lenis (voiced).  Cats /kæts/ dogs /dɒgz/  Jumps /dʒΛmps/ runs /rΛnz/  Pat’s /pæts/ pam’s/pæmz/ M.Mahdipour
  • 18.  Assimilation creates sth of a problem for phoneme theory:  For example when d in good/gʊd/ in the context ‘good girl’ gives /gʊg gɜ‫׃‬l/ or b in the context ‘good boy’ /gʊb bɔı/ should we say that one phoneme has been substituted for another?  English has no dental or labiodental plosive phonemes, so in these cases, although there is clearly assimilation , there could not be said to be a substitution of one phoneme for another. The alternative is to say that assimilation causes a phoneme to be realized by a different allophone. This would mean that the phoneme d of ‘good’ has velar and bilabial allophones. M.Mahdipour
  • 19.  In certain circumstances a phoneme may be realised as zero or have zero realisation or be deleted, this is called Elision.  It is typical of rapid, casual speech. M.Mahdipour
  • 20. 1. Loss of weak vowel after p,t,k: potato, tomato, canary, perhaps, today. 2. Weak vowel + n, l, r becomes syllabic consonant: tonight /tn̥aıt/ police/pl̥i‫׃‬s/ correct/kr̥ekt/ 3. Avoidance of complex consonant clusters: acts/æks/ looked back/lʊk bæk/ scripts/skrıps/ 4. Loss of final v in ‘of’ before consonants: Lots of them/lɒts ə ðəm/ west of money/weıst ə mΛni/ M.Mahdipour
  • 21.  Had, would (‘d) : pronounced /d/ (after vowels), /əd/ (after consonants)  Is, has (‘s): pronounced /s/ (after fortis consonants), /z/ (after lenis consonants)  Will (‘ll): pronounced /l/ (after vowels), /l̥/ (after consonants)  Have (‘ve): pronounced /v/ (after vowels), /əv/ (after consonants)  Are (‘re): pronounced /ə/, /ər/(after vowels) M.Mahdipour
  • 22.  In real connected speech we link words together in a number of ways. The most familiar case is the use of linking r.  ‘Here’ /hıə/ but ‘here are’/hıər ə/  ‘Four’ /fɔ‫/׃‬ but ‘four eggs’/fɔ‫׃‬r egz/ M.Mahdipour
  • 23.  It is using r for linking words ending with a vowel, even when there is no justification.  Formula A /fɔ‫׃‬mjələr eı/  Australia all out /ɒstreıliər ɔ‫׃‬l aʊt/  Media event /mi‫׃‬diər ıvent/ M.Mahdipour
  • 24.  Linking r and intrusive r are special cases of juncture. Take a look at some other examples:  my turn /maı tɜ‫׃‬n/ long aı, aspirated t  might earn/maıt ɜ‫׃‬n/ shortened aı, unaspirated t  my train /maı treın/  might rain /mait rein/  Tray lending /treı lendiŋ/ long eı, clear l  Trail ending /treıl endiŋ/ shortened eı, dark l  keeps ticking t aspirated in ticking  keep sticking t unaspirated after s M.Mahdipour