11VA Theory - Marcel Duchamp
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The document discusses Marcel Duchamp, a French artist who worked in painting, sculpture, and film. It provides biographical details on Duchamp and discusses some of his important works, including Fountain, a urinal he submitted as a sculpture. It also explores Duchamp's concept of readymades, where everyday objects are selected and designated as art. Duchamp is seen as pioneering conceptual art and challenging traditional notions of art through works like Fountain and L.H.O.O.Q., a modified version of the Mona Lisa. The document provides context and quotes from Duchamp on his works and their significance.
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Marcel Duchamp
Marcel Duchamp was a highly influential French artist born in 1887 who worked in Dadaism and conceptual art. He helped define revolutionary developments in painting and sculpture in the early 20th century. Duchamp rejected "retinal art" meant solely for visual pleasure and sought to put art back in service of the mind. His works like Fountain and L.H.O.O.Q. challenged definitions of art by taking everyday objects and placing them in galleries. Duchamp created miniatures of his works in the Box in a Valise and influenced generations of artists through his experimentation and questioning of art.
Dada Powerpoint
The dada movement began around 1915 in Europe as an anti-war protest against World War I and traditional beliefs about art, producing shocking and nonsensical works. Dada artists believed their art should be anti-art that went against established artistic standards. The movement included visual art as well as literature, theater, and graphic design. While beginning in Europe, the dada movement also developed in New York City where the art was often more lighthearted compared to the violence depicted in Europe. Key dada artists included Marcel Duchamp, Max Ernst, Raoul Hausmann, and Man Ray, with Duchamp and Ray helping to establish the American branch of dada in New York.
Pop Art Presentation
Pop art developed in the 1950s and originated from post-impressionism, fauvism, dadaism, and abstract expressionism. It featured imagery from popular culture and mass media in an emotionally detached style using bright colors and new technologies like silkscreening. Key figures included Richard Hamilton, Andy Warhol, and Roy Lichtenstein, who are known for works depicting celebrities, brand logos, and comic strips in a pop aesthetic.
Robert Rauschenberg presentation
Robert Rauschenberg was an American artist considered influential in challenging modernist views of art. He was inspired by Dadaists, Joseph Cornell, Kurt Schwitters, and artists of the 1950s like Jasper Johns. Rauschenberg helped establish Neo-Dada and acted as a bridge between Abstract Expressionism and Pop Art by incorporating everyday objects and images in innovative combinations in his combines and silkscreen works. He pushed boundaries and inspired later artists associated with Pop Art.
Impressionism
The document summarizes the French Impressionist art movement between 1867 and 1886. Key points include:
- Impressionists aimed to accurately depict visual reality and effects of light/color, influenced by scientific light examination
- Major artists included Monet, Renoir, Cassatt, Degas, and Cézanne
- Impressionism emphasized small brushstrokes, light/color depiction, ordinary subjects, and movement over composition
- The term "Impressionism" originated from Monet's painting Impression, Sunrise (1872)
- Artists explored new techniques like plein air painting and the use of complementary colors
Early Modern Art, 1900 - 1940
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
DADAISM
The Dada art movement originated in Zurich, Switzerland during World War I as a protest against nationalism and bourgeois values through anti-art works incorporating chance, nonsense, and found objects. Key figures included Hugo Ball, Tristan Tzara, Francis Picabia, Marcel Duchamp, Hans Arp, Max Ernst, Man Ray, and Kurt Schwitters, who created works across mediums like painting, collage, sculpture, photography, and performance that challenged artistic conventions. Dada sought to represent the chaos of the postwar period through absurdist, ironic, and provocative creations.
Expressionism
This slide explains how the principle of expressionism is applied to architectural structures and examples about expressionism art and architecture .
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Marcel Duchamp
Marcel Duchamp was a highly influential French artist born in 1887 who worked in Dadaism and conceptual art. He helped define revolutionary developments in painting and sculpture in the early 20th century. Duchamp rejected "retinal art" meant solely for visual pleasure and sought to put art back in service of the mind. His works like Fountain and L.H.O.O.Q. challenged definitions of art by taking everyday objects and placing them in galleries. Duchamp created miniatures of his works in the Box in a Valise and influenced generations of artists through his experimentation and questioning of art.
Dada Powerpoint
The dada movement began around 1915 in Europe as an anti-war protest against World War I and traditional beliefs about art, producing shocking and nonsensical works. Dada artists believed their art should be anti-art that went against established artistic standards. The movement included visual art as well as literature, theater, and graphic design. While beginning in Europe, the dada movement also developed in New York City where the art was often more lighthearted compared to the violence depicted in Europe. Key dada artists included Marcel Duchamp, Max Ernst, Raoul Hausmann, and Man Ray, with Duchamp and Ray helping to establish the American branch of dada in New York.
Pop Art Presentation
Pop art developed in the 1950s and originated from post-impressionism, fauvism, dadaism, and abstract expressionism. It featured imagery from popular culture and mass media in an emotionally detached style using bright colors and new technologies like silkscreening. Key figures included Richard Hamilton, Andy Warhol, and Roy Lichtenstein, who are known for works depicting celebrities, brand logos, and comic strips in a pop aesthetic.
Robert Rauschenberg presentation
Robert Rauschenberg was an American artist considered influential in challenging modernist views of art. He was inspired by Dadaists, Joseph Cornell, Kurt Schwitters, and artists of the 1950s like Jasper Johns. Rauschenberg helped establish Neo-Dada and acted as a bridge between Abstract Expressionism and Pop Art by incorporating everyday objects and images in innovative combinations in his combines and silkscreen works. He pushed boundaries and inspired later artists associated with Pop Art.
Impressionism
The document summarizes the French Impressionist art movement between 1867 and 1886. Key points include:
- Impressionists aimed to accurately depict visual reality and effects of light/color, influenced by scientific light examination
- Major artists included Monet, Renoir, Cassatt, Degas, and Cézanne
- Impressionism emphasized small brushstrokes, light/color depiction, ordinary subjects, and movement over composition
- The term "Impressionism" originated from Monet's painting Impression, Sunrise (1872)
- Artists explored new techniques like plein air painting and the use of complementary colors
Early Modern Art, 1900 - 1940
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
DADAISM
The Dada art movement originated in Zurich, Switzerland during World War I as a protest against nationalism and bourgeois values through anti-art works incorporating chance, nonsense, and found objects. Key figures included Hugo Ball, Tristan Tzara, Francis Picabia, Marcel Duchamp, Hans Arp, Max Ernst, Man Ray, and Kurt Schwitters, who created works across mediums like painting, collage, sculpture, photography, and performance that challenged artistic conventions. Dada sought to represent the chaos of the postwar period through absurdist, ironic, and provocative creations.
Expressionism
This slide explains how the principle of expressionism is applied to architectural structures and examples about expressionism art and architecture .
Impressionism
Impressionism began in the mid-19th century in France and was characterized by loose brush strokes, vibrant colors, and everyday scenes painted en plein air to capture fleeting moments and the effects of light. Claude Monet, Pierre-Auguste Renoir, Edgar Degas, and others founded the movement and held independent exhibitions to showcase their work, which was initially deemed unfinished and offensive for its departure from traditional techniques and subjects. The Impressionists emphasized capturing transient visual impressions through short brush strokes, light, and common scenes rather than meticulously finished compositions.
Post impressionism
Post-Impressionism developed in response to Impressionism between 1886 and 1892. Artists considered Impressionism too casual or naturalistic and sought to explore emotion in paint. Key Post-Impressionist artists included Paul Cezanne, whose still lifes influenced Cubism, Vincent Van Gogh, known for his vivid colors and expressive brushwork, and Henri de Toulouse-Lautrec, who captured modern Parisian nightlife in satirical works that bordered on caricature. These artists broke from Impressionism by restoring color, shape, and subjectivity to their paintings.
Pop art
from here http://www.slideshare.net/educ5254/pop-art-2627634 with info about Lichtenstein and Thiebaud added by me.
Expressionism
Expressionism was a modernist movement originating in Germany in the early 20th century. Expressionist artists sought to express emotions and ideas rather than physical reality by distorting the world from a subjective perspective. Key expressionist artists included Paul Klee and Marc Chagall. Paul Klee was influenced by expressionism, cubism, and surrealism and worked in many media. Marc Chagall was a Russian-French artist known for his vibrant colors and use of stained glass windows to express intense colors changing with light and perspective. Both artists expressed inner experiences through distorted forms and perspectives.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
Pop Art
Pop Art emerged in the mid-1950s in Britain and the late 1950s in the US. It uses imagery, styles, and themes from advertising, mass media, and popular culture. Pop Art paintings take inspiration from commercial and consumer aspects of everyday life, particularly American culture. They are easy to interpret without hidden symbolism and appeal to a wide audience. Some key Pop Artists mentioned include Andy Warhol, known for his paintings of Campbell's Soup cans, Coca-Cola bottles, and Marilyn Monroe, and Roy Lichtenstein, who painted comic book panels in a realistic style.
Dada
Dada began in 1916 in Switzerland as an anti-war art movement started by artists rebelling against World War I. The movement had no rules and sought to shock people with absurd art. The first Dadaists met in a Zurich cafe led by Tristan Tzara and took the name "Dada" from a random dictionary word. Famous Dadaists included Jean Arp, Marcel Duchamp, Max Ernst, Man Ray, and Kurt Schwitters who worked in mediums like painting, sculpture, photography, poetry and collage.
Art Movements
This document provides information about Impressionism and Post-Impressionism art movements from 1872-1910. It summarizes key ideas such as Impressionists capturing light and atmosphere through small brushstrokes of color and Post-Impressionists exploring subjective vision through use of color, shape and composition. Several influential artworks are described that demonstrate these styles, including works by Monet, Renoir, Van Gogh, Gauguin, Seurat and Matisse. Fauvism is also summarized as emphasizing expression through vivid color and form above realistic representation.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
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Expressionism Art Movement
This document provides an overview of Expressionism, including its history, key concepts, and important artists. Expressionism emerged in Germany in the early 1900s in response to feelings of loss of meaning and spirituality in modern life. Expressionist artists sought to convey inner experiences rather than physical reality through distorted forms and bold colors. Key figures who influenced Expressionism include Van Gogh, Munch, and Ensor. The document discusses the founding of groups like Die Brücke and Der Blaue Reiter and highlights works by important Expressionist artists such as Kirchner, Marc, Macke, Schiele, Heckel, and Soutine.
Surrealism
Surrealism was an artistic movement that began in the early 20th century that aimed to express the subconscious mind through fantastical imagery. It grew out of Dadaism and was officially founded in 1924 by Andre Breton. Key surrealist techniques included automatism, where artists created works unconsciously through free association, and juxtaposing unrelated objects. Major surrealist artists included Salvador Dali, Rene Magritte, Max Ernst, Joan Miro, and later Frida Kahlo, Remedios Varo, and Leonora Carrington. Surrealism had a significant influence on later artistic movements and aimed to challenge rationalism and social norms through liberating the imagination.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
Impressionism power point
Impressionism was an art movement developed in the late 1800s by artists such as Vincent van Gogh, Claude Monet, Alfred Sisley, and Edgar Degas. They painted mostly outdoor scenes of everyday life using short, thick brush strokes to capture mood rather than detail. Their paintings were done en plein air using wet-on-wet techniques and emphasized the play of natural light. Their innovative styles violated the rules of academic painting at the time.
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The brief of the anti-art movemen DADA and the famous artworks of the dadaism.
works like L.H.O.O.Q , rectangle , the fountain by artists like
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The document discusses post-Impressionist artists and characteristics of their styles. It describes Pointillism, pioneered by Georges Seurat, which uses small dots of primary colors that blend in the eye. Key post-Impressionist artists mentioned include Seurat, Vincent van Gogh, Paul Cezanne, and Henri Edmond Cross. Seurat took a scientific approach to color theory with his masterpiece Sunday Afternoon on the Island of La Grande Jatte. Cezanne is said to have formed a bridge to Cubism with simplified geometric forms. Van Gogh's art was not appreciated until after his death by suicide, though he was prolific producing over 2,000 works in the last 10 years
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15 Conceptual Art
The document discusses various types of conceptual, performance, installation and new media art. It provides examples and descriptions of works by artists such as Marcel Duchamp, Sol Le Witt, Claes Oldenburg, Gordon Matta-Clark, Robert Indiana and Rachel Whiteread. It also discusses how conceptual ideas influenced the design of certain architecture like the Wexner Center and Centre Pompidou.
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This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
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The document discusses modernist painting and Clement Greenberg's theory of modernism from the 1960s. It provides Greenberg's definition of modernism as using the methods of a discipline to critique itself, in order to strengthen its competence. Greenberg emphasized the flatness of the picture plane as unique to painting. The document also discusses Morris Louis' abstract painting Saraband from 1959 as exemplifying Greenberg's theories through its shimmering, translucent veil created by color drips and the removal of the artist's hand from the work.
conceptual art final.pptx
Conceptual art emerged in the 1960s as a reaction against formalism and the commodification of art. It privileged ideas and concepts over physical objects. Pioneers like Marcel Duchamp and later artists such as Joseph Kosuth, Sol LeWitt, and Bruce Nauman created conceptual works that consisted of photographs, texts, maps, or instructions that diverted attention from aesthetics to underlying ideas. Their goal was to question definitions of art and artistic value by removing the necessity of physical objects and manual skill.
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Impressionism
Impressionism began in the mid-19th century in France and was characterized by loose brush strokes, vibrant colors, and everyday scenes painted en plein air to capture fleeting moments and the effects of light. Claude Monet, Pierre-Auguste Renoir, Edgar Degas, and others founded the movement and held independent exhibitions to showcase their work, which was initially deemed unfinished and offensive for its departure from traditional techniques and subjects. The Impressionists emphasized capturing transient visual impressions through short brush strokes, light, and common scenes rather than meticulously finished compositions.
Post impressionism
Post-Impressionism developed in response to Impressionism between 1886 and 1892. Artists considered Impressionism too casual or naturalistic and sought to explore emotion in paint. Key Post-Impressionist artists included Paul Cezanne, whose still lifes influenced Cubism, Vincent Van Gogh, known for his vivid colors and expressive brushwork, and Henri de Toulouse-Lautrec, who captured modern Parisian nightlife in satirical works that bordered on caricature. These artists broke from Impressionism by restoring color, shape, and subjectivity to their paintings.
Pop art
from here http://www.slideshare.net/educ5254/pop-art-2627634 with info about Lichtenstein and Thiebaud added by me.
Expressionism
Expressionism was a modernist movement originating in Germany in the early 20th century. Expressionist artists sought to express emotions and ideas rather than physical reality by distorting the world from a subjective perspective. Key expressionist artists included Paul Klee and Marc Chagall. Paul Klee was influenced by expressionism, cubism, and surrealism and worked in many media. Marc Chagall was a Russian-French artist known for his vibrant colors and use of stained glass windows to express intense colors changing with light and perspective. Both artists expressed inner experiences through distorted forms and perspectives.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
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Pop Art emerged in the mid-1950s in Britain and the late 1950s in the US. It uses imagery, styles, and themes from advertising, mass media, and popular culture. Pop Art paintings take inspiration from commercial and consumer aspects of everyday life, particularly American culture. They are easy to interpret without hidden symbolism and appeal to a wide audience. Some key Pop Artists mentioned include Andy Warhol, known for his paintings of Campbell's Soup cans, Coca-Cola bottles, and Marilyn Monroe, and Roy Lichtenstein, who painted comic book panels in a realistic style.
Dada
Dada began in 1916 in Switzerland as an anti-war art movement started by artists rebelling against World War I. The movement had no rules and sought to shock people with absurd art. The first Dadaists met in a Zurich cafe led by Tristan Tzara and took the name "Dada" from a random dictionary word. Famous Dadaists included Jean Arp, Marcel Duchamp, Max Ernst, Man Ray, and Kurt Schwitters who worked in mediums like painting, sculpture, photography, poetry and collage.
Art Movements
This document provides information about Impressionism and Post-Impressionism art movements from 1872-1910. It summarizes key ideas such as Impressionists capturing light and atmosphere through small brushstrokes of color and Post-Impressionists exploring subjective vision through use of color, shape and composition. Several influential artworks are described that demonstrate these styles, including works by Monet, Renoir, Van Gogh, Gauguin, Seurat and Matisse. Fauvism is also summarized as emphasizing expression through vivid color and form above realistic representation.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Fauvism lecture
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, wild, and pure colors and a simplified use of forms. It originated around 1905 in reaction to the then-dominant Impressionism movement and was influenced by Post-Impressionism. Key Fauvist artists included Henri Matisse, André Derain, and Maurice de Vlaminck, who were connected by their expressive techniques and concepts though their individual styles differed. While short-lived, Fauvism had a significant influence on freeing color use and the boundaries of artistic representation.
Expressionism Art Movement
This document provides an overview of Expressionism, including its history, key concepts, and important artists. Expressionism emerged in Germany in the early 1900s in response to feelings of loss of meaning and spirituality in modern life. Expressionist artists sought to convey inner experiences rather than physical reality through distorted forms and bold colors. Key figures who influenced Expressionism include Van Gogh, Munch, and Ensor. The document discusses the founding of groups like Die Brücke and Der Blaue Reiter and highlights works by important Expressionist artists such as Kirchner, Marc, Macke, Schiele, Heckel, and Soutine.
Surrealism
Surrealism was an artistic movement that began in the early 20th century that aimed to express the subconscious mind through fantastical imagery. It grew out of Dadaism and was officially founded in 1924 by Andre Breton. Key surrealist techniques included automatism, where artists created works unconsciously through free association, and juxtaposing unrelated objects. Major surrealist artists included Salvador Dali, Rene Magritte, Max Ernst, Joan Miro, and later Frida Kahlo, Remedios Varo, and Leonora Carrington. Surrealism had a significant influence on later artistic movements and aimed to challenge rationalism and social norms through liberating the imagination.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
Impressionism power point
Impressionism was an art movement developed in the late 1800s by artists such as Vincent van Gogh, Claude Monet, Alfred Sisley, and Edgar Degas. They painted mostly outdoor scenes of everyday life using short, thick brush strokes to capture mood rather than detail. Their paintings were done en plein air using wet-on-wet techniques and emphasized the play of natural light. Their innovative styles violated the rules of academic painting at the time.
Dada
The brief of the anti-art movemen DADA and the famous artworks of the dadaism.
works like L.H.O.O.Q , rectangle , the fountain by artists like
post impressionism
The document discusses post-Impressionist artists and characteristics of their styles. It describes Pointillism, pioneered by Georges Seurat, which uses small dots of primary colors that blend in the eye. Key post-Impressionist artists mentioned include Seurat, Vincent van Gogh, Paul Cezanne, and Henri Edmond Cross. Seurat took a scientific approach to color theory with his masterpiece Sunday Afternoon on the Island of La Grande Jatte. Cezanne is said to have formed a bridge to Cubism with simplified geometric forms. Van Gogh's art was not appreciated until after his death by suicide, though he was prolific producing over 2,000 works in the last 10 years
Pop Art
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15 Conceptual Art
The document discusses various types of conceptual, performance, installation and new media art. It provides examples and descriptions of works by artists such as Marcel Duchamp, Sol Le Witt, Claes Oldenburg, Gordon Matta-Clark, Robert Indiana and Rachel Whiteread. It also discusses how conceptual ideas influenced the design of certain architecture like the Wexner Center and Centre Pompidou.
Expressionism art movement
This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Pop Art--Final Project
Pop Art emerged in the 1950s as a reaction to Abstract Expressionism, using imagery from popular culture and mass media. Major pop artists like Andy Warhol, Roy Lichtenstein, Jasper Johns, and Robert Rauschenberg incorporated symbols, objects, and graphics from advertisements, product packaging, and other commercial art into their brightly colored, photo-realistic paintings and sculptures. Pop Art blurred the lines between high and low art to comment on the growing role of consumerism and mass production in postwar Western culture.
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- Christo and Jeanne-Claude were a married couple who created environmental artworks together, such as wrapping the Reichstag in Berlin. They took separate planes in case one crashed.
- Several assignments are provided for students focusing on relationships between artists, viewers, and different cultures through interventions
Exam part 2
The document provides information on various artists and their works related to different themes: activities, the natural world, imagination, and timeline. It includes brief biographies of artists like Martha Rosler, Richard Hamilton, Zaha Hadid, Georgia O'Keefe, Yayoi Kusama, Henri Matisse, Vincent Van Gogh, Luke Jerram, Carl Warner, David Hockney, Damien Hirst, Tacita Dean, Manus Walsh, Arthur Rackham, Paula Rego, Brian Froud, Salvador Dali, Rene Magritte, Carel Weight, Anthony Green, William Blake, M.C. Escher, Alberto Schommer, and Rafal Olbinski.
Exam part 2
The document provides information on various artists and their works related to different themes: Activities, Natural World, Imagination. It includes brief biographies of artists like Ben Shahn, Richard Hamilton, Zaha Hadid, Georgia O'Keefe, Yayoi Kusama, Vincent Van Gogh, and Salvador Dali. It also shares links to websites with more details on the works of some artists like Lois Greenfield, Carl Warner, and David Hockney. Examples of artworks are shown for most artists along with their medium like photography, painting, sculpture, and more. Overall, the document exposes the reader to a wide range of artists and artworks connected to different subject areas.
Andy Warhol Book Redesign and Bind
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Jackson Pollock
The document discusses abstract expressionist artists like Jackson Pollock and Robert Motherwell. It provides biographical information on Pollock, Motherwell, Ad Reinhardt, and David Hare. It also shares several quotes by Pollock about his abstract painting process and philosophy, including that he works from within rather than outside subject matter, and that technique is just a means of arriving at a statement for him.
01 art after wwii
1. The document discusses key 20th century art movements and ideas that influenced postwar art, including Marcel Duchamp's readymades which introduced everyday objects as art, Walter Benjamin's theories on mechanical reproduction, and Surrealism's emphasis on the unconscious and automatism.
2. It provides context on the impact of World War 2, including the rise of totalitarianism, the Holocaust, use of atomic weapons, and millions of casualties. The postwar period saw the rise of Abstract Expressionism in New York as the city became the new center of the art world, influenced by European artists who fled the war.
3. Key figures and works discussed include Duchamp, Clement Greenberg, Salvador Dali,
20th c Art
The 20th century saw many significant events and developments in art. Some key points include:
- Major art movements emerged like Cubism, Surrealism, Expressionism, and Abstract Expressionism which pushed artistic boundaries.
- World War 2 ended in 1945 which had a large impact on societies and artists.
- New technologies like film and later computers influenced visual culture.
- Debates emerged around representation, abstraction, and the purpose of art. Major artists experimented with new styles and mediums.
Dadaism
Dadaism was an early 20th century avant-garde art movement that was founded in Zurich in 1916 in reaction to World War I. It rejected reason and logic and emphasized chaos and irrationality through anti-art styles and shock value. Some of the most famous Dadaists included Marcel Duchamp, whose "Fountain" was a urinal signed and submitted as a sculpture, Max Ernst, known for his surreal collage paintings, and Francis Picabia, who formed a Dada group in Barcelona and created the painting "Amorous Parade."
Potd7 Impressionism1
The document summarizes the origins and key figures of the Impressionist movement in painting. It describes how the movement began in 1863 when many paintings were rejected from the official Salon exhibition in Paris. This led Emperor Napoleon III to organize an independent Salon des Refusés exhibition. This helped establish Impressionism as a new style of painting focused on capturing fleeting impressions and sensations rather than detailed renderings. The document outlines some of the main Impressionist painters like Monet, Renoir, Pissarro, Sisley, and Degas and their contributions to the movement's loose brushwork style and use of plein air painting.
Week 4 Making Art Authorship Originality
The document discusses various works related to concepts of individual identity, authorship, and the readymade. It begins by describing Ashley Bickerton's artwork Tormented Self-Portrait and Vincent Van Gogh's Self-Portrait with Bandaged Ear. It then discusses Marcel Duchamp's concept of the "readymade" and some of his works that exemplified this, such as Fountain and Bicycle Wheel. Later, it discusses Sherrie Levine's appropriation works that referenced photographs by Edward Weston and Walker Evans without their permission, questioning ideas of authorship and ownership.
Chapter 10 picturing the waste land - western europe during world war i
The Cabaret Voltaire opened in Zurich in 1916, launching the art movement known as Dada. Founded by Hugo Ball and Emmy Hennings, it attracted diverse artists and hosted performances of works rejecting logic and rationality in response to World War I. Dada soon spread to other cities and focused on nonsensical happenings and works incorporating chance to subvert artistic norms. Figures like Marcel Duchamp, Hans Arp, and Francis Picabia created readymades and works embracing happenstance that challenged definitions of art. Dada marked a revolutionary beginning of conceptual art and influence on subsequent avant-garde movements.
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Chapter 10 picturing the waste land - western europe during world war i
Chapter 10 picturing the waste land - western europe during world war i
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11VA Theory - Marcel Duchamp
- 1. The Influence of DUCHAMP Duchampism - the cult of Duchamp
- 2. Week 5, Term 1, 2015
- 3. BIOGRAPHY • Birth Name: Henri Robert Marcel Duchamp • Born July: 28th July 1887, Blainville Crevon, France • Died: 2nd October 1968 (aged 81), Neuilly sur Seine, France • Nationality: French (became a U.S. citizen in 1955) • Art Form: Painting, Sculpture, Film • Movement: Dadaism, Surrealism
- 4. FOUNTAIN Original Version • 1917, New York • Original lost • Porcelain urinal • Readymade • No dimensions recorded • Painted on the side is “R. Mutt 1917” by Duchamp, which was named so after Mott Works.
- 5. QUOTE • The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. ~ Marcel Duchamp
- 6. IN ADVANCE OF A BROKEN ARM "Even standing in the corner it wouldn't do, for then it suddenly became a shovel again... When our little exhibition [1945 retrospective of three Duchamp brothers] went on tour, a janitor at a Museum in Minnesota the next winter mistook it for a shovel, as well he might, and went to work on a snowdrift, doing Duchamp's inscription no good."
- 7. QUOTE • It is necessary to arrive at selecting an object with the idea of not being impressed by this object on the basis of enjoyment of any order. However, it is difficult to select an object that absolutely does not interest you, not only on the day on which you select it, and which does not have any chance of becoming attractive or beautiful and which is neither pleasant to look at nor particularly ugly. ~ Marcel Duchamp
- 8. QUOTE • This Neo-Dada, which they call New Realism, Pop Art, Assemblage, etc., is an easy way out, and lives on what Dada did. When I discovered the ready-mades I sought to discourage aesthetics. In Neo-Dada they have taken my ready-mades and found aesthetic beauty in them, I threw the bottle-rack and the urinal into their faces as a challenge and now they admire them for their aesthetic beauty. ~ Marcel Duchamp
- 9. READYMADE AND FOUND ART Click the link below to view a video on Marcel Duchamp’s readymade art theory, and the difference between that and junk art. Marcel Duchamp Talks with Martin Friedman about the Readymade https://www.youtube.com/watch?v=VYqDpNmnu8I HOMEWORK: Students will be required to login to the Wiki and provide the definitions for Found Objects and Ready Made art in their own words.
- 10. Week 6, Term 1, 2015
- 11. IMPORTANCE OF THE F R A M E
- 12. POST MODERN FRAME: L.H.O.O.Q • 1919, France • Post card reproduction of the Mona Lisa with pencil • Readymade • The name of the piece, L.H.O.O.Q. (in French èl ache o o qu), is a pun, since the letters when pronounced in French form the sentence "Elle a chaud au cul", which can be roughly translated as "She has a hot ass".
- 13. POST MODERN FRAME: L.H.O.O.Q Discuss within the artwork... • Humour, wit, parody and appropriation • Recontextualisation • Conceptualism • Rejection of traditional aesthetics • Notion of the original
- 14. IMPORTANCE OF THE THE CONCEPTUAL FRAMEWORK
- 15. CONCEPTUAL FRAMEWORK: Fountain How have these agencies interacted?
- 16. HOMEWORK: Students must begin researching their Theoretical task and must provide a preference for their chosen artist by next week’s Theory lesson.
Editor's Notes
- What is this saying about the audience? How is Duchamp involving them? How is this unconventional?
- What do you think this says about Duchamp’s audience at the time? How was he challenging them?
- Why was this necessary to Duchamp?
- What do you think this says about Duchamp’s audience at the time? How was he challenging them?